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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68 103 209 it is the complementary color RGB 187 152 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68 103 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68 103 209 shade: RGB 73 103 204, RGB 90 121 223, RGB 107 139 242, RGB 124 157 255 and RGB 141 175 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68 103 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68 103 209 shade: RGB 68 103 209, RGB 51 85 190, RGB 34 67 171, RGB 17 49 152 and RGB 0 31 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68 103 209 shade: RGB 66 102 209, RGB 69 66 209, RGB 108 66 209, RGB 146 66 209 and RGB 185 66 209

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68 103 209 shade: RGB 66 102 209 and RGB 66 66 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68 103 209 shade matches the following richer shades: RGB 66 102 209, RGB 47 92 228 and RGB 28 83 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68 103 209 shade: RGB 66 102 209, RGB 85 111 190, RGB 104 121 171, RGB 123 130 152 and RGB 142 140 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68 103 209 shade: RGB 66 178 209, RGB 66 140 209, RGB 66 102 209, RGB 69 66 209 and RGB 107 66 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68 103 209 shade: RGB 38 67 155, RGB 46 81 188, RGB 66 102 209, RGB 99 129 217 and RGB 133 156 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68 103 209 shade: RGB 68 103 209, RGB 202 66 209 and RGB 159 209 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68 103 209 shade: RGB 68 103 209, RGB 209 66 102 and RGB 102 209 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68 103 209 shade: RGB 68 103 209, RGB 202 66 209, RGB 209 173 66 and RGB 73 209 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68 103 209 shade: RGB 68 103 209, RGB 209 66 173, RGB 209 173 66 and RGB 66 209 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 51 / 0 / 18

HEX #4467D1

RGB 68 103 209

HSL 225.11, 0.61%, 0.54%

LAB 46.36, 22.25, -58.56

 

Complementary color

CMYK 0 / 19 / 75 / 27

HEX #BB982E

RGB 187 152 46

HSL 45.11, 0.61%, 0.46%

LAB 64.34, 2.33, 57.27

 

CMYK 64 / 50 / 0 / 20

HEX #4967CC

RGB 73 103 204

HSL 226.26, 0.56%, 0.54%

LAB 46.28, 21.3, -55.8

 

CMYK 60 / 46 / 0 / 13

HEX #5A79DF

RGB 90 121 223

HSL 226.02, 0.68%, 0.61%

LAB 53.14, 19.63, -55.53

 

CMYK 56 / 43 / 0 / 5

HEX #6B8BF2

RGB 107 139 242

HSL 225.78, 0.84%, 0.68%

LAB 59.89, 18.25, -55.28

 

CMYK 51 / 38 / 0 / 0

HEX #7C9DFF

RGB 124 157 255

HSL 224.89, 1%, 0.74%

LAB 66.23, 15.26, -52.28

 

CMYK 45 / 31 / 0 / 0

HEX #8DAFFF

RGB 141 175 255

HSL 222.11, 1%, 0.78%

LAB 71.92, 8.88, -43.25

 

CMYK 67 / 51 / 0 / 18

HEX #4467D1

RGB 68 103 209

HSL 225.11, 0.61%, 0.54%

LAB 46.36, 22.25, -58.56

 

CMYK 73 / 55 / 0 / 25

HEX #3355BE

RGB 51 85 190

HSL 225.32, 0.58%, 0.47%

LAB 39.44, 24.5, -58.8

 

CMYK 80 / 61 / 0 / 33

HEX #2243AB

RGB 34 67 171

HSL 225.55, 0.67%, 0.4%

LAB 32.47, 27.26, -58.96

 

CMYK 89 / 68 / 0 / 40

HEX #113198

RGB 17 49 152

HSL 225.78, 0.8%, 0.33%

LAB 25.51, 30.62, -58.89

 

CMYK 100 / 77 / 0 / 48

HEX #001F85

RGB 0 31 133

HSL 226.02, 1%, 0.26%

LAB 18.69, 34.32, -58.36

 

CMYK 68 / 51 / 0 / 18

HEX #4266D1

RGB 66 102 209

HSL 224.9, 0.61%, 0.54%

LAB 45.99, 22.58, -59.14

 

CMYK 67 / 68 / 0 / 18

HEX #4542D1

RGB 69 66 209

HSL 241.26, 0.61%, 0.54%

LAB 37.42, 45.32, -73.11

 

CMYK 48 / 68 / 0 / 18

HEX #6C42D1

RGB 108 66 209

HSL 257.62, 0.61%, 0.54%

LAB 40.72, 51.14, -67.58

 

CMYK 30 / 68 / 0 / 18

HEX #9242D1

RGB 146 66 209

HSL 273.57, 0.61%, 0.54%

LAB 45.1, 58.33, -60.26

 

CMYK 11 / 68 / 0 / 18

HEX #B942D1

RGB 185 66 209

HSL 289.93, 0.61%, 0.54%

LAB 50.47, 66.56, -51.34

 

CMYK 68 / 51 / 0 / 18

HEX #4266D1

RGB 66 102 209

HSL 224.9, 0.61%, 0.54%

LAB 45.99, 22.58, -59.14

 

CMYK 68 / 68 / 0 / 18

HEX #4242D1

RGB 66 66 209

HSL 240, 0.61%, 0.54%

LAB 37.22, 44.96, -73.43

 

CMYK 68 / 51 / 0 / 18

HEX #4266D1

RGB 66 102 209

HSL 224.9, 0.61%, 0.54%

LAB 45.99, 22.58, -59.14

 

CMYK 79 / 60 / 0 / 11

HEX #2F5CE4

RGB 47 92 228

HSL 225.08, 0.77%, 0.54%

LAB 44.03, 33.61, -73.18

 

CMYK 89 / 66 / 0 / 3

HEX #1C53F7

RGB 28 83 247

HSL 224.93, 0.93%, 0.54%

LAB 42.99, 44.92, -85.62

 

CMYK 68 / 51 / 0 / 18

HEX #4266D1

RGB 66 102 209

HSL 224.9, 0.61%, 0.54%

LAB 45.99, 22.58, -59.14

 

CMYK 55 / 42 / 0 / 25

HEX #556FBE

RGB 85 111 190

HSL 225.14, 0.45%, 0.54%

LAB 48.28, 13.86, -44.5

 

CMYK 39 / 29 / 0 / 33

HEX #6879AB

RGB 104 121 171

HSL 224.78, 0.29%, 0.54%

LAB 51.33, 6.65, -28.63

 

CMYK 19 / 14 / 0 / 40

HEX #7B8298

RGB 123 130 152

HSL 225.52, 0.12%, 0.54%

LAB 54.49, 2.29, -12.65

 

CMYK 0 / 1 / 6 / 44

HEX #8E8C85

RGB 142 140 133

HSL 46.67, 0.04%, 0.54%

LAB 58.23, -0.58, 3.99

 

CMYK 68 / 15 / 0 / 18

HEX #42B2D1

RGB 66 178 209

HSL 193.01, 0.61%, 0.54%

LAB 67.73, -21.69, -24.92

 

CMYK 68 / 33 / 0 / 18

HEX #428CD1

RGB 66 140 209

HSL 208.95, 0.61%, 0.54%

LAB 56.6, -0.76, -42.21

 

CMYK 68 / 51 / 0 / 18

HEX #4266D1

RGB 66 102 209

HSL 224.9, 0.61%, 0.54%

LAB 45.99, 22.58, -59.14

 

CMYK 67 / 68 / 0 / 18

HEX #4542D1

RGB 69 66 209

HSL 241.26, 0.61%, 0.54%

LAB 37.42, 45.32, -73.11

 

CMYK 49 / 68 / 0 / 18

HEX #6B42D1

RGB 107 66 209

HSL 257.2, 0.61%, 0.54%

LAB 40.61, 50.97, -67.74

 

CMYK 75 / 57 / 0 / 39

HEX #26439B

RGB 38 67 155

HSL 225.13, 0.61%, 0.38%

LAB 31.33, 21.52, -51.18

 

CMYK 76 / 57 / 0 / 26

HEX #2E51BC

RGB 46 81 188

HSL 225.21, 0.61%, 0.46%

LAB 38.02, 25.75, -59.96

 

CMYK 68 / 51 / 0 / 18

HEX #4266D1

RGB 66 102 209

HSL 224.9, 0.61%, 0.54%

LAB 45.99, 22.58, -59.14

 

CMYK 54 / 41 / 0 / 15

HEX #6381D9

RGB 99 129 217

HSL 224.75, 0.61%, 0.62%

LAB 55.44, 14.62, -48.45

 

CMYK 41 / 31 / 0 / 12

HEX #859CE1

RGB 133 156 225

HSL 225, 0.61%, 0.7%

LAB 65.12, 9.24, -37.53

 

CMYK 67 / 51 / 0 / 18

HEX #4467D1

RGB 68 103 209

HSL 225.11, 0.61%, 0.54%

LAB 46.36, 22.25, -58.56

 

CMYK 3 / 68 / 0 / 18

HEX #CA42D1

RGB 202 66 209

HSL 297.06, 0.61%, 0.54%

LAB 53.01, 70.28, -47.14

 

CMYK 24 / 0 / 68 / 18

HEX #9FD142

RGB 159 209 66

HSL 80.98, 0.61%, 0.54%

LAB 78.09, -36.95, 62.62

 

CMYK 67 / 51 / 0 / 18

HEX #4467D1

RGB 68 103 209

HSL 225.11, 0.61%, 0.54%

LAB 46.36, 22.25, -58.56

 

CMYK 0 / 68 / 51 / 18

HEX #D14266

RGB 209 66 102

HSL 344.9, 0.61%, 0.54%

LAB 49.99, 58.4, 11.62

 

CMYK 51 / 0 / 68 / 18

HEX #66D142

RGB 102 209 66

HSL 104.9, 0.61%, 0.54%

LAB 75.34, -56.08, 58.91

 

CMYK 67 / 51 / 0 / 18

HEX #4467D1

RGB 68 103 209

HSL 225.11, 0.61%, 0.54%

LAB 46.36, 22.25, -58.56

 

CMYK 3 / 68 / 0 / 18

HEX #CA42D1

RGB 202 66 209

HSL 297.06, 0.61%, 0.54%

LAB 53.01, 70.28, -47.14

 

CMYK 0 / 17 / 68 / 18

HEX #D1AD42

RGB 209 173 66

HSL 44.9, 0.61%, 0.54%

LAB 72.12, 1.68, 57.69

 

CMYK 65 / 0 / 68 / 18

HEX #49D142

RGB 73 209 66

HSL 117.06, 0.61%, 0.54%

LAB 74.45, -63.11, 57.7

 

CMYK 67 / 51 / 0 / 18

HEX #4467D1

RGB 68 103 209

HSL 225.11, 0.61%, 0.54%

LAB 46.36, 22.25, -58.56

 

CMYK 0 / 68 / 17 / 18

HEX #D142AD

RGB 209 66 173

HSL 315.1, 0.61%, 0.54%

LAB 52.36, 66.37, -27.26

 

CMYK 0 / 17 / 68 / 18

HEX #D1AD42

RGB 209 173 66

HSL 44.9, 0.61%, 0.54%

LAB 72.12, 1.68, 57.69

 

CMYK 68 / 0 / 51 / 18

HEX #42D166

RGB 66 209 102

HSL 135.1, 0.61%, 0.54%

LAB 74.65, -60.24, 41.97

 

Description

Color code: RGB 68 103 209 | qconv.com Color code: RGB 68 103 209 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 103 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 103 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 51 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 51% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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