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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 83 193 it is the complementary color RGB 187 172 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 83 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68 83 193 shade: RGB 73 83 188, RGB 90 101 207, RGB 107 119 226, RGB 124 137 245 and RGB 141 155 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 83 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68 83 193 shade: RGB 68 83 193, RGB 51 65 174, RGB 34 47 155, RGB 17 29 136 and RGB 0 11 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68 83 193 shade: RGB 68 83 193, RGB 86 68 193, RGB 120 68 193, RGB 154 68 193 and RGB 187 68 193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68 83 193 shade: RGB 68 83 193 and RGB 68 68 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68 83 193 shade matches the following richer shades: RGB 68 83 193, RGB 47 67 213, RGB 27 52 233 and RGB 7 36 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68 83 193 shade: RGB 68 83 193, RGB 88 98 172, RGB 108 113 152, RGB 128 129 132 and RGB 148 144 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68 83 193 shade: RGB 68 151 193, RGB 68 118 193, RGB 68 84 193, RGB 84 68 193 and RGB 118 68 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68 83 193 shade: RGB 44 55 133, RGB 55 68 164, RGB 68 83 193, RGB 99 111 203 and RGB 129 140 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68 83 193 shade: RGB 68 83 193, RGB 193 68 184 and RGB 134 193 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68 83 193 shade: RGB 68 83 193, RGB 193 68 84 and RGB 84 193 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68 83 193 shade: RGB 68 83 193, RGB 193 68 184, RGB 193 176 68 and RGB 68 193 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68 83 193 shade: RGB 68 83 193, RGB 193 68 147, RGB 193 176 68 and RGB 68 193 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 57 / 0 / 24

HEX #4453C1

RGB 68 83 193

HSL 232.8, 0.5%, 0.51%

LAB 40.02, 29.33, -59.57

 

Complementary color

CMYK 0 / 8 / 67 / 27

HEX #BBAC3E

RGB 187 172 62

HSL 52.8, 0.5%, 0.49%

LAB 69.77, -7.53, 56.29

 

CMYK 61 / 56 / 0 / 26

HEX #4953BC

RGB 73 83 188

HSL 234.78, 0.46%, 0.51%

LAB 39.97, 28.45, -56.72

 

CMYK 57 / 51 / 0 / 19

HEX #5A65CF

RGB 90 101 207

HSL 234.36, 0.55%, 0.58%

LAB 46.96, 26.69, -56.38

 

CMYK 53 / 47 / 0 / 11

HEX #6B77E2

RGB 107 119 226

HSL 233.95, 0.67%, 0.65%

LAB 53.83, 25.21, -56.06

 

CMYK 49 / 44 / 0 / 4

HEX #7C89F5

RGB 124 137 245

HSL 233.55, 0.86%, 0.72%

LAB 60.58, 23.95, -55.78

 

CMYK 45 / 39 / 0 / 0

HEX #8D9BFF

RGB 141 155 255

HSL 232.63, 1%, 0.78%

LAB 66.77, 20.28, -51.36

 

CMYK 65 / 57 / 0 / 24

HEX #4453C1

RGB 68 83 193

HSL 232.8, 0.5%, 0.51%

LAB 40.02, 29.33, -59.57

 

CMYK 71 / 63 / 0 / 32

HEX #3341AE

RGB 51 65 174

HSL 233.17, 0.55%, 0.44%

LAB 33.01, 31.65, -59.84

 

CMYK 78 / 70 / 0 / 39

HEX #222F9B

RGB 34 47 155

HSL 233.55, 0.64%, 0.37%

LAB 25.98, 34.39, -59.93

 

CMYK 88 / 79 / 0 / 47

HEX #111D88

RGB 17 29 136

HSL 233.95, 0.78%, 0.3%

LAB 19.12, 37.38, -59.51

 

CMYK 100 / 91 / 0 / 54

HEX #000B75

RGB 0 11 117

HSL 234.36, 1%, 0.23%

LAB 12.76, 39.66, -58

 

CMYK 65 / 57 / 0 / 24

HEX #4453C1

RGB 68 83 193

HSL 232.8, 0.5%, 0.51%

LAB 40.02, 29.33, -59.57

 

CMYK 55 / 65 / 0 / 24

HEX #5644C1

RGB 86 68 193

HSL 248.64, 0.5%, 0.51%

LAB 37.78, 41.56, -63.17

 

CMYK 38 / 65 / 0 / 24

HEX #7844C1

RGB 120 68 193

HSL 264.96, 0.5%, 0.51%

LAB 41.18, 48.12, -57.48

 

CMYK 20 / 65 / 0 / 24

HEX #9A44C1

RGB 154 68 193

HSL 281.28, 0.5%, 0.51%

LAB 45.43, 55.64, -50.41

 

CMYK 3 / 65 / 0 / 24

HEX #BB44C1

RGB 187 68 193

HSL 297.12, 0.5%, 0.51%

LAB 50.16, 63.36, -42.61

 

CMYK 65 / 57 / 0 / 24

HEX #4453C1

RGB 68 83 193

HSL 232.8, 0.5%, 0.51%

LAB 40.02, 29.33, -59.57

 

CMYK 65 / 65 / 0 / 24

HEX #4444C1

RGB 68 68 193

HSL 240, 0.5%, 0.51%

LAB 36.39, 38.71, -65.49

 

CMYK 65 / 57 / 0 / 24

HEX #4453C1

RGB 68 83 193

HSL 232.8, 0.5%, 0.51%

LAB 40.02, 29.33, -59.57

 

CMYK 78 / 69 / 0 / 16

HEX #2F43D5

RGB 47 67 213

HSL 232.77, 0.66%, 0.51%

LAB 36.79, 43.81, -76.5

 

CMYK 88 / 78 / 0 / 9

HEX #1B34E9

RGB 27 52 233

HSL 232.72, 0.82%, 0.51%

LAB 35.15, 57.83, -90.68

 

CMYK 97 / 86 / 0 / 1

HEX #0724FD

RGB 7 36 253

HSL 232.93, 0.98%, 0.51%

LAB 34.8, 70.53, -102.57

 

CMYK 65 / 57 / 0 / 24

HEX #4453C1

RGB 68 83 193

HSL 232.8, 0.5%, 0.51%

LAB 40.02, 29.33, -59.57

 

CMYK 49 / 43 / 0 / 33

HEX #5862AC

RGB 88 98 172

HSL 232.86, 0.34%, 0.51%

LAB 43.93, 16.83, -40.93

 

CMYK 29 / 26 / 0 / 40

HEX #6C7198

RGB 108 113 152

HSL 233.18, 0.18%, 0.51%

LAB 48.59, 7.42, -21.75

 

CMYK 3 / 2 / 0 / 48

HEX #808184

RGB 128 129 132

HSL 225, 0.02%, 0.51%

LAB 53.98, 0.24, -1.76

 

CMYK 0 / 3 / 24 / 42

HEX #949070

RGB 148 144 112

HSL 53.33, 0.14%, 0.51%

LAB 59.35, -3.97, 17.58

 

CMYK 65 / 22 / 0 / 24

HEX #4497C1

RGB 68 151 193

HSL 200.16, 0.5%, 0.51%

LAB 59.17, -12.09, -29.18

 

CMYK 65 / 39 / 0 / 24

HEX #4476C1

RGB 68 118 193

HSL 216, 0.5%, 0.51%

LAB 49.54, 7.2, -44.29

 

CMYK 65 / 56 / 0 / 24

HEX #4454C1

RGB 68 84 193

HSL 232.32, 0.5%, 0.51%

LAB 40.28, 28.7, -59.15

 

CMYK 56 / 65 / 0 / 24

HEX #5444C1

RGB 84 68 193

HSL 247.68, 0.5%, 0.51%

LAB 37.61, 41.22, -63.45

 

CMYK 39 / 65 / 0 / 24

HEX #7644C1

RGB 118 68 193

HSL 264, 0.5%, 0.51%

LAB 40.95, 47.7, -57.86

 

CMYK 67 / 59 / 0 / 48

HEX #2C3785

RGB 44 55 133

HSL 232.58, 0.5%, 0.35%

LAB 26.62, 22.19, -45.27

 

CMYK 66 / 59 / 0 / 36

HEX #3744A4

RGB 55 68 164

HSL 232.84, 0.5%, 0.43%

LAB 33.19, 26.68, -53.54

 

CMYK 65 / 57 / 0 / 24

HEX #4453C1

RGB 68 83 193

HSL 232.8, 0.5%, 0.51%

LAB 40.02, 29.33, -59.57

 

CMYK 51 / 45 / 0 / 20

HEX #636FCB

RGB 99 111 203

HSL 233.08, 0.5%, 0.59%

LAB 49.9, 21.13, -49.34

 

CMYK 39 / 34 / 0 / 16

HEX #818CD5

RGB 129 140 213

HSL 232.14, 0.5%, 0.67%

LAB 60.09, 14.1, -38.74

 

CMYK 65 / 57 / 0 / 24

HEX #4453C1

RGB 68 83 193

HSL 232.8, 0.5%, 0.51%

LAB 40.02, 29.33, -59.57

 

CMYK 0 / 65 / 5 / 24

HEX #C144B8

RGB 193 68 184

HSL 304.32, 0.5%, 0.51%

LAB 50.61, 63.29, -36.61

 

CMYK 31 / 0 / 65 / 24

HEX #86C144

RGB 134 193 68

HSL 88.32, 0.5%, 0.51%

LAB 71.98, -38.99, 54.97

 

CMYK 65 / 57 / 0 / 24

HEX #4453C1

RGB 68 83 193

HSL 232.8, 0.5%, 0.51%

LAB 40.02, 29.33, -59.57

 

CMYK 0 / 65 / 56 / 24

HEX #C14454

RGB 193 68 84

HSL 352.32, 0.5%, 0.51%

LAB 47.12, 51.08, 18.16

 

CMYK 56 / 0 / 65 / 24

HEX #54C144

RGB 84 193 68

HSL 112.32, 0.5%, 0.51%

LAB 69.78, -54.74, 51.95

 

CMYK 65 / 57 / 0 / 24

HEX #4453C1

RGB 68 83 193

HSL 232.8, 0.5%, 0.51%

LAB 40.02, 29.33, -59.57

 

CMYK 0 / 65 / 5 / 24

HEX #C144B8

RGB 193 68 184

HSL 304.32, 0.5%, 0.51%

LAB 50.61, 63.29, -36.61

 

CMYK 0 / 9 / 65 / 24

HEX #C1B044

RGB 193 176 68

HSL 51.84, 0.5%, 0.51%

LAB 71.42, -6.68, 55.65

 

CMYK 65 / 0 / 61 / 24

HEX #44C14C

RGB 68 193 76

HSL 123.84, 0.5%, 0.51%

LAB 69.39, -57.58, 47.9

 

CMYK 65 / 57 / 0 / 24

HEX #4453C1

RGB 68 83 193

HSL 232.8, 0.5%, 0.51%

LAB 40.02, 29.33, -59.57

 

CMYK 0 / 65 / 24 / 24

HEX #C14493

RGB 193 68 147

HSL 322.08, 0.5%, 0.51%

LAB 48.98, 57.77, -17.31

 

CMYK 0 / 9 / 65 / 24

HEX #C1B044

RGB 193 176 68

HSL 51.84, 0.5%, 0.51%

LAB 71.42, -6.68, 55.65

 

CMYK 65 / 0 / 41 / 24

HEX #44C171

RGB 68 193 113

HSL 141.6, 0.5%, 0.51%

LAB 69.87, -52.19, 30.4

 

Description

Color code: RGB 68 83 193 | qconv.com Color code: RGB 68 83 193 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 83 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 83 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 57 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 57% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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