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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 66 154 it is the complementary color RGB 195 189 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 66 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 60 66 154: RGB 65 66 149, RGB 82 84 168, RGB 99 102 187, RGB 116 120 206 and RGB 133 138 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 66 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 60 66 154: RGB 60 66 154, RGB 43 48 135, RGB 26 30 116, RGB 9 12 97 and RGB 0 0 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 57 / 0 / 40

HEX #3C429A

RGB 60 66 154

HSL 236.17, 0.44%, 0.42%

LAB 32.24, 25.3, -49.04

 

Complementary color

CMYK 0 / 3 / 48 / 24

HEX #C3BD65

RGB 195 189 101

HSL 56.17, 0.44%, 0.58%

LAB 75.41, -10.03, 44.89

 

CMYK 56 / 56 / 0 / 42

HEX #414295

RGB 65 66 149

HSL 239.29, 0.39%, 0.42%

LAB 32.24, 24.56, -45.98

 

CMYK 51 / 50 / 0 / 34

HEX #5254A8

RGB 82 84 168

HSL 238.6, 0.34%, 0.49%

LAB 39.52, 22.98, -45.63

 

CMYK 47 / 45 / 0 / 27

HEX #6366BB

RGB 99 102 187

HSL 237.95, 0.39%, 0.56%

LAB 46.64, 21.69, -45.33

 

CMYK 44 / 42 / 0 / 19

HEX #7478CE

RGB 116 120 206

HSL 237.33, 0.48%, 0.63%

LAB 53.6, 20.6, -45.09

 

CMYK 41 / 39 / 0 / 12

HEX #858AE1

RGB 133 138 225

HSL 236.74, 0.61%, 0.7%

LAB 60.43, 19.68, -44.9

 

CMYK 61 / 57 / 0 / 40

HEX #3C429A

RGB 60 66 154

HSL 236.17, 0.44%, 0.42%

LAB 32.24, 25.3, -49.04

 

CMYK 68 / 64 / 0 / 47

HEX #2B3087

RGB 43 48 135

HSL 236.74, 0.52%, 0.35%

LAB 24.88, 27.49, -49.36

 

CMYK 78 / 74 / 0 / 55

HEX #1A1E74

RGB 26 30 116

HSL 237.33, 0.63%, 0.28%

LAB 17.5, 30.13, -49.45

 

CMYK 91 / 88 / 0 / 62

HEX #090C61

RGB 9 12 97

HSL 237.95, 0.83%, 0.21%

LAB 10.44, 32.76, -48.71

 

CMYK 100 / 100 / 0 / 69

HEX #00004E

RGB 0 0 78

HSL 240, 1%, 0.15%

LAB 4.97, 31.45, -44.88

 

CMYK 61 / 57 / 0 / 40

HEX #3C429A

RGB 60 66 154

HSL 236.17, 0.44%, 0.42%

LAB 32.24, 25.3, -49.04

 

CMYK 55 / 62 / 0 / 40

HEX #453B9A

RGB 69 59 154

HSL 246.32, 0.45%, 0.42%

LAB 31.18, 31.52, -50.73

 

CMYK 45 / 62 / 0 / 40

HEX #553B9A

RGB 85 59 154

HSL 256.42, 0.45%, 0.42%

LAB 32.68, 34.87, -48.21

 

CMYK 35 / 62 / 0 / 40

HEX #643B9A

RGB 100 59 154

HSL 265.89, 0.45%, 0.42%

LAB 34.34, 38.34, -45.47

 

CMYK 25 / 62 / 0 / 40

HEX #743B9A

RGB 116 59 154

HSL 276, 0.45%, 0.42%

LAB 36.32, 42.27, -42.18

 

CMYK 61 / 57 / 0 / 40

HEX #3C429A

RGB 60 66 154

HSL 236.17, 0.44%, 0.42%

LAB 32.24, 25.3, -49.04

 

CMYK 61 / 57 / 0 / 20

HEX #5058CD

RGB 80 88 205

HSL 236.16, 0.56%, 0.56%

LAB 42.9, 32.27, -61.81

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 62 / 58 / 0 / 80

HEX #141634

RGB 20 22 52

HSL 236.25, 0.44%, 0.14%

LAB 8.74, 9.62, -20.15

 

CMYK 61 / 57 / 0 / 60

HEX #282C67

RGB 40 44 103

HSL 236.19, 0.44%, 0.28%

LAB 20.95, 17.84, -35.36

 

CMYK 61 / 57 / 0 / 40

HEX #3C429A

RGB 60 66 154

HSL 236.17, 0.44%, 0.42%

LAB 32.24, 25.3, -49.04

 

CMYK 0 / 62 / 8 / 40

HEX #9A3B8D

RGB 154 59 141

HSL 308.21, 0.45%, 0.42%

LAB 41.09, 49.81, -26.38

 

CMYK 33 / 0 / 62 / 40

HEX #679A3B

RGB 103 154 59

HSL 92.21, 0.45%, 0.42%

LAB 58.33, -33.59, 43.46

 

CMYK 61 / 57 / 0 / 40

HEX #3C429A

RGB 60 66 154

HSL 236.17, 0.44%, 0.42%

LAB 32.24, 25.3, -49.04

 

CMYK 0 / 62 / 57 / 40

HEX #9A3B42

RGB 154 59 66

HSL 355.58, 0.45%, 0.42%

LAB 38.54, 40.28, 16.58

 

CMYK 57 / 0 / 62 / 40

HEX #429A3B

RGB 66 154 59

HSL 115.58, 0.45%, 0.42%

LAB 56.67, -45.5, 41.13

 

CMYK 61 / 57 / 0 / 40

HEX #3C429A

RGB 60 66 154

HSL 236.17, 0.44%, 0.42%

LAB 32.24, 25.3, -49.04

 

CMYK 0 / 62 / 8 / 40

HEX #9A3B8D

RGB 154 59 141

HSL 308.21, 0.45%, 0.42%

LAB 41.09, 49.81, -26.38

 

CMYK 0 / 5 / 62 / 40

HEX #9A933B

RGB 154 147 59

HSL 55.58, 0.45%, 0.42%

LAB 59.94, -8.89, 46.27

 

CMYK 62 / 0 / 53 / 40

HEX #3B9A48

RGB 59 154 72

HSL 128.21, 0.45%, 0.42%

LAB 56.59, -45.56, 34.64

 

CMYK 61 / 57 / 0 / 40

HEX #3C429A

RGB 60 66 154

HSL 236.17, 0.44%, 0.42%

LAB 32.24, 25.3, -49.04

 

CMYK 0 / 62 / 27 / 40

HEX #9A3B71

RGB 154 59 113

HSL 325.89, 0.45%, 0.42%

LAB 39.9, 45.5, -10.98

 

CMYK 0 / 5 / 62 / 40

HEX #9A933B

RGB 154 147 59

HSL 55.58, 0.45%, 0.42%

LAB 59.94, -8.89, 46.27

 

CMYK 62 / 0 / 35 / 40

HEX #3B9A64

RGB 59 154 100

HSL 145.89, 0.45%, 0.42%

LAB 57.04, -40.71, 20.28

 

Description

Color code: RGB 60 66 154 | qconv.com Color code: RGB 60 66 154 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 66 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 66 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 57 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 57% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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