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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 68 50 it is the complementary color RGB 195 187 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 68 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 68 50 shade: RGB 65 68 45, RGB 82 86 64, RGB 99 104 83, RGB 116 122 102 and RGB 133 140 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 68 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 68 50 shade: RGB 60 68 50, RGB 43 50 31, RGB 26 32 12 and RGB 9 14 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 68 50 shade: RGB 59 67 49, RGB 64 67 49, RGB 67 65 49, RGB 67 61 49 and RGB 67 56 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 68 50 shade: RGB 59 67 49, RGB 54 67 49, RGB 50 67 49, RGB 49 67 54 and RGB 49 67 59

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 68 50 shade matches the following richer shades: RGB 59 67 49, RGB 60 76 40, RGB 61 86 30, RGB 62 95 21 and RGB 63 105 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 68 50 shade: RGB 59 67 49, RGB 58 57 59, RGB 57 48 68, RGB 56 38 78 and RGB 55 29 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 68 50 shade: RGB 67 65 49, RGB 64 67 49, RGB 59 67 49, RGB 55 67 49 and RGB 50 67 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 68 50 shade: RGB 17 19 14, RGB 38 43 32, RGB 59 67 49, RGB 80 91 67 and RGB 101 114 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 68 50 shade: RGB 60 68 50, RGB 49 67 60 and RGB 67 49 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 68 50 shade: RGB 60 68 50, RGB 49 59 67 and RGB 67 49 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 68 50 shade: RGB 60 68 50, RGB 49 67 60, RGB 57 49 67 and RGB 67 49 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 68 50 shade: RGB 60 68 50, RGB 49 67 66, RGB 57 49 67 and RGB 67 49 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 26 / 73

HEX #3C4432

RGB 60 68 50

HSL 86.67, 0.15%, 0.23%

LAB 27.64, -7.14, 9.84

 

Complementary color

CMYK 5 / 9 / 0 / 20

HEX #C3BBCD

RGB 195 187 205

HSL 266.67, 0.15%, 0.77%

LAB 77.01, 6.17, -8.04

 

CMYK 4 / 0 / 34 / 73

HEX #41442D

RGB 65 68 45

HSL 67.83, 0.2%, 0.22%

LAB 27.97, -5.75, 13.55

 

CMYK 5 / 0 / 26 / 66

HEX #525640

RGB 82 86 64

HSL 70.91, 0.15%, 0.29%

LAB 35.63, -5.91, 12.31

 

CMYK 5 / 0 / 20 / 59

HEX #636853

RGB 99 104 83

HSL 74.29, 0.11%, 0.37%

LAB 43.03, -6.02, 11.2

 

CMYK 5 / 0 / 16 / 52

HEX #747A66

RGB 116 122 102

HSL 78, 0.09%, 0.44%

LAB 50.21, -6.11, 10.2

 

CMYK 5 / 0 / 14 / 45

HEX #858C79

RGB 133 140 121

HSL 82.11, 0.08%, 0.51%

LAB 57.2, -6.18, 9.28

 

CMYK 12 / 0 / 26 / 73

HEX #3C4432

RGB 60 68 50

HSL 86.67, 0.15%, 0.23%

LAB 27.64, -7.14, 9.84

 

CMYK 14 / 0 / 38 / 80

HEX #2B321F

RGB 43 50 31

HSL 82.11, 0.23%, 0.16%

LAB 19.61, -7.14, 11.13

 

CMYK 19 / 0 / 63 / 87

HEX #1A200C

RGB 26 32 12

HSL 78, 0.45%, 0.09%

LAB 11.13, -7.05, 11.44

 

CMYK 36 / 0 / 100 / 95

HEX #090E00

RGB 9 14 0

HSL 81.43, 1%, 0.03%

LAB 3.36, -3.44, 4.97

 

CMYK 12 / 0 / 27 / 74

HEX #3B4331

RGB 59 67 49

HSL 86.67, 0.16%, 0.23%

LAB 27.2, -7.16, 9.87

 

CMYK 4 / 0 / 27 / 74

HEX #404331

RGB 64 67 49

HSL 70, 0.16%, 0.23%

LAB 27.64, -4.91, 10.54

 

CMYK 0 / 3 / 27 / 74

HEX #434131

RGB 67 65 49

HSL 53.33, 0.16%, 0.23%

LAB 27.29, -2.28, 10.1

 

CMYK 0 / 9 / 27 / 74

HEX #433D31

RGB 67 61 49

HSL 40, 0.16%, 0.23%

LAB 26.02, 0.28, 8.35

 

CMYK 0 / 16 / 27 / 74

HEX #433831

RGB 67 56 49

HSL 23.33, 0.16%, 0.23%

LAB 24.46, 3.53, 6.17

 

CMYK 12 / 0 / 27 / 74

HEX #3B4331

RGB 59 67 49

HSL 86.67, 0.16%, 0.23%

LAB 27.2, -7.16, 9.87

 

CMYK 19 / 0 / 27 / 74

HEX #364331

RGB 54 67 49

HSL 103.33, 0.16%, 0.23%

LAB 26.79, -9.34, 9.24

 

CMYK 25 / 0 / 27 / 74

HEX #324331

RGB 50 67 49

HSL 116.67, 0.16%, 0.23%

LAB 26.49, -11.03, 8.77

 

CMYK 27 / 0 / 19 / 74

HEX #314336

RGB 49 67 54

HSL 136.67, 0.16%, 0.23%

LAB 26.54, -10.34, 5.59

 

CMYK 27 / 0 / 12 / 74

HEX #31433B

RGB 49 67 59

HSL 153.33, 0.16%, 0.23%

LAB 26.69, -9.16, 2.53

 

CMYK 12 / 0 / 27 / 74

HEX #3B4331

RGB 59 67 49

HSL 86.67, 0.16%, 0.23%

LAB 27.2, -7.16, 9.87

 

CMYK 21 / 0 / 47 / 70

HEX #3C4C28

RGB 60 76 40

HSL 86.67, 0.31%, 0.23%

LAB 30.11, -13.56, 19.33

 

CMYK 29 / 0 / 65 / 66

HEX #3D561E

RGB 61 86 30

HSL 86.79, 0.48%, 0.23%

LAB 33.44, -19.86, 28.9

 

CMYK 35 / 0 / 78 / 63

HEX #3E5F15

RGB 62 95 21

HSL 86.76, 0.64%, 0.23%

LAB 36.49, -24.8, 36.27

 

CMYK 40 / 0 / 90 / 59

HEX #3F690B

RGB 63 105 11

HSL 86.81, 0.81%, 0.23%

LAB 39.89, -29.71, 42.74

 

CMYK 12 / 0 / 27 / 74

HEX #3B4331

RGB 59 67 49

HSL 86.67, 0.16%, 0.23%

LAB 27.2, -7.16, 9.87

 

CMYK 2 / 3 / 0 / 77

HEX #3A393B

RGB 58 57 59

HSL 270, 0.02%, 0.23%

LAB 24.13, 0.89, -1.09

 

CMYK 16 / 29 / 0 / 73

HEX #393044

RGB 57 48 68

HSL 267, 0.17%, 0.23%

LAB 21.58, 8.79, -10.99

 

CMYK 28 / 51 / 0 / 69

HEX #38264E

RGB 56 38 78

HSL 267, 0.34%, 0.23%

LAB 19.13, 18.03, -21.6

 

CMYK 37 / 67 / 0 / 66

HEX #371D57

RGB 55 29 87

HSL 266.9, 0.5%, 0.23%

LAB 17.36, 26.19, -30.49

 

CMYK 0 / 3 / 27 / 74

HEX #434131

RGB 67 65 49

HSL 53.33, 0.16%, 0.23%

LAB 27.29, -2.28, 10.1

 

CMYK 4 / 0 / 27 / 74

HEX #404331

RGB 64 67 49

HSL 70, 0.16%, 0.23%

LAB 27.64, -4.91, 10.54

 

CMYK 12 / 0 / 27 / 74

HEX #3B4331

RGB 59 67 49

HSL 86.67, 0.16%, 0.23%

LAB 27.2, -7.16, 9.87

 

CMYK 18 / 0 / 27 / 74

HEX #374331

RGB 55 67 49

HSL 100, 0.16%, 0.23%

LAB 26.87, -8.91, 9.36

 

CMYK 25 / 0 / 27 / 74

HEX #324331

RGB 50 67 49

HSL 116.67, 0.16%, 0.23%

LAB 26.49, -11.03, 8.77

 

CMYK 11 / 0 / 26 / 93

HEX #11130E

RGB 17 19 14

HSL 84, 0.15%, 0.06%

LAB 5.57, -1.75, 2.37

 

CMYK 12 / 0 / 26 / 83

HEX #262B20

RGB 38 43 32

HSL 87.27, 0.15%, 0.15%

LAB 16.72, -4.77, 6.44

 

CMYK 12 / 0 / 27 / 74

HEX #3B4331

RGB 59 67 49

HSL 86.67, 0.16%, 0.23%

LAB 27.2, -7.16, 9.87

 

CMYK 12 / 0 / 26 / 64

HEX #505B43

RGB 80 91 67

HSL 87.5, 0.15%, 0.31%

LAB 37.1, -9.19, 12.45

 

CMYK 11 / 0 / 26 / 55

HEX #657254

RGB 101 114 84

HSL 86, 0.15%, 0.39%

LAB 46.23, -10.73, 15.05

 

CMYK 12 / 0 / 26 / 73

HEX #3C4432

RGB 60 68 50

HSL 86.67, 0.15%, 0.23%

LAB 27.64, -7.14, 9.84

 

CMYK 27 / 0 / 10 / 74

HEX #31433C

RGB 49 67 60

HSL 156.67, 0.16%, 0.23%

LAB 26.72, -8.92, 1.92

 

CMYK 0 / 27 / 1 / 74

HEX #433142

RGB 67 49 66

HSL 303.33, 0.16%, 0.23%

LAB 22.94, 11.63, -7.47

 

CMYK 12 / 0 / 26 / 73

HEX #3C4432

RGB 60 68 50

HSL 86.67, 0.15%, 0.23%

LAB 27.64, -7.14, 9.84

 

CMYK 27 / 12 / 0 / 74

HEX #313B43

RGB 49 59 67

HSL 206.67, 0.16%, 0.23%

LAB 24.28, -1.99, -6.3

 

CMYK 0 / 27 / 12 / 74

HEX #43313B

RGB 67 49 59

HSL 326.67, 0.16%, 0.23%

LAB 22.67, 10.11, -3.14

 

CMYK 12 / 0 / 26 / 73

HEX #3C4432

RGB 60 68 50

HSL 86.67, 0.15%, 0.23%

LAB 27.64, -7.14, 9.84

 

CMYK 27 / 0 / 10 / 74

HEX #31433C

RGB 49 67 60

HSL 156.67, 0.16%, 0.23%

LAB 26.72, -8.92, 1.92

 

CMYK 15 / 27 / 0 / 74

HEX #393143

RGB 57 49 67

HSL 266.67, 0.16%, 0.23%

LAB 21.84, 7.84, -9.92

 

CMYK 0 / 27 / 16 / 74

HEX #433138

RGB 67 49 56

HSL 336.67, 0.16%, 0.23%

LAB 22.57, 9.5, -1.26

 

CMYK 12 / 0 / 26 / 73

HEX #3C4432

RGB 60 68 50

HSL 86.67, 0.15%, 0.23%

LAB 27.64, -7.14, 9.84

 

CMYK 27 / 0 / 1 / 74

HEX #314342

RGB 49 67 66

HSL 176.67, 0.16%, 0.23%

LAB 26.91, -7.38, -1.73

 

CMYK 15 / 27 / 0 / 74

HEX #393143

RGB 57 49 67

HSL 266.67, 0.16%, 0.23%

LAB 21.84, 7.84, -9.92

 

CMYK 0 / 27 / 24 / 74

HEX #433133

RGB 67 49 51

HSL 353.33, 0.16%, 0.23%

LAB 22.4, 8.53, 1.9

 

Description

Color code: RGB 60 68 50 | qconv.com Color code: RGB 60 68 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 68 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 68 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 26 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 26% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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