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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 177 79 it is the complementary color RGB 189 78 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 177 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 177 79 shade: RGB 71 177 74, RGB 88 195 93, RGB 105 213 112, RGB 122 231 131 and RGB 139 249 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 177 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 177 79 shade: RGB 66 177 79, RGB 49 159 60, RGB 32 141 41, RGB 15 123 22 and RGB 0 105 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 177 79 shade: RGB 66 178 79, RGB 83 178 66, RGB 113 178 66, RGB 144 178 66 and RGB 174 178 66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 177 79 shade: RGB 66 178 79, RGB 66 178 109, RGB 66 178 140, RGB 66 178 170 and RGB 66 156 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 177 79 shade matches the following richer shades: RGB 66 178 79, RGB 46 198 64, RGB 26 218 48 and RGB 6 238 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 177 79 shade: RGB 66 178 79, RGB 85 158 94, RGB 105 139 109, RGB 125 119 124 and RGB 145 99 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 177 79 shade: RGB 113 178 66, RGB 82 178 66, RGB 66 178 79, RGB 66 178 109 and RGB 66 178 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 177 79 shade: RGB 43 118 52, RGB 54 148 65, RGB 66 178 79, RGB 91 194 103 and RGB 121 205 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 177 79 shade: RGB 66 177 79, RGB 66 143 178 and RGB 178 66 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 177 79 shade: RGB 66 177 79, RGB 79 66 178 and RGB 178 79 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 177 79 shade: RGB 66 177 79, RGB 66 143 178, RGB 178 66 165 and RGB 178 101 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 177 79 shade: RGB 66 177 79, RGB 66 109 178, RGB 178 66 165 and RGB 178 135 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 55 / 31

HEX #42B14F

RGB 66 177 79

HSL 127.03, 0.46%, 0.48%

LAB 64.3, -51.81, 40.52

 

Complementary color

CMYK 0 / 59 / 7 / 26

HEX #BD4EB0

RGB 189 78 176

HSL 307.03, 0.46%, 0.52%

LAB 51.15, 56.73, -31.13

 

CMYK 60 / 0 / 58 / 31

HEX #47B14A

RGB 71 177 74

HSL 121.7, 0.43%, 0.49%

LAB 64.39, -51.31, 43.05

 

CMYK 55 / 0 / 52 / 24

HEX #58C35D

RGB 88 195 93

HSL 122.8, 0.47%, 0.55%

LAB 70.8, -51.59, 41.75

 

CMYK 51 / 0 / 47 / 16

HEX #69D570

RGB 105 213 112

HSL 123.89, 0.56%, 0.62%

LAB 77.14, -51.66, 40.44

 

CMYK 47 / 0 / 43 / 9

HEX #7AE783

RGB 122 231 131

HSL 124.95, 0.69%, 0.69%

LAB 83.4, -51.6, 39.15

 

CMYK 44 / 0 / 40 / 2

HEX #8BF996

RGB 139 249 150

HSL 126, 0.9%, 0.76%

LAB 89.6, -51.47, 37.9

 

CMYK 63 / 0 / 55 / 31

HEX #42B14F

RGB 66 177 79

HSL 127.03, 0.46%, 0.48%

LAB 64.3, -51.81, 40.52

 

CMYK 69 / 0 / 62 / 38

HEX #319F3C

RGB 49 159 60

HSL 126, 0.53%, 0.41%

LAB 57.82, -51.16, 41.85

 

CMYK 77 / 0 / 71 / 45

HEX #208D29

RGB 32 141 41

HSL 124.95, 0.63%, 0.34%

LAB 51.29, -49.96, 42.94

 

CMYK 88 / 0 / 82 / 52

HEX #0F7B16

RGB 15 123 22

HSL 123.89, 0.78%, 0.27%

LAB 44.7, -47.88, 43.36

 

CMYK 100 / 0 / 97 / 59

HEX #006903

RGB 0 105 3

HSL 121.71, 1%, 0.21%

LAB 38.04, -44.73, 42.5

 

CMYK 63 / 0 / 56 / 30

HEX #42B24F

RGB 66 178 79

HSL 126.96, 0.46%, 0.48%

LAB 64.61, -52.19, 40.9

 

CMYK 53 / 0 / 63 / 30

HEX #53B242

RGB 83 178 66

HSL 110.89, 0.46%, 0.48%

LAB 65.02, -49.51, 47.54

 

CMYK 37 / 0 / 63 / 30

HEX #71B242

RGB 113 178 66

HSL 94.82, 0.46%, 0.48%

LAB 66.32, -40.08, 49.35

 

CMYK 19 / 0 / 63 / 30

HEX #90B242

RGB 144 178 66

HSL 78.21, 0.46%, 0.48%

LAB 68.14, -28.39, 51.86

 

CMYK 2 / 0 / 63 / 30

HEX #AEB242

RGB 174 178 66

HSL 62.14, 0.46%, 0.48%

LAB 70.34, -15.97, 54.87

 

CMYK 63 / 0 / 56 / 30

HEX #42B24F

RGB 66 178 79

HSL 126.96, 0.46%, 0.48%

LAB 64.61, -52.19, 40.9

 

CMYK 63 / 0 / 39 / 30

HEX #42B26D

RGB 66 178 109

HSL 143.04, 0.46%, 0.48%

LAB 65.04, -47.41, 26.14

 

CMYK 63 / 0 / 21 / 30

HEX #42B28C

RGB 66 178 140

HSL 159.64, 0.46%, 0.48%

LAB 65.66, -40.87, 10.17

 

CMYK 63 / 0 / 4 / 30

HEX #42B2AA

RGB 66 178 170

HSL 175.71, 0.46%, 0.48%

LAB 66.44, -33.21, -5.29

 

CMYK 63 / 12 / 0 / 30

HEX #429CB2

RGB 66 156 178

HSL 191.79, 0.46%, 0.48%

LAB 60.02, -19.9, -19.41

 

CMYK 63 / 0 / 56 / 30

HEX #42B24F

RGB 66 178 79

HSL 126.96, 0.46%, 0.48%

LAB 64.61, -52.19, 40.9

 

CMYK 77 / 0 / 68 / 22

HEX #2EC640

RGB 46 198 64

HSL 127.11, 0.62%, 0.48%

LAB 70.41, -64.33, 54.02

 

CMYK 88 / 0 / 78 / 15

HEX #1ADA30

RGB 26 218 48

HSL 126.88, 0.79%, 0.48%

LAB 76.42, -73.66, 65.68

 

CMYK 97 / 0 / 86 / 7

HEX #06EE21

RGB 6 238 33

HSL 126.98, 0.95%, 0.48%

LAB 82.54, -80.84, 74.97

 

CMYK 63 / 0 / 56 / 30

HEX #42B24F

RGB 66 178 79

HSL 126.96, 0.46%, 0.48%

LAB 64.61, -52.19, 40.9

 

CMYK 46 / 0 / 41 / 38

HEX #559E5E

RGB 85 158 94

HSL 127.4, 0.3%, 0.48%

LAB 59.15, -36.84, 26.53

 

CMYK 24 / 0 / 22 / 45

HEX #698B6D

RGB 105 139 109

HSL 127.06, 0.14%, 0.48%

LAB 54.63, -18.27, 12.24

 

CMYK 0 / 5 / 1 / 51

HEX #7D777C

RGB 125 119 124

HSL 310, 0.02%, 0.48%

LAB 50.7, 3.28, -1.92

 

CMYK 0 / 32 / 4 / 43

HEX #91638B

RGB 145 99 139

HSL 307.83, 0.19%, 0.48%

LAB 48.02, 25.37, -14.61

 

CMYK 37 / 0 / 63 / 30

HEX #71B242

RGB 113 178 66

HSL 94.82, 0.46%, 0.48%

LAB 66.32, -40.08, 49.35

 

CMYK 54 / 0 / 63 / 30

HEX #52B242

RGB 82 178 66

HSL 111.43, 0.46%, 0.48%

LAB 64.98, -49.79, 47.49

 

CMYK 63 / 0 / 56 / 30

HEX #42B24F

RGB 66 178 79

HSL 126.96, 0.46%, 0.48%

LAB 64.61, -52.19, 40.9

 

CMYK 63 / 0 / 39 / 30

HEX #42B26D

RGB 66 178 109

HSL 143.04, 0.46%, 0.48%

LAB 65.04, -47.41, 26.14

 

CMYK 63 / 0 / 22 / 30

HEX #42B28B

RGB 66 178 139

HSL 159.11, 0.46%, 0.48%

LAB 65.64, -41.11, 10.69

 

CMYK 64 / 0 / 56 / 54

HEX #2B7634

RGB 43 118 52

HSL 127.2, 0.47%, 0.32%

LAB 43.83, -37.89, 29.35

 

CMYK 64 / 0 / 56 / 42

HEX #369441

RGB 54 148 65

HSL 127.02, 0.47%, 0.4%

LAB 54.39, -45.37, 35.47

 

CMYK 63 / 0 / 56 / 30

HEX #42B24F

RGB 66 178 79

HSL 126.96, 0.46%, 0.48%

LAB 64.61, -52.19, 40.9

 

CMYK 53 / 0 / 47 / 24

HEX #5BC267

RGB 91 194 103

HSL 126.99, 0.46%, 0.56%

LAB 70.72, -49.01, 36.74

 

CMYK 41 / 0 / 36 / 20

HEX #79CD83

RGB 121 205 131

HSL 127.14, 0.46%, 0.64%

LAB 75.68, -40.88, 29.06

 

CMYK 63 / 0 / 55 / 31

HEX #42B14F

RGB 66 177 79

HSL 127.03, 0.46%, 0.48%

LAB 64.3, -51.81, 40.52

 

CMYK 63 / 20 / 0 / 30

HEX #428FB2

RGB 66 143 178

HSL 198.75, 0.46%, 0.48%

LAB 56.11, -12.88, -25.42

 

CMYK 0 / 63 / 45 / 30

HEX #B24262

RGB 178 66 98

HSL 342.86, 0.46%, 0.48%

LAB 44.58, 48.24, 5.67

 

CMYK 63 / 0 / 55 / 31

HEX #42B14F

RGB 66 177 79

HSL 127.03, 0.46%, 0.48%

LAB 64.3, -51.81, 40.52

 

CMYK 56 / 63 / 0 / 30

HEX #4F42B2

RGB 79 66 178

HSL 246.96, 0.46%, 0.48%

LAB 35.54, 36.81, -58

 

CMYK 0 / 56 / 63 / 30

HEX #B24F42

RGB 178 79 66

HSL 6.96, 0.46%, 0.48%

LAB 46.24, 39.35, 27.31

 

CMYK 63 / 0 / 55 / 31

HEX #42B14F

RGB 66 177 79

HSL 127.03, 0.46%, 0.48%

LAB 64.3, -51.81, 40.52

 

CMYK 63 / 20 / 0 / 30

HEX #428FB2

RGB 66 143 178

HSL 198.75, 0.46%, 0.48%

LAB 56.11, -12.88, -25.42

 

CMYK 0 / 63 / 7 / 30

HEX #B242A5

RGB 178 66 165

HSL 306.96, 0.46%, 0.48%

LAB 47.08, 57.21, -31.15

 

CMYK 0 / 43 / 63 / 30

HEX #B26542

RGB 178 101 66

HSL 18.75, 0.46%, 0.48%

LAB 50.88, 27.74, 33

 

CMYK 63 / 0 / 55 / 31

HEX #42B14F

RGB 66 177 79

HSL 127.03, 0.46%, 0.48%

LAB 64.3, -51.81, 40.52

 

CMYK 63 / 39 / 0 / 30

HEX #426DB2

RGB 66 109 178

HSL 216.96, 0.46%, 0.48%

LAB 46.06, 7.16, -41.14

 

CMYK 0 / 63 / 7 / 30

HEX #B242A5

RGB 178 66 165

HSL 306.96, 0.46%, 0.48%

LAB 47.08, 57.21, -31.15

 

CMYK 0 / 24 / 63 / 30

HEX #B28742

RGB 178 135 66

HSL 36.96, 0.46%, 0.48%

LAB 59.15, 8.82, 42.68

 

Description

Color code: RGB 66 177 79 | qconv.com Color code: RGB 66 177 79 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 177 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 177 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 55 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 55% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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