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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 231 103 it is the complementary color RGB 195 24 152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 231 103. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 231 103 shade: RGB 65 231 98, RGB 82 249 117, RGB 99 255 136, RGB 116 255 155 and RGB 133 255 174

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 231 103. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 231 103 shade: RGB 60 231 103, RGB 43 213 84, RGB 26 195 65, RGB 9 177 46 and RGB 0 159 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 231 103 shade: RGB 60 231 103, RGB 63 231 60, RGB 109 231 60, RGB 155 231 60 and RGB 201 231 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 231 103 shade: RGB 60 231 103, RGB 60 231 149, RGB 60 231 195, RGB 60 221 231 and RGB 60 174 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 231 103 shade matches the following richer shades: RGB 60 231 103 and RGB 42 249 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 231 103 shade: RGB 60 231 103, RGB 78 213 112, RGB 95 195 120, RGB 113 178 129 and RGB 131 160 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 231 103 shade: RGB 108 231 60, RGB 63 231 60, RGB 60 231 103, RGB 60 231 148 and RGB 60 231 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 231 103 shade: RGB 23 185 64, RGB 27 222 76, RGB 60 231 103, RGB 97 235 131 and RGB 133 240 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 231 103 shade: RGB 60 231 103, RGB 60 154 231 and RGB 231 60 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 231 103 shade: RGB 60 231 103, RGB 103 60 231 and RGB 231 103 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 231 103 shade: RGB 60 231 103, RGB 60 154 231, RGB 231 60 188 and RGB 231 137 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 231 103 shade: RGB 60 231 103, RGB 60 103 231, RGB 231 60 188 and RGB 231 188 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

Complementary color

CMYK 0 / 88 / 22 / 24

HEX #C31898

RGB 195 24 152

HSL 315.09, 0.78%, 0.43%

LAB 44.97, 71.85, -26.46

 

CMYK 72 / 0 / 58 / 9

HEX #41E762

RGB 65 231 98

HSL 131.93, 0.78%, 0.58%

LAB 81.38, -68.45, 51.91

 

CMYK 67 / 0 / 53 / 2

HEX #52F975

RGB 82 249 117

HSL 132.57, 0.93%, 0.65%

LAB 87.4, -69.24, 50.55

 

CMYK 61 / 0 / 47 / 0

HEX #63FF88

RGB 99 255 136

HSL 134.23, 1%, 0.69%

LAB 89.84, -65.49, 44.74

 

CMYK 55 / 0 / 39 / 0

HEX #74FF9B

RGB 116 255 155

HSL 136.83, 1%, 0.73%

LAB 90.6, -58.88, 36.59

 

CMYK 48 / 0 / 32 / 0

HEX #85FFAE

RGB 133 255 174

HSL 140.16, 1%, 0.76%

LAB 91.49, -51.58, 28.39

 

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

CMYK 80 / 0 / 61 / 16

HEX #2BD554

RGB 43 213 84

HSL 134.47, 0.67%, 0.5%

LAB 75.29, -67.3, 50.98

 

CMYK 87 / 0 / 67 / 24

HEX #1AC341

RGB 26 195 65

HSL 133.85, 0.76%, 0.43%

LAB 69.21, -65.5, 52.23

 

CMYK 95 / 0 / 74 / 31

HEX #09B12E

RGB 9 177 46

HSL 133.21, 0.9%, 0.36%

LAB 63.09, -62.97, 53.15

 

CMYK 100 / 0 / 83 / 38

HEX #009F1B

RGB 0 159 27

HSL 130.19, 1%, 0.31%

LAB 56.95, -59.54, 53.34

 

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

CMYK 73 / 0 / 74 / 9

HEX #3FE73C

RGB 63 231 60

HSL 118.95, 0.78%, 0.57%

LAB 81.04, -72.46, 66.56

 

CMYK 53 / 0 / 74 / 9

HEX #6DE73C

RGB 109 231 60

HSL 102.81, 0.78%, 0.57%

LAB 82.23, -62.67, 68.15

 

CMYK 33 / 0 / 74 / 9

HEX #9BE73C

RGB 155 231 60

HSL 86.67, 0.78%, 0.57%

LAB 84.2, -48.32, 70.73

 

CMYK 13 / 0 / 74 / 9

HEX #C9E73C

RGB 201 231 60

HSL 70.53, 0.78%, 0.57%

LAB 86.95, -30.95, 74.32

 

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

CMYK 74 / 0 / 35 / 9

HEX #3CE795

RGB 60 231 149

HSL 151.23, 0.78%, 0.57%

LAB 81.99, -61.07, 27.92

 

CMYK 74 / 0 / 16 / 9

HEX #3CE7C3

RGB 60 231 195

HSL 167.37, 0.78%, 0.57%

LAB 82.94, -50.87, 5.28

 

CMYK 74 / 4 / 0 / 9

HEX #3CDDE7

RGB 60 221 231

HSL 183.51, 0.78%, 0.57%

LAB 80.98, -36.76, -16.69

 

CMYK 74 / 25 / 0 / 9

HEX #3CAEE7

RGB 60 174 231

HSL 200, 0.78%, 0.57%

LAB 67.28, -13.23, -37.7

 

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

CMYK 83 / 0 / 62 / 2

HEX #2AF95E

RGB 42 249 94

HSL 135.07, 0.95%, 0.57%

LAB 86.53, -77.35, 59.46

 

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

CMYK 63 / 0 / 47 / 16

HEX #4ED570

RGB 78 213 112

HSL 135.11, 0.62%, 0.57%

LAB 76.3, -57.94, 39.21

 

CMYK 51 / 0 / 38 / 24

HEX #5FC378

RGB 95 195 120

HSL 135, 0.45%, 0.57%

LAB 71.43, -45.66, 28.97

 

CMYK 37 / 0 / 28 / 30

HEX #71B281

RGB 113 178 129

HSL 134.77, 0.3%, 0.57%

LAB 67.23, -31.31, 18.64

 

CMYK 18 / 0 / 14 / 37

HEX #83A08A

RGB 131 160 138

HSL 134.48, 0.13%, 0.57%

LAB 63.18, -14.57, 8.15

 

CMYK 53 / 0 / 74 / 9

HEX #6CE73C

RGB 108 231 60

HSL 103.16, 0.78%, 0.57%

LAB 82.2, -62.93, 68.1

 

CMYK 73 / 0 / 74 / 9

HEX #3FE73C

RGB 63 231 60

HSL 118.95, 0.78%, 0.57%

LAB 81.04, -72.46, 66.56

 

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

CMYK 74 / 0 / 36 / 9

HEX #3CE794

RGB 60 231 148

HSL 150.88, 0.78%, 0.57%

LAB 81.97, -61.26, 28.41

 

CMYK 74 / 0 / 16 / 9

HEX #3CE7C2

RGB 60 231 194

HSL 167.02, 0.78%, 0.57%

LAB 82.92, -51.12, 5.77

 

CMYK 88 / 0 / 65 / 27

HEX #17B940

RGB 23 185 64

HSL 135.19, 0.78%, 0.41%

LAB 65.94, -62.77, 49.07

 

CMYK 88 / 0 / 66 / 13

HEX #1BDE4C

RGB 27 222 76

HSL 135.08, 0.78%, 0.49%

LAB 77.87, -72.42, 57.2

 

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

CMYK 59 / 0 / 44 / 8

HEX #61EB83

RGB 97 235 131

HSL 134.78, 0.78%, 0.65%

LAB 83.76, -59.28, 39.43

 

CMYK 45 / 0 / 33 / 6

HEX #85F0A0

RGB 133 240 160

HSL 135.14, 0.78%, 0.73%

LAB 86.92, -47.74, 29.3

 

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

CMYK 74 / 33 / 0 / 9

HEX #3C9AE7

RGB 60 154 231

HSL 207.02, 0.78%, 0.57%

LAB 61.52, -2.06, -46.74

 

CMYK 0 / 74 / 63 / 9

HEX #E73C55

RGB 231 60 85

HSL 351.23, 0.78%, 0.57%

LAB 52.81, 65.85, 26.31

 

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

CMYK 55 / 74 / 0 / 9

HEX #673CE7

RGB 103 60 231

HSL 255.09, 0.78%, 0.57%

LAB 41.03, 59.45, -79.67

 

CMYK 0 / 55 / 74 / 9

HEX #E7673C

RGB 231 103 60

HSL 15.09, 0.78%, 0.57%

LAB 58.99, 47.11, 47.47

 

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

CMYK 74 / 33 / 0 / 9

HEX #3C9AE7

RGB 60 154 231

HSL 207.02, 0.78%, 0.57%

LAB 61.52, -2.06, -46.74

 

CMYK 0 / 74 / 19 / 9

HEX #E73CBC

RGB 231 60 188

HSL 315.09, 0.78%, 0.57%

LAB 55.94, 75.67, -30.14

 

CMYK 0 / 41 / 74 / 9

HEX #E7893C

RGB 231 137 60

HSL 27.02, 0.78%, 0.57%

LAB 65.91, 29.93, 54.69

 

CMYK 74 / 0 / 55 / 9

HEX #3CE767

RGB 60 231 103

HSL 135.09, 0.78%, 0.57%

LAB 81.34, -68.56, 49.58

 

CMYK 74 / 55 / 0 / 9

HEX #3C67E7

RGB 60 103 231

HSL 224.91, 0.78%, 0.57%

LAB 47.53, 29.07, -69.15

 

CMYK 0 / 74 / 19 / 9

HEX #E73CBC

RGB 231 60 188

HSL 315.09, 0.78%, 0.57%

LAB 55.94, 75.67, -30.14

 

CMYK 0 / 19 / 74 / 9

HEX #E7BC3C

RGB 231 188 60

HSL 44.91, 0.78%, 0.57%

LAB 78.04, 2.94, 66.7

 

Description

Color code: RGB 60 231 103 | qconv.com Color code: RGB 60 231 103 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 231 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 231 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 55 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 55% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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