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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66 109 169 it is the complementary color RGB 189 146 86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66 109 169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66 109 169 shade: RGB 71 109 164, RGB 88 127 183, RGB 105 145 202, RGB 122 163 221 and RGB 139 181 240

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66 109 169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66 109 169 shade: RGB 66 109 169, RGB 49 91 150, RGB 32 73 131, RGB 15 55 112 and RGB 0 37 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66 109 169 shade: RGB 66 109 169, RGB 66 81 169, RGB 78 66 169, RGB 106 66 169 and RGB 134 66 169

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66 109 169 shade: RGB 66 109 169, RGB 66 81 169 and RGB 66 66 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66 109 169 shade matches the following richer shades: RGB 66 109 169, RGB 47 106 188, RGB 28 103 207 and RGB 9 99 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66 109 169 shade: RGB 66 109 169, RGB 85 112 150, RGB 104 115 131, RGB 123 118 112 and RGB 142 121 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66 109 169 shade: RGB 66 165 169, RGB 66 138 169, RGB 66 110 169, RGB 66 83 169 and RGB 76 66 169

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66 109 169 shade: RGB 43 71 109, RGB 54 90 139, RGB 66 109 169, RGB 86 129 189 and RGB 116 152 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66 109 169 shade: RGB 66 109 169, RGB 145 66 169 and RGB 152 169 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66 109 169 shade: RGB 66 109 169, RGB 169 66 110 and RGB 110 169 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66 109 169 shade: RGB 66 109 169, RGB 145 66 169, RGB 169 124 66 and RGB 90 169 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66 109 169 shade: RGB 66 109 169, RGB 169 66 162, RGB 169 124 66 and RGB 66 169 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 36 / 0 / 34

HEX #426DA9

RGB 66 109 169

HSL 214.95, 0.44%, 0.46%

LAB 45.58, 4.03, -36.64

 

Complementary color

CMYK 0 / 23 / 54 / 26

HEX #BD9256

RGB 189 146 86

HSL 34.95, 0.44%, 0.54%

LAB 63.38, 9.06, 37.75

 

CMYK 57 / 34 / 0 / 36

HEX #476DA4

RGB 71 109 164

HSL 215.48, 0.4%, 0.46%

LAB 45.58, 3.39, -33.69

 

CMYK 52 / 31 / 0 / 28

HEX #587FB7

RGB 88 127 183

HSL 215.37, 0.4%, 0.53%

LAB 52.59, 2.55, -33.67

 

CMYK 48 / 28 / 0 / 21

HEX #6991CA

RGB 105 145 202

HSL 215.26, 0.48%, 0.6%

LAB 59.45, 1.88, -33.69

 

CMYK 45 / 26 / 0 / 13

HEX #7AA3DD

RGB 122 163 221

HSL 215.15, 0.59%, 0.67%

LAB 66.18, 1.33, -33.73

 

CMYK 42 / 25 / 0 / 6

HEX #8BB5F0

RGB 139 181 240

HSL 215.05, 0.77%, 0.74%

LAB 72.78, 0.87, -33.81

 

CMYK 61 / 36 / 0 / 34

HEX #426DA9

RGB 66 109 169

HSL 214.95, 0.44%, 0.46%

LAB 45.58, 4.03, -36.64

RGB 66 109 169

CMYK 67 / 39 / 0 / 41

HEX #315B96

RGB 49 91 150

HSL 215.05, 0.51%, 0.39%

LAB 38.44, 5.35, -36.7

RGB 49 91 150

CMYK 76 / 44 / 0 / 49

HEX #204983

RGB 32 73 131

HSL 215.15, 0.61%, 0.32%

LAB 31.14, 7.14, -36.78

RGB 32 73 131

CMYK 87 / 51 / 0 / 56

HEX #0F3770

RGB 15 55 112

HSL 215.26, 0.76%, 0.25%

LAB 23.68, 9.67, -36.82

RGB 15 55 112

CMYK 100 / 60 / 0 / 64

HEX #00255D

RGB 0 37 93

HSL 216.13, 1%, 0.18%

LAB 16.07, 13.13, -36.78

RGB 0 37 93

CMYK 61 / 36 / 0 / 34

HEX #426DA9

RGB 66 109 169

HSL 214.95, 0.44%, 0.46%

LAB 45.58, 4.03, -36.64

RGB 66 109 169

CMYK 61 / 52 / 0 / 34

HEX #4251A9

RGB 66 81 169

HSL 231.26, 0.44%, 0.46%

LAB 37.68, 21.89, -49.24

RGB 66 81 169

CMYK 54 / 61 / 0 / 34

HEX #4E42A9

RGB 78 66 169

HSL 246.99, 0.44%, 0.46%

LAB 34.76, 33.77, -53.91

RGB 78 66 169

CMYK 37 / 61 / 0 / 34

HEX #6A42A9

RGB 106 66 169

HSL 263.3, 0.44%, 0.46%

LAB 37.53, 39.8, -49.31

RGB 106 66 169

CMYK 21 / 61 / 0 / 34

HEX #8642A9

RGB 134 66 169

HSL 279.61, 0.44%, 0.46%

LAB 40.94, 46.61, -43.64

RGB 134 66 169

CMYK 61 / 36 / 0 / 34

HEX #426DA9

RGB 66 109 169

HSL 214.95, 0.44%, 0.46%

LAB 45.58, 4.03, -36.64

RGB 66 109 169

CMYK 61 / 52 / 0 / 34

HEX #4251A9

RGB 66 81 169

HSL 231.26, 0.44%, 0.46%

LAB 37.68, 21.89, -49.24

RGB 66 81 169

CMYK 61 / 61 / 0 / 34

HEX #4242A9

RGB 66 66 169

HSL 240, 0.44%, 0.46%

LAB 33.81, 31.55, -55.5

RGB 66 66 169

CMYK 61 / 36 / 0 / 34

HEX #426DA9

RGB 66 109 169

HSL 214.95, 0.44%, 0.46%

LAB 45.58, 4.03, -36.64

RGB 66 109 169

CMYK 75 / 44 / 0 / 26

HEX #2F6ABC

RGB 47 106 188

HSL 214.89, 0.6%, 0.46%

LAB 45, 9.66, -48.68

RGB 47 106 188

CMYK 86 / 50 / 0 / 19

HEX #1C67CF

RGB 28 103 207

HSL 214.86, 0.76%, 0.46%

LAB 44.87, 17.05, -59.87

RGB 28 103 207

CMYK 96 / 56 / 0 / 11

HEX #0963E2

RGB 9 99 226

HSL 215.12, 0.92%, 0.46%

LAB 44.9, 26.21, -70.66

RGB 9 99 226

CMYK 61 / 36 / 0 / 34

HEX #426DA9

RGB 66 109 169

HSL 214.95, 0.44%, 0.46%

LAB 45.58, 4.03, -36.64

RGB 66 109 169

CMYK 43 / 25 / 0 / 41

HEX #557096

RGB 85 112 150

HSL 215.08, 0.28%, 0.46%

LAB 46.61, 0.62, -23.76

RGB 85 112 150

CMYK 21 / 12 / 0 / 49

HEX #687383

RGB 104 115 131

HSL 215.56, 0.11%, 0.46%

LAB 48.06, -0.42, -10.17

RGB 104 115 131

CMYK 0 / 4 / 9 / 52

HEX #7B7670

RGB 123 118 112

HSL 32.73, 0.05%, 0.46%

LAB 49.9, 0.77, 3.98

RGB 123 118 112

CMYK 0 / 15 / 35 / 44

HEX #8E795D

RGB 142 121 93

HSL 34.29, 0.21%, 0.46%

LAB 52.08, 3.79, 18.38

RGB 142 121 93

CMYK 61 / 2 / 0 / 34

HEX #42A5A9

RGB 66 165 169

HSL 182.33, 0.44%, 0.46%

LAB 62.45, -27.19, -10.68

 

CMYK 61 / 18 / 0 / 34

HEX #428AA9

RGB 66 138 169

HSL 198.06, 0.44%, 0.46%

LAB 54.24, -13, -23.14

 

CMYK 61 / 35 / 0 / 34

HEX #426EA9

RGB 66 110 169

HSL 214.37, 0.44%, 0.46%

LAB 45.87, 3.41, -36.17

 

CMYK 61 / 51 / 0 / 34

HEX #4253A9

RGB 66 83 169

HSL 230.1, 0.44%, 0.46%

LAB 38.22, 20.59, -48.38

 

CMYK 55 / 61 / 0 / 34

HEX #4C42A9

RGB 76 66 169

HSL 245.83, 0.44%, 0.46%

LAB 34.59, 33.38, -54.19

 

CMYK 61 / 35 / 0 / 57

HEX #2B476D

RGB 43 71 109

HSL 214.55, 0.43%, 0.3%

LAB 29.72, 2.11, -25.22

 

CMYK 61 / 35 / 0 / 45

HEX #365A8B

RGB 54 90 139

HSL 214.59, 0.44%, 0.38%

LAB 37.77, 2.98, -31.1

 

CMYK 61 / 36 / 0 / 34

HEX #426DA9

RGB 66 109 169

HSL 214.95, 0.44%, 0.46%

LAB 45.58, 4.03, -36.64

RGB 66 109 169

CMYK 54 / 32 / 0 / 26

HEX #5681BD

RGB 86 129 189

HSL 214.95, 0.44%, 0.54%

LAB 53.33, 2.81, -35.95

RGB 86 129 189

CMYK 42 / 24 / 0 / 21

HEX #7498C9

RGB 116 152 201

HSL 214.59, 0.44%, 0.62%

LAB 61.99, 0.36, -29.14

RGB 116 152 201

CMYK 61 / 36 / 0 / 34

HEX #426DA9

RGB 66 109 169

HSL 214.95, 0.44%, 0.46%

LAB 45.58, 4.03, -36.64

RGB 66 109 169

CMYK 14 / 61 / 0 / 34

HEX #9142A9

RGB 145 66 169

HSL 286.02, 0.44%, 0.46%

LAB 42.43, 49.39, -41.18

RGB 145 66 169

CMYK 10 / 0 / 61 / 34

HEX #98A942

RGB 152 169 66

HSL 69.9, 0.44%, 0.46%

LAB 66.09, -20.68, 49.79

RGB 152 169 66

CMYK 61 / 36 / 0 / 34

HEX #426DA9

RGB 66 109 169

HSL 214.95, 0.44%, 0.46%

LAB 45.58, 4.03, -36.64

RGB 66 109 169

CMYK 0 / 61 / 35 / 34

HEX #A9426E

RGB 169 66 110

HSL 334.37, 0.44%, 0.46%

LAB 43.44, 46.64, -3.57

RGB 169 66 110

CMYK 35 / 0 / 61 / 34

HEX #6EA942

RGB 110 169 66

HSL 94.37, 0.44%, 0.46%

LAB 63.41, -37.16, 46.06

RGB 110 169 66

CMYK 61 / 36 / 0 / 34

HEX #426DA9

RGB 66 109 169

HSL 214.95, 0.44%, 0.46%

LAB 45.58, 4.03, -36.64

RGB 66 109 169

CMYK 14 / 61 / 0 / 34

HEX #9142A9

RGB 145 66 169

HSL 286.02, 0.44%, 0.46%

LAB 42.43, 49.39, -41.18

RGB 145 66 169

CMYK 0 / 27 / 61 / 34

HEX #A97C42

RGB 169 124 66

HSL 33.79, 0.44%, 0.46%

LAB 55.32, 11.01, 38.01

RGB 169 124 66

CMYK 47 / 0 / 61 / 34

HEX #5AA942

RGB 90 169 66

HSL 106.02, 0.44%, 0.46%

LAB 62.46, -43.86, 44.72

RGB 90 169 66

CMYK 61 / 36 / 0 / 34

HEX #426DA9

RGB 66 109 169

HSL 214.95, 0.44%, 0.46%

LAB 45.58, 4.03, -36.64

RGB 66 109 169

CMYK 0 / 61 / 4 / 34

HEX #A942A2

RGB 169 66 162

HSL 304.08, 0.44%, 0.46%

LAB 45.55, 54.33, -31.86

RGB 169 66 162

CMYK 0 / 27 / 61 / 34

HEX #A97C42

RGB 169 124 66

HSL 33.79, 0.44%, 0.46%

LAB 55.32, 11.01, 38.01

RGB 169 124 66

CMYK 61 / 0 / 57 / 34

HEX #42A949

RGB 66 169 73

HSL 124.08, 0.44%, 0.46%

LAB 61.67, -49.58, 40.29

RGB 66 169 73

Description

Color code: RGB 66 109 169 | qconv.com Color code: RGB 66 109 169 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66 red, 109 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66 109 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 36 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 36% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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