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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 179 113 it is the complementary color RGB 195 76 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 179 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 179 113 shade: RGB 65 179 108, RGB 82 197 127, RGB 99 215 146, RGB 116 233 165 and RGB 133 251 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 179 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 179 113 shade: RGB 60 179 113, RGB 43 161 94, RGB 26 143 75, RGB 9 125 56 and RGB 0 107 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 179 113 shade: RGB 60 180 113, RGB 60 180 81, RGB 71 180 60, RGB 104 180 60 and RGB 136 180 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 179 113 shade: RGB 60 180 113, RGB 60 180 146, RGB 60 180 178, RGB 60 149 180 and RGB 60 117 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 179 113 shade matches the following richer shades: RGB 60 180 113, RGB 41 199 111, RGB 21 219 109 and RGB 2 238 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 179 113 shade: RGB 60 180 113, RGB 79 160 115, RGB 99 141 118, RGB 118 122 120 and RGB 137 102 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 179 113 shade: RGB 72 180 60, RGB 60 180 80, RGB 60 180 112, RGB 60 180 144 and RGB 60 180 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 179 113 shade: RGB 39 118 74, RGB 50 149 94, RGB 60 180 113, RGB 83 198 134 and RGB 114 208 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 179 113 shade: RGB 60 179 113, RGB 60 104 180 and RGB 180 64 60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 179 113 shade: RGB 60 179 113, RGB 112 60 180 and RGB 180 112 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 179 113 shade: RGB 60 179 113, RGB 60 104 180, RGB 180 60 128 and RGB 180 136 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 179 113 shade: RGB 60 179 113, RGB 60 68 180, RGB 180 60 128 and RGB 180 172 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 37 / 30

HEX #3CB371

RGB 60 179 113

HSL 146.72, 0.5%, 0.47%

LAB 65.27, -48.22, 24.29

 

Complementary color

CMYK 0 / 61 / 27 / 24

HEX #C34C8E

RGB 195 76 142

HSL 326.72, 0.5%, 0.53%

LAB 50.36, 54.28, -12.2

 

CMYK 64 / 0 / 40 / 30

HEX #41B36C

RGB 65 179 108

HSL 142.63, 0.47%, 0.48%

LAB 65.32, -48.19, 27.03

 

CMYK 58 / 0 / 36 / 23

HEX #52C57F

RGB 82 197 127

HSL 143.48, 0.5%, 0.55%

LAB 71.73, -48.34, 25.62

 

CMYK 54 / 0 / 32 / 16

HEX #63D792

RGB 99 215 146

HSL 144.31, 0.59%, 0.62%

LAB 78.07, -48.34, 24.33

 

CMYK 50 / 0 / 29 / 9

HEX #74E9A5

RGB 116 233 165

HSL 145.13, 0.73%, 0.68%

LAB 84.33, -48.24, 23.12

 

CMYK 47 / 0 / 27 / 2

HEX #85FBB8

RGB 133 251 184

HSL 145.93, 0.94%, 0.75%

LAB 90.52, -48.08, 21.99

 

CMYK 66 / 0 / 37 / 30

HEX #3CB371

RGB 60 179 113

HSL 146.72, 0.5%, 0.47%

LAB 65.27, -48.22, 24.29

 

CMYK 73 / 0 / 42 / 37

HEX #2BA15E

RGB 43 161 94

HSL 145.93, 0.58%, 0.4%

LAB 58.8, -47.71, 25.82

 

CMYK 82 / 0 / 48 / 44

HEX #1A8F4B

RGB 26 143 75

HSL 145.13, 0.69%, 0.33%

LAB 52.26, -46.77, 27.5

 

CMYK 93 / 0 / 55 / 51

HEX #097D38

RGB 9 125 56

HSL 144.31, 0.87%, 0.26%

LAB 45.65, -45.15, 29.31

 

CMYK 100 / 0 / 65 / 58

HEX #006B25

RGB 0 107 37

HSL 140.75, 1%, 0.21%

LAB 38.98, -42.53, 31.14

 

CMYK 67 / 0 / 37 / 29

HEX #3CB471

RGB 60 180 113

HSL 146.5, 0.5%, 0.47%

LAB 65.59, -48.61, 24.71

 

CMYK 67 / 0 / 55 / 29

HEX #3CB451

RGB 60 180 81

HSL 130.5, 0.5%, 0.47%

LAB 65.12, -53.9, 40.51

 

CMYK 61 / 0 / 67 / 29

HEX #47B43C

RGB 71 180 60

HSL 114.5, 0.5%, 0.47%

LAB 65.21, -53.95, 50.21

 

CMYK 42 / 0 / 67 / 29

HEX #68B43C

RGB 104 180 60

HSL 98, 0.5%, 0.47%

LAB 66.45, -44.52, 51.92

 

CMYK 24 / 0 / 67 / 29

HEX #88B43C

RGB 136 180 60

HSL 82, 0.5%, 0.47%

LAB 68.17, -32.94, 54.26

 

CMYK 67 / 0 / 37 / 29

HEX #3CB471

RGB 60 180 113

HSL 146.5, 0.5%, 0.47%

LAB 65.59, -48.61, 24.71

 

CMYK 67 / 0 / 19 / 29

HEX #3CB492

RGB 60 180 146

HSL 163, 0.5%, 0.47%

LAB 66.27, -41.37, 7.71

 

CMYK 67 / 0 / 1 / 29

HEX #3CB4B2

RGB 60 180 178

HSL 179, 0.5%, 0.47%

LAB 67.14, -32.87, -8.71

 

CMYK 67 / 17 / 0 / 29

HEX #3C95B4

RGB 60 149 180

HSL 195.5, 0.5%, 0.47%

LAB 57.8, -16.56, -23.96

 

CMYK 67 / 35 / 0 / 29

HEX #3C75B4

RGB 60 117 180

HSL 211.5, 0.5%, 0.47%

LAB 48.23, 1.85, -38.88

 

CMYK 67 / 0 / 37 / 29

HEX #3CB471

RGB 60 180 113

HSL 146.5, 0.5%, 0.47%

LAB 65.59, -48.61, 24.71

 

CMYK 79 / 0 / 44 / 22

HEX #29C76F

RGB 41 199 111

HSL 146.58, 0.66%, 0.47%

LAB 71.19, -58.89, 33.04

 

CMYK 90 / 0 / 50 / 14

HEX #15DB6D

RGB 21 219 109

HSL 146.67, 0.83%, 0.47%

LAB 77.24, -67.61, 41.65

 

CMYK 99 / 0 / 55 / 7

HEX #02EE6B

RGB 2 238 107

HSL 146.69, 0.98%, 0.47%

LAB 83.03, -74.54, 49.65

 

CMYK 67 / 0 / 37 / 29

HEX #3CB471

RGB 60 180 113

HSL 146.5, 0.5%, 0.47%

LAB 65.59, -48.61, 24.71

 

CMYK 51 / 0 / 28 / 37

HEX #4FA073

RGB 79 160 115

HSL 146.67, 0.34%, 0.47%

LAB 59.93, -35.48, 16.02

 

CMYK 30 / 0 / 16 / 45

HEX #638D76

RGB 99 141 118

HSL 147.14, 0.18%, 0.47%

LAB 55.08, -19.58, 7.68

 

CMYK 3 / 0 / 2 / 52

HEX #767A78

RGB 118 122 120

HSL 150, 0.02%, 0.47%

LAB 50.84, -1.91, 0.56

 

CMYK 0 / 26 / 11 / 46

HEX #89667A

RGB 137 102 122

HSL 325.71, 0.15%, 0.47%

LAB 47.27, 17.47, -5.66

 

CMYK 60 / 0 / 67 / 29

HEX #48B43C

RGB 72 180 60

HSL 114, 0.5%, 0.47%

LAB 65.24, -53.71, 50.25

 

CMYK 67 / 0 / 56 / 29

HEX #3CB450

RGB 60 180 80

HSL 130, 0.5%, 0.47%

LAB 65.11, -54.04, 40.97

 

CMYK 67 / 0 / 38 / 29

HEX #3CB470

RGB 60 180 112

HSL 146, 0.5%, 0.47%

LAB 65.57, -48.81, 25.22

 

CMYK 67 / 0 / 20 / 29

HEX #3CB490

RGB 60 180 144

HSL 162, 0.5%, 0.47%

LAB 66.23, -41.86, 8.75

 

CMYK 67 / 0 / 2 / 29

HEX #3CB4B0

RGB 60 180 176

HSL 178, 0.5%, 0.47%

LAB 67.08, -33.44, -7.69

 

CMYK 67 / 0 / 37 / 54

HEX #27764A

RGB 39 118 74

HSL 146.58, 0.5%, 0.31%

LAB 44.06, -34.85, 17.39

 

CMYK 66 / 0 / 37 / 42

HEX #32955E

RGB 50 149 94

HSL 146.67, 0.5%, 0.39%

LAB 55.05, -41.68, 20.88

 

CMYK 67 / 0 / 37 / 29

HEX #3CB471

RGB 60 180 113

HSL 146.5, 0.5%, 0.47%

LAB 65.59, -48.61, 24.71

 

CMYK 58 / 0 / 32 / 22

HEX #53C686

RGB 83 198 134

HSL 146.61, 0.5%, 0.55%

LAB 72.19, -47.2, 22.56

 

CMYK 45 / 0 / 25 / 18

HEX #72D09C

RGB 114 208 156

HSL 146.81, 0.5%, 0.63%

LAB 76.73, -39.64, 17.31

 

CMYK 66 / 0 / 37 / 30

HEX #3CB371

RGB 60 179 113

HSL 146.72, 0.5%, 0.47%

LAB 65.27, -48.22, 24.29

 

CMYK 67 / 42 / 0 / 29

HEX #3C68B4

RGB 60 104 180

HSL 218, 0.5%, 0.47%

LAB 44.46, 9.92, -44.87

 

CMYK 0 / 64 / 67 / 29

HEX #B4403C

RGB 180 64 60

HSL 2, 0.5%, 0.47%

LAB 43.79, 46.78, 27.9

 

CMYK 66 / 0 / 37 / 30

HEX #3CB371

RGB 60 179 113

HSL 146.72, 0.5%, 0.47%

LAB 65.27, -48.22, 24.29

 

CMYK 38 / 67 / 0 / 29

HEX #703CB4

RGB 112 60 180

HSL 266, 0.5%, 0.47%

LAB 37.79, 47.27, -55.38

 

CMYK 0 / 38 / 67 / 29

HEX #B4703C

RGB 180 112 60

HSL 26, 0.5%, 0.47%

LAB 53.62, 22.11, 39.51

 

CMYK 66 / 0 / 37 / 30

HEX #3CB371

RGB 60 179 113

HSL 146.72, 0.5%, 0.47%

LAB 65.27, -48.22, 24.29

 

CMYK 67 / 42 / 0 / 29

HEX #3C68B4

RGB 60 104 180

HSL 218, 0.5%, 0.47%

LAB 44.46, 9.92, -44.87

 

CMYK 0 / 67 / 29 / 29

HEX #B43C80

RGB 180 60 128

HSL 326, 0.5%, 0.47%

LAB 44.93, 54.85, -12.19

 

CMYK 0 / 24 / 67 / 29

HEX #B4883C

RGB 180 136 60

HSL 38, 0.5%, 0.47%

LAB 59.56, 8.74, 46.12

 

CMYK 66 / 0 / 37 / 30

HEX #3CB371

RGB 60 179 113

HSL 146.72, 0.5%, 0.47%

LAB 65.27, -48.22, 24.29

 

CMYK 67 / 62 / 0 / 29

HEX #3C44B4

RGB 60 68 180

HSL 236, 0.5%, 0.47%

LAB 34.78, 33.11, -60.48

 

CMYK 0 / 67 / 29 / 29

HEX #B43C80

RGB 180 60 128

HSL 326, 0.5%, 0.47%

LAB 44.93, 54.85, -12.19

 

CMYK 0 / 4 / 67 / 29

HEX #B4AC3C

RGB 180 172 60

HSL 56, 0.5%, 0.47%

LAB 69.14, -10.68, 56.27

 

Description

Color code: RGB 60 179 113 | qconv.com Color code: RGB 60 179 113 | qconv.com - big

Bright color: high color values create a bright impression. It is also known as medium seagreen.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 179 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 179 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 37 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 37% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

74% - 全球签证
Link: http://www.hygvs.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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