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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 65 197 89 it is the complementary color RGB 190 58 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 65 197 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 65 197 89 shade: RGB 70 197 84, RGB 87 215 103, RGB 104 233 122, RGB 121 251 141 and RGB 138 255 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 65 197 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 65 197 89 shade: RGB 65 197 89, RGB 48 179 70, RGB 31 161 51, RGB 14 143 32 and RGB 0 125 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 65 197 89 shade: RGB 64 196 88, RGB 75 196 64, RGB 111 196 64, RGB 147 196 64 and RGB 183 196 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 65 197 89 shade: RGB 64 196 88, RGB 64 196 124, RGB 64 196 159, RGB 64 196 195 and RGB 64 162 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 65 197 89 shade matches the following richer shades: RGB 64 196 88, RGB 44 216 75 and RGB 23 237 62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 65 197 89 shade: RGB 64 196 88, RGB 84 176 101, RGB 104 156 114, RGB 124 136 127 and RGB 145 115 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 65 197 89 shade: RGB 112 196 64, RGB 77 196 64, RGB 64 196 86, RGB 64 196 121 and RGB 64 196 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 65 197 89 shade: RGB 42 136 59, RGB 51 167 73, RGB 64 196 88, RGB 95 206 115 and RGB 127 216 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 65 197 89 shade: RGB 65 197 89, RGB 64 148 196 and RGB 196 64 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 65 197 89 shade: RGB 65 197 89, RGB 86 64 196 and RGB 196 86 64

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 65 197 89 shade: RGB 65 197 89, RGB 64 148 196, RGB 196 64 174 and RGB 196 112 64

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 65 197 89 shade: RGB 65 197 89, RGB 64 108 196, RGB 196 64 174 and RGB 196 152 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 55 / 23

HEX #41C559

RGB 65 197 89

HSL 130.91, 0.53%, 0.51%

LAB 70.72, -57.97, 43.42

 

Complementary color

CMYK 0 / 69 / 13 / 25

HEX #BE3AA6

RGB 190 58 166

HSL 310.91, 0.53%, 0.49%

LAB 47.91, 63.54, -30.3

 

CMYK 64 / 0 / 57 / 23

HEX #46C554

RGB 70 197 84

HSL 126.61, 0.52%, 0.52%

LAB 70.78, -57.64, 45.88

 

CMYK 60 / 0 / 52 / 16

HEX #57D767

RGB 87 215 103

HSL 127.5, 0.62%, 0.59%

LAB 77.04, -58.07, 44.55

 

CMYK 55 / 0 / 48 / 9

HEX #68E97A

RGB 104 233 122

HSL 128.37, 0.75%, 0.66%

LAB 83.25, -58.28, 43.21

 

CMYK 52 / 0 / 44 / 2

HEX #79FB8D

RGB 121 251 141

HSL 129.23, 0.94%, 0.73%

LAB 89.38, -58.32, 41.9

 

CMYK 46 / 0 / 37 / 0

HEX #8AFFA0

RGB 138 255 160

HSL 131.28, 1%, 0.77%

LAB 91.44, -52.64, 35.37

 

CMYK 67 / 0 / 55 / 23

HEX #41C559

RGB 65 197 89

HSL 130.91, 0.53%, 0.51%

LAB 70.72, -57.97, 43.42

 

CMYK 73 / 0 / 61 / 30

HEX #30B346

RGB 48 179 70

HSL 130.08, 0.58%, 0.45%

LAB 64.41, -57.13, 44.79

 

CMYK 81 / 0 / 68 / 37

HEX #1FA133

RGB 31 161 51

HSL 129.23, 0.68%, 0.38%

LAB 58.06, -55.73, 45.99

 

CMYK 90 / 0 / 78 / 44

HEX #0E8F20

RGB 14 143 32

HSL 128.37, 0.82%, 0.31%

LAB 51.66, -53.53, 46.72

 

CMYK 100 / 0 / 90 / 51

HEX #007D0D

RGB 0 125 13

HSL 126.24, 1%, 0.25%

LAB 45.22, -50.3, 46.32

 

CMYK 67 / 0 / 55 / 23

HEX #40C458

RGB 64 196 88

HSL 130.91, 0.53%, 0.51%

LAB 70.37, -57.94, 43.47

 

CMYK 62 / 0 / 67 / 23

HEX #4BC440

RGB 75 196 64

HSL 115, 0.53%, 0.51%

LAB 70.42, -58.37, 54.21

 

CMYK 43 / 0 / 67 / 23

HEX #6FC440

RGB 111 196 64

HSL 98.64, 0.53%, 0.51%

LAB 71.71, -48.48, 55.98

 

CMYK 25 / 0 / 67 / 23

HEX #93C440

RGB 147 196 64

HSL 82.27, 0.53%, 0.51%

LAB 73.58, -35.77, 58.52

 

CMYK 7 / 0 / 67 / 23

HEX #B7C440

RGB 183 196 64

HSL 65.91, 0.53%, 0.51%

LAB 76.02, -21.33, 61.8

 

CMYK 67 / 0 / 55 / 23

HEX #40C458

RGB 64 196 88

HSL 130.91, 0.53%, 0.51%

LAB 70.37, -57.94, 43.47

 

CMYK 67 / 0 / 37 / 23

HEX #40C47C

RGB 64 196 124

HSL 147.27, 0.53%, 0.51%

LAB 70.89, -52.07, 25.99

 

CMYK 67 / 0 / 19 / 23

HEX #40C49F

RGB 64 196 159

HSL 163.18, 0.53%, 0.51%

LAB 71.6, -44.47, 8.24

 

CMYK 67 / 0 / 1 / 23

HEX #40C4C3

RGB 64 196 195

HSL 179.55, 0.53%, 0.51%

LAB 72.57, -35, -9.93

 

CMYK 67 / 17 / 0 / 23

HEX #40A2C4

RGB 64 162 196

HSL 195.45, 0.53%, 0.51%

LAB 62.44, -17.74, -25.83

 

CMYK 67 / 0 / 55 / 23

HEX #40C458

RGB 64 196 88

HSL 130.91, 0.53%, 0.51%

LAB 70.37, -57.94, 43.47

 

CMYK 80 / 0 / 65 / 15

HEX #2CD84B

RGB 44 216 75

HSL 130.81, 0.69%, 0.51%

LAB 76.16, -69.13, 55.79

 

CMYK 90 / 0 / 74 / 7

HEX #17ED3E

RGB 23 237 62

HSL 130.93, 0.86%, 0.51%

LAB 82.43, -78.23, 67.13

 

CMYK 67 / 0 / 55 / 23

HEX #40C458

RGB 64 196 88

HSL 130.91, 0.53%, 0.51%

LAB 70.37, -57.94, 43.47

 

CMYK 52 / 0 / 43 / 31

HEX #54B065

RGB 84 176 101

HSL 131.09, 0.37%, 0.51%

LAB 64.86, -43.75, 30.23

 

CMYK 33 / 0 / 27 / 39

HEX #689C72

RGB 104 156 114

HSL 131.54, 0.21%, 0.51%

LAB 59.83, -26.34, 16.63

 

CMYK 9 / 0 / 7 / 47

HEX #7C887F

RGB 124 136 127

HSL 135, 0.05%, 0.51%

LAB 55.51, -6.21, 3.33

 

CMYK 0 / 21 / 4 / 43

HEX #91738B

RGB 145 115 139

HSL 312, 0.12%, 0.51%

LAB 52, 16.05, -8.61

 

CMYK 43 / 0 / 67 / 23

HEX #70C440

RGB 112 196 64

HSL 98.18, 0.53%, 0.51%

LAB 71.75, -48.16, 56.04

 

CMYK 61 / 0 / 67 / 23

HEX #4DC440

RGB 77 196 64

HSL 114.09, 0.53%, 0.51%

LAB 70.47, -57.91, 54.29

 

CMYK 67 / 0 / 56 / 23

HEX #40C456

RGB 64 196 86

HSL 130, 0.53%, 0.51%

LAB 70.34, -58.21, 44.39

 

CMYK 67 / 0 / 38 / 23

HEX #40C479

RGB 64 196 121

HSL 145.91, 0.53%, 0.51%

LAB 70.84, -52.64, 27.49

 

CMYK 67 / 0 / 20 / 23

HEX #40C49D

RGB 64 196 157

HSL 162.27, 0.53%, 0.51%

LAB 71.56, -44.95, 9.26

 

CMYK 69 / 0 / 57 / 47

HEX #2A883B

RGB 42 136 59

HSL 130.85, 0.53%, 0.35%

LAB 50, -44.19, 33.15

 

CMYK 69 / 0 / 56 / 35

HEX #33A749

RGB 51 167 73

HSL 131.38, 0.53%, 0.43%

LAB 60.62, -52, 38.95

 

CMYK 67 / 0 / 55 / 23

HEX #40C458

RGB 64 196 88

HSL 130.91, 0.53%, 0.51%

LAB 70.37, -57.94, 43.47

 

CMYK 54 / 0 / 44 / 19

HEX #5FCE73

RGB 95 206 115

HSL 130.81, 0.53%, 0.59%

LAB 74.71, -50.98, 35.79

 

CMYK 41 / 0 / 34 / 15

HEX #7FD88F

RGB 127 216 143

HSL 130.79, 0.53%, 0.67%

LAB 79.39, -41.96, 27.85

 

CMYK 67 / 0 / 55 / 23

HEX #41C559

RGB 65 197 89

HSL 130.91, 0.53%, 0.51%

LAB 70.72, -57.97, 43.42

 

CMYK 67 / 24 / 0 / 23

HEX #4094C4

RGB 64 148 196

HSL 201.82, 0.53%, 0.51%

LAB 58.28, -10.09, -32.27

 

CMYK 0 / 67 / 52 / 23

HEX #C4405F

RGB 196 64 95

HSL 345.91, 0.53%, 0.51%

LAB 47.27, 54.59, 11.75

 

CMYK 67 / 0 / 55 / 23

HEX #41C559

RGB 65 197 89

HSL 130.91, 0.53%, 0.51%

LAB 70.72, -57.97, 43.42

 

CMYK 56 / 67 / 0 / 23

HEX #5640C4

RGB 86 64 196

HSL 250, 0.53%, 0.51%

LAB 37.17, 44.77, -65.91

 

CMYK 0 / 56 / 67 / 23

HEX #C45640

RGB 196 86 64

HSL 10, 0.53%, 0.51%

LAB 50.41, 42.52, 34.19

 

CMYK 67 / 0 / 55 / 23

HEX #41C559

RGB 65 197 89

HSL 130.91, 0.53%, 0.51%

LAB 70.72, -57.97, 43.42

 

CMYK 67 / 24 / 0 / 23

HEX #4094C4

RGB 64 148 196

HSL 201.82, 0.53%, 0.51%

LAB 58.28, -10.09, -32.27

 

CMYK 0 / 67 / 11 / 23

HEX #C440AE

RGB 196 64 174

HSL 310, 0.53%, 0.51%

LAB 50.05, 64.01, -31.61

 

CMYK 0 / 43 / 67 / 23

HEX #C47040

RGB 196 112 64

HSL 21.82, 0.53%, 0.51%

LAB 55.78, 29.07, 40.45

 

CMYK 67 / 0 / 55 / 23

HEX #41C559

RGB 65 197 89

HSL 130.91, 0.53%, 0.51%

LAB 70.72, -57.97, 43.42

 

CMYK 67 / 45 / 0 / 23

HEX #406CC4

RGB 64 108 196

HSL 220, 0.53%, 0.51%

LAB 46.71, 13.82, -50.53

 

CMYK 0 / 67 / 11 / 23

HEX #C440AE

RGB 196 64 174

HSL 310, 0.53%, 0.51%

LAB 50.05, 64.01, -31.61

 

CMYK 0 / 22 / 67 / 23

HEX #C49840

RGB 196 152 64

HSL 40, 0.53%, 0.51%

LAB 65.41, 7.21, 51.09

 

Description

Color code: RGB 65 197 89 | qconv.com Color code: RGB 65 197 89 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 65 red, 197 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
65 197 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 55 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 55% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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