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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61.3 144.4 250 it is the complementary color RGB 193.7 110.6 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61.3 144.4 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61.3 144.4 250 shade: RGB 66.3 144.4 245, RGB 83.3 162.4 255, RGB 100.3 180.4 255, RGB 117.3 198.4 255 and RGB 134.3 216.4 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61.3 144.4 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61.3 144.4 250 shade: RGB 61.3 144.4 250, RGB 44.3 126.4 231, RGB 27.3 108.4 212, RGB 10.3 90.4 193 and RGB 0 72.4 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61.3 144.4 250 shade: RGB 61 144 250, RGB 61 93 250, RGB 80 61 250, RGB 131 61 250 and RGB 182 61 250

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61.3 144.4 250 shade: RGB 61 144 250, RGB 61 93 250 and RGB 61 61 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61.3 144.4 250 shade matches the following richer shades: RGB 61 144 250

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61.3 144.4 250 shade: RGB 61 144 250, RGB 77 146 234, RGB 93 148 218, RGB 109 150 202 and RGB 125 152 186

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61.3 144.4 250 shade: RGB 61 247 250, RGB 61 196 250, RGB 61 146 250, RGB 61 96 250 and RGB 77 61 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61.3 144.4 250 shade: RGB 6 101 223, RGB 21 121 249, RGB 61 144 250, RGB 101 167 251 and RGB 142 190 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61.3 144.4 250 shade: RGB 61.3 144.4 250, RGB 203 61 250 and RGB 222 250 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61.3 144.4 250 shade: RGB 61.3 144.4 250, RGB 250 61 146 and RGB 146 250 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61.3 144.4 250 shade: RGB 61.3 144.4 250, RGB 203 61 250, RGB 250 165 61 and RGB 108 250 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61.3 144.4 250 shade: RGB 61.3 144.4 250, RGB 250 61 241, RGB 250 165 61 and RGB 61 250 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 42 / 0 / 2

HEX #3D90FA

RGB 61.3 144.4 250

HSL 213.58, 0.95%, 0.61%

LAB 59.86, 10.51, -59.84

 

Complementary color

CMYK 0 / 43 / 97 / 24

HEX #C16E05

RGB 193.7 110.6 5

HSL 33.58, 0.95%, 0.39%

LAB 54.79, 26.95, 61.22

 

CMYK 73 / 41 / 0 / 4

HEX #4290F5

RGB 66.3 144.4 245

HSL 213.78, 0.9%, 0.61%

LAB 59.73, 9.32, -57.29

 

CMYK 67 / 36 / 0 / 0

HEX #53A2FF

RGB 83.3 162.4 255

HSL 212.36, 1%, 0.66%

LAB 65.79, 4.58, -53.09

 

CMYK 61 / 29 / 0 / 0

HEX #64B4FF

RGB 100.3 180.4 255

HSL 208.93, 1%, 0.7%

LAB 71.39, -2.78, -44.24

 

CMYK 54 / 22 / 0 / 0

HEX #75C6FF

RGB 117.3 198.4 255

HSL 204.66, 1%, 0.73%

LAB 77.04, -9.28, -35.38

 

CMYK 47 / 15 / 0 / 0

HEX #86D8FF

RGB 134.3 216.4 255

HSL 199.19, 1%, 0.76%

LAB 82.72, -15.03, -26.59

 

CMYK 75 / 42 / 0 / 2

HEX #3D90FA

RGB 61.3 144.4 250

HSL 213.58, 0.95%, 0.61%

LAB 59.86, 10.51, -59.84

 

CMYK 81 / 45 / 0 / 9

HEX #2C7EE7

RGB 44.3 126.4 231

HSL 213.62, 0.8%, 0.54%

LAB 53.32, 12.75, -59.83

 

CMYK 87 / 49 / 0 / 17

HEX #1B6CD4

RGB 27.3 108.4 212

HSL 213.65, 0.77%, 0.47%

LAB 46.71, 15.48, -59.76

 

CMYK 95 / 53 / 0 / 24

HEX #0A5AC1

RGB 10.3 90.4 193

HSL 213.69, 0.9%, 0.4%

LAB 40.08, 18.81, -59.57

 

CMYK 100 / 58 / 0 / 32

HEX #0048AE

RGB 0 72.4 174

HSL 215.03, 1%, 0.34%

LAB 33.44, 22.8, -59.2

 

CMYK 76 / 42 / 0 / 2

HEX #3D90FA

RGB 61 144 250

HSL 213.65, 0.95%, 0.61%

LAB 59.74, 10.71, -60.03

 

CMYK 76 / 63 / 0 / 2

HEX #3D5DFA

RGB 61 93 250

HSL 229.84, 0.95%, 0.61%

LAB 46.61, 42.14, -81.31

 

CMYK 68 / 76 / 0 / 2

HEX #503DFA

RGB 80 61 250

HSL 246.03, 0.95%, 0.61%

LAB 41.13, 61.83, -90.29

 

CMYK 48 / 76 / 0 / 2

HEX #833DFA

RGB 131 61 250

HSL 262.22, 0.95%, 0.61%

LAB 45.72, 67.77, -82.56

 

CMYK 27 / 76 / 0 / 2

HEX #B63DFA

RGB 182 61 250

HSL 278.41, 0.95%, 0.61%

LAB 52.05, 75.74, -71.98

 

CMYK 76 / 42 / 0 / 2

HEX #3D90FA

RGB 61 144 250

HSL 213.65, 0.95%, 0.61%

LAB 59.74, 10.71, -60.03

 

CMYK 76 / 63 / 0 / 2

HEX #3D5DFA

RGB 61 93 250

HSL 229.84, 0.95%, 0.61%

LAB 46.61, 42.14, -81.31

 

CMYK 76 / 76 / 0 / 2

HEX #3D3DFA

RGB 61 61 250

HSL 240, 0.95%, 0.61%

LAB 39.97, 60.3, -92.25

 

CMYK 76 / 42 / 0 / 2

HEX #3D90FA

RGB 61 144 250

HSL 213.65, 0.95%, 0.61%

LAB 59.74, 10.71, -60.03

 

CMYK 76 / 42 / 0 / 2

HEX #3D90FA

RGB 61 144 250

HSL 213.65, 0.95%, 0.61%

LAB 59.74, 10.71, -60.03

 

CMYK 67 / 38 / 0 / 8

HEX #4D92EA

RGB 77 146 234

HSL 213.63, 0.79%, 0.61%

LAB 59.96, 6.04, -50.83

 

CMYK 57 / 32 / 0 / 15

HEX #5D94DA

RGB 93 148 218

HSL 213.6, 0.63%, 0.61%

LAB 60.4, 2.43, -41.2

 

CMYK 46 / 26 / 0 / 21

HEX #6D96CA

RGB 109 150 202

HSL 213.55, 0.47%, 0.61%

LAB 61.07, -0.01, -31.15

 

CMYK 33 / 18 / 0 / 27

HEX #7D98BA

RGB 125 152 186

HSL 213.44, 0.31%, 0.61%

LAB 61.96, -1.2, -20.71

 

CMYK 76 / 1 / 0 / 2

HEX #3DF7FA

RGB 61 247 250

HSL 180.95, 0.95%, 0.61%

LAB 89.12, -43.01, -14.48

 

CMYK 76 / 22 / 0 / 2

HEX #3DC4FA

RGB 61 196 250

HSL 197.14, 0.95%, 0.61%

LAB 74.43, -18.49, -36.88

 

CMYK 76 / 42 / 0 / 2

HEX #3D92FA

RGB 61 146 250

HSL 213.02, 0.95%, 0.61%

LAB 60.29, 9.52, -59.15

 

CMYK 76 / 62 / 0 / 2

HEX #3D60FA

RGB 61 96 250

HSL 228.89, 0.95%, 0.61%

LAB 47.31, 40.3, -80.15

 

CMYK 69 / 76 / 0 / 2

HEX #4D3DFA

RGB 77 61 250

HSL 245.08, 0.95%, 0.61%

LAB 40.92, 61.56, -90.63

 

CMYK 97 / 55 / 0 / 13

HEX #0665DF

RGB 6 101 223

HSL 213.73, 0.95%, 0.45%

LAB 45.18, 23.66, -68.5

 

CMYK 92 / 51 / 0 / 2

HEX #1579F9

RGB 21 121 249

HSL 213.68, 0.95%, 0.53%

LAB 52.59, 21.45, -71.05

 

CMYK 76 / 42 / 0 / 2

HEX #3D90FA

RGB 61 144 250

HSL 213.65, 0.95%, 0.61%

LAB 59.74, 10.71, -60.03

 

CMYK 60 / 33 / 0 / 2

HEX #65A7FB

RGB 101 167 251

HSL 213.6, 0.95%, 0.69%

LAB 67.55, 3.61, -48.09

 

CMYK 44 / 25 / 0 / 1

HEX #8EBEFC

RGB 142 190 252

HSL 213.82, 0.95%, 0.77%

LAB 75.83, -0.03, -35.56

 

CMYK 75 / 42 / 0 / 2

HEX #3D90FA

RGB 61.3 144.4 250

HSL 213.58, 0.95%, 0.61%

LAB 59.86, 10.51, -59.84

 

CMYK 19 / 76 / 0 / 2

HEX #CB3DFA

RGB 203 61 250

HSL 285.08, 0.95%, 0.61%

LAB 55.01, 79.41, -67.04

 

CMYK 11 / 0 / 76 / 2

HEX #DEFA3D

RGB 222 250 61

HSL 68.89, 0.95%, 0.61%

LAB 93.55, -31.35, 80.69

 

CMYK 75 / 42 / 0 / 2

HEX #3D90FA

RGB 61.3 144.4 250

HSL 213.58, 0.95%, 0.61%

LAB 59.86, 10.51, -59.84

 

CMYK 0 / 76 / 42 / 2

HEX #FA3D92

RGB 250 61 146

HSL 333.02, 0.95%, 0.61%

LAB 57.79, 75.32, -2.52

 

CMYK 42 / 0 / 76 / 2

HEX #92FA3D

RGB 146 250 61

HSL 93.02, 0.95%, 0.61%

LAB 89.31, -58.86, 75.19

 

CMYK 75 / 42 / 0 / 2

HEX #3D90FA

RGB 61.3 144.4 250

HSL 213.58, 0.95%, 0.61%

LAB 59.86, 10.51, -59.84

 

CMYK 19 / 76 / 0 / 2

HEX #CB3DFA

RGB 203 61 250

HSL 285.08, 0.95%, 0.61%

LAB 55.01, 79.41, -67.04

 

CMYK 0 / 34 / 76 / 2

HEX #FAA53D

RGB 250 165 61

HSL 33.02, 0.95%, 0.61%

LAB 74.55, 23.09, 63.65

 

CMYK 57 / 0 / 76 / 2

HEX #6CFA3D

RGB 108 250 61

HSL 105.08, 0.95%, 0.61%

LAB 87.92, -69.48, 73.37

 

CMYK 75 / 42 / 0 / 2

HEX #3D90FA

RGB 61.3 144.4 250

HSL 213.58, 0.95%, 0.61%

LAB 59.86, 10.51, -59.84

 

CMYK 0 / 76 / 4 / 2

HEX #FA3DF1

RGB 250 61 241

HSL 302.86, 0.95%, 0.61%

LAB 61.66, 86.81, -50.98

 

CMYK 0 / 34 / 76 / 2

HEX #FAA53D

RGB 250 165 61

HSL 33.02, 0.95%, 0.61%

LAB 74.55, 23.09, 63.65

 

CMYK 76 / 0 / 72 / 2

HEX #3DFA47

RGB 61 250 71

HSL 123.17, 0.95%, 0.61%

LAB 86.91, -77.67, 68.74

 

Description

Color code: RGB 61.3 144.4 250 | qconv.com Color code: RGB 61.3 144.4 250 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61.3 red, 144.4 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61.3 144.4 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 42 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 42% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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