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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 40 204 it is the complementary color RGB 195 215 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 40 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 40 204 shade: RGB 65 40 199, RGB 82 58 218, RGB 99 76 237, RGB 116 94 255 and RGB 133 112 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 40 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 40 204 shade: RGB 60 40 204, RGB 43 22 185, RGB 26 4 166, RGB 9 0 147 and RGB 0 0 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 40 204 shade: RGB 60 40 204, RGB 104 40 204, RGB 148 40 204, RGB 193 40 204 and RGB 204 40 171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 40 204 shade: RGB 60 40 204 and RGB 40 40 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 40 204 shade matches the following richer shades: RGB 60 40 204, RGB 45 20 224 and RGB 30 0 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 40 204 shade: RGB 60 40 204, RGB 75 60 184, RGB 90 80 164, RGB 105 99 144 and RGB 120 119 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 40 204 shade: RGB 40 108 204, RGB 40 64 204, RGB 59 40 204, RGB 103 40 204 and RGB 147 40 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 40 204 shade: RGB 40 26 135, RGB 50 33 169, RGB 60 40 204, RGB 86 68 218 and RGB 117 102 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 40 204 shade: RGB 60 40 204, RGB 204 40 152 and RGB 86 204 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 40 204 shade: RGB 60 40 204, RGB 204 59 40 and RGB 40 204 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 40 204 shade: RGB 60 40 204, RGB 204 40 152, RGB 185 204 40 and RGB 40 204 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 40 204 shade: RGB 60 40 204, RGB 204 40 103, RGB 185 204 40 and RGB 40 204 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 80 / 0 / 20

HEX #3C28CC

RGB 60 40 204

HSL 247.32, 0.67%, 0.48%

LAB 31.43, 56.55, -80.09

 

Complementary color

CMYK 9 / 0 / 76 / 16

HEX #C3D733

RGB 195 215 51

HSL 67.32, 0.67%, 0.52%

LAB 82.08, -26.23, 72.42

 

CMYK 67 / 80 / 0 / 22

HEX #4128C7

RGB 65 40 199

HSL 249.43, 0.67%, 0.47%

LAB 31.27, 55.51, -77.44

 

CMYK 62 / 73 / 0 / 15

HEX #523ADA

RGB 82 58 218

HSL 249, 0.68%, 0.54%

LAB 37.63, 54.08, -77.91

 

CMYK 58 / 68 / 0 / 7

HEX #634CED

RGB 99 76 237

HSL 248.57, 0.82%, 0.61%

LAB 44.14, 52.42, -77.97

 

CMYK 55 / 63 / 0 / 0

HEX #745EFF

RGB 116 94 255

HSL 248.2, 1%, 0.68%

LAB 50.62, 50.46, -77.4

 

CMYK 48 / 56 / 0 / 0

HEX #8570FF

RGB 133 112 255

HSL 248.81, 1%, 0.72%

LAB 55.88, 43.41, -68.79

 

CMYK 71 / 80 / 0 / 20

HEX #3C28CC

RGB 60 40 204

HSL 247.32, 0.67%, 0.48%

LAB 31.43, 56.55, -80.09

 

CMYK 77 / 88 / 0 / 27

HEX #2B16B9

RGB 43 22 185

HSL 247.73, 0.79%, 0.41%

LAB 25.53, 57.33, -78.74

 

CMYK 84 / 98 / 0 / 35

HEX #1A04A6

RGB 26 4 166

HSL 248.15, 0.95%, 0.33%

LAB 20.28, 56.66, -76.1

 

CMYK 94 / 100 / 0 / 42

HEX #090093

RGB 9 0 147

HSL 243.67, 1%, 0.29%

LAB 16.33, 52.62, -71.05

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 71 / 80 / 0 / 20

HEX #3C28CC

RGB 60 40 204

HSL 247.32, 0.67%, 0.48%

LAB 31.43, 56.55, -80.09

 

CMYK 49 / 80 / 0 / 20

HEX #6828CC

RGB 104 40 204

HSL 263.41, 0.67%, 0.48%

LAB 35.64, 61.16, -73.02

 

CMYK 27 / 80 / 0 / 20

HEX #9428CC

RGB 148 40 204

HSL 279.51, 0.67%, 0.48%

LAB 41.49, 67.66, -63.21

 

CMYK 5 / 80 / 0 / 20

HEX #C128CC

RGB 193 40 204

HSL 295.98, 0.67%, 0.48%

LAB 48.53, 75.57, -51.5

 

CMYK 0 / 80 / 16 / 20

HEX #CC28AB

RGB 204 40 171

HSL 312.07, 0.67%, 0.48%

LAB 48.63, 72.88, -31.96

 

CMYK 71 / 80 / 0 / 20

HEX #3C28CC

RGB 60 40 204

HSL 247.32, 0.67%, 0.48%

LAB 31.43, 56.55, -80.09

 

CMYK 80 / 80 / 0 / 20

HEX #2828CC

RGB 40 40 204

HSL 240, 0.67%, 0.48%

LAB 30.23, 55.24, -82.13

 

CMYK 71 / 80 / 0 / 20

HEX #3C28CC

RGB 60 40 204

HSL 247.32, 0.67%, 0.48%

LAB 31.43, 56.55, -80.09

 

CMYK 80 / 91 / 0 / 12

HEX #2D14E0

RGB 45 20 224

HSL 247.35, 0.84%, 0.48%

LAB 30.5, 68.5, -93.25

 

CMYK 88 / 100 / 0 / 4

HEX #1E00F4

RGB 30 0 244

HSL 247.38, 1%, 0.48%

LAB 31.37, 76.8, -103.22

 

CMYK 71 / 80 / 0 / 20

HEX #3C28CC

RGB 60 40 204

HSL 247.32, 0.67%, 0.48%

LAB 31.43, 56.55, -80.09

 

CMYK 59 / 67 / 0 / 28

HEX #4B3CB8

RGB 75 60 184

HSL 247.26, 0.51%, 0.48%

LAB 34.37, 41.61, -63.48

 

CMYK 45 / 51 / 0 / 36

HEX #5A50A4

RGB 90 80 164

HSL 247.14, 0.34%, 0.48%

LAB 38.88, 26.14, -44.23

 

CMYK 27 / 31 / 0 / 44

HEX #696390

RGB 105 99 144

HSL 248, 0.19%, 0.48%

LAB 44.15, 12.86, -23.89

 

CMYK 4 / 5 / 0 / 51

HEX #78777D

RGB 120 119 125

HSL 250, 0.02%, 0.48%

LAB 50.3, 1.61, -3.15

 

CMYK 80 / 47 / 0 / 20

HEX #286CCC

RGB 40 108 204

HSL 215.12, 0.67%, 0.48%

LAB 46.36, 13.67, -55.74

 

CMYK 80 / 69 / 0 / 20

HEX #2840CC

RGB 40 64 204

HSL 231.22, 0.67%, 0.48%

LAB 34.96, 41.92, -74.31

 

CMYK 71 / 80 / 0 / 20

HEX #3B28CC

RGB 59 40 204

HSL 246.95, 0.67%, 0.48%

LAB 31.36, 56.48, -80.21

 

CMYK 50 / 80 / 0 / 20

HEX #6728CC

RGB 103 40 204

HSL 263.05, 0.67%, 0.48%

LAB 35.52, 61.03, -73.21

 

CMYK 28 / 80 / 0 / 20

HEX #9328CC

RGB 147 40 204

HSL 279.15, 0.67%, 0.48%

LAB 41.34, 67.5, -63.45

 

CMYK 70 / 81 / 0 / 47

HEX #281A87

RGB 40 26 135

HSL 247.71, 0.68%, 0.32%

LAB 19.8, 40.46, -57.72

 

CMYK 70 / 80 / 0 / 34

HEX #3221A9

RGB 50 33 169

HSL 247.5, 0.67%, 0.4%

LAB 25.65, 48.53, -68.94

 

CMYK 71 / 80 / 0 / 20

HEX #3C28CC

RGB 60 40 204

HSL 247.32, 0.67%, 0.48%

LAB 31.43, 56.55, -80.09

 

CMYK 61 / 69 / 0 / 15

HEX #5644DA

RGB 86 68 218

HSL 247.2, 0.67%, 0.56%

LAB 39.87, 49.25, -74.21

 

CMYK 48 / 54 / 0 / 12

HEX #7566E0

RGB 117 102 224

HSL 247.38, 0.66%, 0.64%

LAB 50.29, 36.9, -60.57

 

CMYK 71 / 80 / 0 / 20

HEX #3C28CC

RGB 60 40 204

HSL 247.32, 0.67%, 0.48%

LAB 31.43, 56.55, -80.09

 

CMYK 0 / 80 / 25 / 20

HEX #CC2898

RGB 204 40 152

HSL 319.02, 0.67%, 0.48%

LAB 47.78, 70.47, -21.98

 

CMYK 58 / 0 / 80 / 20

HEX #56CC28

RGB 86 204 40

HSL 103.17, 0.67%, 0.48%

LAB 73.1, -60.26, 65.25

 

CMYK 71 / 80 / 0 / 20

HEX #3C28CC

RGB 60 40 204

HSL 247.32, 0.67%, 0.48%

LAB 31.43, 56.55, -80.09

 

CMYK 0 / 71 / 80 / 20

HEX #CC3B28

RGB 204 59 40

HSL 6.95, 0.67%, 0.48%

LAB 47.13, 55.96, 44.04

 

CMYK 80 / 0 / 71 / 20

HEX #28CC3B

RGB 40 204 59

HSL 126.95, 0.67%, 0.48%

LAB 72.2, -67.42, 57.81

 

CMYK 71 / 80 / 0 / 20

HEX #3C28CC

RGB 60 40 204

HSL 247.32, 0.67%, 0.48%

LAB 31.43, 56.55, -80.09

 

CMYK 0 / 80 / 25 / 20

HEX #CC2898

RGB 204 40 152

HSL 319.02, 0.67%, 0.48%

LAB 47.78, 70.47, -21.98

 

CMYK 9 / 0 / 80 / 20

HEX #B9CC28

RGB 185 204 40

HSL 66.95, 0.67%, 0.48%

LAB 78.26, -25.5, 71.83

 

CMYK 80 / 0 / 55 / 20

HEX #28CC5C

RGB 40 204 92

HSL 139.02, 0.67%, 0.48%

LAB 72.5, -63.7, 44.03

 

CMYK 71 / 80 / 0 / 20

HEX #3C28CC

RGB 60 40 204

HSL 247.32, 0.67%, 0.48%

LAB 31.43, 56.55, -80.09

 

CMYK 0 / 80 / 50 / 20

HEX #CC2867

RGB 204 40 103

HSL 336.95, 0.67%, 0.48%

LAB 46.09, 65.5, 5.36

 

CMYK 9 / 0 / 80 / 20

HEX #B9CC28

RGB 185 204 40

HSL 66.95, 0.67%, 0.48%

LAB 78.26, -25.5, 71.83

 

CMYK 80 / 0 / 31 / 20

HEX #28CC8D

RGB 40 204 141

HSL 156.95, 0.67%, 0.48%

LAB 73.26, -54.94, 20.16

 

Description

Color code: RGB 60 40 204 | qconv.com Color code: RGB 60 40 204 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 40 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 40 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 80 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 80% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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