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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 174 224 it is the complementary color RGB 187 81 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 174 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68 174 224 shade: RGB 73 174 219, RGB 90 192 238, RGB 107 210 255, RGB 124 228 255 and RGB 141 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 174 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68 174 224 shade: RGB 68 174 224, RGB 51 156 205, RGB 34 138 186, RGB 17 120 167 and RGB 0 102 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68 174 224 shade: RGB 66 173 224, RGB 66 131 224, RGB 66 88 224, RGB 86 66 224 and RGB 129 66 224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68 174 224 shade: RGB 66 173 224, RGB 66 131 224, RGB 66 88 224 and RGB 66 66 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68 174 224 shade matches the following richer shades: RGB 66 173 224 and RGB 48 180 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68 174 224 shade: RGB 66 173 224, RGB 84 167 206, RGB 101 160 188, RGB 119 154 171 and RGB 137 148 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68 174 224 shade: RGB 66 224 190, RGB 66 216 224, RGB 66 174 224, RGB 66 132 224 and RGB 66 90 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68 174 224 shade: RGB 29 130 179, RGB 34 156 214, RGB 66 173 224, RGB 101 188 230 and RGB 137 204 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68 174 224 shade: RGB 68 174 224, RGB 147 66 224 and RGB 224 211 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68 174 224 shade: RGB 68 174 224, RGB 224 66 174 and RGB 174 224 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68 174 224 shade: RGB 68 174 224, RGB 147 66 224, RGB 224 116 66 and RGB 142 224 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68 174 224 shade: RGB 68 174 224, RGB 195 66 224, RGB 224 116 66 and RGB 95 224 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 22 / 0 / 12

HEX #44AEE0

RGB 68 174 224

HSL 199.23, 0.72%, 0.57%

LAB 67.19, -14.49, -33.99

 

Complementary color

CMYK 0 / 57 / 83 / 27

HEX #BB511F

RGB 187 81 31

HSL 19.23, 0.72%, 0.43%

LAB 47.69, 40.12, 47.81

 

CMYK 67 / 21 / 0 / 14

HEX #49AEDB

RGB 73 174 219

HSL 198.49, 0.67%, 0.57%

LAB 67.13, -15.37, -31.32

 

CMYK 62 / 19 / 0 / 7

HEX #5AC0EE

RGB 90 192 238

HSL 198.65, 0.81%, 0.64%

LAB 73.58, -16.15, -31.68

 

CMYK 58 / 18 / 0 / 0

HEX #6BD2FF

RGB 107 210 255

HSL 198.24, 1%, 0.71%

LAB 79.86, -17.37, -31.06

 

CMYK 51 / 11 / 0 / 0

HEX #7CE4FF

RGB 124 228 255

HSL 192.37, 1%, 0.74%

LAB 85.5, -23.11, -22.4

 

CMYK 45 / 4 / 0 / 0

HEX #8DF6FF

RGB 141 246 255

HSL 184.74, 1%, 0.78%

LAB 91.14, -28.21, -13.83

 

CMYK 70 / 22 / 0 / 12

HEX #44AEE0

RGB 68 174 224

HSL 199.23, 0.72%, 0.57%

LAB 67.19, -14.49, -33.99

 

CMYK 75 / 24 / 0 / 20

HEX #339CCD

RGB 51 156 205

HSL 199.09, 0.61%, 0.5%

LAB 60.68, -13.31, -33.61

 

CMYK 82 / 26 / 0 / 27

HEX #228ABA

RGB 34 138 186

HSL 198.95, 0.69%, 0.43%

LAB 54.09, -11.78, -33.17

 

CMYK 90 / 28 / 0 / 35

HEX #1178A7

RGB 17 120 167

HSL 198.8, 0.82%, 0.36%

LAB 47.42, -9.79, -32.67

 

CMYK 100 / 31 / 0 / 42

HEX #006694

RGB 0 102 148

HSL 198.65, 1%, 0.29%

LAB 40.64, -7.34, -32.1

 

CMYK 71 / 23 / 0 / 12

HEX #42ADE0

RGB 66 173 224

HSL 199.37, 0.72%, 0.57%

LAB 66.85, -14.24, -34.53

 

CMYK 71 / 42 / 0 / 12

HEX #4283E0

RGB 66 131 224

HSL 215.32, 0.72%, 0.57%

LAB 54.84, 9.89, -53.44

 

CMYK 71 / 61 / 0 / 12

HEX #4258E0

RGB 66 88 224

HSL 231.65, 0.72%, 0.57%

LAB 43.54, 36.71, -71.69

 

CMYK 62 / 71 / 0 / 12

HEX #5642E0

RGB 86 66 224

HSL 247.59, 0.72%, 0.57%

LAB 40.01, 52.16, -77.42

 

CMYK 42 / 71 / 0 / 12

HEX #8142E0

RGB 129 66 224

HSL 263.92, 0.72%, 0.57%

LAB 44.15, 58.73, -70.47

 

CMYK 71 / 23 / 0 / 12

HEX #42ADE0

RGB 66 173 224

HSL 199.37, 0.72%, 0.57%

LAB 66.85, -14.24, -34.53

 

CMYK 71 / 42 / 0 / 12

HEX #4283E0

RGB 66 131 224

HSL 215.32, 0.72%, 0.57%

LAB 54.84, 9.89, -53.44

 

CMYK 71 / 61 / 0 / 12

HEX #4258E0

RGB 66 88 224

HSL 231.65, 0.72%, 0.57%

LAB 43.54, 36.71, -71.69

 

CMYK 71 / 71 / 0 / 12

HEX #4242E0

RGB 66 66 224

HSL 240, 0.72%, 0.57%

LAB 38.61, 49.85, -79.76

 

CMYK 71 / 23 / 0 / 12

HEX #42ADE0

RGB 66 173 224

HSL 199.37, 0.72%, 0.57%

LAB 66.85, -14.24, -34.53

 

CMYK 80 / 26 / 0 / 5

HEX #30B4F2

RGB 48 180 242

HSL 199.18, 0.88%, 0.57%

LAB 69.24, -14, -40.65

 

CMYK 71 / 23 / 0 / 12

HEX #42ADE0

RGB 66 173 224

HSL 199.37, 0.72%, 0.57%

LAB 66.85, -14.24, -34.53

 

CMYK 59 / 19 / 0 / 19

HEX #54A7CE

RGB 84 167 206

HSL 199.18, 0.55%, 0.57%

LAB 64.95, -13.79, -27.49

 

CMYK 46 / 15 / 0 / 26

HEX #65A0BC

RGB 101 160 188

HSL 199.31, 0.39%, 0.57%

LAB 62.96, -11.6, -20.43

 

CMYK 30 / 10 / 0 / 33

HEX #779AAB

RGB 119 154 171

HSL 199.62, 0.24%, 0.57%

LAB 61.63, -7.92, -12.79

 

CMYK 10 / 3 / 0 / 40

HEX #899499

RGB 137 148 153

HSL 198.75, 0.07%, 0.57%

LAB 60.6, -2.9, -4

 

CMYK 71 / 0 / 15 / 12

HEX #42E0BE

RGB 66 224 190

HSL 167.09, 0.72%, 0.57%

LAB 80.84, -48.45, 4.91

 

CMYK 71 / 4 / 0 / 12

HEX #42D8E0

RGB 66 216 224

HSL 183.04, 0.72%, 0.57%

LAB 79.42, -35.78, -15.31

 

CMYK 71 / 22 / 0 / 12

HEX #42AEE0

RGB 66 174 224

HSL 198.99, 0.72%, 0.57%

LAB 67.14, -14.77, -34.07

 

CMYK 71 / 41 / 0 / 12

HEX #4284E0

RGB 66 132 224

HSL 214.94, 0.72%, 0.57%

LAB 55.12, 9.29, -52.99

 

CMYK 71 / 60 / 0 / 12

HEX #425AE0

RGB 66 90 224

HSL 230.89, 0.72%, 0.57%

LAB 44.02, 35.47, -70.9

 

CMYK 84 / 27 / 0 / 30

HEX #1D82B3

RGB 29 130 179

HSL 199.6, 0.72%, 0.41%

LAB 51.25, -10.22, -33.62

 

CMYK 84 / 27 / 0 / 16

HEX #229CD6

RGB 34 156 214

HSL 199.33, 0.73%, 0.49%

LAB 60.76, -11.84, -38.54

 

CMYK 71 / 23 / 0 / 12

HEX #42ADE0

RGB 66 173 224

HSL 199.37, 0.72%, 0.57%

LAB 66.85, -14.24, -34.53

 

CMYK 56 / 18 / 0 / 10

HEX #65BCE6

RGB 101 188 230

HSL 199.53, 0.72%, 0.65%

LAB 72.53, -14.42, -28.93

 

CMYK 42 / 13 / 0 / 8

HEX #89CCEB

RGB 137 204 235

HSL 198.98, 0.71%, 0.73%

LAB 78.75, -13.3, -21.97

 

CMYK 70 / 22 / 0 / 12

HEX #44AEE0

RGB 68 174 224

HSL 199.23, 0.72%, 0.57%

LAB 67.19, -14.49, -33.99

 

CMYK 34 / 71 / 0 / 12

HEX #9342E0

RGB 147 66 224

HSL 270.76, 0.72%, 0.57%

LAB 46.29, 61.97, -66.9

 

CMYK 0 / 6 / 71 / 12

HEX #E0D342

RGB 224 211 66

HSL 55.06, 0.72%, 0.57%

LAB 83.35, -11.54, 69.44

 

CMYK 70 / 22 / 0 / 12

HEX #44AEE0

RGB 68 174 224

HSL 199.23, 0.72%, 0.57%

LAB 67.19, -14.49, -33.99

 

CMYK 0 / 71 / 22 / 12

HEX #E042AE

RGB 224 66 174

HSL 318.99, 0.72%, 0.57%

LAB 54.87, 70.26, -23.77

 

CMYK 22 / 0 / 71 / 12

HEX #AEE042

RGB 174 224 66

HSL 78.99, 0.72%, 0.57%

LAB 83.29, -37.99, 68.16

 

CMYK 70 / 22 / 0 / 12

HEX #44AEE0

RGB 68 174 224

HSL 199.23, 0.72%, 0.57%

LAB 67.19, -14.49, -33.99

 

CMYK 34 / 71 / 0 / 12

HEX #9342E0

RGB 147 66 224

HSL 270.76, 0.72%, 0.57%

LAB 46.29, 61.97, -66.9

 

CMYK 0 / 48 / 71 / 12

HEX #E07442

RGB 224 116 66

HSL 18.99, 0.72%, 0.57%

LAB 60.54, 38.31, 45.83

 

CMYK 37 / 0 / 71 / 12

HEX #8EE042

RGB 142 224 66

HSL 91.14, 0.72%, 0.57%

LAB 81.54, -49.55, 65.84

 

CMYK 70 / 22 / 0 / 12

HEX #44AEE0

RGB 68 174 224

HSL 199.23, 0.72%, 0.57%

LAB 67.19, -14.49, -33.99

 

CMYK 13 / 71 / 0 / 12

HEX #C342E0

RGB 195 66 224

HSL 288.99, 0.72%, 0.57%

LAB 52.82, 71.42, -56.04

 

CMYK 0 / 48 / 71 / 12

HEX #E07442

RGB 224 116 66

HSL 18.99, 0.72%, 0.57%

LAB 60.54, 38.31, 45.83

 

CMYK 58 / 0 / 71 / 12

HEX #5FE042

RGB 95 224 66

HSL 108.99, 0.72%, 0.57%

LAB 79.69, -63.34, 63.36

 

Description

Color code: RGB 68 174 224 | qconv.com Color code: RGB 68 174 224 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 174 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 174 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 22 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 22% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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