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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61 193 125 it is the complementary color RGB 194 62 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61 193 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61 193 125 shade: RGB 66 193 120, RGB 83 211 139, RGB 100 229 158, RGB 117 247 177 and RGB 134 255 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61 193 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61 193 125 shade: RGB 61 193 125, RGB 44 175 106, RGB 27 157 87, RGB 10 139 68 and RGB 0 121 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61 193 125 shade: RGB 61 193 125, RGB 61 193 89, RGB 68 193 61, RGB 104 193 61 and RGB 139 193 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61 193 125 shade: RGB 61 193 125, RGB 61 193 161, RGB 61 190 193, RGB 61 154 193 and RGB 61 119 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61 193 125 shade matches the following richer shades: RGB 61 193 125, RGB 40 214 124 and RGB 19 235 124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61 193 125 shade: RGB 61 193 125, RGB 81 173 126, RGB 102 152 126, RGB 123 131 127 and RGB 143 111 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61 193 125 shade: RGB 67 193 61, RGB 61 193 89, RGB 61 193 125, RGB 61 193 160 and RGB 61 191 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61 193 125 shade: RGB 41 131 84, RGB 51 162 105, RGB 61 193 125, RGB 92 203 146 and RGB 123 213 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61 193 125 shade: RGB 61 193 125, RGB 61 103 193 and RGB 193 72 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61 193 125 shade: RGB 61 193 125, RGB 125 61 193 and RGB 193 125 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61 193 125 shade: RGB 61 193 125, RGB 61 103 193, RGB 193 61 129 and RGB 193 151 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61 193 125 shade: RGB 61 193 125, RGB 61 63 193, RGB 193 61 129 and RGB 193 191 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

Complementary color

CMYK 0 / 68 / 33 / 24

HEX #C23E82

RGB 194 62 130

HSL 329.09, 0.52%, 0.5%

LAB 47.66, 58.31, -9.07

 

CMYK 66 / 0 / 38 / 24

HEX #42C178

RGB 66 193 120

HSL 145.51, 0.51%, 0.51%

LAB 69.93, -51.3, 26.82

 

CMYK 61 / 0 / 34 / 17

HEX #53D38B

RGB 83 211 139

HSL 146.25, 0.59%, 0.58%

LAB 76.25, -51.53, 25.43

 

CMYK 56 / 0 / 31 / 10

HEX #64E59E

RGB 100 229 158

HSL 146.98, 0.71%, 0.65%

LAB 82.5, -51.59, 24.13

 

CMYK 53 / 0 / 28 / 3

HEX #75F7B1

RGB 117 247 177

HSL 147.69, 0.89%, 0.71%

LAB 88.68, -51.55, 22.93

 

CMYK 47 / 0 / 23 / 0

HEX #86FFC4

RGB 134 255 196

HSL 150.74, 1%, 0.76%

LAB 91.94, -47.21, 17.83

 

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

CMYK 75 / 0 / 39 / 31

HEX #2CAF6A

RGB 44 175 106

HSL 148.4, 0.6%, 0.43%

LAB 63.54, -50.63, 25.65

 

CMYK 83 / 0 / 45 / 38

HEX #1B9D57

RGB 27 157 87

HSL 147.69, 0.71%, 0.36%

LAB 57.11, -49.64, 27.32

 

CMYK 93 / 0 / 51 / 45

HEX #0A8B44

RGB 10 139 68

HSL 146.98, 0.87%, 0.29%

LAB 50.63, -48.02, 29.13

 

CMYK 100 / 0 / 60 / 53

HEX #007931

RGB 0 121 49

HSL 144.3, 1%, 0.24%

LAB 44.08, -45.56, 31.04

 

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

CMYK 68 / 0 / 54 / 24

HEX #3DC159

RGB 61 193 89

HSL 132.73, 0.52%, 0.5%

LAB 69.36, -57.29, 41.77

 

CMYK 65 / 0 / 68 / 24

HEX #44C13D

RGB 68 193 61

HSL 116.82, 0.52%, 0.5%

LAB 69.26, -59.13, 54.12

 

CMYK 46 / 0 / 68 / 24

HEX #68C13D

RGB 104 193 61

HSL 100.45, 0.52%, 0.5%

LAB 70.47, -49.72, 55.77

 

CMYK 28 / 0 / 68 / 24

HEX #8BC13D

RGB 139 193 61

HSL 84.55, 0.52%, 0.5%

LAB 72.21, -37.66, 58.12

 

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

CMYK 68 / 0 / 17 / 24

HEX #3DC1A1

RGB 61 193 161

HSL 165.45, 0.52%, 0.5%

LAB 70.67, -43.16, 5.8

 

CMYK 68 / 2 / 0 / 24

HEX #3DBEC1

RGB 61 190 193

HSL 181.36, 0.52%, 0.5%

LAB 70.64, -33.16, -11.73

 

CMYK 68 / 20 / 0 / 24

HEX #3D9AC1

RGB 61 154 193

HSL 197.73, 0.52%, 0.5%

LAB 59.85, -14.87, -28.15

 

CMYK 68 / 38 / 0 / 24

HEX #3D77C1

RGB 61 119 193

HSL 213.64, 0.52%, 0.5%

LAB 49.54, 5.41, -44.3

 

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

CMYK 81 / 0 / 42 / 16

HEX #28D67C

RGB 40 214 124

HSL 148.97, 0.69%, 0.5%

LAB 76.07, -61.95, 32.76

 

CMYK 92 / 0 / 47 / 8

HEX #13EB7C

RGB 19 235 124

HSL 149.17, 0.85%, 0.5%

LAB 82.38, -70.48, 40.84

 

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

CMYK 53 / 0 / 27 / 32

HEX #51AD7E

RGB 81 173 126

HSL 149.35, 0.36%, 0.5%

LAB 64.28, -38.55, 15.99

 

CMYK 33 / 0 / 17 / 40

HEX #66987E

RGB 102 152 126

HSL 148.8, 0.2%, 0.5%

LAB 58.78, -22.59, 8.4

 

CMYK 6 / 0 / 3 / 49

HEX #7B837F

RGB 123 131 127

HSL 150, 0.03%, 0.5%

LAB 54, -3.76, 1.13

 

CMYK 0 / 22 / 11 / 44

HEX #8F6F7F

RGB 143 111 127

HSL 330, 0.13%, 0.5%

LAB 50.38, 15.38, -3.96

 

CMYK 65 / 0 / 68 / 24

HEX #43C13D

RGB 67 193 61

HSL 117.27, 0.52%, 0.5%

LAB 69.23, -59.34, 54.09

 

CMYK 68 / 0 / 54 / 24

HEX #3DC159

RGB 61 193 89

HSL 132.73, 0.52%, 0.5%

LAB 69.36, -57.29, 41.77

 

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

CMYK 68 / 0 / 17 / 24

HEX #3DC1A0

RGB 61 193 160

HSL 165, 0.52%, 0.5%

LAB 70.64, -43.4, 6.31

 

CMYK 68 / 1 / 0 / 24

HEX #3DBFC1

RGB 61 191 193

HSL 180.91, 0.52%, 0.5%

LAB 70.94, -33.64, -11.28

 

CMYK 69 / 0 / 36 / 49

HEX #298354

RGB 41 131 84

HSL 148.67, 0.52%, 0.34%

LAB 48.69, -37.93, 17.9

 

CMYK 69 / 0 / 35 / 36

HEX #33A269

RGB 51 162 105

HSL 149.19, 0.52%, 0.42%

LAB 59.49, -44.6, 20.81

 

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

CMYK 55 / 0 / 28 / 20

HEX #5CCB92

RGB 92 203 146

HSL 149.19, 0.52%, 0.58%

LAB 74.23, -44.9, 19.03

 

CMYK 42 / 0 / 22 / 16

HEX #7BD5A7

RGB 123 213 167

HSL 149.33, 0.52%, 0.66%

LAB 78.8, -37.29, 14.43

 

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

CMYK 68 / 47 / 0 / 24

HEX #3D67C1

RGB 61 103 193

HSL 220.91, 0.52%, 0.5%

LAB 45, 15.42, -51.55

 

CMYK 0 / 63 / 68 / 24

HEX #C1483D

RGB 193 72 61

HSL 5, 0.52%, 0.5%

LAB 47.38, 47.83, 32.17

 

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

CMYK 35 / 68 / 0 / 24

HEX #7D3DC1

RGB 125 61 193

HSL 269.09, 0.52%, 0.5%

LAB 40.49, 52.68, -58.58

 

CMYK 0 / 35 / 68 / 24

HEX #C17D3D

RGB 193 125 61

HSL 29.09, 0.52%, 0.5%

LAB 58.36, 20.55, 44.76

 

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

CMYK 68 / 47 / 0 / 24

HEX #3D67C1

RGB 61 103 193

HSL 220.91, 0.52%, 0.5%

LAB 45, 15.42, -51.55

 

CMYK 0 / 68 / 33 / 24

HEX #C13D81

RGB 193 61 129

HSL 329.09, 0.52%, 0.5%

LAB 47.31, 58.29, -9

 

CMYK 0 / 22 / 68 / 24

HEX #C1973D

RGB 193 151 61

HSL 40.91, 0.52%, 0.5%

LAB 64.81, 6.28, 51.71

 

CMYK 68 / 0 / 35 / 24

HEX #3DC17D

RGB 61 193 125

HSL 149.09, 0.52%, 0.5%

LAB 69.9, -51.22, 24.13

 

CMYK 68 / 67 / 0 / 24

HEX #3D3FC1

RGB 61 63 193

HSL 239.09, 0.52%, 0.5%

LAB 34.8, 40.81, -68.12

 

CMYK 0 / 68 / 33 / 24

HEX #C13D81

RGB 193 61 129

HSL 329.09, 0.52%, 0.5%

LAB 47.31, 58.29, -9

 

CMYK 0 / 1 / 68 / 24

HEX #C1BF3D

RGB 193 191 61

HSL 59.09, 0.52%, 0.5%

LAB 75.41, -14.8, 62.59

 

Description

Color code: RGB 61 193 125 | qconv.com Color code: RGB 61 193 125 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 193 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 193 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 35 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 35% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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