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Complementary color
Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.
With this color tone RGB 61 68 80 it is the complementary color RGB 194 187 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.
If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.
Lighter colors
Exposures are based on the same hue and represent lighter versions of the current color RGB 61 68 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design
The following lighter shades match the RGB 61 68 80 shade: RGB 66 68 75, RGB 83 86 94, RGB 100 104 113, RGB 117 122 132 and RGB 134 140 151
You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.
Darker colors
Shades are based on the same hue and represent a darker version of the current color RGB 61 68 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.
The following darker shades match the RGB 61 68 80 shade: RGB 61 68 80, RGB 44 50 61, RGB 27 32 42, RGB 10 14 23 and RGB 0 0 4
Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.
Warmer colors
Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.
The following warmer shades match the RGB 61 68 80 shade: RGB 62 68 80, RGB 62 63 80, RGB 65 62 80, RGB 70 62 80 and RGB 75 62 80
They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.
Colder colors
Colder colors are created by shifting the hue towards green, blue and violet.
The following colder shades match the RGB 61 68 80 shade: RGB 62 68 80, RGB 62 63 80 and RGB 62 62 80
These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.
Richer colors
Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.
The RGB 61 68 80 shade matches the following richer shades: RGB 62 68 80, RGB 50 65 92, RGB 39 62 103, RGB 27 59 115 and RGB 15 56 126
An example is the development from a pale pink to a strong and bright red.
Paler colors
Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.
The following paler shades match the RGB 61 68 80 shade: RGB 62 68 80, RGB 73 71 69, RGB 85 75 57, RGB 96 78 46 and RGB 108 81 34
An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.
Analogue colors
The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.
The following analogous shades match the RGB 61 68 80 shade: RGB 62 79 80, RGB 62 74 80, RGB 62 69 80, RGB 62 64 80 and RGB 64 62 80
Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent
Monochromatic colors
The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.
The following monochrome shades match the RGB 61 68 80 shade: RGB 26 29 34, RGB 44 49 57, RGB 62 68 80, RGB 80 88 103 and RGB 98 108 127
Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye
Partial complementary colors
The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.
The following split-complementary shades match the RGB 61 68 80 shade: RGB 61 68 80, RGB 77 62 80 and RGB 76 80 62
This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.
Triadic colors
A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.
The following triaden shades match the RGB 61 68 80 shade: RGB 61 68 80, RGB 80 62 69 and RGB 69 80 62
The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.
Rectangular (tetradic) colors
The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.
The following tetraden shades match the RGB 61 68 80 shade: RGB 61 68 80, RGB 77 62 80, RGB 80 73 62 and RGB 65 80 62
It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design
Square colors
The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.
The following squaren shades match the RGB 61 68 80 shade: RGB 61 68 80, RGB 80 62 78, RGB 80 73 62 and RGB 62 80 64
Again, pay attention to the balance between warm and cold colors in the design.
Note
Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.
Display options
Primary color
Complementary color
Lighter colors
Darker colors
HSL 217.89, 0.13%, 0.28%
LAB 28.66, 0.2, -8.16
HSL 218.82, 0.16%, 0.21%
LAB 20.65, 0.42, -7.78
HSL 221.54, 0.39%, 0.06%
LAB 3.98, 0.75, -5.62
Warmer colors
Colder colors
Richer colors
Paler colors
Analogue colors
Monochromatic colors
Partial complementary colors
HSL 217.89, 0.13%, 0.28%
LAB 28.66, 0.2, -8.16
HSL 73.33, 0.13%, 0.28%
LAB 33.18, -5.25, 10.09
Triadic colors
HSL 217.89, 0.13%, 0.28%
LAB 28.66, 0.2, -8.16
HSL 336.67, 0.13%, 0.28%
LAB 28.33, 9.17, -1.28
HSL 96.67, 0.13%, 0.28%
LAB 32.59, -8.25, 9.18
Rectangular (tetradic) colors
HSL 217.89, 0.13%, 0.28%
LAB 28.66, 0.2, -8.16
Square colors
HSL 217.89, 0.13%, 0.28%
LAB 28.66, 0.2, -8.16
HSL 306.67, 0.13%, 0.28%
LAB 28.64, 11.05, -6.69
HSL 126.67, 0.13%, 0.28%
LAB 32.1, -10.72, 7.16
Description
Since the color values are relatively low compared to others, this hue appears darker to us.
The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 68 green and 80 blue.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 15 magenta, none yellow and 69 key.
The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.
In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
Brands
This color is used by at least one manufactures. Here you can see which:
70% - 知趣历史课 - 专注高考、中考历史在线教...
Link: http://www.kaolishi.cn
70% - 喂哟博客、~_~水笔程序员的生活
Link: http://veyoo.cn
52% - Zanblog - Bootstrap ...
Link: http://www.yeahzan.com
Verification of their color palette as a manufacturer!
Provide designers and agencies with accurate color values.
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