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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 198.8 204.4 it is the complementary color RGB 191 56.2 50.6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 198.8 204.4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 198.8 204.4 shade: RGB 69 198.8 199.4, RGB 86 216.8 218.4, RGB 103 234.8 237.4, RGB 120 252.8 255 and RGB 137 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 198.8 204.4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 198.8 204.4 shade: RGB 64 198.8 204.4, RGB 47 180.8 185.4, RGB 30 162.8 166.4, RGB 13 144.8 147.4 and RGB 0 126.8 128.4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 198.8 204.4 shade: RGB 66 199 205, RGB 66 162 205, RGB 66 124 205, RGB 66 87 205 and RGB 82 66 205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 198.8 204.4 shade: RGB 66 199 205, RGB 66 162 205, RGB 66 124 205, RGB 66 87 205 and RGB 66 66 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 198.8 204.4 shade matches the following richer shades: RGB 66 199 205, RGB 46 217 224 and RGB 27 235 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 198.8 204.4 shade: RGB 66 199 205, RGB 85 181 185, RGB 104 163 166, RGB 124 146 146 and RGB 143 128 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 198.8 204.4 shade: RGB 66 205 135, RGB 66 205 172, RGB 66 200 205, RGB 66 163 205 and RGB 66 126 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 198.8 204.4 shade: RGB 39 144 148, RGB 48 176 181, RGB 66 199 205, RGB 98 209 213 and RGB 131 218 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 198.8 204.4 shade: RGB 64 198.8 204.4, RGB 98 66 205 and RGB 205 154 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 198.8 204.4 shade: RGB 64 198.8 204.4, RGB 205 66 200 and RGB 200 205 66

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 198.8 204.4 shade: RGB 64 198.8 204.4, RGB 98 66 205, RGB 205 70 66 and RGB 172 205 66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 198.8 204.4 shade: RGB 64 198.8 204.4, RGB 140 66 205, RGB 205 70 66 and RGB 131 205 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 3 / 0 / 20

HEX #40C6CC

RGB 64 198.8 204.4

HSL 182.39, 0.58%, 0.53%

LAB 73.69, -33.62, -13.36

 

Complementary color

CMYK 0 / 71 / 74 / 25

HEX #BF3832

RGB 191 56.2 50.6

HSL 2.39, 0.58%, 0.47%

LAB 44.46, 53.2, 34.69

 

CMYK 65 / 0 / 0 / 22

HEX #45C6C7

RGB 69 198.8 199.4

HSL 180.28, 0.54%, 0.53%

LAB 73.65, -34.34, -10.7

 

CMYK 61 / 1 / 0 / 14

HEX #56D8DA

RGB 86 216.8 218.4

HSL 180.73, 0.64%, 0.6%

LAB 79.95, -34.83, -11.48

 

CMYK 57 / 1 / 0 / 7

HEX #67EAED

RGB 103 234.8 237.4

HSL 181.16, 0.79%, 0.67%

LAB 86.17, -35.17, -12.2

 

CMYK 53 / 1 / 0 / 0

HEX #78FCFF

RGB 120 252.8 255

HSL 180.98, 1%, 0.74%

LAB 92.28, -35.78, -12.21

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 69 / 3 / 0 / 20

HEX #40C6CC

RGB 64 198.8 204.4

HSL 182.39, 0.58%, 0.53%

LAB 73.69, -33.62, -13.36

 

CMYK 75 / 2 / 0 / 27

HEX #2FB4B9

RGB 47 180.8 185.4

HSL 181.99, 0.6%, 0.46%

LAB 67.34, -32.79, -12.52

 

CMYK 82 / 2 / 0 / 35

HEX #1EA2A6

RGB 30 162.8 166.4

HSL 181.58, 0.69%, 0.39%

LAB 60.93, -31.66, -11.57

 

CMYK 91 / 2 / 0 / 42

HEX #0D9093

RGB 13 144.8 147.4

HSL 181.16, 0.84%, 0.31%

LAB 54.44, -30.12, -10.5

 

CMYK 100 / 1 / 0 / 50

HEX #007E80

RGB 0 126.8 128.4

HSL 180.75, 1%, 0.25%

LAB 47.87, -28.12, -9.29

 

CMYK 68 / 3 / 0 / 20

HEX #42C7CD

RGB 66 199 205

HSL 182.59, 0.58%, 0.53%

LAB 73.81, -33.27, -13.5

 

CMYK 68 / 21 / 0 / 20

HEX #42A2CD

RGB 66 162 205

HSL 198.56, 0.58%, 0.53%

LAB 62.85, -14.52, -30.21

 

CMYK 68 / 40 / 0 / 20

HEX #427CCD

RGB 66 124 205

HSL 214.96, 0.58%, 0.53%

LAB 51.82, 7.41, -47.53

 

CMYK 68 / 58 / 0 / 20

HEX #4257CD

RGB 66 87 205

HSL 230.94, 0.58%, 0.53%

LAB 41.82, 30.69, -63.61

 

CMYK 60 / 68 / 0 / 20

HEX #5242CD

RGB 82 66 205

HSL 246.91, 0.58%, 0.53%

LAB 38.02, 45.79, -69.77

 

CMYK 68 / 3 / 0 / 20

HEX #42C7CD

RGB 66 199 205

HSL 182.59, 0.58%, 0.53%

LAB 73.81, -33.27, -13.5

 

CMYK 68 / 21 / 0 / 20

HEX #42A2CD

RGB 66 162 205

HSL 198.56, 0.58%, 0.53%

LAB 62.85, -14.52, -30.21

 

CMYK 68 / 40 / 0 / 20

HEX #427CCD

RGB 66 124 205

HSL 214.96, 0.58%, 0.53%

LAB 51.82, 7.41, -47.53

 

CMYK 68 / 58 / 0 / 20

HEX #4257CD

RGB 66 87 205

HSL 230.94, 0.58%, 0.53%

LAB 41.82, 30.69, -63.61

 

CMYK 68 / 68 / 0 / 20

HEX #4242CD

RGB 66 66 205

HSL 240, 0.58%, 0.53%

LAB 36.86, 43.64, -71.71

 

CMYK 68 / 3 / 0 / 20

HEX #42C7CD

RGB 66 199 205

HSL 182.59, 0.58%, 0.53%

LAB 73.81, -33.27, -13.5

 

CMYK 79 / 3 / 0 / 12

HEX #2ED9E0

RGB 46 217 224

HSL 182.36, 0.74%, 0.53%

LAB 79.38, -38.32, -15.4

 

CMYK 89 / 3 / 0 / 5

HEX #1BEBF3

RGB 27 235 243

HSL 182.22, 0.9%, 0.53%

LAB 85.06, -42.07, -16.95

 

CMYK 68 / 3 / 0 / 20

HEX #42C7CD

RGB 66 199 205

HSL 182.59, 0.58%, 0.53%

LAB 73.81, -33.27, -13.5

 

CMYK 54 / 2 / 0 / 27

HEX #55B5B9

RGB 85 181 185

HSL 182.4, 0.42%, 0.53%

LAB 68.37, -26.97, -10.65

 

CMYK 37 / 2 / 0 / 35

HEX #68A3A6

RGB 104 163 166

HSL 182.9, 0.26%, 0.53%

LAB 63.25, -18.33, -7.64

 

CMYK 15 / 0 / 0 / 43

HEX #7C9292

RGB 124 146 146

HSL 180, 0.09%, 0.53%

LAB 58.9, -7.78, -2.63

 

CMYK 0 / 10 / 11 / 44

HEX #8F807F

RGB 143 128 127

HSL 3.75, 0.07%, 0.53%

LAB 54.88, 5.52, 2.62

 

CMYK 68 / 0 / 34 / 20

HEX #42CD87

RGB 66 205 135

HSL 149.78, 0.58%, 0.53%

LAB 73.91, -53.09, 24.29

 

CMYK 68 / 0 / 16 / 20

HEX #42CDAC

RGB 66 205 172

HSL 165.76, 0.58%, 0.53%

LAB 74.7, -44.84, 5.66

 

CMYK 68 / 2 / 0 / 20

HEX #42C8CD

RGB 66 200 205

HSL 182.16, 0.58%, 0.53%

LAB 74.11, -33.74, -13.06

 

CMYK 68 / 20 / 0 / 20

HEX #42A3CD

RGB 66 163 205

HSL 198.13, 0.58%, 0.53%

LAB 63.14, -15.06, -29.76

 

CMYK 68 / 39 / 0 / 20

HEX #427ECD

RGB 66 126 205

HSL 214.1, 0.58%, 0.53%

LAB 52.38, 6.2, -46.63

 

CMYK 74 / 3 / 0 / 42

HEX #279094

RGB 39 144 148

HSL 182.2, 0.58%, 0.37%

LAB 54.57, -27.21, -10.62

 

CMYK 73 / 3 / 0 / 29

HEX #30B0B5

RGB 48 176 181

HSL 182.26, 0.58%, 0.45%

LAB 65.76, -31.7, -12.46

 

CMYK 68 / 3 / 0 / 20

HEX #42C7CD

RGB 66 199 205

HSL 182.59, 0.58%, 0.53%

LAB 73.81, -33.27, -13.5

 

CMYK 54 / 2 / 0 / 16

HEX #62D1D5

RGB 98 209 213

HSL 182.09, 0.58%, 0.61%

LAB 77.88, -30.42, -11.64

 

CMYK 41 / 2 / 0 / 13

HEX #83DADE

RGB 131 218 222

HSL 182.64, 0.58%, 0.69%

LAB 81.97, -25.17, -10.21

 

CMYK 69 / 3 / 0 / 20

HEX #40C6CC

RGB 64 198.8 204.4

HSL 182.39, 0.58%, 0.53%

LAB 73.69, -33.62, -13.36

 

CMYK 52 / 68 / 0 / 20

HEX #6242CD

RGB 98 66 205

HSL 253.81, 0.58%, 0.53%

LAB 39.41, 48.31, -67.43

 

CMYK 0 / 25 / 68 / 20

HEX #CD9A42

RGB 205 154 66

HSL 37.99, 0.58%, 0.53%

LAB 66.89, 10.15, 52.05

 

CMYK 69 / 3 / 0 / 20

HEX #40C6CC

RGB 64 198.8 204.4

HSL 182.39, 0.58%, 0.53%

LAB 73.69, -33.62, -13.36

 

CMYK 0 / 68 / 2 / 20

HEX #CD42C8

RGB 205 66 200

HSL 302.16, 0.58%, 0.53%

LAB 53, 69.47, -41.97

 

CMYK 2 / 0 / 68 / 20

HEX #C8CD42

RGB 200 205 66

HSL 62.16, 0.58%, 0.53%

LAB 79.8, -18.59, 65.28

 

CMYK 69 / 3 / 0 / 20

HEX #40C6CC

RGB 64 198.8 204.4

HSL 182.39, 0.58%, 0.53%

LAB 73.69, -33.62, -13.36

 

CMYK 52 / 68 / 0 / 20

HEX #6242CD

RGB 98 66 205

HSL 253.81, 0.58%, 0.53%

LAB 39.41, 48.31, -67.43

 

CMYK 0 / 66 / 68 / 20

HEX #CD4642

RGB 205 70 66

HSL 1.73, 0.58%, 0.53%

LAB 49.19, 53.06, 31.96

 

CMYK 16 / 0 / 68 / 20

HEX #ACCD42

RGB 172 205 66

HSL 74.24, 0.58%, 0.53%

LAB 77.77, -30.04, 62.56

 

CMYK 69 / 3 / 0 / 20

HEX #40C6CC

RGB 64 198.8 204.4

HSL 182.39, 0.58%, 0.53%

LAB 73.69, -33.62, -13.36

 

CMYK 32 / 68 / 0 / 20

HEX #8C42CD

RGB 140 66 205

HSL 271.94, 0.58%, 0.53%

LAB 44.06, 56.19, -59.67

 

CMYK 0 / 66 / 68 / 20

HEX #CD4642

RGB 205 70 66

HSL 1.73, 0.58%, 0.53%

LAB 49.19, 53.06, 31.96

 

CMYK 36 / 0 / 68 / 20

HEX #83CD42

RGB 131 205 66

HSL 91.94, 0.58%, 0.53%

LAB 75.38, -45.4, 59.33

 

Description

Color code: RGB 64 198.8 204.4 | qconv.com Color code: RGB 64 198.8 204.4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 198.8 green and 204.4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 198.8 204.4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 3 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 3% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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