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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 68.7 110.6 174 it is the complementary color RGB 186.3 144.4 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 68.7 110.6 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 68.7 110.6 174 shade: RGB 73.7 110.6 169, RGB 90.7 128.6 188, RGB 107.7 146.6 207, RGB 124.7 164.6 226 and RGB 141.7 182.6 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 68.7 110.6 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 68.7 110.6 174 shade: RGB 68.7 110.6 174, RGB 51.7 92.6 155, RGB 34.7 74.6 136, RGB 17.7 56.6 117 and RGB 0.7 38.6 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 68.7 110.6 174 shade: RGB 70 112 175, RGB 70 83 175, RGB 85 70 175, RGB 113 70 175 and RGB 141 70 175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 68.7 110.6 174 shade: RGB 70 112 175, RGB 70 83 175 and RGB 70 70 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 68.7 110.6 174 shade matches the following richer shades: RGB 70 112 175, RGB 50 108 195, RGB 30 104 215 and RGB 10 100 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 68.7 110.6 174 shade: RGB 70 112 175, RGB 90 116 155, RGB 109 120 135, RGB 129 124 116 and RGB 149 128 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 68.7 110.6 174 shade: RGB 70 168 175, RGB 70 140 175, RGB 70 112 175, RGB 70 84 175 and RGB 84 70 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 68.7 110.6 174 shade: RGB 46 74 116, RGB 58 93 146, RGB 70 112 175, RGB 95 133 191 and RGB 124 156 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 68.7 110.6 174 shade: RGB 68.7 110.6 174, RGB 154 70 175 and RGB 154 175 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 68.7 110.6 174 shade: RGB 68.7 110.6 174, RGB 175 70 112 and RGB 112 175 70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 68.7 110.6 174 shade: RGB 68.7 110.6 174, RGB 154 70 175, RGB 175 133 70 and RGB 91 175 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 68.7 110.6 174 shade: RGB 68.7 110.6 174, RGB 175 70 165, RGB 175 133 70 and RGB 70 175 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 36 / 0 / 32

HEX #446EAE

RGB 68.7 110.6 174

HSL 216.13, 0.43%, 0.48%

LAB 46.43, 5.31, -38.2

 

Complementary color

CMYK 0 / 22 / 57 / 27

HEX #BA9051

RGB 186.3 144.4 81

HSL 36.13, 0.43%, 0.52%

LAB 62.62, 8.36, 39.36

 

CMYK 56 / 35 / 0 / 34

HEX #496EA9

RGB 73.7 110.6 169

HSL 216.77, 0.39%, 0.48%

LAB 46.43, 4.67, -35.27

 

CMYK 52 / 32 / 0 / 26

HEX #5A80BC

RGB 90.7 128.6 188

HSL 216.63, 0.42%, 0.55%

LAB 53.42, 3.8, -35.22

 

CMYK 48 / 29 / 0 / 19

HEX #6B92CF

RGB 107.7 146.6 207

HSL 216.5, 0.51%, 0.62%

LAB 60.26, 3.1, -35.21

 

CMYK 45 / 27 / 0 / 11

HEX #7CA4E2

RGB 124.7 164.6 226

HSL 216.37, 0.64%, 0.69%

LAB 66.97, 2.53, -35.24

 

CMYK 42 / 25 / 0 / 4

HEX #8DB6F5

RGB 141.7 182.6 245

HSL 216.24, 0.84%, 0.76%

LAB 73.56, 2.04, -35.3

 

CMYK 61 / 36 / 0 / 32

HEX #446EAE

RGB 68.7 110.6 174

HSL 216.13, 0.43%, 0.48%

LAB 46.43, 5.31, -38.2

 

CMYK 67 / 40 / 0 / 39

HEX #335C9B

RGB 51.7 92.6 155

HSL 216.24, 0.5%, 0.41%

LAB 39.32, 6.65, -38.3

 

CMYK 74 / 45 / 0 / 47

HEX #224A88

RGB 34.7 74.6 136

HSL 216.37, 0.59%, 0.33%

LAB 32.05, 8.44, -38.41

 

CMYK 85 / 52 / 0 / 54

HEX #113875

RGB 17.7 56.6 117

HSL 216.5, 0.74%, 0.26%

LAB 24.63, 10.94, -38.48

 

CMYK 99 / 61 / 0 / 62

HEX #002662

RGB 0.7 38.6 98

HSL 216.63, 0.99%, 0.19%

LAB 17.04, 14.28, -38.51

 

CMYK 60 / 36 / 0 / 31

HEX #4670AF

RGB 70 112 175

HSL 216, 0.43%, 0.48%

LAB 46.96, 5.05, -37.96

 

CMYK 60 / 53 / 0 / 31

HEX #4653AF

RGB 70 83 175

HSL 232.57, 0.43%, 0.48%

LAB 38.87, 23.44, -50.86

 

CMYK 51 / 60 / 0 / 31

HEX #5546AF

RGB 85 70 175

HSL 248.57, 0.43%, 0.48%

LAB 36.76, 34.6, -54.23

 

CMYK 35 / 60 / 0 / 31

HEX #7146AF

RGB 113 70 175

HSL 264.57, 0.43%, 0.48%

LAB 39.56, 40.79, -49.56

 

CMYK 19 / 60 / 0 / 31

HEX #8D46AF

RGB 141 70 175

HSL 280.57, 0.43%, 0.48%

LAB 42.97, 47.67, -43.9

 

CMYK 60 / 36 / 0 / 31

HEX #4670AF

RGB 70 112 175

HSL 216, 0.43%, 0.48%

LAB 46.96, 5.05, -37.96

 

CMYK 60 / 53 / 0 / 31

HEX #4653AF

RGB 70 83 175

HSL 232.57, 0.43%, 0.48%

LAB 38.87, 23.44, -50.86

 

CMYK 60 / 60 / 0 / 31

HEX #4646AF

RGB 70 70 175

HSL 240, 0.43%, 0.48%

LAB 35.55, 31.75, -56.24

 

CMYK 60 / 36 / 0 / 31

HEX #4670AF

RGB 70 112 175

HSL 216, 0.43%, 0.48%

LAB 46.96, 5.05, -37.96

 

CMYK 74 / 45 / 0 / 24

HEX #326CC3

RGB 50 108 195

HSL 216, 0.59%, 0.48%

LAB 46.1, 11.41, -50.97

 

CMYK 86 / 52 / 0 / 16

HEX #1E68D7

RGB 30 104 215

HSL 216, 0.76%, 0.48%

LAB 45.75, 19.65, -63.03

 

CMYK 96 / 57 / 0 / 8

HEX #0A64EA

RGB 10 100 234

HSL 215.89, 0.92%, 0.48%

LAB 45.8, 28.7, -73.72

 

CMYK 60 / 36 / 0 / 31

HEX #4670AF

RGB 70 112 175

HSL 216, 0.43%, 0.48%

LAB 46.96, 5.05, -37.96

 

CMYK 42 / 25 / 0 / 39

HEX #5A749B

RGB 90 116 155

HSL 216, 0.27%, 0.48%

LAB 48.3, 1.08, -24.07

 

CMYK 19 / 11 / 0 / 47

HEX #6D7887

RGB 109 120 135

HSL 214.62, 0.11%, 0.48%

LAB 50.02, -0.67, -9.56

 

CMYK 0 / 4 / 10 / 49

HEX #817C74

RGB 129 124 116

HSL 36.92, 0.05%, 0.48%

LAB 52.22, 0.39, 5.03

 

CMYK 0 / 14 / 36 / 42

HEX #958060

RGB 149 128 96

HSL 36.23, 0.22%, 0.48%

LAB 54.73, 3.15, 20.36

 

CMYK 60 / 4 / 0 / 31

HEX #46A8AF

RGB 70 168 175

HSL 184, 0.43%, 0.48%

LAB 63.67, -26.23, -12.19

 

CMYK 60 / 20 / 0 / 31

HEX #468CAF

RGB 70 140 175

HSL 200, 0.43%, 0.48%

LAB 55.23, -11.42, -25.04

 

CMYK 60 / 36 / 0 / 31

HEX #4670AF

RGB 70 112 175

HSL 216, 0.43%, 0.48%

LAB 46.96, 5.05, -37.96

 

CMYK 60 / 52 / 0 / 31

HEX #4654AF

RGB 70 84 175

HSL 232, 0.43%, 0.48%

LAB 39.14, 22.8, -50.44

 

CMYK 52 / 60 / 0 / 31

HEX #5446AF

RGB 84 70 175

HSL 248, 0.43%, 0.48%

LAB 36.67, 34.4, -54.37

 

CMYK 60 / 36 / 0 / 55

HEX #2E4A74

RGB 46 74 116

HSL 216, 0.43%, 0.32%

LAB 31.21, 3.36, -27.29

 

CMYK 60 / 36 / 0 / 43

HEX #3A5D92

RGB 58 93 146

HSL 216.14, 0.43%, 0.4%

LAB 39.25, 4.4, -32.99

 

CMYK 60 / 36 / 0 / 31

HEX #4670AF

RGB 70 112 175

HSL 216, 0.43%, 0.48%

LAB 46.96, 5.05, -37.96

 

CMYK 50 / 30 / 0 / 25

HEX #5F85BF

RGB 95 133 191

HSL 216.25, 0.43%, 0.56%

LAB 55.04, 3.14, -34.38

 

CMYK 39 / 23 / 0 / 20

HEX #7C9CCB

RGB 124 156 203

HSL 215.7, 0.43%, 0.64%

LAB 63.65, 0.78, -27.65

 

CMYK 61 / 36 / 0 / 32

HEX #446EAE

RGB 68.7 110.6 174

HSL 216.13, 0.43%, 0.48%

LAB 46.43, 5.31, -38.2

 

CMYK 12 / 60 / 0 / 31

HEX #9A46AF

RGB 154 70 175

HSL 288, 0.43%, 0.48%

LAB 44.72, 50.98, -41.01

 

CMYK 12 / 0 / 60 / 31

HEX #9AAF46

RGB 154 175 70

HSL 72, 0.43%, 0.48%

LAB 68, -22.54, 50.14

 

CMYK 61 / 36 / 0 / 32

HEX #446EAE

RGB 68.7 110.6 174

HSL 216.13, 0.43%, 0.48%

LAB 46.43, 5.31, -38.2

 

CMYK 0 / 60 / 36 / 31

HEX #AF4670

RGB 175 70 112

HSL 336, 0.43%, 0.48%

LAB 45.17, 46.98, -2.14

 

CMYK 36 / 0 / 60 / 31

HEX #70AF46

RGB 112 175 70

HSL 96, 0.43%, 0.48%

LAB 65.39, -38.73, 46.5

 

CMYK 61 / 36 / 0 / 32

HEX #446EAE

RGB 68.7 110.6 174

HSL 216.13, 0.43%, 0.48%

LAB 46.43, 5.31, -38.2

 

CMYK 12 / 60 / 0 / 31

HEX #9A46AF

RGB 154 70 175

HSL 288, 0.43%, 0.48%

LAB 44.72, 50.98, -41.01

 

CMYK 0 / 24 / 60 / 31

HEX #AF8546

RGB 175 133 70

HSL 36, 0.43%, 0.48%

LAB 58.35, 8.91, 39.66

 

CMYK 48 / 0 / 60 / 31

HEX #5BAF46

RGB 91 175 70

HSL 108, 0.43%, 0.48%

LAB 64.42, -45.59, 45.14

 

CMYK 61 / 36 / 0 / 32

HEX #446EAE

RGB 68.7 110.6 174

HSL 216.13, 0.43%, 0.48%

LAB 46.43, 5.31, -38.2

 

CMYK 0 / 60 / 6 / 31

HEX #AF46A5

RGB 175 70 165

HSL 305.71, 0.43%, 0.48%

LAB 47.25, 54.67, -30.92

 

CMYK 0 / 24 / 60 / 31

HEX #AF8546

RGB 175 133 70

HSL 36, 0.43%, 0.48%

LAB 58.35, 8.91, 39.66

 

CMYK 60 / 0 / 54 / 31

HEX #46AF50

RGB 70 175 80

HSL 125.71, 0.43%, 0.48%

LAB 63.79, -50.01, 39.46

 

Description

Color code: RGB 68.7 110.6 174 | qconv.com Color code: RGB 68.7 110.6 174 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68.7 red, 110.6 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68.7 110.6 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 36 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 36% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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