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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 53 67 it is the complementary color RGB 188 202 188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 53 67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 67 53 67 shade: RGB 72 53 62, RGB 89 71 81, RGB 106 89 100, RGB 123 107 119 and RGB 140 125 138

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 53 67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 67 53 67 shade: RGB 67 53 67, RGB 50 35 48, RGB 33 17 29, RGB 16 0 10 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 67 53 67 shade: RGB 69 54 69, RGB 69 54 65, RGB 69 54 61, RGB 69 54 57 and RGB 69 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 67 53 67 shade: RGB 69 54 69, RGB 65 54 69, RGB 61 54 69, RGB 57 54 69 and RGB 54 54 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 67 53 67 shade matches the following richer shades: RGB 69 54 69, RGB 78 44 78, RGB 88 34 88, RGB 98 24 98 and RGB 108 14 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 67 53 67 shade: RGB 69 54 69, RGB 59 64 59, RGB 49 74 49, RGB 39 84 39 and RGB 29 93 29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 67 53 67 shade: RGB 61 54 69, RGB 65 54 69, RGB 69 54 69, RGB 69 54 65 and RGB 69 54 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 67 53 67 shade: RGB 22 18 22, RGB 45 36 45, RGB 69 54 69, RGB 92 72 92 and RGB 115 90 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 67 53 67 shade: RGB 67 53 67, RGB 69 57 54 and RGB 54 69 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 67 53 67 shade: RGB 67 53 67, RGB 69 69 54 and RGB 54 69 69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 67 53 67 shade: RGB 67 53 67, RGB 69 57 54, RGB 54 69 54 and RGB 54 66 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 67 53 67 shade: RGB 67 53 67, RGB 69 61 54, RGB 54 69 54 and RGB 54 61 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 0 / 74

HEX #433543

RGB 67 53 67

HSL 300, 0.12%, 0.24%

LAB 24.14, 9.19, -6.33

 

Complementary color

CMYK 7 / 0 / 7 / 21

HEX #BCCABC

RGB 188 202 188

HSL 120, 0.12%, 0.76%

LAB 79.93, -7.37, 5.34

 

CMYK 0 / 26 / 14 / 72

HEX #48353E

RGB 72 53 62

HSL 331.58, 0.15%, 0.25%

LAB 24.55, 10.22, -2.31

 

CMYK 0 / 20 / 9 / 65

HEX #594751

RGB 89 71 81

HSL 326.67, 0.11%, 0.31%

LAB 32.31, 9.58, -3.06

 

CMYK 0 / 16 / 6 / 58

HEX #6A5964

RGB 106 89 100

HSL 321.18, 0.09%, 0.38%

LAB 39.8, 9.04, -3.73

 

CMYK 0 / 13 / 3 / 52

HEX #7B6B77

RGB 123 107 119

HSL 315, 0.07%, 0.45%

LAB 47.05, 8.59, -4.35

 

CMYK 0 / 11 / 1 / 45

HEX #8C7D8A

RGB 140 125 138

HSL 308, 0.06%, 0.52%

LAB 54.11, 8.19, -4.94

 

CMYK 0 / 21 / 0 / 74

HEX #433543

RGB 67 53 67

HSL 300, 0.12%, 0.24%

LAB 24.14, 9.19, -6.33

 

CMYK 0 / 30 / 4 / 80

HEX #322330

RGB 50 35 48

HSL 308, 0.18%, 0.17%

LAB 15.97, 9.89, -5.76

 

CMYK 0 / 48 / 12 / 87

HEX #21111D

RGB 33 17 29

HSL 315, 0.32%, 0.1%

LAB 7.34, 10.72, -5.04

 

CMYK 0 / 100 / 38 / 94

HEX #10000A

RGB 16 0 10

HSL 322.5, 1%, 0.03%

LAB 1.19, 5.86, -2.21

 

CMYK 0 / 22 / 0 / 73

HEX #453645

RGB 69 54 69

HSL 300, 0.12%, 0.24%

LAB 24.74, 9.8, -6.74

 

CMYK 0 / 22 / 6 / 73

HEX #453641

RGB 69 54 65

HSL 316, 0.12%, 0.24%

LAB 24.59, 8.91, -4.3

 

CMYK 0 / 22 / 12 / 73

HEX #45363D

RGB 69 54 61

HSL 332, 0.12%, 0.24%

LAB 24.45, 8.06, -1.83

 

CMYK 0 / 22 / 17 / 73

HEX #453639

RGB 69 54 57

HSL 348, 0.12%, 0.24%

LAB 24.32, 7.25, 0.66

 

CMYK 0 / 22 / 22 / 73

HEX #453636

RGB 69 54 54

HSL 0, 0.12%, 0.24%

LAB 24.23, 6.68, 2.53

 

CMYK 0 / 22 / 0 / 73

HEX #453645

RGB 69 54 69

HSL 300, 0.12%, 0.24%

LAB 24.74, 9.8, -6.74

 

CMYK 6 / 22 / 0 / 73

HEX #413645

RGB 65 54 69

HSL 284, 0.12%, 0.24%

LAB 24.3, 8.17, -7.46

 

CMYK 12 / 22 / 0 / 73

HEX #3D3645

RGB 61 54 69

HSL 268, 0.12%, 0.24%

LAB 23.87, 6.56, -8.15

 

CMYK 17 / 22 / 0 / 73

HEX #393645

RGB 57 54 69

HSL 252, 0.12%, 0.24%

LAB 23.46, 4.97, -8.8

 

CMYK 22 / 22 / 0 / 73

HEX #363645

RGB 54 54 69

HSL 240, 0.12%, 0.24%

LAB 23.18, 3.81, -9.26

 

CMYK 0 / 22 / 0 / 73

HEX #453645

RGB 69 54 69

HSL 300, 0.12%, 0.24%

LAB 24.74, 9.8, -6.74

 

CMYK 0 / 44 / 0 / 69

HEX #4E2C4E

RGB 78 44 78

HSL 300, 0.28%, 0.24%

LAB 23.58, 21.84, -14.43

 

CMYK 0 / 61 / 0 / 65

HEX #582258

RGB 88 34 88

HSL 300, 0.44%, 0.24%

LAB 23.42, 33.07, -21.23

 

CMYK 0 / 76 / 0 / 62

HEX #621862

RGB 98 24 98

HSL 300, 0.61%, 0.24%

LAB 24.1, 42.25, -26.62

 

CMYK 0 / 87 / 0 / 58

HEX #6C0E6C

RGB 108 14 108

HSL 300, 0.77%, 0.24%

LAB 25.52, 49.35, -30.77

 

CMYK 0 / 22 / 0 / 73

HEX #453645

RGB 69 54 69

HSL 300, 0.12%, 0.24%

LAB 24.74, 9.8, -6.74

 

CMYK 8 / 0 / 8 / 75

HEX #3B403B

RGB 59 64 59

HSL 120, 0.04%, 0.24%

LAB 26.48, -3.23, 2.34

 

CMYK 34 / 0 / 34 / 71

HEX #314A31

RGB 49 74 49

HSL 120, 0.2%, 0.24%

LAB 28.83, -15.49, 11.96

 

CMYK 54 / 0 / 54 / 67

HEX #275427

RGB 39 84 39

HSL 120, 0.37%, 0.24%

LAB 31.62, -26.09, 21.53

 

CMYK 69 / 0 / 69 / 64

HEX #1D5D1D

RGB 29 93 29

HSL 120, 0.52%, 0.24%

LAB 34.35, -34.26, 30

 

CMYK 12 / 22 / 0 / 73

HEX #3D3645

RGB 61 54 69

HSL 268, 0.12%, 0.24%

LAB 23.87, 6.56, -8.15

 

CMYK 6 / 22 / 0 / 73

HEX #413645

RGB 65 54 69

HSL 284, 0.12%, 0.24%

LAB 24.3, 8.17, -7.46

 

CMYK 0 / 22 / 0 / 73

HEX #453645

RGB 69 54 69

HSL 300, 0.12%, 0.24%

LAB 24.74, 9.8, -6.74

 

CMYK 0 / 22 / 6 / 73

HEX #453641

RGB 69 54 65

HSL 316, 0.12%, 0.24%

LAB 24.59, 8.91, -4.3

 

CMYK 0 / 22 / 12 / 73

HEX #45363D

RGB 69 54 61

HSL 332, 0.12%, 0.24%

LAB 24.45, 8.06, -1.83

 

CMYK 0 / 18 / 0 / 91

HEX #161216

RGB 22 18 22

HSL 300, 0.1%, 0.08%

LAB 5.97, 2.61, -1.86

 

CMYK 0 / 20 / 0 / 82

HEX #2D242D

RGB 45 36 45

HSL 300, 0.11%, 0.16%

LAB 15.53, 6.28, -4.35

 

CMYK 0 / 22 / 0 / 73

HEX #453645

RGB 69 54 69

HSL 300, 0.12%, 0.24%

LAB 24.74, 9.8, -6.74

 

CMYK 0 / 22 / 0 / 64

HEX #5C485C

RGB 92 72 92

HSL 300, 0.12%, 0.32%

LAB 33.31, 12.46, -8.55

 

CMYK 0 / 22 / 0 / 55

HEX #735A73

RGB 115 90 115

HSL 300, 0.12%, 0.4%

LAB 41.52, 14.98, -10.27

 

CMYK 0 / 21 / 0 / 74

HEX #433543

RGB 67 53 67

HSL 300, 0.12%, 0.24%

LAB 24.14, 9.19, -6.33

 

CMYK 0 / 17 / 22 / 73

HEX #453936

RGB 69 57 54

HSL 12, 0.12%, 0.24%

LAB 25.13, 4.7, 3.83

 

CMYK 22 / 0 / 9 / 73

HEX #36453F

RGB 54 69 63

HSL 156, 0.12%, 0.24%

LAB 27.84, -7.48, 1.64

 

CMYK 0 / 21 / 0 / 74

HEX #433543

RGB 67 53 67

HSL 300, 0.12%, 0.24%

LAB 24.14, 9.19, -6.33

 

CMYK 0 / 0 / 22 / 73

HEX #454536

RGB 69 69 54

HSL 60, 0.12%, 0.24%

LAB 28.87, -3.01, 9.09

 

CMYK 22 / 0 / 0 / 73

HEX #364545

RGB 54 69 69

HSL 180, 0.12%, 0.24%

LAB 28.03, -5.97, -1.99

 

CMYK 0 / 21 / 0 / 74

HEX #433543

RGB 67 53 67

HSL 300, 0.12%, 0.24%

LAB 24.14, 9.19, -6.33

 

CMYK 0 / 17 / 22 / 73

HEX #453936

RGB 69 57 54

HSL 12, 0.12%, 0.24%

LAB 25.13, 4.7, 3.83

 

CMYK 22 / 0 / 22 / 73

HEX #364536

RGB 54 69 54

HSL 120, 0.12%, 0.24%

LAB 27.59, -9.52, 7.12

 

CMYK 22 / 4 / 0 / 73

HEX #364245

RGB 54 66 69

HSL 192, 0.12%, 0.24%

LAB 27.05, -4.08, -3.45

 

CMYK 0 / 21 / 0 / 74

HEX #433543

RGB 67 53 67

HSL 300, 0.12%, 0.24%

LAB 24.14, 9.19, -6.33

 

CMYK 0 / 12 / 22 / 73

HEX #453D36

RGB 69 61 54

HSL 28, 0.12%, 0.24%

LAB 26.36, 2.09, 5.58

 

CMYK 22 / 0 / 22 / 73

HEX #364536

RGB 54 69 54

HSL 120, 0.12%, 0.24%

LAB 27.59, -9.52, 7.12

 

CMYK 22 / 12 / 0 / 73

HEX #363D45

RGB 54 61 69

HSL 212, 0.12%, 0.24%

LAB 25.42, -0.85, -5.88

 

Description

Color code: RGB 67 53 67 | qconv.com Color code: RGB 67 53 67 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 53 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 53 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, none yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 0% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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