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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 62 47 118 it is the complementary color RGB 193 208 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 62 47 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 62 47 118: RGB 67 47 113, RGB 84 65 132, RGB 101 83 151, RGB 118 101 170 and RGB 135 119 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 62 47 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 62 47 118: RGB 62 47 118, RGB 45 29 99, RGB 28 11 80, RGB 11 0 61 and RGB 0 0 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 60 / 0 / 54

HEX #3E2F76

RGB 62 47 118

HSL 252.68, 0.43%, 0.32%

LAB 24.84, 26.01, -38.63

 

Complementary color

CMYK 7 / 0 / 34 / 18

HEX #C1D089

RGB 193 208 137

HSL 72.68, 0.43%, 0.68%

LAB 80.88, -16.5, 33.61

 

CMYK 41 / 58 / 0 / 56

HEX #432F71

RGB 67 47 113

HSL 258.18, 0.41%, 0.31%

LAB 25.01, 25.71, -35.15

 

CMYK 36 / 51 / 0 / 48

HEX #544184

RGB 84 65 132

HSL 257.01, 0.34%, 0.39%

LAB 32.55, 24.48, -34.94

 

CMYK 33 / 45 / 0 / 41

HEX #655397

RGB 101 83 151

HSL 255.88, 0.29%, 0.46%

LAB 39.89, 23.42, -34.77

 

CMYK 31 / 41 / 0 / 33

HEX #7665AA

RGB 118 101 170

HSL 254.78, 0.29%, 0.53%

LAB 47.05, 22.51, -34.65

 

CMYK 29 / 37 / 0 / 26

HEX #8777BD

RGB 135 119 189

HSL 253.71, 0.35%, 0.6%

LAB 54.05, 21.71, -34.59

 

CMYK 47 / 60 / 0 / 54

HEX #3E2F76

RGB 62 47 118

HSL 252.68, 0.43%, 0.32%

LAB 24.84, 26.01, -38.63

 

CMYK 55 / 71 / 0 / 61

HEX #2D1D63

RGB 45 29 99

HSL 253.71, 0.55%, 0.25%

LAB 17.17, 27.61, -38.86

 

CMYK 65 / 86 / 0 / 69

HEX #1C0B50

RGB 28 11 80

HSL 254.78, 0.76%, 0.18%

LAB 9.52, 29.08, -38.65

 

CMYK 82 / 100 / 0 / 76

HEX #0B003D

RGB 11 0 61

HSL 250.82, 1%, 0.12%

LAB 3.69, 23.98, -34.91

 

CMYK 100 / 100 / 0 / 84

HEX #00002A

RGB 0 0 42

HSL 240, 1%, 0.08%

LAB 1.51, 10.61, -24.29

 

CMYK 47 / 60 / 0 / 54

HEX #3E2F76

RGB 62 47 118

HSL 252.68, 0.43%, 0.32%

LAB 24.84, 26.01, -38.63

 

CMYK 38 / 60 / 0 / 55

HEX #482E74

RGB 72 46 116

HSL 262.29, 0.43%, 0.32%

LAB 25.54, 28.53, -36.18

 

CMYK 28 / 60 / 0 / 55

HEX #532E74

RGB 83 46 116

HSL 271.71, 0.43%, 0.32%

LAB 26.89, 31.46, -33.95

 

CMYK 18 / 60 / 0 / 55

HEX #5F2E74

RGB 95 46 116

HSL 282, 0.43%, 0.32%

LAB 28.51, 34.78, -31.27

 

CMYK 8 / 60 / 0 / 55

HEX #6B2E74

RGB 107 46 116

HSL 292.29, 0.43%, 0.32%

LAB 30.26, 38.17, -28.38

 

CMYK 47 / 60 / 0 / 54

HEX #3E2F76

RGB 62 47 118

HSL 252.68, 0.43%, 0.32%

LAB 24.84, 26.01, -38.63

 

CMYK 47 / 60 / 0 / 34

HEX #5943A9

RGB 89 67 169

HSL 252.94, 0.43%, 0.46%

LAB 35.99, 35.41, -51.88

 

CMYK 47 / 60 / 0 / 14

HEX #7458DC

RGB 116 88 220

HSL 252.73, 0.65%, 0.6%

LAB 46.79, 43.66, -63.97

 

CMYK 50 / 63 / 0 / 94

HEX #080610

RGB 8 6 16

HSL 252, 0.45%, 0.04%

LAB 1.98, 2.06, -4.01

 

CMYK 48 / 60 / 0 / 74

HEX #231B43

RGB 35 27 67

HSL 252, 0.43%, 0.18%

LAB 12.9, 15.69, -24.1

 

CMYK 47 / 60 / 0 / 54

HEX #3E2F76

RGB 62 47 118

HSL 252.68, 0.43%, 0.32%

LAB 24.84, 26.01, -38.63

 

CMYK 0 / 60 / 24 / 55

HEX #742E58

RGB 116 46 88

HSL 324, 0.43%, 0.32%

LAB 30.33, 35.87, -10.17

 

CMYK 48 / 0 / 60 / 55

HEX #3C742E

RGB 60 116 46

HSL 108, 0.43%, 0.32%

LAB 43.72, -32.95, 32.49

 

CMYK 47 / 60 / 0 / 54

HEX #3E2F76

RGB 62 47 118

HSL 252.68, 0.43%, 0.32%

LAB 24.84, 26.01, -38.63

 

CMYK 0 / 48 / 60 / 55

HEX #743C2E

RGB 116 60 46

HSL 12, 0.43%, 0.32%

LAB 32.13, 23.05, 19.55

 

CMYK 60 / 0 / 48 / 55

HEX #2E743C

RGB 46 116 60

HSL 132, 0.43%, 0.32%

LAB 43.36, -35.02, 24.46

 

CMYK 47 / 60 / 0 / 54

HEX #3E2F76

RGB 62 47 118

HSL 252.68, 0.43%, 0.32%

LAB 24.84, 26.01, -38.63

 

CMYK 0 / 60 / 24 / 55

HEX #742E58

RGB 116 46 88

HSL 324, 0.43%, 0.32%

LAB 30.33, 35.87, -10.17

 

CMYK 12 / 0 / 60 / 55

HEX #66742E

RGB 102 116 46

HSL 72, 0.43%, 0.32%

LAB 46.33, -16.32, 36.15

 

CMYK 60 / 0 / 36 / 55

HEX #2E744A

RGB 46 116 74

HSL 144, 0.43%, 0.32%

LAB 43.6, -32.37, 16.81

 

CMYK 47 / 60 / 0 / 54

HEX #3E2F76

RGB 62 47 118

HSL 252.68, 0.43%, 0.32%

LAB 24.84, 26.01, -38.63

 

CMYK 0 / 60 / 42 / 55

HEX #742E43

RGB 116 46 67

HSL 342, 0.43%, 0.32%

LAB 29.59, 32.98, 2.51

 

CMYK 12 / 0 / 60 / 55

HEX #66742E

RGB 102 116 46

HSL 72, 0.43%, 0.32%

LAB 46.33, -16.32, 36.15

 

CMYK 60 / 0 / 18 / 55

HEX #2E745F

RGB 46 116 95

HSL 162, 0.43%, 0.32%

LAB 44.09, -27.46, 5.09

 

Description

Color code: RGB 62 47 118 | qconv.com Color code: RGB 62 47 118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 47 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 47 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 60 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 60% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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