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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 66.3 144.4 232 it is the complementary color RGB 188.7 110.6 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 66.3 144.4 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 66.3 144.4 232 shade: RGB 71.3 144.4 227, RGB 88.3 162.4 246, RGB 105.3 180.4 255, RGB 122.3 198.4 255 and RGB 139.3 216.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 66.3 144.4 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 66.3 144.4 232 shade: RGB 66.3 144.4 232, RGB 49.3 126.4 213, RGB 32.3 108.4 194, RGB 15.3 90.4 175 and RGB 0 72.4 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 66.3 144.4 232 shade: RGB 64 143 231, RGB 64 98 231, RGB 76 64 231, RGB 121 64 231 and RGB 166 64 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 66.3 144.4 232 shade: RGB 64 143 231, RGB 64 98 231 and RGB 64 64 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 66.3 144.4 232 shade matches the following richer shades: RGB 64 143 231 and RGB 47 142 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 66.3 144.4 232 shade: RGB 64 143 231, RGB 82 144 214, RGB 99 145 197, RGB 116 146 179 and RGB 134 147 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 66.3 144.4 232 shade: RGB 64 231 229, RGB 64 190 231, RGB 64 145 231, RGB 64 101 231 and RGB 73 64 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 66.3 144.4 232 shade: RGB 23 102 190, RGB 28 122 227, RGB 64 143 231, RGB 101 165 236 and RGB 138 186 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 66.3 144.4 232 shade: RGB 66.3 144.4 232, RGB 184 64 231 and RGB 212 231 64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 66.3 144.4 232 shade: RGB 66.3 144.4 232, RGB 231 64 145 and RGB 145 231 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 66.3 144.4 232 shade: RGB 66.3 144.4 232, RGB 184 64 231, RGB 231 151 64 and RGB 112 231 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 66.3 144.4 232 shade: RGB 66.3 144.4 232, RGB 231 64 229, RGB 231 151 64 and RGB 64 231 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 38 / 0 / 9

HEX #4290E8

RGB 66.3 144.4 232

HSL 211.72, 0.78%, 0.58%

LAB 59.03, 4.73, -51.22

 

Complementary color

CMYK 0 / 41 / 88 / 26

HEX #BC6E17

RGB 188.7 110.6 23

HSL 31.72, 0.78%, 0.42%

LAB 54.16, 25.09, 56.34

 

CMYK 69 / 36 / 0 / 11

HEX #4790E3

RGB 71.3 144.4 227

HSL 211.83, 0.74%, 0.58%

LAB 58.94, 3.7, -48.57

 

CMYK 64 / 34 / 0 / 4

HEX #58A2F6

RGB 88.3 162.4 246

HSL 211.81, 0.9%, 0.66%

LAB 65.53, 2.37, -48.58

 

CMYK 59 / 29 / 0 / 0

HEX #69B4FF

RGB 105.3 180.4 255

HSL 209.9, 1%, 0.71%

LAB 71.59, -1.86, -43.91

 

CMYK 52 / 22 / 0 / 0

HEX #7AC6FF

RGB 122.3 198.4 255

HSL 205.59, 1%, 0.74%

LAB 77.25, -8.24, -35.04

 

CMYK 45 / 15 / 0 / 0

HEX #8BD8FF

RGB 139.3 216.4 255

HSL 200.02, 1%, 0.77%

LAB 82.94, -13.88, -26.23

 

CMYK 71 / 38 / 0 / 9

HEX #4290E8

RGB 66.3 144.4 232

HSL 211.72, 0.78%, 0.58%

LAB 59.03, 4.73, -51.22

 

CMYK 77 / 41 / 0 / 16

HEX #317ED5

RGB 49.3 126.4 213

HSL 211.74, 0.66%, 0.51%

LAB 52.39, 6.56, -51.19

 

CMYK 83 / 44 / 0 / 24

HEX #206CC2

RGB 32.3 108.4 194

HSL 211.76, 0.71%, 0.44%

LAB 45.66, 8.85, -51.13

 

CMYK 91 / 48 / 0 / 31

HEX #0F5AAF

RGB 15.3 90.4 175

HSL 211.78, 0.84%, 0.37%

LAB 38.86, 11.75, -50.98

 

CMYK 100 / 54 / 0 / 39

HEX #00489C

RGB 0 72.4 156

HSL 212.15, 1%, 0.31%

LAB 32, 15.31, -50.73

 

CMYK 72 / 38 / 0 / 9

HEX #408FE7

RGB 64 143 231

HSL 211.62, 0.78%, 0.58%

LAB 58.51, 4.89, -51.49

 

CMYK 72 / 58 / 0 / 9

HEX #4062E7

RGB 64 98 231

HSL 227.78, 0.78%, 0.58%

LAB 46.44, 32.69, -70.93

 

CMYK 67 / 72 / 0 / 9

HEX #4C40E7

RGB 76 64 231

HSL 244.31, 0.78%, 0.58%

LAB 39.53, 54.19, -82.21

 

CMYK 48 / 72 / 0 / 9

HEX #7940E7

RGB 121 64 231

HSL 260.48, 0.78%, 0.58%

LAB 43.51, 60.15, -75.53

 

CMYK 28 / 72 / 0 / 9

HEX #A640E7

RGB 166 64 231

HSL 276.65, 0.78%, 0.58%

LAB 48.94, 67.87, -66.46

 

CMYK 72 / 38 / 0 / 9

HEX #408FE7

RGB 64 143 231

HSL 211.62, 0.78%, 0.58%

LAB 58.51, 4.89, -51.49

 

CMYK 72 / 58 / 0 / 9

HEX #4062E7

RGB 64 98 231

HSL 227.78, 0.78%, 0.58%

LAB 46.44, 32.69, -70.93

 

CMYK 72 / 72 / 0 / 9

HEX #4040E7

RGB 64 64 231

HSL 240, 0.78%, 0.58%

LAB 38.77, 53.01, -83.49

 

CMYK 72 / 38 / 0 / 9

HEX #408FE7

RGB 64 143 231

HSL 211.62, 0.78%, 0.58%

LAB 58.51, 4.89, -51.49

 

CMYK 81 / 43 / 0 / 2

HEX #2F8EF9

RGB 47 142 249

HSL 211.78, 0.94%, 0.58%

LAB 58.78, 10.15, -61.05

 

CMYK 72 / 38 / 0 / 9

HEX #408FE7

RGB 64 143 231

HSL 211.62, 0.78%, 0.58%

LAB 58.51, 4.89, -51.49

 

CMYK 62 / 33 / 0 / 16

HEX #5290D6

RGB 82 144 214

HSL 211.82, 0.62%, 0.58%

LAB 58.6, 1.32, -41.84

 

CMYK 50 / 26 / 0 / 23

HEX #6391C5

RGB 99 145 197

HSL 211.84, 0.46%, 0.58%

LAB 58.91, -1.06, -31.73

 

CMYK 35 / 18 / 0 / 30

HEX #7492B3

RGB 116 146 179

HSL 211.43, 0.29%, 0.58%

LAB 59.46, -2.27, -20.63

 

CMYK 17 / 9 / 0 / 36

HEX #8693A2

RGB 134 147 162

HSL 212.14, 0.13%, 0.58%

LAB 60.38, -1.4, -9.47

 

CMYK 72 / 0 / 1 / 9

HEX #40E7E5

RGB 64 231 229

HSL 179.28, 0.78%, 0.58%

LAB 83.91, -41.44, -11.24

 

CMYK 72 / 18 / 0 / 9

HEX #40BEE7

RGB 64 190 231

HSL 194.73, 0.78%, 0.58%

LAB 72.02, -21.17, -30.35

 

CMYK 72 / 37 / 0 / 9

HEX #4091E7

RGB 64 145 231

HSL 210.9, 0.78%, 0.58%

LAB 59.08, 3.71, -50.6

 

CMYK 72 / 56 / 0 / 9

HEX #4065E7

RGB 64 101 231

HSL 226.71, 0.78%, 0.58%

LAB 47.19, 30.81, -69.7

 

CMYK 68 / 72 / 0 / 9

HEX #4940E7

RGB 73 64 231

HSL 243.23, 0.78%, 0.58%

LAB 39.33, 53.88, -82.55

 

CMYK 88 / 46 / 0 / 25

HEX #1766BE

RGB 23 102 190

HSL 211.62, 0.78%, 0.42%

LAB 43.36, 10.67, -52.51

 

CMYK 88 / 46 / 0 / 11

HEX #1C7AE3

RGB 28 122 227

HSL 211.66, 0.78%, 0.5%

LAB 51.51, 12.73, -60.51

 

CMYK 72 / 38 / 0 / 9

HEX #408FE7

RGB 64 143 231

HSL 211.62, 0.78%, 0.58%

LAB 58.51, 4.89, -51.49

 

CMYK 57 / 30 / 0 / 7

HEX #65A5EC

RGB 101 165 236

HSL 211.56, 0.78%, 0.66%

LAB 66.32, -0, -41.84

 

CMYK 43 / 23 / 0 / 5

HEX #8ABAF1

RGB 138 186 241

HSL 212.04, 0.79%, 0.74%

LAB 74.11, -1.85, -32.31

 

CMYK 71 / 38 / 0 / 9

HEX #4290E8

RGB 66.3 144.4 232

HSL 211.72, 0.78%, 0.58%

LAB 59.03, 4.73, -51.22

 

CMYK 20 / 72 / 0 / 9

HEX #B840E7

RGB 184 64 231

HSL 283.11, 0.78%, 0.58%

LAB 51.41, 71.27, -62.34

 

CMYK 8 / 0 / 72 / 9

HEX #D4E740

RGB 212 231 64

HSL 66.83, 0.78%, 0.58%

LAB 87.74, -26.35, 74.05

 

CMYK 71 / 38 / 0 / 9

HEX #4290E8

RGB 66.3 144.4 232

HSL 211.72, 0.78%, 0.58%

LAB 59.03, 4.73, -51.22

 

CMYK 0 / 72 / 37 / 9

HEX #E74091

RGB 231 64 145

HSL 330.9, 0.78%, 0.58%

LAB 54.76, 69.37, -6.77

 

CMYK 37 / 0 / 72 / 9

HEX #91E740

RGB 145 231 64

HSL 90.9, 0.78%, 0.58%

LAB 83.73, -51.52, 68.78

 

CMYK 71 / 38 / 0 / 9

HEX #4290E8

RGB 66.3 144.4 232

HSL 211.72, 0.78%, 0.58%

LAB 59.03, 4.73, -51.22

 

CMYK 20 / 72 / 0 / 9

HEX #B840E7

RGB 184 64 231

HSL 283.11, 0.78%, 0.58%

LAB 51.41, 71.27, -62.34

 

CMYK 0 / 35 / 72 / 9

HEX #E79740

RGB 231 151 64

HSL 31.26, 0.78%, 0.58%

LAB 69.11, 22.71, 56.19

 

CMYK 52 / 0 / 72 / 9

HEX #70E740

RGB 112 231 64

HSL 102.75, 0.78%, 0.58%

LAB 82.36, -61.59, 66.96

 

CMYK 71 / 38 / 0 / 9

HEX #4290E8

RGB 66.3 144.4 232

HSL 211.72, 0.78%, 0.58%

LAB 59.03, 4.73, -51.22

 

CMYK 0 / 72 / 1 / 9

HEX #E740E5

RGB 231 64 229

HSL 300.72, 0.78%, 0.58%

LAB 58.33, 80.33, -49.74

 

CMYK 0 / 35 / 72 / 9

HEX #E79740

RGB 231 151 64

HSL 31.26, 0.78%, 0.58%

LAB 69.11, 22.71, 56.19

 

CMYK 72 / 0 / 71 / 9

HEX #40E743

RGB 64 231 67

HSL 121.08, 0.78%, 0.58%

LAB 81.1, -71.77, 64.21

 

Description

Color code: RGB 66.3 144.4 232 | qconv.com Color code: RGB 66.3 144.4 232 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 66.3 red, 144.4 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
66.3 144.4 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 38 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 38% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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