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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 224 126 it is the complementary color RGB 195 31 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 224 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 224 126 shade: RGB 65 224 121, RGB 82 242 140, RGB 99 255 159, RGB 116 255 178 and RGB 133 255 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 224 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 224 126 shade: RGB 60 224 126, RGB 43 206 107, RGB 26 188 88, RGB 9 170 69 and RGB 0 152 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 224 126 shade: RGB 61 225 127, RGB 61 225 83, RGB 83 225 61, RGB 127 225 61 and RGB 172 225 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 224 126 shade: RGB 61 225 127, RGB 61 225 171, RGB 61 225 215, RGB 61 190 225 and RGB 61 146 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 224 126 shade matches the following richer shades: RGB 61 225 127 and RGB 43 243 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 224 126 shade: RGB 61 225 127, RGB 79 207 130, RGB 97 188 134, RGB 115 170 137 and RGB 134 152 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 224 126 shade: RGB 83 225 61, RGB 61 225 83, RGB 61 225 126, RGB 61 225 170 and RGB 61 225 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 224 126 shade: RGB 27 176 87, RGB 33 211 105, RGB 61 225 127, RGB 97 230 150 and RGB 132 236 174

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 224 126 shade: RGB 60 224 126, RGB 61 126 225 and RGB 225 61 61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 224 126 shade: RGB 60 224 126, RGB 126 61 225 and RGB 225 126 61

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 224 126 shade: RGB 60 224 126, RGB 61 126 225, RGB 225 61 159 and RGB 225 159 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 224 126 shade: RGB 60 224 126, RGB 61 77 225, RGB 225 61 159 and RGB 225 208 61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 44 / 12

HEX #3CE07E

RGB 60 224 126

HSL 144.15, 0.73%, 0.56%

LAB 79.49, -62.72, 36.25

 

Complementary color

CMYK 0 / 84 / 34 / 24

HEX #C31F81

RGB 195 31 129

HSL 324.15, 0.73%, 0.44%

LAB 44.47, 67.86, -13.24

 

CMYK 71 / 0 / 46 / 12

HEX #41E079

RGB 65 224 121

HSL 141.13, 0.72%, 0.57%

LAB 79.51, -62.8, 38.77

 

CMYK 66 / 0 / 42 / 5

HEX #52F28C

RGB 82 242 140

HSL 141.75, 0.86%, 0.64%

LAB 85.6, -63.35, 37.3

 

CMYK 61 / 0 / 38 / 0

HEX #63FF9F

RGB 99 255 159

HSL 143.08, 1%, 0.69%

LAB 90.17, -61.79, 33.95

 

CMYK 55 / 0 / 30 / 0

HEX #74FFB2

RGB 116 255 178

HSL 146.76, 1%, 0.73%

LAB 90.98, -54.84, 25.59

 

CMYK 48 / 0 / 23 / 0

HEX #85FFC5

RGB 133 255 197

HSL 151.48, 1%, 0.76%

LAB 91.93, -47.25, 17.29

 

CMYK 73 / 0 / 44 / 12

HEX #3CE07E

RGB 60 224 126

HSL 144.15, 0.73%, 0.56%

LAB 79.49, -62.72, 36.25

 

CMYK 79 / 0 / 48 / 19

HEX #2BCE6B

RGB 43 206 107

HSL 143.56, 0.65%, 0.49%

LAB 73.36, -61.77, 37.83

 

CMYK 86 / 0 / 53 / 26

HEX #1ABC58

RGB 26 188 88

HSL 142.96, 0.76%, 0.42%

LAB 67.19, -60.36, 39.48

 

CMYK 95 / 0 / 59 / 33

HEX #09AA45

RGB 9 170 69

HSL 142.36, 0.9%, 0.35%

LAB 60.99, -58.32, 41.16

 

CMYK 100 / 0 / 67 / 40

HEX #009832

RGB 0 152 50

HSL 139.74, 1%, 0.3%

LAB 54.75, -55.49, 42.73

 

CMYK 73 / 0 / 44 / 12

HEX #3DE17F

RGB 61 225 127

HSL 144.15, 0.73%, 0.56%

LAB 79.83, -62.76, 36.19

 

CMYK 73 / 0 / 63 / 12

HEX #3DE153

RGB 61 225 83

HSL 128.05, 0.73%, 0.56%

LAB 79.31, -68.84, 56.03

 

CMYK 63 / 0 / 73 / 12

HEX #53E13D

RGB 83 225 61

HSL 111.95, 0.73%, 0.56%

LAB 79.63, -66.78, 64.96

 

CMYK 44 / 0 / 73 / 12

HEX #7FE13D

RGB 127 225 61

HSL 95.85, 0.73%, 0.56%

LAB 81.13, -55.15, 66.95

 

CMYK 24 / 0 / 73 / 12

HEX #ACE13D

RGB 172 225 61

HSL 79.39, 0.73%, 0.56%

LAB 83.42, -39.47, 69.97

 

CMYK 73 / 0 / 44 / 12

HEX #3DE17F

RGB 61 225 127

HSL 144.15, 0.73%, 0.56%

LAB 79.83, -62.76, 36.19

 

CMYK 73 / 0 / 24 / 12

HEX #3DE1AB

RGB 61 225 171

HSL 160.24, 0.73%, 0.56%

LAB 80.62, -54.02, 14.61

 

CMYK 73 / 0 / 4 / 12

HEX #3DE1D7

RGB 61 225 215

HSL 176.34, 0.73%, 0.56%

LAB 81.7, -42.98, -7.12

 

CMYK 73 / 16 / 0 / 12

HEX #3DBEE1

RGB 61 190 225

HSL 192.8, 0.73%, 0.56%

LAB 71.73, -23.45, -27.54

 

CMYK 73 / 35 / 0 / 12

HEX #3D92E1

RGB 61 146 225

HSL 208.9, 0.73%, 0.56%

LAB 58.96, 0.61, -47.45

 

CMYK 73 / 0 / 44 / 12

HEX #3DE17F

RGB 61 225 127

HSL 144.15, 0.73%, 0.56%

LAB 79.83, -62.76, 36.19

 

CMYK 82 / 0 / 49 / 5

HEX #2BF37B

RGB 43 243 123

HSL 144, 0.89%, 0.56%

LAB 85.02, -71.59, 44.67

 

CMYK 73 / 0 / 44 / 12

HEX #3DE17F

RGB 61 225 127

HSL 144.15, 0.73%, 0.56%

LAB 79.83, -62.76, 36.19

 

CMYK 62 / 0 / 37 / 19

HEX #4FCF82

RGB 79 207 130

HSL 143.91, 0.57%, 0.56%

LAB 74.76, -52.43, 28.09

 

CMYK 48 / 0 / 29 / 26

HEX #61BC86

RGB 97 188 134

HSL 144.4, 0.4%, 0.56%

LAB 69.63, -39.55, 19.13

 

CMYK 32 / 0 / 19 / 33

HEX #73AA89

RGB 115 170 137

HSL 144, 0.24%, 0.56%

LAB 65.12, -25.25, 11.33

 

CMYK 12 / 0 / 7 / 40

HEX #86988D

RGB 134 152 141

HSL 143.33, 0.08%, 0.56%

LAB 61.17, -8.63, 3.62

 

CMYK 63 / 0 / 73 / 12

HEX #53E13D

RGB 83 225 61

HSL 111.95, 0.73%, 0.56%

LAB 79.63, -66.78, 64.96

 

CMYK 73 / 0 / 63 / 12

HEX #3DE153

RGB 61 225 83

HSL 128.05, 0.73%, 0.56%

LAB 79.31, -68.84, 56.03

 

CMYK 73 / 0 / 44 / 12

HEX #3DE17E

RGB 61 225 126

HSL 143.78, 0.73%, 0.56%

LAB 79.81, -62.93, 36.67

 

CMYK 73 / 0 / 24 / 12

HEX #3DE1AA

RGB 61 225 170

HSL 159.88, 0.73%, 0.56%

LAB 80.6, -54.25, 15.1

 

CMYK 73 / 0 / 5 / 12

HEX #3DE1D6

RGB 61 225 214

HSL 175.98, 0.73%, 0.56%

LAB 81.67, -43.25, -6.63

 

CMYK 85 / 0 / 51 / 31

HEX #1BB057

RGB 27 176 87

HSL 144.16, 0.73%, 0.4%

LAB 63.32, -56.38, 35.2

 

CMYK 84 / 0 / 50 / 17

HEX #21D369

RGB 33 211 105

HSL 144.27, 0.73%, 0.48%

LAB 74.78, -64.78, 40.56

 

CMYK 73 / 0 / 44 / 12

HEX #3DE17F

RGB 61 225 127

HSL 144.15, 0.73%, 0.56%

LAB 79.83, -62.76, 36.19

 

CMYK 58 / 0 / 35 / 10

HEX #61E696

RGB 97 230 150

HSL 143.91, 0.73%, 0.64%

LAB 82.56, -54.13, 28.32

 

CMYK 44 / 0 / 26 / 7

HEX #84ECAE

RGB 132 236 174

HSL 144.23, 0.73%, 0.72%

LAB 85.98, -43.77, 20.84

 

CMYK 73 / 0 / 44 / 12

HEX #3CE07E

RGB 60 224 126

HSL 144.15, 0.73%, 0.56%

LAB 79.49, -62.72, 36.25

 

CMYK 73 / 44 / 0 / 12

HEX #3D7EE1

RGB 61 126 225

HSL 216.22, 0.73%, 0.56%

LAB 53.33, 12.63, -56.42

 

CMYK 0 / 73 / 73 / 12

HEX #E13D3D

RGB 225 61 61

HSL 0, 0.73%, 0.56%

LAB 51.48, 62.56, 38.39

 

CMYK 73 / 0 / 44 / 12

HEX #3CE07E

RGB 60 224 126

HSL 144.15, 0.73%, 0.56%

LAB 79.49, -62.72, 36.25

 

CMYK 44 / 73 / 0 / 12

HEX #7E3DE1

RGB 126 61 225

HSL 263.78, 0.73%, 0.56%

LAB 43.08, 60.79, -72.81

 

CMYK 0 / 44 / 73 / 12

HEX #E17E3D

RGB 225 126 61

HSL 23.78, 0.73%, 0.56%

LAB 62.73, 33.31, 50.69

 

CMYK 73 / 0 / 44 / 12

HEX #3CE07E

RGB 60 224 126

HSL 144.15, 0.73%, 0.56%

LAB 79.49, -62.72, 36.25

 

CMYK 73 / 44 / 0 / 12

HEX #3D7EE1

RGB 61 126 225

HSL 216.22, 0.73%, 0.56%

LAB 53.33, 12.63, -56.42

 

CMYK 0 / 73 / 29 / 12

HEX #E13D9F

RGB 225 61 159

HSL 324.15, 0.73%, 0.56%

LAB 53.87, 70.33, -16.5

 

CMYK 0 / 29 / 73 / 12

HEX #E19F3D

RGB 225 159 61

HSL 35.85, 0.73%, 0.56%

LAB 70.27, 15.77, 58.45

 

CMYK 73 / 0 / 44 / 12

HEX #3CE07E

RGB 60 224 126

HSL 144.15, 0.73%, 0.56%

LAB 79.49, -62.72, 36.25

 

CMYK 73 / 66 / 0 / 12

HEX #3D4DE1

RGB 61 77 225

HSL 234.15, 0.73%, 0.56%

LAB 40.79, 43.23, -76.76

 

CMYK 0 / 73 / 29 / 12

HEX #E13D9F

RGB 225 61 159

HSL 324.15, 0.73%, 0.56%

LAB 53.87, 70.33, -16.5

 

CMYK 0 / 8 / 73 / 12

HEX #E1D03D

RGB 225 208 61

HSL 53.78, 0.73%, 0.56%

LAB 82.62, -9.84, 70.54

 

Description

Color code: RGB 60 224 126 | qconv.com Color code: RGB 60 224 126 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 224 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 224 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 44 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 44% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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