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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66.3 54.4 82 it is the complementary color RGB 188.7 200.6 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66.3 54.4 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66.3 54.4 82 shade: RGB 71.3 54.4 77, RGB 88.3 72.4 96, RGB 105.3 90.4 115, RGB 122.3 108.4 134 and RGB 139.3 126.4 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66.3 54.4 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66.3 54.4 82 shade: RGB 66.3 54.4 82, RGB 49.3 36.4 63, RGB 32.3 18.4 44, RGB 15.3 0.4 25 and RGB 0 0 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66.3 54.4 82 shade: RGB 67 55 83, RGB 74 55 83, RGB 82 55 83, RGB 83 55 76 and RGB 83 55 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66.3 54.4 82 shade: RGB 67 55 83, RGB 60 55 83 and RGB 55 55 83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66.3 54.4 82 shade matches the following richer shades: RGB 67 55 83, RGB 65 44 94, RGB 64 33 105, RGB 62 22 116 and RGB 61 11 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66.3 54.4 82 shade: RGB 67 55 83, RGB 68 66 71, RGB 70 77 60, RGB 72 88 49 and RGB 73 100 38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66.3 54.4 82 shade: RGB 55 58 83, RGB 59 55 83, RGB 67 55 83, RGB 74 55 83 and RGB 81 55 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66.3 54.4 82 shade: RGB 27 22 33, RGB 47 39 58, RGB 67 55 83, RGB 87 72 107 and RGB 107 88 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66.3 54.4 82 shade: RGB 66.3 54.4 82, RGB 83 55 66 and RGB 55 83 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66.3 54.4 82 shade: RGB 66.3 54.4 82, RGB 83 67 55 and RGB 55 83 67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66.3 54.4 82 shade: RGB 66.3 54.4 82, RGB 83 55 66, RGB 71 83 55 and RGB 55 83 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66.3 54.4 82 shade: RGB 66.3 54.4 82, RGB 83 55 57, RGB 71 83 55 and RGB 55 83 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 34 / 0 / 68

HEX #423652

RGB 66.3 54.4 82

HSL 265.87, 0.2%, 0.27%

LAB 25.12, 11.7, -14.83

 

Complementary color

CMYK 6 / 0 / 14 / 21

HEX #BCC8AD

RGB 188.7 200.6 173

HSL 85.87, 0.2%, 0.73%

LAB 79.26, -9.02, 12.42

 

CMYK 7 / 29 / 0 / 70

HEX #47364D

RGB 71.3 54.4 77

HSL 284.87, 0.17%, 0.26%

LAB 25.45, 12.33, -10.96

 

CMYK 8 / 25 / 0 / 62

HEX #584860

RGB 88.3 72.4 96

HSL 280.42, 0.14%, 0.33%

LAB 33.18, 11.68, -11.33

 

CMYK 8 / 21 / 0 / 55

HEX #695A73

RGB 105.3 90.4 115

HSL 276.34, 0.12%, 0.4%

LAB 40.64, 11.13, -11.71

 

CMYK 9 / 19 / 0 / 47

HEX #7A6C86

RGB 122.3 108.4 134

HSL 272.58, 0.11%, 0.48%

LAB 47.87, 10.65, -12.09

 

CMYK 9 / 17 / 0 / 40

HEX #8B7E99

RGB 139.3 126.4 153

HSL 269.1, 0.12%, 0.55%

LAB 54.91, 10.22, -12.47

 

CMYK 19 / 34 / 0 / 68

HEX #423652

RGB 66.3 54.4 82

HSL 265.87, 0.2%, 0.27%

LAB 25.12, 11.7, -14.83

 

CMYK 22 / 42 / 0 / 75

HEX #31243F

RGB 49.3 36.4 63

HSL 269.1, 0.27%, 0.19%

LAB 17.01, 12.51, -14.69

 

CMYK 27 / 58 / 0 / 83

HEX #20122C

RGB 32.3 18.4 44

HSL 272.58, 0.41%, 0.12%

LAB 8.48, 13.53, -14.62

 

CMYK 39 / 98 / 0 / 90

HEX #0F0019

RGB 15.3 0.4 25

HSL 276.34, 0.97%, 0.05%

LAB 1.65, 8.51, -10.52

 

CMYK 100 / 100 / 0 / 98

HEX #000006

RGB 0 0 6

HSL 240, 1%, 0.01%

LAB 0.12, 0.83, -2.27

 

CMYK 19 / 34 / 0 / 67

HEX #433753

RGB 67 55 83

HSL 265.71, 0.2%, 0.27%

LAB 25.41, 11.82, -15.02

 

CMYK 11 / 34 / 0 / 67

HEX #4A3753

RGB 74 55 83

HSL 280.71, 0.2%, 0.27%

LAB 26.19, 14.43, -13.75

 

CMYK 1 / 34 / 0 / 67

HEX #523753

RGB 82 55 83

HSL 297.86, 0.2%, 0.27%

LAB 27.16, 17.46, -12.19

 

CMYK 0 / 34 / 8 / 67

HEX #53374C

RGB 83 55 76

HSL 315, 0.2%, 0.27%

LAB 27, 16.35, -7.82

 

CMYK 0 / 34 / 17 / 67

HEX #533745

RGB 83 55 69

HSL 330, 0.2%, 0.27%

LAB 26.74, 14.96, -3.58

 

CMYK 19 / 34 / 0 / 67

HEX #433753

RGB 67 55 83

HSL 265.71, 0.2%, 0.27%

LAB 25.41, 11.82, -15.02

 

CMYK 28 / 34 / 0 / 67

HEX #3C3753

RGB 60 55 83

HSL 250.71, 0.2%, 0.27%

LAB 24.69, 9.29, -16.19

 

CMYK 34 / 34 / 0 / 67

HEX #373753

RGB 55 55 83

HSL 240, 0.2%, 0.27%

LAB 24.22, 7.55, -16.96

 

CMYK 19 / 34 / 0 / 67

HEX #433753

RGB 67 55 83

HSL 265.71, 0.2%, 0.27%

LAB 25.41, 11.82, -15.02

 

CMYK 31 / 53 / 0 / 63

HEX #412C5E

RGB 65 44 94

HSL 265.2, 0.36%, 0.27%

LAB 22.77, 21.49, -26.42

 

CMYK 39 / 69 / 0 / 59

HEX #402169

RGB 64 33 105

HSL 265.83, 0.52%, 0.27%

LAB 20.82, 31.21, -36.76

 

CMYK 47 / 81 / 0 / 55

HEX #3E1674

RGB 62 22 116

HSL 265.53, 0.68%, 0.27%

LAB 19.47, 39.64, -46.09

 

CMYK 52 / 91 / 0 / 50

HEX #3D0B7F

RGB 61 11 127

HSL 265.86, 0.84%, 0.27%

LAB 19.07, 46.52, -53.79

 

CMYK 19 / 34 / 0 / 67

HEX #433753

RGB 67 55 83

HSL 265.71, 0.2%, 0.27%

LAB 25.41, 11.82, -15.02

 

CMYK 4 / 7 / 0 / 72

HEX #444247

RGB 68 66 71

HSL 264, 0.04%, 0.27%

LAB 28.33, 1.97, -2.73

 

CMYK 9 / 0 / 22 / 70

HEX #464D3C

RGB 70 77 60

HSL 84.71, 0.12%, 0.27%

LAB 31.66, -6.4, 9.16

 

CMYK 18 / 0 / 44 / 65

HEX #485831

RGB 72 88 49

HSL 84.62, 0.28%, 0.27%

LAB 35.16, -13.8, 20.59

 

CMYK 27 / 0 / 62 / 61

HEX #496426

RGB 73 100 38

HSL 86.13, 0.45%, 0.27%

LAB 39.02, -21.23, 31.33

 

CMYK 34 / 30 / 0 / 67

HEX #373A53

RGB 55 58 83

HSL 233.57, 0.2%, 0.27%

LAB 25.15, 5.51, -15.53

 

CMYK 29 / 34 / 0 / 67

HEX #3B3753

RGB 59 55 83

HSL 248.57, 0.2%, 0.27%

LAB 24.6, 8.94, -16.35

 

CMYK 19 / 34 / 0 / 67

HEX #433753

RGB 67 55 83

HSL 265.71, 0.2%, 0.27%

LAB 25.41, 11.82, -15.02

 

CMYK 11 / 34 / 0 / 67

HEX #4A3753

RGB 74 55 83

HSL 280.71, 0.2%, 0.27%

LAB 26.19, 14.43, -13.75

 

CMYK 2 / 34 / 0 / 67

HEX #513753

RGB 81 55 83

HSL 295.71, 0.2%, 0.27%

LAB 27.04, 17.08, -12.39

 

CMYK 18 / 33 / 0 / 87

HEX #1B1621

RGB 27 22 33

HSL 267.27, 0.2%, 0.11%

LAB 8.28, 5.41, -6.74

 

CMYK 19 / 33 / 0 / 77

HEX #2F273A

RGB 47 39 58

HSL 265.26, 0.2%, 0.19%

LAB 17.28, 8.4, -10.83

 

CMYK 19 / 34 / 0 / 67

HEX #433753

RGB 67 55 83

HSL 265.71, 0.2%, 0.27%

LAB 25.41, 11.82, -15.02

 

CMYK 19 / 33 / 0 / 58

HEX #57486B

RGB 87 72 107

HSL 265.71, 0.2%, 0.35%

LAB 33.4, 14.14, -17.97

 

CMYK 19 / 33 / 0 / 48

HEX #6B5884

RGB 107 88 132

HSL 265.91, 0.2%, 0.43%

LAB 40.85, 17.23, -21.74

 

CMYK 19 / 34 / 0 / 68

HEX #423652

RGB 66.3 54.4 82

HSL 265.87, 0.2%, 0.27%

LAB 25.12, 11.7, -14.83

 

CMYK 0 / 34 / 20 / 67

HEX #533742

RGB 83 55 66

HSL 336.43, 0.2%, 0.27%

LAB 26.63, 14.39, -1.75

 

CMYK 34 / 0 / 33 / 67

HEX #375338

RGB 55 83 56

HSL 122.14, 0.2%, 0.27%

LAB 32.45, -16.81, 12.56

 

CMYK 19 / 34 / 0 / 68

HEX #423652

RGB 66.3 54.4 82

HSL 265.87, 0.2%, 0.27%

LAB 25.12, 11.7, -14.83

 

CMYK 0 / 19 / 34 / 67

HEX #534337

RGB 83 67 55

HSL 25.71, 0.2%, 0.27%

LAB 29.74, 4.83, 9.87

 

CMYK 34 / 0 / 19 / 67

HEX #375343

RGB 55 83 67

HSL 145.71, 0.2%, 0.27%

LAB 32.71, -14.45, 6.06

 

CMYK 19 / 34 / 0 / 68

HEX #423652

RGB 66.3 54.4 82

HSL 265.87, 0.2%, 0.27%

LAB 25.12, 11.7, -14.83

 

CMYK 0 / 34 / 20 / 67

HEX #533742

RGB 83 55 66

HSL 336.43, 0.2%, 0.27%

LAB 26.63, 14.39, -1.75

 

CMYK 14 / 0 / 34 / 67

HEX #475337

RGB 71 83 55

HSL 85.71, 0.2%, 0.27%

LAB 33.57, -10.43, 14.89

 

CMYK 34 / 0 / 13 / 67

HEX #375348

RGB 55 83 72

HSL 156.43, 0.2%, 0.27%

LAB 32.85, -13.26, 3.1

 

CMYK 19 / 34 / 0 / 68

HEX #423652

RGB 66.3 54.4 82

HSL 265.87, 0.2%, 0.27%

LAB 25.12, 11.7, -14.83

 

CMYK 0 / 34 / 31 / 67

HEX #533739

RGB 83 55 57

HSL 355.71, 0.2%, 0.27%

LAB 26.35, 12.84, 3.81

 

CMYK 14 / 0 / 34 / 67

HEX #475337

RGB 71 83 55

HSL 85.71, 0.2%, 0.27%

LAB 33.57, -10.43, 14.89

 

CMYK 34 / 0 / 4 / 67

HEX #375350

RGB 55 83 80

HSL 173.57, 0.2%, 0.27%

LAB 33.09, -11.22, -1.61

 

Description

Color code: RGB 66.3 54.4 82 | qconv.com Color code: RGB 66.3 54.4 82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66.3 red, 54.4 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66.3 54.4 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 34 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 34% 0% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

22% - OXX- Web/ Web Ap...
Link: http://oxx.com.mx

20% - むさし野ごめんなさい | 奈良の和風旅館...
Link: http://www.nara-musashino.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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