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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 236 152 it is the complementary color RGB 189 19 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 236 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 66 236 152: RGB 71 236 147, RGB 88 254 166, RGB 105 255 185, RGB 122 255 204 and RGB 139 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 236 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 66 236 152: RGB 66 236 152, RGB 49 218 133, RGB 32 200 114, RGB 15 182 95 and RGB 0 164 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 36 / 7

HEX #42EC98

RGB 66 236 152

HSL 150.35, 0.82%, 0.59%

LAB 83.66, -61.52, 28.65

 

Complementary color

CMYK 0 / 90 / 46 / 26

HEX #BD1367

RGB 189 19 103

HSL 330.35, 0.82%, 0.41%

LAB 41.63, 66.15, -1.46

 

CMYK 70 / 0 / 38 / 7

HEX #47EC93

RGB 71 236 147

HSL 147.64, 0.81%, 0.6%

LAB 83.67, -61.73, 31.22

 

CMYK 65 / 0 / 35 / 0

HEX #58FEA6

RGB 88 254 166

HSL 148.19, 0.99%, 0.67%

LAB 89.73, -62.16, 29.81

 

CMYK 59 / 0 / 27 / 0

HEX #69FFB9

RGB 105 255 185

HSL 152, 1%, 0.71%

LAB 90.79, -55.76, 21.71

 

CMYK 52 / 0 / 20 / 0

HEX #7AFFCC

RGB 122 255 204

HSL 156.99, 1%, 0.74%

LAB 91.69, -48.33, 13.32

 

CMYK 45 / 0 / 13 / 0

HEX #8BFFDF

RGB 139 255 223

HSL 163.45, 1%, 0.77%

LAB 92.72, -40.37, 5.08

 

CMYK 72 / 0 / 36 / 7

HEX #42EC98

RGB 66 236 152

HSL 150.35, 0.82%, 0.59%

LAB 83.66, -61.52, 28.65

 

CMYK 78 / 0 / 39 / 15

HEX #31DA85

RGB 49 218 133

HSL 149.82, 0.7%, 0.52%

LAB 77.57, -60.75, 30.17

 

CMYK 84 / 0 / 43 / 22

HEX #20C872

RGB 32 200 114

HSL 149.29, 0.72%, 0.45%

LAB 71.44, -59.61, 31.81

 

CMYK 92 / 0 / 48 / 29

HEX #0FB65F

RGB 15 182 95

HSL 148.74, 0.85%, 0.39%

LAB 65.27, -57.98, 33.57

 

CMYK 100 / 0 / 54 / 36

HEX #00A44C

RGB 0 164 76

HSL 147.8, 1%, 0.32%

LAB 59.04, -55.8, 35.41

 

CMYK 72 / 0 / 36 / 7

HEX #42EC98

RGB 66 236 152

HSL 150.35, 0.82%, 0.59%

LAB 83.66, -61.52, 28.65

 

CMYK 73 / 0 / 24 / 7

HEX #40ECB3

RGB 64 236 179

HSL 160.12, 0.82%, 0.59%

LAB 84.14, -56.18, 15.38

 

CMYK 73 / 0 / 12 / 7

HEX #40ECCF

RGB 64 236 207

HSL 169.88, 0.82%, 0.59%

LAB 84.78, -49.48, 1.64

 

CMYK 73 / 0 / 0 / 7

HEX #40ECEC

RGB 64 236 236

HSL 180, 0.82%, 0.59%

LAB 85.57, -41.73, -12.45

 

CMYK 73 / 12 / 0 / 7

HEX #40CFEC

RGB 64 207 236

HSL 190.12, 0.82%, 0.59%

LAB 77.14, -28.14, -25.18

 

CMYK 72 / 0 / 36 / 7

HEX #42EC98

RGB 66 236 152

HSL 150.35, 0.82%, 0.59%

LAB 83.66, -61.52, 28.65

 

CMYK 72 / 0 / 34 / 87

HEX #092015

RGB 9 32 21

HSL 151.3, 0.56%, 0.08%

LAB 10.15, -12.42, 4.76

 

CMYK 72 / 0 / 36 / 67

HEX #175335

RGB 23 83 53

HSL 150, 0.57%, 0.21%

LAB 30.94, -27.12, 12.13

 

CMYK 72 / 0 / 36 / 47

HEX #258656

RGB 37 134 86

HSL 150.31, 0.57%, 0.34%

LAB 49.64, -39.49, 18.02

 

CMYK 72 / 0 / 36 / 27

HEX #34B977

RGB 52 185 119

HSL 150.23, 0.56%, 0.46%

LAB 67.1, -50.74, 23.5

 

CMYK 72 / 0 / 36 / 7

HEX #42EC98

RGB 66 236 152

HSL 150.35, 0.82%, 0.59%

LAB 83.66, -61.52, 28.65

 

CMYK 73 / 51 / 0 / 7

HEX #4074EC

RGB 64 116 236

HSL 221.86, 0.82%, 0.59%

LAB 51.42, 23.2, -65.65

 

CMYK 0 / 66 / 73 / 7

HEX #EC5140

RGB 236 81 64

HSL 5.93, 0.82%, 0.59%

LAB 56.18, 58.72, 42.56

 

CMYK 72 / 0 / 36 / 7

HEX #42EC98

RGB 66 236 152

HSL 150.35, 0.82%, 0.59%

LAB 83.66, -61.52, 28.65

 

CMYK 36 / 73 / 0 / 7

HEX #9640EC

RGB 150 64 236

HSL 270, 0.82%, 0.59%

LAB 47.24, 66.12, -72.12

 

CMYK 0 / 36 / 73 / 7

HEX #EC9640

RGB 236 150 64

HSL 30, 0.82%, 0.59%

LAB 69.48, 25.31, 56.76

 

CMYK 72 / 0 / 36 / 7

HEX #42EC98

RGB 66 236 152

HSL 150.35, 0.82%, 0.59%

LAB 83.66, -61.52, 28.65

 

CMYK 73 / 51 / 0 / 7

HEX #4074EC

RGB 64 116 236

HSL 221.86, 0.82%, 0.59%

LAB 51.42, 23.2, -65.65

 

CMYK 0 / 73 / 36 / 7

HEX #EC4096

RGB 236 64 150

HSL 330, 0.82%, 0.59%

LAB 55.79, 71.2, -8.11

 

CMYK 0 / 22 / 73 / 7

HEX #ECB840

RGB 236 184 64

HSL 41.86, 0.82%, 0.59%

LAB 77.57, 7.34, 64.89

 

CMYK 72 / 0 / 36 / 7

HEX #42EC98

RGB 66 236 152

HSL 150.35, 0.82%, 0.59%

LAB 83.66, -61.52, 28.65

 

CMYK 73 / 73 / 0 / 7

HEX #4040EC

RGB 64 64 236

HSL 240, 0.82%, 0.59%

LAB 39.26, 54.6, -85.52

 

CMYK 0 / 73 / 36 / 7

HEX #EC4096

RGB 236 64 150

HSL 330, 0.82%, 0.59%

LAB 55.79, 71.2, -8.11

 

CMYK 0 / 0 / 73 / 7

HEX #ECEC40

RGB 236 236 64

HSL 60, 0.82%, 0.59%

LAB 90.87, -18.97, 77.65

 

Description

Color code: RGB 66 236 152 | qconv.com Color code: RGB 66 236 152 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 236 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 236 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 36 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 36% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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