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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 64 110.2 212.6 it is the complementary color RGB 191 144.8 42.4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 64 110.2 212.6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 64 110.2 212.6 shade: RGB 69 110.2 207.6, RGB 86 128.2 226.6, RGB 103 146.2 245.6, RGB 120 164.2 255 and RGB 137 182.2 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 64 110.2 212.6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 64 110.2 212.6 shade: RGB 64 110.2 212.6, RGB 47 92.2 193.6, RGB 30 74.2 174.6, RGB 13 56.2 155.6 and RGB 0 38.2 136.6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 64 110.2 212.6 shade: RGB 63 109 213, RGB 63 69 213, RGB 97 63 213, RGB 137 63 213 and RGB 178 63 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 64 110.2 212.6 shade: RGB 63 109 213, RGB 63 69 213 and RGB 63 63 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 64 110.2 212.6 shade matches the following richer shades: RGB 63 109 213, RGB 44 102 232 and RGB 25 95 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 64 110.2 212.6 shade: RGB 63 109 213, RGB 82 116 194, RGB 101 124 175, RGB 120 131 156 and RGB 139 138 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 64 110.2 212.6 shade: RGB 63 190 213, RGB 63 150 213, RGB 63 110 213, RGB 63 70 213 and RGB 95 63 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 64 110.2 212.6 shade: RGB 35 73 158, RGB 42 89 192, RGB 63 109 213, RGB 96 135 220 and RGB 130 161 228

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 64 110.2 212.6 shade: RGB 64 110.2 212.6, RGB 195 63 213 and RGB 170 213 63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 64 110.2 212.6 shade: RGB 64 110.2 212.6, RGB 213 63 110 and RGB 110 213 63

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 64 110.2 212.6 shade: RGB 64 110.2 212.6, RGB 195 63 213, RGB 213 165 63 and RGB 80 213 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 64 110.2 212.6 shade: RGB 64 110.2 212.6, RGB 213 63 185, RGB 213 165 63 and RGB 63 213 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 48 / 0 / 17

HEX #406ED4

RGB 64 110.2 212.6

HSL 221.35, 0.64%, 0.54%

LAB 48.35, 18.4, -57.41

 

Complementary color

CMYK 0 / 24 / 78 / 25

HEX #BF902A

RGB 191 144.8 42.4

HSL 41.35, 0.64%, 0.46%

LAB 62.87, 7.88, 57.39

 

CMYK 67 / 47 / 0 / 19

HEX #456ECF

RGB 69 110.2 207.6

HSL 222.16, 0.59%, 0.54%

LAB 48.25, 17.38, -54.7

 

CMYK 62 / 43 / 0 / 11

HEX #5680E2

RGB 86 128.2 226.6

HSL 221.99, 0.71%, 0.61%

LAB 55.07, 15.71, -54.48

 

CMYK 58 / 40 / 0 / 4

HEX #6792F5

RGB 103 146.2 245.6

HSL 221.82, 0.88%, 0.68%

LAB 61.77, 14.35, -54.29

 

CMYK 53 / 36 / 0 / 0

HEX #78A4FF

RGB 120 164.2 255

HSL 220.36, 1%, 0.74%

LAB 67.9, 10.25, -49.65

 

CMYK 46 / 29 / 0 / 0

HEX #89B6FF

RGB 137 182.2 255

HSL 217.02, 1%, 0.77%

LAB 73.59, 3.9, -40.66

 

CMYK 70 / 48 / 0 / 17

HEX #406ED4

RGB 64 110.2 212.6

HSL 221.35, 0.64%, 0.54%

LAB 48.35, 18.4, -57.41

 

CMYK 76 / 52 / 0 / 24

HEX #2F5CC1

RGB 47 92.2 193.6

HSL 221.5, 0.61%, 0.47%

LAB 41.49, 20.66, -57.59

 

CMYK 83 / 58 / 0 / 32

HEX #1E4AAE

RGB 30 74.2 174.6

HSL 221.66, 0.71%, 0.4%

LAB 34.56, 23.47, -57.71

 

CMYK 92 / 64 / 0 / 39

HEX #0D389B

RGB 13 56.2 155.6

HSL 221.82, 0.85%, 0.33%

LAB 27.63, 26.95, -57.62

 

CMYK 100 / 72 / 0 / 46

HEX #002688

RGB 0 38.2 136.6

HSL 223.22, 1%, 0.27%

LAB 20.8, 31.01, -57.12

 

CMYK 70 / 49 / 0 / 16

HEX #3F6DD5

RGB 63 109 213

HSL 221.6, 0.64%, 0.54%

LAB 48, 19.16, -58.19

 

CMYK 70 / 68 / 0 / 16

HEX #3F45D5

RGB 63 69 213

HSL 237.6, 0.64%, 0.54%

LAB 38.05, 44.17, -74.39

 

CMYK 54 / 70 / 0 / 16

HEX #613FD5

RGB 97 63 213

HSL 253.6, 0.64%, 0.54%

LAB 39.41, 52.05, -72.06

 

CMYK 36 / 70 / 0 / 16

HEX #893FD5

RGB 137 63 213

HSL 269.6, 0.64%, 0.54%

LAB 43.77, 58.87, -64.77

 

CMYK 16 / 70 / 0 / 16

HEX #B23FD5

RGB 178 63 213

HSL 286, 0.64%, 0.54%

LAB 49.28, 66.98, -55.58

 

CMYK 70 / 49 / 0 / 16

HEX #3F6DD5

RGB 63 109 213

HSL 221.6, 0.64%, 0.54%

LAB 48, 19.16, -58.19

 

CMYK 70 / 68 / 0 / 16

HEX #3F45D5

RGB 63 69 213

HSL 237.6, 0.64%, 0.54%

LAB 38.05, 44.17, -74.39

 

CMYK 70 / 70 / 0 / 16

HEX #3F3FD5

RGB 63 63 213

HSL 240, 0.64%, 0.54%

LAB 36.77, 47.67, -76.49

 

CMYK 70 / 49 / 0 / 16

HEX #3F6DD5

RGB 63 109 213

HSL 221.6, 0.64%, 0.54%

LAB 48, 19.16, -58.19

 

CMYK 81 / 56 / 0 / 9

HEX #2C66E8

RGB 44 102 232

HSL 221.49, 0.8%, 0.54%

LAB 46.8, 28.47, -70.94

 

CMYK 90 / 62 / 0 / 2

HEX #195FFB

RGB 25 95 251

HSL 221.42, 0.97%, 0.54%

LAB 46.12, 38.81, -82.71

 

CMYK 70 / 49 / 0 / 16

HEX #3F6DD5

RGB 63 109 213

HSL 221.6, 0.64%, 0.54%

LAB 48, 19.16, -58.19

 

CMYK 58 / 40 / 0 / 24

HEX #5274C2

RGB 82 116 194

HSL 221.79, 0.48%, 0.54%

LAB 49.71, 11.46, -44.54

 

CMYK 42 / 29 / 0 / 31

HEX #657CAF

RGB 101 124 175

HSL 221.35, 0.32%, 0.54%

LAB 52.15, 5.19, -29.69

 

CMYK 23 / 16 / 0 / 39

HEX #78839C

RGB 120 131 156

HSL 221.67, 0.15%, 0.54%

LAB 54.68, 1.68, -14.7

 

CMYK 0 / 1 / 1 / 45

HEX #8B8A89

RGB 139 138 137

HSL 30, 0.01%, 0.54%

LAB 57.53, 0.18, 0.66

 

CMYK 70 / 11 / 0 / 16

HEX #3FBED5

RGB 63 190 213

HSL 189.2, 0.64%, 0.54%

LAB 71.34, -26.93, -21.59

 

CMYK 70 / 30 / 0 / 16

HEX #3F96D5

RGB 63 150 213

HSL 205.2, 0.64%, 0.54%

LAB 59.59, -5.61, -39.76

 

CMYK 70 / 48 / 0 / 16

HEX #3F6ED5

RGB 63 110 213

HSL 221.2, 0.64%, 0.54%

LAB 48.28, 18.53, -57.75

 

CMYK 70 / 67 / 0 / 16

HEX #3F46D5

RGB 63 70 213

HSL 237.2, 0.64%, 0.54%

LAB 38.27, 43.58, -74.02

 

CMYK 55 / 70 / 0 / 16

HEX #5F3FD5

RGB 95 63 213

HSL 252.8, 0.64%, 0.54%

LAB 39.23, 51.75, -72.36

 

CMYK 78 / 54 / 0 / 38

HEX #23499E

RGB 35 73 158

HSL 221.46, 0.64%, 0.38%

LAB 33.12, 18.26, -50.1

 

CMYK 78 / 54 / 0 / 25

HEX #2A59C0

RGB 42 89 192

HSL 221.2, 0.64%, 0.46%

LAB 40.32, 21.58, -58.57

 

CMYK 70 / 49 / 0 / 16

HEX #3F6DD5

RGB 63 109 213

HSL 221.6, 0.64%, 0.54%

LAB 48, 19.16, -58.19

 

CMYK 56 / 39 / 0 / 14

HEX #6087DC

RGB 96 135 220

HSL 221.13, 0.64%, 0.62%

LAB 57.06, 11.35, -47.58

 

CMYK 43 / 29 / 0 / 11

HEX #82A1E4

RGB 130 161 228

HSL 221.02, 0.64%, 0.7%

LAB 66.4, 6.46, -37.21

 

CMYK 70 / 48 / 0 / 17

HEX #406ED4

RGB 64 110.2 212.6

HSL 221.35, 0.64%, 0.54%

LAB 48.35, 18.4, -57.41

 

CMYK 8 / 70 / 0 / 16

HEX #C33FD5

RGB 195 63 213

HSL 292.8, 0.64%, 0.54%

LAB 51.79, 70.53, -51.42

 

CMYK 20 / 0 / 70 / 16

HEX #AAD53F

RGB 170 213 63

HSL 77.2, 0.64%, 0.54%

LAB 79.89, -34.72, 65.77

 

CMYK 70 / 48 / 0 / 17

HEX #406ED4

RGB 64 110.2 212.6

HSL 221.35, 0.64%, 0.54%

LAB 48.35, 18.4, -57.41

 

CMYK 0 / 70 / 48 / 16

HEX #D53F6E

RGB 213 63 110

HSL 341.2, 0.64%, 0.54%

LAB 50.48, 61.38, 7.58

 

CMYK 48 / 0 / 70 / 16

HEX #6ED53F

RGB 110 213 63

HSL 101.2, 0.64%, 0.54%

LAB 76.84, -55.54, 61.69

 

CMYK 70 / 48 / 0 / 17

HEX #406ED4

RGB 64 110.2 212.6

HSL 221.35, 0.64%, 0.54%

LAB 48.35, 18.4, -57.41

 

CMYK 8 / 70 / 0 / 16

HEX #C33FD5

RGB 195 63 213

HSL 292.8, 0.64%, 0.54%

LAB 51.79, 70.53, -51.42

 

CMYK 0 / 23 / 70 / 16

HEX #D5A53F

RGB 213 165 63

HSL 40.8, 0.64%, 0.54%

LAB 70.47, 7.51, 57.38

 

CMYK 62 / 0 / 70 / 16

HEX #50D53F

RGB 80 213 63

HSL 113.2, 0.64%, 0.54%

LAB 75.86, -63.24, 60.37

 

CMYK 70 / 48 / 0 / 17

HEX #406ED4

RGB 64 110.2 212.6

HSL 221.35, 0.64%, 0.54%

LAB 48.35, 18.4, -57.41

 

CMYK 0 / 70 / 13 / 16

HEX #D53FB9

RGB 213 63 185

HSL 311.2, 0.64%, 0.54%

LAB 53.17, 70.11, -32.94

 

CMYK 0 / 23 / 70 / 16

HEX #D5A53F

RGB 213 165 63

HSL 40.8, 0.64%, 0.54%

LAB 70.47, 7.51, 57.38

 

CMYK 70 / 0 / 58 / 16

HEX #3FD55A

RGB 63 213 90

HSL 130.8, 0.64%, 0.54%

LAB 75.69, -63.75, 48.84

 

Description

Color code: RGB 64 110.2 212.6 | qconv.com Color code: RGB 64 110.2 212.6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 110.2 green and 212.6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 110.2 212.6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 48 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 48% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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