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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 109 78 it is the complementary color RGB 189 146 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 109 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 66 109 78: RGB 71 109 73, RGB 88 127 92, RGB 105 145 111, RGB 122 163 130 and RGB 139 181 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 109 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 66 109 78: RGB 66 109 78, RGB 49 91 59, RGB 32 73 40, RGB 15 55 21 and RGB 0 37 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 28 / 57

HEX #426D4E

RGB 66 109 78

HSL 136.74, 0.25%, 0.34%

LAB 42.22, -22.31, 12.72

 

Complementary color

CMYK 0 / 23 / 6 / 26

HEX #BD92B1

RGB 189 146 177

HSL 316.74, 0.25%, 0.66%

LAB 65.4, 21.33, -9.95

 

CMYK 35 / 0 / 33 / 57

HEX #476D49

RGB 71 109 73

HSL 123.16, 0.21%, 0.35%

LAB 42.4, -21.56, 15.96

 

CMYK 31 / 0 / 28 / 50

HEX #587F5C

RGB 88 127 92

HSL 126.15, 0.18%, 0.42%

LAB 49.53, -21.28, 14.77

 

CMYK 28 / 0 / 23 / 43

HEX #69916F

RGB 105 145 111

HSL 129, 0.16%, 0.49%

LAB 56.49, -21.02, 13.7

 

CMYK 25 / 0 / 20 / 36

HEX #7AA382

RGB 122 163 130

HSL 131.71, 0.18%, 0.56%

LAB 63.3, -20.79, 12.7

 

CMYK 23 / 0 / 18 / 29

HEX #8BB595

RGB 139 181 149

HSL 134.29, 0.22%, 0.63%

LAB 69.97, -20.58, 11.78

 

CMYK 39 / 0 / 28 / 57

HEX #426D4E

RGB 66 109 78

HSL 136.74, 0.25%, 0.34%

LAB 42.22, -22.31, 12.72

 

CMYK 46 / 0 / 35 / 64

HEX #315B3B

RGB 49 91 59

HSL 134.29, 0.3%, 0.27%

LAB 34.9, -22.6, 14

 

CMYK 56 / 0 / 45 / 71

HEX #204928

RGB 32 73 40

HSL 131.71, 0.39%, 0.21%

LAB 27.37, -22.81, 15.47

 

CMYK 73 / 0 / 62 / 78

HEX #0F3715

RGB 15 55 21

HSL 129, 0.57%, 0.14%

LAB 19.59, -22.68, 17.14

 

CMYK 100 / 0 / 95 / 85

HEX #002502

RGB 0 37 2

HSL 123.24, 1%, 0.07%

LAB 11.47, -21.88, 15.79

 

CMYK 39 / 0 / 28 / 57

HEX #426D4E

RGB 66 109 78

HSL 136.74, 0.25%, 0.34%

LAB 42.22, -22.31, 12.72

 

CMYK 40 / 0 / 23 / 58

HEX #416C53

RGB 65 108 83

HSL 145.12, 0.25%, 0.34%

LAB 41.96, -21.05, 9.36

 

CMYK 40 / 0 / 16 / 58

HEX #416C5B

RGB 65 108 91

HSL 156.28, 0.25%, 0.34%

LAB 42.16, -19.22, 4.83

 

CMYK 40 / 0 / 9 / 58

HEX #416C62

RGB 65 108 98

HSL 166.05, 0.25%, 0.34%

LAB 42.35, -17.49, 0.89

 

CMYK 40 / 0 / 3 / 58

HEX #416C69

RGB 65 108 105

HSL 175.81, 0.25%, 0.34%

LAB 42.56, -15.67, -3.04

 

CMYK 39 / 0 / 28 / 57

HEX #426D4E

RGB 66 109 78

HSL 136.74, 0.25%, 0.34%

LAB 42.22, -22.31, 12.72

 

CMYK 39 / 0 / 29 / 37

HEX #61A072

RGB 97 160 114

HSL 136.19, 0.25%, 0.5%

LAB 60.69, -30.53, 17.76

 

CMYK 39 / 0 / 28 / 17

HEX #80D397

RGB 128 211 151

HSL 136.63, 0.49%, 0.66%

LAB 78.12, -38.04, 21.96

 

CMYK 43 / 0 / 29 / 97

HEX #040705

RGB 4 7 5

HSL 140, 0.27%, 0.02%

LAB 1.7, -1.06, 0.48

 

CMYK 40 / 0 / 28 / 77

HEX #233A2A

RGB 35 58 42

HSL 138.26, 0.25%, 0.18%

LAB 22.13, -13.22, 7.14

 

CMYK 39 / 0 / 28 / 57

HEX #426D4E

RGB 66 109 78

HSL 136.74, 0.25%, 0.34%

LAB 42.22, -22.31, 12.72

 

CMYK 40 / 19 / 0 / 58

HEX #41586C

RGB 65 88 108

HSL 207.91, 0.25%, 0.34%

LAB 36.34, -3.1, -14.23

 

CMYK 0 / 40 / 35 / 58

HEX #6C4146

RGB 108 65 70

HSL 353.02, 0.25%, 0.34%

LAB 32.72, 19.39, 4.89

 

CMYK 39 / 0 / 28 / 57

HEX #426D4E

RGB 66 109 78

HSL 136.74, 0.25%, 0.34%

LAB 42.22, -22.31, 12.72

 

CMYK 30 / 40 / 0 / 58

HEX #4C416C

RGB 76 65 108

HSL 255.35, 0.25%, 0.34%

LAB 30.4, 15.2, -23.35

 

CMYK 0 / 30 / 40 / 58

HEX #6C4C41

RGB 108 76 65

HSL 15.35, 0.25%, 0.34%

LAB 35.48, 11.96, 11.91

 

CMYK 39 / 0 / 28 / 57

HEX #426D4E

RGB 66 109 78

HSL 136.74, 0.25%, 0.34%

LAB 42.22, -22.31, 12.72

 

CMYK 40 / 19 / 0 / 58

HEX #41586C

RGB 65 88 108

HSL 207.91, 0.25%, 0.34%

LAB 36.34, -3.1, -14.23

 

CMYK 0 / 40 / 11 / 58

HEX #6C4160

RGB 108 65 96

HSL 316.74, 0.25%, 0.34%

LAB 33.59, 23.74, -10.49

 

CMYK 0 / 21 / 40 / 58

HEX #6C5541

RGB 108 85 65

HSL 27.91, 0.25%, 0.34%

LAB 37.96, 6.45, 15.29

 

CMYK 39 / 0 / 28 / 57

HEX #426D4E

RGB 66 109 78

HSL 136.74, 0.25%, 0.34%

LAB 42.22, -22.31, 12.72

 

CMYK 40 / 31 / 0 / 58

HEX #414B6C

RGB 65 75 108

HSL 226.05, 0.25%, 0.34%

LAB 32.34, 5.15, -20.39

 

CMYK 0 / 40 / 11 / 58

HEX #6C4160

RGB 108 65 96

HSL 316.74, 0.25%, 0.34%

LAB 33.59, 23.74, -10.49

 

CMYK 0 / 9 / 40 / 58

HEX #6C6241

RGB 108 98 65

HSL 46.05, 0.25%, 0.34%

LAB 41.7, -1.35, 20.25

 

Description

Color code: RGB 66 109 78 | qconv.com Color code: RGB 66 109 78 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 109 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 109 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 28 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 28% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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