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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 67 53 40 it is the complementary color RGB 188 202 215. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 67 53 40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 67 53 40 shade: RGB 72 53 35, RGB 89 71 54, RGB 106 89 73, RGB 123 107 92 and RGB 140 125 111

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 67 53 40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 67 53 40 shade: RGB 67 53 40, RGB 50 35 21, RGB 33 17 2, RGB 16 0 0 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 67 53 40 shade: RGB 67 53 40, RGB 67 46 40 and RGB 67 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 67 53 40 shade: RGB 67 53 40, RGB 67 60 40, RGB 66 67 40, RGB 59 67 40 and RGB 52 67 40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 67 53 40 shade matches the following richer shades: RGB 67 53 40, RGB 76 53 31, RGB 84 52 23, RGB 93 52 14 and RGB 102 52 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 67 53 40 shade: RGB 67 53 40, RGB 58 53 49, RGB 50 54 57, RGB 41 54 66 and RGB 32 54 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 67 53 40 shade: RGB 67 40 42, RGB 67 46 40, RGB 67 53 40, RGB 67 60 40 and RGB 67 67 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 67 53 40 shade: RGB 15 12 9, RGB 41 33 25, RGB 67 53 40, RGB 93 73 56 and RGB 119 94 71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 67 53 40 shade: RGB 67 53 40, RGB 49 67 40 and RGB 42 40 67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 67 53 40 shade: RGB 67 53 40, RGB 40 67 53 and RGB 53 40 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 67 53 40 shade: RGB 67 53 40, RGB 49 67 40, RGB 40 54 67 and RGB 58 40 67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 67 53 40 shade: RGB 67 53 40, RGB 41 67 40, RGB 40 54 67 and RGB 66 40 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

Complementary color

CMYK 13 / 6 / 0 / 16

HEX #BCCAD7

RGB 188 202 215

HSL 208.89, 0.25%, 0.79%

LAB 80.65, -2.15, -8.09

 

CMYK 0 / 26 / 51 / 72

HEX #483523

RGB 72 53 35

HSL 29.19, 0.35%, 0.21%

LAB 23.82, 5.81, 14.62

 

CMYK 0 / 20 / 39 / 65

HEX #594736

RGB 89 71 54

HSL 29.14, 0.24%, 0.28%

LAB 31.57, 4.93, 13.13

 

CMYK 0 / 16 / 31 / 58

HEX #6A5949

RGB 106 89 73

HSL 29.09, 0.18%, 0.35%

LAB 39.05, 4.27, 11.85

 

CMYK 0 / 13 / 25 / 52

HEX #7B6B5C

RGB 123 107 92

HSL 29.03, 0.14%, 0.42%

LAB 46.31, 3.75, 10.73

 

CMYK 0 / 11 / 21 / 45

HEX #8C7D6F

RGB 140 125 111

HSL 28.97, 0.12%, 0.49%

LAB 53.37, 3.33, 9.72

 

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

CMYK 0 / 30 / 58 / 80

HEX #322315

RGB 50 35 21

HSL 28.97, 0.41%, 0.14%

LAB 15.14, 5, 12.16

 

CMYK 0 / 48 / 94 / 87

HEX #211102

RGB 33 17 2

HSL 29.03, 0.89%, 0.07%

LAB 6.58, 5.98, 9.15

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

CMYK 0 / 31 / 40 / 74

HEX #432E28

RGB 67 46 40

HSL 13.33, 0.25%, 0.21%

LAB 21.21, 8.69, 7.68

 

CMYK 0 / 40 / 40 / 74

HEX #432828

RGB 67 40 40

HSL 0, 0.25%, 0.21%

LAB 19.49, 12.68, 5.29

 

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

CMYK 0 / 10 / 40 / 74

HEX #433C28

RGB 67 60 40

HSL 44.44, 0.25%, 0.21%

LAB 25.5, -0.52, 13.49

 

CMYK 1 / 0 / 40 / 74

HEX #424328

RGB 66 67 40

HSL 62.22, 0.25%, 0.21%

LAB 27.64, -5.42, 16.28

 

CMYK 12 / 0 / 40 / 74

HEX #3B4328

RGB 59 67 40

HSL 77.78, 0.25%, 0.21%

LAB 27.01, -8.71, 15.33

 

CMYK 22 / 0 / 40 / 74

HEX #344328

RGB 52 67 40

HSL 93.33, 0.25%, 0.21%

LAB 26.44, -11.87, 14.48

 

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

CMYK 0 / 30 / 59 / 70

HEX #4C351F

RGB 76 53 31

HSL 29.33, 0.42%, 0.21%

LAB 24.26, 7.35, 17.85

 

CMYK 0 / 38 / 73 / 67

HEX #543417

RGB 84 52 23

HSL 28.52, 0.57%, 0.21%

LAB 24.96, 11.28, 23.82

 

CMYK 0 / 44 / 85 / 64

HEX #5D340E

RGB 93 52 14

HSL 28.86, 0.74%, 0.21%

LAB 26.2, 15.19, 30.35

 

CMYK 0 / 49 / 94 / 60

HEX #663406

RGB 102 52 6

HSL 28.75, 0.89%, 0.21%

LAB 27.56, 19.22, 35.51

 

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

CMYK 0 / 9 / 16 / 77

HEX #3A3531

RGB 58 53 49

HSL 26.67, 0.08%, 0.21%

LAB 22.54, 1.36, 3.31

 

CMYK 12 / 5 / 0 / 78

HEX #323639

RGB 50 54 57

HSL 205.71, 0.07%, 0.21%

LAB 22.34, -0.97, -2.47

RGB 50 54 57

CMYK 38 / 18 / 0 / 74

HEX #293642

RGB 41 54 66

HSL 208.8, 0.23%, 0.21%

LAB 21.96, -1.87, -9.2

RGB 41 54 66

CMYK 57 / 28 / 0 / 71

HEX #20364B

RGB 32 54 75

HSL 209.3, 0.4%, 0.21%

LAB 21.78, -1.63, -15.58

RGB 32 54 75

CMYK 0 / 40 / 37 / 74

HEX #43282A

RGB 67 40 42

HSL 355.56, 0.25%, 0.21%

LAB 19.55, 12.98, 3.98

 

CMYK 0 / 31 / 40 / 74

HEX #432E28

RGB 67 46 40

HSL 13.33, 0.25%, 0.21%

LAB 21.21, 8.69, 7.68

 

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

CMYK 0 / 10 / 40 / 74

HEX #433C28

RGB 67 60 40

HSL 44.44, 0.25%, 0.21%

LAB 25.5, -0.52, 13.49

 

CMYK 0 / 0 / 40 / 74

HEX #434328

RGB 67 67 40

HSL 60, 0.25%, 0.21%

LAB 27.74, -4.94, 16.42

 

CMYK 0 / 20 / 40 / 94

HEX #0F0C09

RGB 15 12 9

HSL 30, 0.25%, 0.05%

LAB 3.47, 0.52, 1.51

 

CMYK 0 / 20 / 39 / 84

HEX #292119

RGB 41 33 25

HSL 30, 0.24%, 0.13%

LAB 13.41, 2.28, 6.85

 

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

CMYK 0 / 22 / 40 / 64

HEX #5D4938

RGB 93 73 56

HSL 27.57, 0.25%, 0.29%

LAB 32.65, 5.8, 13.41

 

CMYK 0 / 21 / 40 / 53

HEX #775E47

RGB 119 94 71

HSL 28.75, 0.25%, 0.37%

LAB 41.82, 6.73, 17.05

 

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

CMYK 27 / 0 / 40 / 74

HEX #314328

RGB 49 67 40

HSL 100, 0.25%, 0.21%

LAB 26.22, -13.18, 14.14

 

CMYK 37 / 40 / 0 / 74

HEX #2A2843

RGB 42 40 67

HSL 244.44, 0.25%, 0.21%

LAB 17.53, 8.54, -16.71

 

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

CMYK 40 / 0 / 21 / 74

HEX #284335

RGB 40 67 53

HSL 148.89, 0.25%, 0.21%

LAB 25.93, -13.99, 5.29

 

CMYK 21 / 40 / 0 / 74

HEX #352843

RGB 53 40 67

HSL 268.89, 0.25%, 0.21%

LAB 18.71, 12.5, -14.78

 

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

CMYK 27 / 0 / 40 / 74

HEX #314328

RGB 49 67 40

HSL 100, 0.25%, 0.21%

LAB 26.22, -13.18, 14.14

 

CMYK 40 / 19 / 0 / 74

HEX #283643

RGB 40 54 67

HSL 208.89, 0.25%, 0.21%

LAB 21.93, -1.9, -9.93

 

CMYK 13 / 40 / 0 / 74

HEX #3A2843

RGB 58 40 67

HSL 280, 0.25%, 0.21%

LAB 19.32, 14.38, -13.79

 

CMYK 0 / 21 / 40 / 74

HEX #433528

RGB 67 53 40

HSL 28.89, 0.25%, 0.21%

LAB 23.31, 4.04, 10.56

 

CMYK 39 / 0 / 40 / 74

HEX #294328

RGB 41 67 40

HSL 117.78, 0.25%, 0.21%

LAB 25.68, -16.46, 13.33

 

CMYK 40 / 19 / 0 / 74

HEX #283643

RGB 40 54 67

HSL 208.89, 0.25%, 0.21%

LAB 21.93, -1.9, -9.93

 

CMYK 1 / 40 / 0 / 74

HEX #422843

RGB 66 40 67

HSL 297.78, 0.25%, 0.21%

LAB 20.37, 17.44, -12.09

 

Description

Color code: RGB 67 53 40 | qconv.com Color code: RGB 67 53 40 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 53 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 53 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 40 yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 40% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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