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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 44 124 it is the complementary color RGB 187 211 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 44 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 68 44 124: RGB 73 44 119, RGB 90 62 138, RGB 107 80 157, RGB 124 98 176 and RGB 141 116 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 44 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 68 44 124: RGB 68 44 124, RGB 51 26 105, RGB 34 8 86, RGB 17 0 67 and RGB 0 0 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 65 / 0 / 51

HEX #442C7C

RGB 68 44 124

HSL 258, 0.48%, 0.33%

LAB 25.22, 31.15, -41.81

 

Complementary color

CMYK 11 / 0 / 38 / 17

HEX #BBD383

RGB 187 211 131

HSL 78, 0.48%, 0.67%

LAB 81.18, -21.01, 36.98

 

CMYK 39 / 63 / 0 / 53

HEX #492C77

RGB 73 44 119

HSL 263.2, 0.46%, 0.32%

LAB 25.41, 30.87, -38.29

 

CMYK 35 / 55 / 0 / 46

HEX #5A3E8A

RGB 90 62 138

HSL 262.11, 0.38%, 0.39%

LAB 32.82, 29.69, -38.18

 

CMYK 32 / 49 / 0 / 38

HEX #6B509D

RGB 107 80 157

HSL 261.04, 0.32%, 0.46%

LAB 40.08, 28.6, -38.05

 

CMYK 30 / 44 / 0 / 31

HEX #7C62B0

RGB 124 98 176

HSL 260, 0.33%, 0.54%

LAB 47.18, 27.62, -37.93

 

CMYK 28 / 41 / 0 / 24

HEX #8D74C3

RGB 141 116 195

HSL 258.99, 0.4%, 0.61%

LAB 54.13, 26.74, -37.86

 

CMYK 45 / 65 / 0 / 51

HEX #442C7C

RGB 68 44 124

HSL 258, 0.48%, 0.33%

LAB 25.22, 31.15, -41.81

 

CMYK 51 / 75 / 0 / 59

HEX #331A69

RGB 51 26 105

HSL 258.99, 0.6%, 0.26%

LAB 17.75, 32.48, -41.82

 

CMYK 60 / 91 / 0 / 66

HEX #220856

RGB 34 8 86

HSL 260, 0.83%, 0.18%

LAB 10.45, 33.21, -41.21

 

CMYK 75 / 100 / 0 / 74

HEX #110043

RGB 17 0 67

HSL 255.22, 1%, 0.13%

LAB 4.74, 28.46, -37.48

 

CMYK 100 / 100 / 0 / 81

HEX #000030

RGB 0 0 48

HSL 240, 1%, 0.09%

LAB 1.93, 13.55, -28.19

 

CMYK 45 / 65 / 0 / 51

HEX #442C7C

RGB 68 44 124

HSL 258, 0.48%, 0.33%

LAB 25.22, 31.15, -41.81

 

CMYK 35 / 65 / 0 / 51

HEX #512B7C

RGB 81 43 124

HSL 268.15, 0.49%, 0.33%

LAB 26.54, 34.8, -39.59

 

CMYK 24 / 65 / 0 / 51

HEX #5E2B7C

RGB 94 43 124

HSL 277.78, 0.49%, 0.33%

LAB 28.28, 38.02, -36.7

 

CMYK 13 / 65 / 0 / 51

HEX #6C2B7C

RGB 108 43 124

HSL 288.15, 0.49%, 0.33%

LAB 30.33, 41.62, -33.31

 

CMYK 2 / 65 / 0 / 51

HEX #792B7C

RGB 121 43 124

HSL 297.78, 0.49%, 0.33%

LAB 32.36, 45.03, -29.95

 

CMYK 45 / 65 / 0 / 51

HEX #442C7C

RGB 68 44 124

HSL 258, 0.48%, 0.33%

LAB 25.22, 31.15, -41.81

 

CMYK 45 / 65 / 0 / 31

HEX #603EAF

RGB 96 62 175

HSL 258.05, 0.48%, 0.46%

LAB 36.04, 41.54, -55.34

 

CMYK 45 / 65 / 0 / 11

HEX #7C50E2

RGB 124 80 226

HSL 258.08, 0.72%, 0.6%

LAB 46.33, 51.31, -68.09

 

CMYK 45 / 64 / 0 / 91

HEX #0C0816

RGB 12 8 22

HSL 257.14, 0.47%, 0.06%

LAB 2.8, 3.64, -6.6

 

CMYK 45 / 64 / 0 / 71

HEX #281A49

RGB 40 26 73

HSL 257.87, 0.47%, 0.19%

LAB 13.66, 19.81, -27.02

 

CMYK 45 / 65 / 0 / 51

HEX #442C7C

RGB 68 44 124

HSL 258, 0.48%, 0.33%

LAB 25.22, 31.15, -41.81

 

CMYK 0 / 65 / 32 / 51

HEX #7C2B54

RGB 124 43 84

HSL 329.63, 0.49%, 0.33%

LAB 31, 39.4, -6.41

 

CMYK 59 / 0 / 65 / 51

HEX #337C2B

RGB 51 124 43

HSL 114.07, 0.49%, 0.33%

LAB 46.03, -39.41, 36.49

 

CMYK 45 / 65 / 0 / 51

HEX #442C7C

RGB 68 44 124

HSL 258, 0.48%, 0.33%

LAB 25.22, 31.15, -41.81

 

CMYK 0 / 46 / 65 / 51

HEX #7C432B

RGB 124 67 43

HSL 17.78, 0.49%, 0.33%

LAB 34.95, 22.23, 25.15

 

CMYK 65 / 0 / 46 / 51

HEX #2B7C43

RGB 43 124 67

HSL 137.78, 0.49%, 0.33%

LAB 46.09, -37.91, 24.04

 

CMYK 45 / 65 / 0 / 51

HEX #442C7C

RGB 68 44 124

HSL 258, 0.48%, 0.33%

LAB 25.22, 31.15, -41.81

 

CMYK 0 / 65 / 32 / 51

HEX #7C2B54

RGB 124 43 84

HSL 329.63, 0.49%, 0.33%

LAB 31, 39.4, -6.41

 

CMYK 19 / 0 / 65 / 51

HEX #647C2B

RGB 100 124 43

HSL 77.78, 0.49%, 0.33%

LAB 48.63, -21.65, 40.08

 

CMYK 65 / 0 / 32 / 51

HEX #2B7C54

RGB 43 124 84

HSL 150.37, 0.49%, 0.33%

LAB 46.4, -34.49, 14.8

 

CMYK 45 / 65 / 0 / 51

HEX #442C7C

RGB 68 44 124

HSL 258, 0.48%, 0.33%

LAB 25.22, 31.15, -41.81

 

CMYK 0 / 65 / 52 / 51

HEX #7C2B3B

RGB 124 43 59

HSL 348.15, 0.49%, 0.33%

LAB 30.23, 36.52, 8.88

 

CMYK 19 / 0 / 65 / 51

HEX #647C2B

RGB 100 124 43

HSL 77.78, 0.49%, 0.33%

LAB 48.63, -21.65, 40.08

 

CMYK 65 / 0 / 13 / 51

HEX #2B7C6C

RGB 43 124 108

HSL 168.15, 0.49%, 0.33%

LAB 46.99, -28.51, 1.54

 

Description

Color code: RGB 68 44 124 | qconv.com Color code: RGB 68 44 124 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 44 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 44 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 65 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 65% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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