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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 236 30 it is the complementary color RGB 194 19 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 236 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 61 236 30: RGB 66 236 25, RGB 83 254 44, RGB 100 255 63, RGB 117 255 82 and RGB 134 255 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 236 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 61 236 30: RGB 61 236 30, RGB 44 218 11, RGB 27 200 0, RGB 10 182 0 and RGB 0 164 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 87 / 7

HEX #3DEC1E

RGB 61 236 30

HSL 110.97, 0.84%, 0.52%

LAB 82.42, -75.83, 75.64

 

Complementary color

CMYK 14 / 92 / 0 / 12

HEX #C213E1

RGB 194 19 225

HSL 290.97, 0.84%, 0.48%

LAB 48.72, 83.02, -63.2

 

CMYK 72 / 0 / 89 / 7

HEX #42EC19

RGB 66 236 25

HSL 108.34, 0.85%, 0.51%

LAB 82.5, -75.21, 76.6

 

CMYK 67 / 0 / 83 / 0

HEX #53FE2C

RGB 83 254 44

HSL 108.86, 0.99%, 0.58%

LAB 88.4, -77, 78.17

 

CMYK 61 / 0 / 75 / 0

HEX #64FF3F

RGB 100 255 63

HSL 108.44, 1%, 0.62%

LAB 89.2, -72.87, 73.92

 

CMYK 54 / 0 / 68 / 0

HEX #75FF52

RGB 117 255 82

HSL 107.86, 1%, 0.66%

LAB 89.82, -67.52, 68.22

 

CMYK 47 / 0 / 60 / 0

HEX #86FF65

RGB 134 255 101

HSL 107.14, 1%, 0.7%

LAB 90.56, -61.32, 61.67

 

CMYK 74 / 0 / 87 / 7

HEX #3DEC1E

RGB 61 236 30

HSL 110.97, 0.84%, 0.52%

LAB 82.42, -75.83, 75.64

 

CMYK 80 / 0 / 95 / 15

HEX #2CDA0B

RGB 44 218 11

HSL 110.43, 0.9%, 0.45%

LAB 76.5, -73.42, 73.26

 

CMYK 87 / 0 / 100 / 22

HEX #1BC800

RGB 27 200 0

HSL 111.9, 1%, 0.39%

LAB 70.55, -70.3, 69.47

 

CMYK 95 / 0 / 100 / 29

HEX #0AB600

RGB 10 182 0

HSL 116.7, 1%, 0.36%

LAB 64.58, -66.43, 64.63

 

CMYK 100 / 0 / 100 / 36

HEX #00A400

RGB 0 164 0

HSL 120, 1%, 0.32%

LAB 58.56, -61.94, 59.78

 

CMYK 74 / 0 / 87 / 7

HEX #3DEC1E

RGB 61 236 30

HSL 110.97, 0.84%, 0.52%

LAB 82.42, -75.83, 75.64

 

CMYK 88 / 0 / 88 / 8

HEX #1DEB1D

RGB 29 235 29

HSL 120, 0.84%, 0.52%

LAB 81.71, -79.09, 75.05

 

CMYK 88 / 0 / 73 / 8

HEX #1DEB40

RGB 29 235 64

HSL 130.19, 0.84%, 0.52%

LAB 81.86, -77.14, 65.9

 

CMYK 88 / 0 / 58 / 8

HEX #1DEB62

RGB 29 235 98

HSL 140.1, 0.84%, 0.52%

LAB 82.14, -73.67, 52.68

 

CMYK 88 / 0 / 44 / 8

HEX #1DEB84

RGB 29 235 132

HSL 150, 0.84%, 0.52%

LAB 82.56, -68.59, 37.16

 

CMYK 74 / 0 / 87 / 7

HEX #3DEC1E

RGB 61 236 30

HSL 110.97, 0.84%, 0.52%

LAB 82.42, -75.83, 75.64

 

CMYK 75 / 0 / 88 / 87

HEX #082004

RGB 8 32 4

HSL 111.43, 0.78%, 0.07%

LAB 9.75, -15.85, 12.62

 

CMYK 75 / 0 / 87 / 67

HEX #15530B

RGB 21 83 11

HSL 111.67, 0.77%, 0.18%

LAB 30.33, -33.93, 33.43

 

CMYK 74 / 0 / 87 / 47

HEX #238611

RGB 35 134 17

HSL 110.77, 0.77%, 0.3%

LAB 48.82, -48.83, 48.74

 

CMYK 74 / 0 / 87 / 27

HEX #30B918

RGB 48 185 24

HSL 111.06, 0.77%, 0.41%

LAB 66.05, -62.7, 62.48

 

CMYK 74 / 0 / 87 / 7

HEX #3DEC1E

RGB 61 236 30

HSL 110.97, 0.84%, 0.52%

LAB 82.42, -75.83, 75.64

 

CMYK 88 / 3 / 0 / 8

HEX #1DE4EB

RGB 29 228 235

HSL 182.04, 0.84%, 0.52%

LAB 82.78, -41.2, -16.16

 

CMYK 0 / 88 / 38 / 8

HEX #EB1D92

RGB 235 29 146

HSL 325.92, 0.84%, 0.52%

LAB 52.53, 78.97, -10.63

 

CMYK 74 / 0 / 87 / 7

HEX #3DEC1E

RGB 61 236 30

HSL 110.97, 0.84%, 0.52%

LAB 82.42, -75.83, 75.64

 

CMYK 88 / 73 / 0 / 8

HEX #1D40EB

RGB 29 64 235

HSL 229.81, 0.84%, 0.52%

LAB 37.71, 52.05, -87.57

 

CMYK 0 / 88 / 73 / 8

HEX #EB1D40

RGB 235 29 64

HSL 349.81, 0.84%, 0.52%

LAB 50.58, 73.51, 36.14

 

CMYK 74 / 0 / 87 / 7

HEX #3DEC1E

RGB 61 236 30

HSL 110.97, 0.84%, 0.52%

LAB 82.42, -75.83, 75.64

 

CMYK 88 / 3 / 0 / 8

HEX #1DE4EB

RGB 29 228 235

HSL 182.04, 0.84%, 0.52%

LAB 82.78, -41.2, -16.16

 

CMYK 14 / 88 / 0 / 8

HEX #C91DEB

RGB 201 29 235

HSL 290.1, 0.84%, 0.52%

LAB 51.03, 84.27, -65.08

 

CMYK 0 / 85 / 88 / 8

HEX #EB241D

RGB 235 36 29

HSL 2.04, 0.84%, 0.52%

LAB 50.7, 71.26, 54.72

 

CMYK 74 / 0 / 87 / 7

HEX #3DEC1E

RGB 61 236 30

HSL 110.97, 0.84%, 0.52%

LAB 82.42, -75.83, 75.64

 

CMYK 88 / 29 / 0 / 8

HEX #1DA6EB

RGB 29 166 235

HSL 200.1, 0.84%, 0.52%

LAB 64.59, -10.23, -44.14

 

CMYK 14 / 88 / 0 / 8

HEX #C91DEB

RGB 201 29 235

HSL 290.1, 0.84%, 0.52%

LAB 51.03, 84.27, -65.08

 

CMYK 0 / 58 / 88 / 8

HEX #EB621D

RGB 235 98 29

HSL 20.1, 0.84%, 0.52%

LAB 58.5, 49.97, 60.72

 

Description

Color code: RGB 61 236 30 | qconv.com Color code: RGB 61 236 30 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 236 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 236 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 87 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 87% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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