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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 69 53 104 it is the complementary color RGB 186 202 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 69 53 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 69 53 104 shade: RGB 74 53 99, RGB 91 71 118, RGB 108 89 137, RGB 125 107 156 and RGB 142 125 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 69 53 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 69 53 104 shade: RGB 69 53 104, RGB 52 35 85, RGB 35 17 66, RGB 18 0 47 and RGB 1 0 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 69 53 104 shade: RGB 70 54 104, RGB 83 54 104, RGB 97 54 104, RGB 104 54 98 and RGB 104 54 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 69 53 104 shade: RGB 70 54 104, RGB 56 54 104 and RGB 54 54 104

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 69 53 104 shade matches the following richer shades: RGB 70 54 104, RGB 65 41 117, RGB 60 28 130, RGB 55 15 143 and RGB 51 3 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 69 53 104 shade: RGB 70 54 104, RGB 74 67 92, RGB 79 79 79, RGB 84 92 66 and RGB 89 105 53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 69 53 104 shade: RGB 54 66 104, RGB 55 54 104, RGB 69 54 104, RGB 82 54 104 and RGB 96 54 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 69 53 104 shade: RGB 33 26 50, RGB 51 40 77, RGB 70 54 104, RGB 88 68 132 and RGB 106 82 159

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 69 53 104 shade: RGB 69 53 104, RGB 104 54 79 and RGB 59 104 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 69 53 104 shade: RGB 69 53 104, RGB 104 69 54 and RGB 54 104 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 69 53 104 shade: RGB 69 53 104, RGB 104 54 79, RGB 89 104 54 and RGB 54 104 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 69 53 104 shade: RGB 69 53 104, RGB 104 54 64, RGB 89 104 54 and RGB 54 104 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 49 / 0 / 59

HEX #453568

RGB 69 53 104

HSL 258.82, 0.32%, 0.31%

LAB 26.19, 19.71, -27.47

 

Complementary color

CMYK 8 / 0 / 25 / 21

HEX #BACA97

RGB 186 202 151

HSL 78.82, 0.32%, 0.69%

LAB 78.99, -14.18, 23.71

 

CMYK 25 / 46 / 0 / 61

HEX #4A3563

RGB 74 53 99

HSL 267.39, 0.3%, 0.3%

LAB 26.46, 19.88, -23.78

 

CMYK 23 / 40 / 0 / 54

HEX #5B4776

RGB 91 71 118

HSL 265.53, 0.25%, 0.37%

LAB 34.06, 18.97, -23.8

 

CMYK 21 / 35 / 0 / 46

HEX #6C5989

RGB 108 89 137

HSL 263.75, 0.21%, 0.44%

LAB 41.44, 18.19, -23.86

 

CMYK 20 / 31 / 0 / 39

HEX #7D6B9C

RGB 125 107 156

HSL 262.04, 0.2%, 0.52%

LAB 48.61, 17.51, -23.96

 

CMYK 19 / 29 / 0 / 31

HEX #8E7DAF

RGB 142 125 175

HSL 260.4, 0.24%, 0.59%

LAB 55.6, 16.91, -24.1

 

CMYK 34 / 49 / 0 / 59

HEX #453568

RGB 69 53 104

HSL 258.82, 0.32%, 0.31%

LAB 26.19, 19.71, -27.47

 

CMYK 39 / 59 / 0 / 67

HEX #342355

RGB 52 35 85

HSL 260.4, 0.42%, 0.24%

LAB 18.31, 20.9, -27.64

 

CMYK 47 / 74 / 0 / 74

HEX #231142

RGB 35 17 66

HSL 262.04, 0.59%, 0.16%

LAB 10.2, 22.24, -27.76

 

CMYK 62 / 100 / 0 / 82

HEX #12002F

RGB 18 0 47

HSL 262.98, 1%, 0.09%

LAB 3.02, 18.24, -25.63

 

CMYK 96 / 100 / 0 / 89

HEX #01001C

RGB 1 0 28

HSL 242.14, 1%, 0.05%

LAB 0.82, 5.58, -14.3

 

CMYK 33 / 48 / 0 / 59

HEX #463668

RGB 70 54 104

HSL 259.2, 0.32%, 0.31%

LAB 26.56, 19.36, -26.87

 

CMYK 20 / 48 / 0 / 59

HEX #533668

RGB 83 54 104

HSL 274.8, 0.32%, 0.31%

LAB 28.05, 23.48, -24.42

 

CMYK 7 / 48 / 0 / 59

HEX #613668

RGB 97 54 104

HSL 291.6, 0.32%, 0.31%

LAB 29.86, 28.07, -21.46

 

CMYK 0 / 48 / 6 / 59

HEX #683662

RGB 104 54 98

HSL 307.2, 0.32%, 0.31%

LAB 30.55, 29.19, -16.46

 

CMYK 0 / 48 / 19 / 59

HEX #683654

RGB 104 54 84

HSL 324, 0.32%, 0.31%

LAB 29.96, 26.59, -8.3

 

CMYK 33 / 48 / 0 / 59

HEX #463668

RGB 70 54 104

HSL 259.2, 0.32%, 0.31%

LAB 26.56, 19.36, -26.87

 

CMYK 46 / 48 / 0 / 59

HEX #383668

RGB 56 54 104

HSL 242.4, 0.32%, 0.31%

LAB 25.19, 15.23, -29.13

 

CMYK 48 / 48 / 0 / 59

HEX #363668

RGB 54 54 104

HSL 240, 0.32%, 0.31%

LAB 25.02, 14.68, -29.42

 

CMYK 33 / 48 / 0 / 59

HEX #463668

RGB 70 54 104

HSL 259.2, 0.32%, 0.31%

LAB 26.56, 19.36, -26.87

 

CMYK 44 / 65 / 0 / 54

HEX #412975

RGB 65 41 117

HSL 258.95, 0.48%, 0.31%

LAB 23.65, 30.19, -39.91

 

CMYK 54 / 78 / 0 / 49

HEX #3C1C82

RGB 60 28 130

HSL 258.82, 0.65%, 0.31%

LAB 21.59, 40.41, -51.55

 

CMYK 62 / 90 / 0 / 44

HEX #370F8F

RGB 55 15 143

HSL 258.75, 0.81%, 0.31%

LAB 20.58, 48.9, -61.38

 

CMYK 67 / 98 / 0 / 39

HEX #33039C

RGB 51 3 156

HSL 258.82, 0.96%, 0.31%

LAB 20.71, 55.26, -69.23

 

CMYK 33 / 48 / 0 / 59

HEX #463668

RGB 70 54 104

HSL 259.2, 0.32%, 0.31%

LAB 26.56, 19.36, -26.87

 

CMYK 20 / 27 / 0 / 64

HEX #4A435C

RGB 74 67 92

HSL 256.8, 0.16%, 0.31%

LAB 30.02, 8.84, -13.73

 

CMYK 0 / 0 / 0 / 69

HEX #4F4F4F

RGB 79 79 79

HSL 0, 0%, 0.31%

LAB 33.6, 0, -0

 

CMYK 9 / 0 / 28 / 64

HEX #545C42

RGB 84 92 66

HSL 78.46, 0.16%, 0.31%

LAB 37.72, -8.25, 13.96

 

CMYK 15 / 0 / 50 / 59

HEX #596935

RGB 89 105 53

HSL 78.46, 0.33%, 0.31%

LAB 41.98, -15.32, 27.11

 

CMYK 48 / 37 / 0 / 59

HEX #364268

RGB 54 66 104

HSL 225.6, 0.32%, 0.31%

LAB 28.59, 6.53, -23.77

 

CMYK 47 / 48 / 0 / 59

HEX #373668

RGB 55 54 104

HSL 241.2, 0.32%, 0.31%

LAB 25.11, 14.95, -29.28

 

CMYK 34 / 48 / 0 / 59

HEX #453668

RGB 69 54 104

HSL 258, 0.32%, 0.31%

LAB 26.46, 19.05, -27.05

 

CMYK 21 / 48 / 0 / 59

HEX #523668

RGB 82 54 104

HSL 273.6, 0.32%, 0.31%

LAB 27.93, 23.15, -24.62

 

CMYK 8 / 48 / 0 / 59

HEX #603668

RGB 96 54 104

HSL 290.4, 0.32%, 0.31%

LAB 29.72, 27.74, -21.68

 

CMYK 34 / 48 / 0 / 80

HEX #211A32

RGB 33 26 50

HSL 257.5, 0.32%, 0.15%

LAB 11.22, 10.06, -14.68

 

CMYK 34 / 48 / 0 / 70

HEX #33284D

RGB 51 40 77

HSL 257.84, 0.32%, 0.23%

LAB 19.04, 14.72, -21.09

 

CMYK 33 / 48 / 0 / 59

HEX #463668

RGB 70 54 104

HSL 259.2, 0.32%, 0.31%

LAB 26.56, 19.36, -26.87

 

CMYK 33 / 48 / 0 / 48

HEX #584484

RGB 88 68 132

HSL 258.75, 0.32%, 0.39%

LAB 33.72, 23.73, -33.06

 

CMYK 33 / 48 / 0 / 38

HEX #6A529F

RGB 106 82 159

HSL 258.7, 0.32%, 0.47%

LAB 40.58, 27.65, -38.46

 

CMYK 34 / 49 / 0 / 59

HEX #453568

RGB 69 53 104

HSL 258.82, 0.32%, 0.31%

LAB 26.19, 19.71, -27.47

 

CMYK 0 / 48 / 24 / 59

HEX #68364F

RGB 104 54 79

HSL 330, 0.32%, 0.31%

LAB 29.78, 25.75, -5.32

 

CMYK 43 / 0 / 48 / 59

HEX #3B6836

RGB 59 104 54

HSL 114, 0.32%, 0.31%

LAB 39.74, -26.58, 23.36

 

CMYK 34 / 49 / 0 / 59

HEX #453568

RGB 69 53 104

HSL 258.82, 0.32%, 0.31%

LAB 26.19, 19.71, -27.47

 

CMYK 0 / 34 / 48 / 59

HEX #684536

RGB 104 69 54

HSL 18, 0.32%, 0.31%

LAB 32.84, 13.09, 15.15

 

CMYK 48 / 0 / 34 / 59

HEX #366845

RGB 54 104 69

HSL 138, 0.32%, 0.31%

LAB 39.77, -25.51, 14.62

 

CMYK 34 / 49 / 0 / 59

HEX #453568

RGB 69 53 104

HSL 258.82, 0.32%, 0.31%

LAB 26.19, 19.71, -27.47

 

CMYK 0 / 48 / 24 / 59

HEX #68364F

RGB 104 54 79

HSL 330, 0.32%, 0.31%

LAB 29.78, 25.75, -5.32

 

CMYK 14 / 0 / 48 / 59

HEX #596836

RGB 89 104 54

HSL 78, 0.32%, 0.31%

LAB 41.67, -14.65, 26.19

 

CMYK 48 / 0 / 24 / 59

HEX #36684F

RGB 54 104 79

HSL 150, 0.32%, 0.31%

LAB 40, -23.32, 8.94

 

CMYK 34 / 49 / 0 / 59

HEX #453568

RGB 69 53 104

HSL 258.82, 0.32%, 0.31%

LAB 26.19, 19.71, -27.47

 

CMYK 0 / 48 / 38 / 59

HEX #683640

RGB 104 54 64

HSL 348, 0.32%, 0.31%

LAB 29.29, 23.48, 3.8

 

CMYK 14 / 0 / 48 / 59

HEX #596836

RGB 89 104 54

HSL 78, 0.32%, 0.31%

LAB 41.67, -14.65, 26.19

 

CMYK 48 / 0 / 10 / 59

HEX #36685E

RGB 54 104 94

HSL 168, 0.32%, 0.31%

LAB 40.4, -19.57, 0.4

 

Description

Color code: RGB 69 53 104 | qconv.com Color code: RGB 69 53 104 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 53 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 53 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 49 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 49% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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