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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 143 247 it is the complementary color RGB 187 112 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 143 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68 143 247 shade: RGB 73 143 242, RGB 90 161 255, RGB 107 179 255, RGB 124 197 255 and RGB 141 215 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 143 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68 143 247 shade: RGB 68 143 247, RGB 51 125 228, RGB 34 107 209, RGB 17 89 190 and RGB 0 71 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68 143 247 shade: RGB 68 143 247, RGB 68 95 247, RGB 90 68 247, RGB 138 68 247 and RGB 186 68 247

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68 143 247 shade: RGB 68 143 247, RGB 68 95 247 and RGB 68 68 247

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68 143 247 shade matches the following richer shades: RGB 68 143 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68 143 247 shade: RGB 68 143 247, RGB 84 146 231, RGB 100 148 215, RGB 115 151 200 and RGB 131 153 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68 143 247 shade: RGB 68 241 247, RGB 68 193 247, RGB 68 146 247, RGB 68 98 247 and RGB 86 68 247

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68 143 247 shade: RGB 9 99 224, RGB 29 119 245, RGB 68 143 247, RGB 108 167 248 and RGB 148 191 250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68 143 247 shade: RGB 68 143 247, RGB 205 68 247 and RGB 217 247 68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68 143 247 shade: RGB 68 143 247, RGB 247 68 146 and RGB 146 247 68

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68 143 247 shade: RGB 68 143 247, RGB 205 68 247, RGB 247 169 68 and RGB 110 247 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68 143 247 shade: RGB 68 143 247, RGB 247 68 235, RGB 247 169 68 and RGB 68 247 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 42 / 0 / 3

HEX #448FF7

RGB 68 143 247

HSL 214.86, 0.92%, 0.62%

LAB 59.52, 11.09, -58.74

 

Complementary color

CMYK 0 / 40 / 96 / 27

HEX #BB7008

RGB 187 112 8

HSL 34.86, 0.92%, 0.38%

LAB 54.21, 23.33, 59.84

 

CMYK 70 / 41 / 0 / 5

HEX #498FF2

RGB 73 143 242

HSL 215.15, 0.87%, 0.62%

LAB 59.41, 10, -56.14

 

CMYK 65 / 37 / 0 / 0

HEX #5AA1FF

RGB 90 161 255

HSL 214.18, 1%, 0.68%

LAB 65.66, 6.45, -53.29

 

CMYK 58 / 30 / 0 / 0

HEX #6BB3FF

RGB 107 179 255

HSL 210.81, 1%, 0.71%

LAB 71.27, -0.75, -44.39

 

CMYK 51 / 23 / 0 / 0

HEX #7CC5FF

RGB 124 197 255

HSL 206.56, 1%, 0.74%

LAB 76.94, -7.12, -35.51

 

CMYK 45 / 16 / 0 / 0

HEX #8DD7FF

RGB 141 215 255

HSL 201.05, 1%, 0.78%

LAB 82.64, -12.76, -26.69

 

CMYK 72 / 42 / 0 / 3

HEX #448FF7

RGB 68 143 247

HSL 214.86, 0.92%, 0.62%

LAB 59.52, 11.09, -58.74

 

CMYK 78 / 45 / 0 / 11

HEX #337DE4

RGB 51 125 228

HSL 214.92, 0.77%, 0.55%

LAB 52.92, 13.16, -58.78

 

CMYK 84 / 49 / 0 / 18

HEX #226BD1

RGB 34 107 209

HSL 214.97, 0.72%, 0.48%

LAB 46.26, 15.7, -58.78

 

CMYK 91 / 53 / 0 / 25

HEX #1159BE

RGB 17 89 190

HSL 215.03, 0.84%, 0.41%

LAB 39.55, 18.82, -58.67

 

CMYK 100 / 58 / 0 / 33

HEX #0047AB

RGB 0 71 171

HSL 215.09, 1%, 0.34%

LAB 32.8, 22.53, -58.45

 

CMYK 72 / 42 / 0 / 3

HEX #448FF7

RGB 68 143 247

HSL 214.86, 0.92%, 0.62%

LAB 59.52, 11.09, -58.74

 

CMYK 72 / 62 / 0 / 3

HEX #445FF7

RGB 68 95 247

HSL 230.95, 0.92%, 0.62%

LAB 47.14, 40.6, -78.75

 

CMYK 64 / 72 / 0 / 3

HEX #5A44F7

RGB 90 68 247

HSL 247.37, 0.92%, 0.62%

LAB 42.8, 58.46, -85.83

 

CMYK 44 / 72 / 0 / 3

HEX #8A44F7

RGB 138 68 247

HSL 263.46, 0.92%, 0.62%

LAB 47.3, 65.04, -78.26

 

CMYK 25 / 72 / 0 / 3

HEX #BA44F7

RGB 186 68 247

HSL 279.55, 0.92%, 0.62%

LAB 53.26, 73.33, -68.31

 

CMYK 72 / 42 / 0 / 3

HEX #448FF7

RGB 68 143 247

HSL 214.86, 0.92%, 0.62%

LAB 59.52, 11.09, -58.74

 

CMYK 72 / 62 / 0 / 3

HEX #445FF7

RGB 68 95 247

HSL 230.95, 0.92%, 0.62%

LAB 47.14, 40.6, -78.75

 

CMYK 72 / 72 / 0 / 3

HEX #4444F7

RGB 68 68 247

HSL 240, 0.92%, 0.62%

LAB 41.34, 56.26, -88.28

 

CMYK 72 / 42 / 0 / 3

HEX #448FF7

RGB 68 143 247

HSL 214.86, 0.92%, 0.62%

LAB 59.52, 11.09, -58.74

 

CMYK 72 / 42 / 0 / 3

HEX #448FF7

RGB 68 143 247

HSL 214.86, 0.92%, 0.62%

LAB 59.52, 11.09, -58.74

 

CMYK 64 / 37 / 0 / 9

HEX #5492E7

RGB 84 146 231

HSL 214.69, 0.75%, 0.62%

LAB 60.08, 6.18, -48.96

 

CMYK 53 / 31 / 0 / 16

HEX #6494D7

RGB 100 148 215

HSL 214.96, 0.59%, 0.62%

LAB 60.6, 2.96, -39.19

 

CMYK 43 / 25 / 0 / 22

HEX #7397C8

RGB 115 151 200

HSL 214.59, 0.44%, 0.62%

LAB 61.61, 0.38, -29.17

 

CMYK 29 / 17 / 0 / 28

HEX #8399B8

RGB 131 153 184

HSL 215.09, 0.27%, 0.62%

LAB 62.57, -0.48, -18.63

 

CMYK 72 / 2 / 0 / 3

HEX #44F1F7

RGB 68 241 247

HSL 182.01, 0.92%, 0.62%

LAB 87.41, -40.44, -15.46

 

CMYK 72 / 22 / 0 / 3

HEX #44C1F7

RGB 68 193 247

HSL 198.1, 0.92%, 0.62%

LAB 73.6, -17.08, -36.54

 

CMYK 72 / 41 / 0 / 3

HEX #4492F7

RGB 68 146 247

HSL 213.85, 0.92%, 0.62%

LAB 60.34, 9.29, -57.42

 

CMYK 72 / 60 / 0 / 3

HEX #4462F7

RGB 68 98 247

HSL 229.94, 0.92%, 0.62%

LAB 47.85, 38.77, -77.59

 

CMYK 65 / 72 / 0 / 3

HEX #5644F7

RGB 86 68 247

HSL 246.03, 0.92%, 0.62%

LAB 42.5, 58.02, -86.32

 

CMYK 96 / 56 / 0 / 12

HEX #0963E0

RGB 9 99 224

HSL 214.88, 0.92%, 0.46%

LAB 44.75, 25.43, -69.78

 

CMYK 88 / 51 / 0 / 4

HEX #1D77F5

RGB 29 119 245

HSL 215, 0.92%, 0.54%

LAB 51.89, 21.56, -69.96

 

CMYK 72 / 42 / 0 / 3

HEX #448FF7

RGB 68 143 247

HSL 214.86, 0.92%, 0.62%

LAB 59.52, 11.09, -58.74

 

CMYK 56 / 33 / 0 / 3

HEX #6CA7F8

RGB 108 167 248

HSL 214.71, 0.91%, 0.7%

LAB 67.73, 4.01, -46.16

 

CMYK 41 / 24 / 0 / 2

HEX #94BFFA

RGB 148 191 250

HSL 214.71, 0.91%, 0.78%

LAB 76.35, 0.38, -33.64

 

CMYK 72 / 42 / 0 / 3

HEX #448FF7

RGB 68 143 247

HSL 214.86, 0.92%, 0.62%

LAB 59.52, 11.09, -58.74

 

CMYK 17 / 72 / 0 / 3

HEX #CD44F7

RGB 205 68 247

HSL 285.92, 0.92%, 0.62%

LAB 55.92, 76.9, -63.89

 

CMYK 12 / 0 / 72 / 3

HEX #D9F744

RGB 217 247 68

HSL 70.06, 0.92%, 0.62%

LAB 92.44, -31.64, 77.36

 

CMYK 72 / 42 / 0 / 3

HEX #448FF7

RGB 68 143 247

HSL 214.86, 0.92%, 0.62%

LAB 59.52, 11.09, -58.74

 

CMYK 0 / 72 / 41 / 3

HEX #F74492

RGB 247 68 146

HSL 333.85, 0.92%, 0.62%

LAB 58.02, 72.4, -2.24

 

CMYK 41 / 0 / 72 / 3

HEX #92F744

RGB 146 247 68

HSL 93.85, 0.92%, 0.62%

LAB 88.47, -57.3, 72.14

 

CMYK 72 / 42 / 0 / 3

HEX #448FF7

RGB 68 143 247

HSL 214.86, 0.92%, 0.62%

LAB 59.52, 11.09, -58.74

 

CMYK 17 / 72 / 0 / 3

HEX #CD44F7

RGB 205 68 247

HSL 285.92, 0.92%, 0.62%

LAB 55.92, 76.9, -63.89

 

CMYK 0 / 32 / 72 / 3

HEX #F7A944

RGB 247 169 68

HSL 33.85, 0.92%, 0.62%

LAB 75.18, 20.04, 61.27

 

CMYK 55 / 0 / 72 / 3

HEX #6EF744

RGB 110 247 68

HSL 105.92, 0.92%, 0.62%

LAB 87.12, -67.51, 70.35

 

CMYK 72 / 42 / 0 / 3

HEX #448FF7

RGB 68 143 247

HSL 214.86, 0.92%, 0.62%

LAB 59.52, 11.09, -58.74

 

CMYK 0 / 72 / 5 / 3

HEX #F744EB

RGB 247 68 235

HSL 304.02, 0.92%, 0.62%

LAB 61.57, 83.35, -47.81

 

CMYK 0 / 32 / 72 / 3

HEX #F7A944

RGB 247 169 68

HSL 33.85, 0.92%, 0.62%

LAB 75.18, 20.04, 61.27

 

CMYK 72 / 0 / 68 / 3

HEX #44F750

RGB 68 247 80

HSL 124.02, 0.92%, 0.62%

LAB 86.17, -75.01, 64.74

 

Description

Color code: RGB 68 143 247 | qconv.com Color code: RGB 68 143 247 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 143 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 143 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 42 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 42% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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