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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 245 74 it is the complementary color RGB 195 10 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 245 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 245 74 shade: RGB 65 245 69, RGB 82 255 88, RGB 99 255 107, RGB 116 255 126 and RGB 133 255 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 245 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 245 74 shade: RGB 60 245 74, RGB 43 227 55, RGB 26 209 36, RGB 9 191 17 and RGB 0 173 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 245 74 shade: RGB 61 244 75, RGB 96 244 61, RGB 146 244 61, RGB 195 244 61 and RGB 244 244 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 245 74 shade: RGB 61 244 75, RGB 61 244 124, RGB 61 244 174, RGB 61 244 223 and RGB 61 216 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 245 74 shade matches the following richer shades: RGB 61 244 75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 245 74 shade: RGB 61 244 75, RGB 77 228 89, RGB 94 211 103, RGB 110 195 117 and RGB 127 178 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 245 74 shade: RGB 146 244 61, RGB 97 244 61, RGB 61 244 73, RGB 61 244 122 and RGB 61 244 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 245 74 shade: RGB 11 212 26, RGB 22 242 38, RGB 61 244 75, RGB 100 246 111 and RGB 139 248 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 245 74 shade: RGB 60 245 74, RGB 61 195 244 and RGB 244 61 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 245 74 shade: RGB 60 245 74, RGB 73 61 244 and RGB 244 73 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 245 74 shade: RGB 60 245 74, RGB 61 195 244, RGB 244 61 232 and RGB 244 110 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 245 74 shade: RGB 60 245 74, RGB 61 140 244, RGB 244 61 232 and RGB 244 165 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 70 / 4

HEX #3CF54A

RGB 60 245 74

HSL 124.54, 0.9%, 0.6%

LAB 85.38, -76.06, 66.1

 

Complementary color

CMYK 0 / 95 / 7 / 24

HEX #C30AB5

RGB 195 10 181

HSL 304.54, 0.9%, 0.4%

LAB 45.85, 77.43, -42.35

 

CMYK 73 / 0 / 72 / 4

HEX #41F545

RGB 65 245 69

HSL 121.33, 0.9%, 0.61%

LAB 85.43, -75.76, 67.95

 

CMYK 68 / 0 / 65 / 0

HEX #52FF58

RGB 82 255 88

HSL 122.08, 1%, 0.66%

LAB 88.93, -74.49, 64.71

 

CMYK 61 / 0 / 58 / 0

HEX #63FF6B

RGB 99 255 107

HSL 123.08, 1%, 0.69%

LAB 89.5, -69.26, 57.61

 

CMYK 55 / 0 / 51 / 0

HEX #74FF7E

RGB 116 255 126

HSL 124.32, 1%, 0.73%

LAB 90.2, -63.14, 50.01

 

CMYK 48 / 0 / 43 / 0

HEX #85FF91

RGB 133 255 145

HSL 125.9, 1%, 0.76%

LAB 91.03, -56.25, 42.15

 

CMYK 76 / 0 / 70 / 4

HEX #3CF54A

RGB 60 245 74

HSL 124.54, 0.9%, 0.6%

LAB 85.38, -76.06, 66.1

 

CMYK 81 / 0 / 76 / 11

HEX #2BE337

RGB 43 227 55

HSL 123.91, 0.77%, 0.53%

LAB 79.46, -74.25, 66.52

 

CMYK 88 / 0 / 83 / 18

HEX #1AD124

RGB 26 209 36

HSL 123.28, 0.78%, 0.46%

LAB 73.51, -71.81, 66.26

 

CMYK 95 / 0 / 91 / 25

HEX #09BF11

RGB 9 191 17

HSL 122.64, 0.91%, 0.39%

LAB 67.55, -68.56, 64.9

 

CMYK 100 / 0 / 100 / 32

HEX #00AD00

RGB 0 173 0

HSL 120, 1%, 0.34%

LAB 61.56, -64.43, 62.19

 

CMYK 75 / 0 / 69 / 4

HEX #3DF44B

RGB 61 244 75

HSL 124.59, 0.89%, 0.6%

LAB 85.1, -75.54, 65.44

 

CMYK 61 / 0 / 75 / 4

HEX #60F43D

RGB 96 244 61

HSL 108.52, 0.89%, 0.6%

LAB 85.77, -70.26, 71.16

 

CMYK 40 / 0 / 75 / 4

HEX #92F43D

RGB 146 244 61

HSL 92.13, 0.89%, 0.6%

LAB 87.56, -56.53, 73.51

 

CMYK 20 / 0 / 75 / 4

HEX #C3F43D

RGB 195 244 61

HSL 76.07, 0.89%, 0.6%

LAB 90.16, -39.15, 76.89

 

CMYK 0 / 0 / 75 / 4

HEX #F4F43D

RGB 244 244 61

HSL 60, 0.89%, 0.6%

LAB 93.57, -19.67, 81.29

 

CMYK 75 / 0 / 69 / 4

HEX #3DF44B

RGB 61 244 75

HSL 124.59, 0.89%, 0.6%

LAB 85.1, -75.54, 65.44

 

CMYK 75 / 0 / 49 / 4

HEX #3DF47C

RGB 61 244 124

HSL 140.66, 0.89%, 0.6%

LAB 85.58, -69.78, 44.95

 

CMYK 75 / 0 / 29 / 4

HEX #3DF4AE

RGB 61 244 174

HSL 157.05, 0.89%, 0.6%

LAB 86.38, -60.71, 21.09

 

CMYK 75 / 0 / 9 / 4

HEX #3DF4DF

RGB 61 244 223

HSL 173.11, 0.89%, 0.6%

LAB 87.5, -49.05, -2.79

 

CMYK 75 / 11 / 0 / 4

HEX #3DD8F4

RGB 61 216 244

HSL 189.18, 0.89%, 0.6%

LAB 79.97, -30.41, -25.14

 

CMYK 75 / 0 / 69 / 4

HEX #3DF44B

RGB 61 244 75

HSL 124.59, 0.89%, 0.6%

LAB 85.1, -75.54, 65.44

 

CMYK 75 / 0 / 69 / 4

HEX #3DF44B

RGB 61 244 75

HSL 124.59, 0.89%, 0.6%

LAB 85.1, -75.54, 65.44

 

CMYK 66 / 0 / 61 / 11

HEX #4DE459

RGB 77 228 89

HSL 124.77, 0.74%, 0.6%

LAB 80.62, -66.44, 55.05

 

CMYK 55 / 0 / 51 / 17

HEX #5ED367

RGB 94 211 103

HSL 124.62, 0.57%, 0.6%

LAB 76.04, -54.93, 43.36

 

CMYK 44 / 0 / 40 / 24

HEX #6EC375

RGB 110 195 117

HSL 124.94, 0.41%, 0.6%

LAB 71.98, -42.01, 31.36

 

CMYK 29 / 0 / 26 / 30

HEX #7FB283

RGB 127 178 131

HSL 124.71, 0.25%, 0.6%

LAB 68.01, -26.42, 18.75

 

CMYK 40 / 0 / 75 / 4

HEX #92F43D

RGB 146 244 61

HSL 92.13, 0.89%, 0.6%

LAB 87.56, -56.53, 73.51

 

CMYK 60 / 0 / 75 / 4

HEX #61F43D

RGB 97 244 61

HSL 108.2, 0.89%, 0.6%

LAB 85.8, -70.04, 71.19

 

CMYK 75 / 0 / 70 / 4

HEX #3DF449

RGB 61 244 73

HSL 123.93, 0.89%, 0.6%

LAB 85.09, -75.71, 66.16

 

CMYK 75 / 0 / 50 / 4

HEX #3DF47A

RGB 61 244 122

HSL 140, 0.89%, 0.6%

LAB 85.55, -70.08, 45.87

 

CMYK 75 / 0 / 30 / 4

HEX #3DF4AB

RGB 61 244 171

HSL 156.07, 0.89%, 0.6%

LAB 86.32, -61.34, 22.55

 

CMYK 95 / 0 / 88 / 17

HEX #0BD41A

RGB 11 212 26

HSL 124.48, 0.9%, 0.44%

LAB 74.34, -73.94, 69.17

 

CMYK 91 / 0 / 84 / 5

HEX #16F226

RGB 22 242 38

HSL 124.36, 0.89%, 0.52%

LAB 83.87, -81.07, 75.14

 

CMYK 75 / 0 / 69 / 4

HEX #3DF44B

RGB 61 244 75

HSL 124.59, 0.89%, 0.6%

LAB 85.1, -75.54, 65.44

 

CMYK 59 / 0 / 55 / 4

HEX #64F66F

RGB 100 246 111

HSL 124.52, 0.89%, 0.68%

LAB 86.88, -65.42, 52.77

 

CMYK 44 / 0 / 41 / 3

HEX #8BF893

RGB 139 248 147

HSL 124.4, 0.89%, 0.76%

LAB 89.27, -51.51, 38.95

 

CMYK 76 / 0 / 70 / 4

HEX #3CF54A

RGB 60 245 74

HSL 124.54, 0.9%, 0.6%

LAB 85.38, -76.06, 66.1

 

CMYK 75 / 20 / 0 / 4

HEX #3DC3F4

RGB 61 195 244

HSL 196.07, 0.89%, 0.6%

LAB 73.9, -19.92, -34.47

 

CMYK 0 / 75 / 50 / 4

HEX #F43D7A

RGB 244 61 122

HSL 340, 0.89%, 0.6%

LAB 56.06, 71.69, 9.06

 

CMYK 76 / 0 / 70 / 4

HEX #3CF54A

RGB 60 245 74

HSL 124.54, 0.9%, 0.6%

LAB 85.38, -76.06, 66.1

 

CMYK 70 / 75 / 0 / 4

HEX #493DF4

RGB 73 61 244

HSL 243.93, 0.89%, 0.6%

LAB 40.06, 59.42, -88.7

 

CMYK 0 / 70 / 75 / 4

HEX #F4493D

RGB 244 73 61

HSL 3.93, 0.89%, 0.6%

LAB 56.42, 64.19, 44.84

 

CMYK 76 / 0 / 70 / 4

HEX #3CF54A

RGB 60 245 74

HSL 124.54, 0.9%, 0.6%

LAB 85.38, -76.06, 66.1

 

CMYK 75 / 20 / 0 / 4

HEX #3DC3F4

RGB 61 195 244

HSL 196.07, 0.89%, 0.6%

LAB 73.9, -19.92, -34.47

 

CMYK 0 / 75 / 5 / 4

HEX #F43DE8

RGB 244 61 232

HSL 303.93, 0.89%, 0.6%

LAB 60.25, 84.3, -48.26

 

CMYK 0 / 55 / 75 / 4

HEX #F46E3D

RGB 244 110 61

HSL 16.07, 0.89%, 0.6%

LAB 62.27, 48.61, 51.04

 

CMYK 76 / 0 / 70 / 4

HEX #3CF54A

RGB 60 245 74

HSL 124.54, 0.9%, 0.6%

LAB 85.38, -76.06, 66.1

 

CMYK 75 / 43 / 0 / 4

HEX #3D8CF4

RGB 61 140 244

HSL 214.1, 0.89%, 0.6%

LAB 58.3, 10.96, -59.04

 

CMYK 0 / 75 / 5 / 4

HEX #F43DE8

RGB 244 61 232

HSL 303.93, 0.89%, 0.6%

LAB 60.25, 84.3, -48.26

 

CMYK 0 / 32 / 75 / 4

HEX #F4A53D

RGB 244 165 61

HSL 34.1, 0.89%, 0.6%

LAB 73.86, 20.59, 62.73

 

Description

Color code: RGB 60 245 74 | qconv.com Color code: RGB 60 245 74 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 245 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 245 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 70 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 70% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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