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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 61.1 165 142 it is the complementary color RGB 193.9 90 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 61.1 165 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 61.1 165 142 shade: RGB 66.1 165 137, RGB 83.1 183 156, RGB 100.1 201 175, RGB 117.1 219 194 and RGB 134.1 237 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 61.1 165 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 61.1 165 142 shade: RGB 61.1 165 142, RGB 44.1 147 123, RGB 27.1 129 104, RGB 10.1 111 85 and RGB 0 93 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 61.1 165 142 shade: RGB 61 164 141, RGB 61 164 113, RGB 61 164 85, RGB 64 164 61 and RGB 92 164 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 61.1 165 142 shade: RGB 61 164 141, RGB 61 159 164, RGB 61 131 164, RGB 61 103 164 and RGB 61 75 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 61.1 165 142 shade matches the following richer shades: RGB 61 164 141, RGB 42 182 151, RGB 24 200 161 and RGB 6 218 171

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 61.1 165 142 shade: RGB 61 164 141, RGB 79 146 131, RGB 97 128 121, RGB 115 109 111 and RGB 133 91 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 61.1 165 142 shade: RGB 61 164 85, RGB 61 164 112, RGB 61 164 140, RGB 61 160 164 and RGB 61 133 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 61.1 165 142 shade: RGB 38 104 89, RGB 49 134 115, RGB 61 164 141, RGB 77 189 164 and RGB 107 200 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 61.1 165 142 shade: RGB 61.1 165 142, RGB 61 64 164 and RGB 164 98 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 61.1 165 142 shade: RGB 61.1 165 142, RGB 140 61 164 and RGB 164 140 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 61.1 165 142 shade: RGB 61.1 165 142, RGB 61 64 164, RGB 164 61 85 and RGB 164 160 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 61.1 165 142 shade: RGB 61.1 165 142, RGB 88 61 164, RGB 164 61 85 and RGB 136 164 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 14 / 35

HEX #3DA58E

RGB 61.1 165 142

HSL 166.72, 0.46%, 0.44%

LAB 61.53, -35.47, 3.12

 

Complementary color

CMYK 0 / 54 / 42 / 24

HEX #C15A71

RGB 193.9 90 113

HSL 346.72, 0.46%, 0.56%

LAB 51.79, 43.85, 7.21

 

CMYK 60 / 0 / 17 / 35

HEX #42A589

RGB 66.1 165 137

HSL 163.01, 0.43%, 0.45%

LAB 61.55, -35.76, 5.97

 

CMYK 55 / 0 / 15 / 28

HEX #53B79C

RGB 83.1 183 156

HSL 163.78, 0.41%, 0.52%

LAB 68.1, -35.82, 4.92

 

CMYK 50 / 0 / 13 / 21

HEX #64C9AF

RGB 100.1 201 175

HSL 164.54, 0.48%, 0.59%

LAB 74.56, -35.79, 3.97

 

CMYK 47 / 0 / 11 / 14

HEX #75DBC2

RGB 117.1 219 194

HSL 165.28, 0.59%, 0.66%

LAB 80.93, -35.71, 3.09

 

CMYK 43 / 0 / 10 / 7

HEX #86EDD5

RGB 134.1 237 213

HSL 166.01, 0.74%, 0.73%

LAB 87.22, -35.59, 2.28

 

CMYK 63 / 0 / 14 / 35

HEX #3DA58E

RGB 61.1 165 142

HSL 166.72, 0.46%, 0.44%

LAB 61.53, -35.47, 3.12

 

CMYK 70 / 0 / 16 / 42

HEX #2C937B

RGB 44.1 147 123

HSL 166.01, 0.54%, 0.37%

LAB 54.9, -35.1, 4.26

 

CMYK 79 / 0 / 19 / 49

HEX #1B8168

RGB 27.1 129 104

HSL 165.28, 0.65%, 0.31%

LAB 48.18, -34.42, 5.56

 

CMYK 91 / 0 / 23 / 56

HEX #0A6F55

RGB 10.1 111 85

HSL 164.54, 0.83%, 0.24%

LAB 41.36, -33.25, 7.08

 

CMYK 100 / 0 / 29 / 64

HEX #005D42

RGB 0 93 66

HSL 162.58, 1%, 0.18%

LAB 34.44, -31.36, 8.87

 

CMYK 63 / 0 / 14 / 36

HEX #3DA48D

RGB 61 164 141

HSL 166.6, 0.46%, 0.44%

LAB 61.19, -35.29, 3.19

 

CMYK 63 / 0 / 31 / 36

HEX #3DA471

RGB 61 164 113

HSL 150.29, 0.46%, 0.44%

LAB 60.55, -41.86, 17.89

 

CMYK 63 / 0 / 48 / 36

HEX #3DA455

RGB 61 164 85

HSL 133.98, 0.46%, 0.44%

LAB 60.07, -47.06, 32.29

 

CMYK 61 / 0 / 63 / 36

HEX #40A43D

RGB 64 164 61

HSL 118.25, 0.46%, 0.44%

LAB 59.87, -49.61, 43.82

 

CMYK 44 / 0 / 63 / 36

HEX #5CA43D

RGB 92 164 61

HSL 101.94, 0.46%, 0.44%

LAB 60.93, -41.64, 45.29

 

CMYK 63 / 0 / 14 / 36

HEX #3DA48D

RGB 61 164 141

HSL 166.6, 0.46%, 0.44%

LAB 61.19, -35.29, 3.19

 

CMYK 63 / 3 / 0 / 36

HEX #3D9FA4

RGB 61 159 164

HSL 182.91, 0.46%, 0.44%

LAB 60.31, -26.54, -11.08

 

CMYK 63 / 20 / 0 / 36

HEX #3D83A4

RGB 61 131 164

HSL 199.22, 0.46%, 0.44%

LAB 51.73, -11.66, -24.14

 

CMYK 63 / 37 / 0 / 36

HEX #3D67A4

RGB 61 103 164

HSL 215.53, 0.46%, 0.44%

LAB 43.32, 5.03, -37.28

 

CMYK 63 / 54 / 0 / 36

HEX #3D4BA4

RGB 61 75 164

HSL 231.84, 0.46%, 0.44%

LAB 35.41, 23.11, -49.93

 

CMYK 63 / 0 / 14 / 36

HEX #3DA48D

RGB 61 164 141

HSL 166.6, 0.46%, 0.44%

LAB 61.19, -35.29, 3.19

 

CMYK 77 / 0 / 17 / 29

HEX #2AB697

RGB 42 182 151

HSL 166.71, 0.63%, 0.44%

LAB 66.66, -43.5, 5.47

 

CMYK 88 / 0 / 20 / 22

HEX #18C8A1

RGB 24 200 161

HSL 166.7, 0.79%, 0.44%

LAB 72.28, -49.96, 8.04

 

CMYK 97 / 0 / 22 / 15

HEX #06DAAB

RGB 6 218 171

HSL 166.7, 0.95%, 0.44%

LAB 77.95, -55.32, 10.75

 

CMYK 63 / 0 / 14 / 36

HEX #3DA48D

RGB 61 164 141

HSL 166.6, 0.46%, 0.44%

LAB 61.19, -35.29, 3.19

 

CMYK 46 / 0 / 10 / 43

HEX #4F9283

RGB 79 146 131

HSL 166.57, 0.3%, 0.44%

LAB 55.95, -25.12, 1.33

 

CMYK 24 / 0 / 5 / 50

HEX #618079

RGB 97 128 121

HSL 166.45, 0.14%, 0.44%

LAB 51.11, -12.6, 0.19

 

CMYK 0 / 5 / 3 / 55

HEX #736D6F

RGB 115 109 111

HSL 340, 0.03%, 0.44%

LAB 46.62, 2.72, -0.28

 

CMYK 0 / 32 / 25 / 48

HEX #855B64

RGB 133 91 100

HSL 347.14, 0.19%, 0.44%

LAB 43.34, 18.63, 1.82

 

CMYK 63 / 0 / 48 / 36

HEX #3DA455

RGB 61 164 85

HSL 133.98, 0.46%, 0.44%

LAB 60.07, -47.06, 32.29

 

CMYK 63 / 0 / 32 / 36

HEX #3DA470

RGB 61 164 112

HSL 149.71, 0.46%, 0.44%

LAB 60.53, -42.07, 18.41

 

CMYK 63 / 0 / 15 / 36

HEX #3DA48C

RGB 61 164 140

HSL 166.02, 0.46%, 0.44%

LAB 61.16, -35.54, 3.71

 

CMYK 63 / 2 / 0 / 36

HEX #3DA0A4

RGB 61 160 164

HSL 182.33, 0.46%, 0.44%

LAB 60.62, -27.04, -10.62

 

CMYK 63 / 19 / 0 / 36

HEX #3D85A4

RGB 61 133 164

HSL 198.06, 0.46%, 0.44%

LAB 52.34, -12.78, -23.2

 

CMYK 63 / 0 / 14 / 59

HEX #266859

RGB 38 104 89

HSL 166.36, 0.46%, 0.28%

LAB 39.64, -24.86, 2.27

 

CMYK 63 / 0 / 14 / 47

HEX #318673

RGB 49 134 115

HSL 166.59, 0.46%, 0.36%

LAB 50.62, -30.29, 2.71

 

CMYK 63 / 0 / 14 / 36

HEX #3DA48D

RGB 61 164 141

HSL 166.6, 0.46%, 0.44%

LAB 61.19, -35.29, 3.19

 

CMYK 59 / 0 / 13 / 26

HEX #4DBDA4

RGB 77 189 164

HSL 166.61, 0.46%, 0.52%

LAB 69.93, -37.87, 3.16

 

CMYK 47 / 0 / 11 / 22

HEX #6BC8B3

RGB 107 200 179

HSL 166.45, 0.46%, 0.6%

LAB 74.63, -32.75, 1.94

 

CMYK 63 / 0 / 14 / 35

HEX #3DA58E

RGB 61.1 165 142

HSL 166.72, 0.46%, 0.44%

LAB 61.53, -35.47, 3.12

 

CMYK 63 / 61 / 0 / 36

HEX #3D40A4

RGB 61 64 164

HSL 238.25, 0.46%, 0.44%

LAB 32.57, 30.26, -54.54

 

CMYK 0 / 40 / 63 / 36

HEX #A4623D

RGB 164 98 61

HSL 21.55, 0.46%, 0.44%

LAB 48.22, 23.16, 32.12

 

CMYK 63 / 0 / 14 / 35

HEX #3DA58E

RGB 61.1 165 142

HSL 166.72, 0.46%, 0.44%

LAB 61.53, -35.47, 3.12

 

CMYK 15 / 63 / 0 / 36

HEX #8C3DA4

RGB 140 61 164

HSL 286.02, 0.46%, 0.44%

LAB 40.56, 49.5, -41.22

 

CMYK 0 / 15 / 63 / 36

HEX #A48C3D

RGB 164 140 61

HSL 46.02, 0.46%, 0.44%

LAB 58.96, -0.5, 44.52

 

CMYK 63 / 0 / 14 / 35

HEX #3DA58E

RGB 61.1 165 142

HSL 166.72, 0.46%, 0.44%

LAB 61.53, -35.47, 3.12

 

CMYK 63 / 61 / 0 / 36

HEX #3D40A4

RGB 61 64 164

HSL 238.25, 0.46%, 0.44%

LAB 32.57, 30.26, -54.54

 

CMYK 0 / 63 / 48 / 36

HEX #A43D55

RGB 164 61 85

HSL 346.02, 0.46%, 0.44%

LAB 41.03, 44.55, 8.38

 

CMYK 0 / 2 / 63 / 36

HEX #A4A03D

RGB 164 160 61

HSL 57.67, 0.46%, 0.44%

LAB 64.46, -11.28, 50.51

 

CMYK 63 / 0 / 14 / 35

HEX #3DA58E

RGB 61.1 165 142

HSL 166.72, 0.46%, 0.44%

LAB 61.53, -35.47, 3.12

 

CMYK 46 / 63 / 0 / 36

HEX #583DA4

RGB 88 61 164

HSL 255.73, 0.46%, 0.44%

LAB 34.17, 37.28, -51.83

 

CMYK 0 / 63 / 48 / 36

HEX #A43D55

RGB 164 61 85

HSL 346.02, 0.46%, 0.44%

LAB 41.03, 44.55, 8.38

 

CMYK 17 / 0 / 63 / 36

HEX #88A43D

RGB 136 164 61

HSL 76.31, 0.46%, 0.44%

LAB 63.44, -25.21, 48.78

 

Description

Color code: RGB 61.1 165 142 | qconv.com Color code: RGB 61.1 165 142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61.1 red, 165 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61.1 165 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 14 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 14% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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