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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 147 70 it is the complementary color RGB 195 108 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 147 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 147 70 shade: RGB 65 147 65, RGB 82 165 84, RGB 99 183 103, RGB 116 201 122 and RGB 133 219 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 147 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 147 70 shade: RGB 60 147 70, RGB 43 129 51, RGB 26 111 32, RGB 9 93 13 and RGB 0 75 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 147 70 shade: RGB 60 148 70, RGB 74 148 60, RGB 97 148 60, RGB 121 148 60 and RGB 145 148 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 147 70 shade: RGB 60 148 70, RGB 60 148 94, RGB 60 148 118, RGB 60 148 141 and RGB 60 131 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 147 70 shade matches the following richer shades: RGB 60 148 70, RGB 43 165 57, RGB 26 182 44 and RGB 9 199 31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 147 70 shade: RGB 60 148 70, RGB 77 131 83, RGB 94 114 96, RGB 111 97 109 and RGB 128 80 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 147 70 shade: RGB 98 148 60, RGB 75 148 60, RGB 60 148 69, RGB 60 148 92 and RGB 60 148 116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 147 70 shade: RGB 36 89 42, RGB 48 119 56, RGB 60 148 70, RGB 72 177 84 and RGB 99 191 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 147 70 shade: RGB 60 147 70, RGB 60 122 148 and RGB 148 60 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 147 70 shade: RGB 60 147 70, RGB 69 60 148 and RGB 148 69 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 147 70 shade: RGB 60 147 70, RGB 60 122 148, RGB 148 60 139 and RGB 148 86 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 147 70 shade: RGB 60 147 70, RGB 60 95 148, RGB 148 60 139 and RGB 148 113 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 52 / 42

HEX #3C9346

RGB 60 147 70

HSL 126.9, 0.42%, 0.41%

LAB 54.31, -42.82, 32.88

 

Complementary color

CMYK 0 / 45 / 5 / 24

HEX #C36CB9

RGB 195 108 185

HSL 306.9, 0.42%, 0.59%

LAB 57.88, 45.42, -25.85

 

CMYK 56 / 0 / 56 / 42

HEX #419341

RGB 65 147 65

HSL 120, 0.39%, 0.42%

LAB 54.42, -42.22, 35.59

 

CMYK 50 / 0 / 49 / 35

HEX #52A554

RGB 82 165 84

HSL 121.45, 0.34%, 0.48%

LAB 61.08, -42.31, 34.23

 

CMYK 46 / 0 / 44 / 28

HEX #63B767

RGB 99 183 103

HSL 122.86, 0.37%, 0.55%

LAB 67.65, -42.23, 32.9

 

CMYK 42 / 0 / 39 / 21

HEX #74C97A

RGB 116 201 122

HSL 124.24, 0.44%, 0.62%

LAB 74.12, -42.06, 31.62

 

CMYK 39 / 0 / 36 / 14

HEX #85DB8D

RGB 133 219 141

HSL 125.58, 0.54%, 0.69%

LAB 80.5, -41.84, 30.41

 

CMYK 59 / 0 / 52 / 42

HEX #3C9346

RGB 60 147 70

HSL 126.9, 0.42%, 0.41%

LAB 54.31, -42.82, 32.88

 

CMYK 67 / 0 / 60 / 49

HEX #2B8133

RGB 43 129 51

HSL 125.58, 0.5%, 0.34%

LAB 47.56, -42.4, 34.3

 

CMYK 77 / 0 / 71 / 56

HEX #1A6F20

RGB 26 111 32

HSL 124.24, 0.62%, 0.27%

LAB 40.72, -41.39, 35.52

 

CMYK 90 / 0 / 86 / 64

HEX #095D0D

RGB 9 93 13

HSL 122.86, 0.82%, 0.2%

LAB 33.81, -39.34, 35.96

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 59 / 0 / 53 / 42

HEX #3C9446

RGB 60 148 70

HSL 126.82, 0.42%, 0.41%

LAB 54.64, -43.23, 33.28

 

CMYK 50 / 0 / 59 / 42

HEX #4A943C

RGB 74 148 60

HSL 110.45, 0.42%, 0.41%

LAB 55.03, -40.68, 38.85

 

CMYK 34 / 0 / 59 / 42

HEX #61943C

RGB 97 148 60

HSL 94.77, 0.42%, 0.41%

LAB 56.14, -32.94, 40.41

 

CMYK 18 / 0 / 59 / 42

HEX #79943C

RGB 121 148 60

HSL 78.41, 0.42%, 0.41%

LAB 57.63, -23.52, 42.51

 

CMYK 2 / 0 / 59 / 42

HEX #91943C

RGB 145 148 60

HSL 62.05, 0.42%, 0.41%

LAB 59.46, -13.3, 45.06

 

CMYK 59 / 0 / 53 / 42

HEX #3C9446

RGB 60 148 70

HSL 126.82, 0.42%, 0.41%

LAB 54.64, -43.23, 33.28

 

CMYK 59 / 0 / 36 / 42

HEX #3C945E

RGB 60 148 94

HSL 143.18, 0.42%, 0.41%

LAB 55.02, -39.11, 20.89

 

CMYK 59 / 0 / 20 / 42

HEX #3C9476

RGB 60 148 118

HSL 159.55, 0.42%, 0.41%

LAB 55.53, -33.85, 8.08

 

CMYK 59 / 0 / 5 / 42

HEX #3C948D

RGB 60 148 141

HSL 175.23, 0.42%, 0.41%

LAB 56.15, -27.85, -4.18

 

CMYK 59 / 11 / 0 / 42

HEX #3C8394

RGB 60 131 148

HSL 191.59, 0.42%, 0.41%

LAB 51.07, -16.97, -15.85

 

CMYK 59 / 0 / 53 / 42

HEX #3C9446

RGB 60 148 70

HSL 126.82, 0.42%, 0.41%

LAB 54.64, -43.23, 33.28

 

CMYK 74 / 0 / 65 / 35

HEX #2BA539

RGB 43 165 57

HSL 126.89, 0.59%, 0.41%

LAB 59.63, -54.67, 45.19

 

CMYK 86 / 0 / 76 / 29

HEX #1AB62C

RGB 26 182 44

HSL 126.92, 0.75%, 0.41%

LAB 64.85, -63.45, 55.66

 

CMYK 95 / 0 / 84 / 22

HEX #09C71F

RGB 9 199 31

HSL 126.95, 0.91%, 0.41%

LAB 70.18, -70.23, 64.42

 

CMYK 59 / 0 / 53 / 42

HEX #3C9446

RGB 60 148 70

HSL 126.82, 0.42%, 0.41%

LAB 54.64, -43.23, 33.28

 

CMYK 41 / 0 / 37 / 49

HEX #4D8353

RGB 77 131 83

HSL 126.67, 0.26%, 0.41%

LAB 50.02, -28.69, 20.48

 

CMYK 18 / 0 / 16 / 55

HEX #5E7260

RGB 94 114 96

HSL 126, 0.1%, 0.41%

LAB 45.99, -11.27, 7.54

 

CMYK 0 / 13 / 2 / 56

HEX #6F616D

RGB 111 97 109

HSL 308.57, 0.07%, 0.41%

LAB 42.81, 7.95, -4.72

 

CMYK 0 / 38 / 5 / 50

HEX #80507A

RGB 128 80 122

HSL 307.5, 0.23%, 0.41%

LAB 40.79, 27.12, -15.54

 

CMYK 34 / 0 / 59 / 42

HEX #62943C

RGB 98 148 60

HSL 94.09, 0.42%, 0.41%

LAB 56.19, -32.57, 40.49

 

CMYK 49 / 0 / 59 / 42

HEX #4B943C

RGB 75 148 60

HSL 109.77, 0.42%, 0.41%

LAB 55.07, -40.38, 38.91

 

CMYK 59 / 0 / 53 / 42

HEX #3C9445

RGB 60 148 69

HSL 126.14, 0.42%, 0.41%

LAB 54.63, -43.37, 33.77

 

CMYK 59 / 0 / 38 / 42

HEX #3C945C

RGB 60 148 92

HSL 141.82, 0.42%, 0.41%

LAB 54.98, -39.5, 21.95

 

CMYK 59 / 0 / 22 / 42

HEX #3C9474

RGB 60 148 116

HSL 158.18, 0.42%, 0.41%

LAB 55.48, -34.33, 9.15

 

CMYK 60 / 0 / 53 / 65

HEX #24592A

RGB 36 89 42

HSL 126.79, 0.42%, 0.25%

LAB 33.32, -28.84, 21.9

 

CMYK 60 / 0 / 53 / 53

HEX #307738

RGB 48 119 56

HSL 126.76, 0.43%, 0.33%

LAB 44.39, -36.43, 27.94

 

CMYK 59 / 0 / 53 / 42

HEX #3C9446

RGB 60 148 70

HSL 126.82, 0.42%, 0.41%

LAB 54.64, -43.23, 33.28

 

CMYK 59 / 0 / 53 / 31

HEX #48B154

RGB 72 177 84

HSL 126.86, 0.42%, 0.49%

LAB 64.53, -49.76, 38.41

 

CMYK 48 / 0 / 42 / 25

HEX #63BF6E

RGB 99 191 110

HSL 127.17, 0.42%, 0.57%

LAB 70.2, -44.55, 32.58

 

CMYK 59 / 0 / 52 / 42

HEX #3C9346

RGB 60 147 70

HSL 126.9, 0.42%, 0.41%

LAB 54.31, -42.82, 32.88

 

CMYK 59 / 18 / 0 / 42

HEX #3C7A94

RGB 60 122 148

HSL 197.73, 0.42%, 0.41%

LAB 48.28, -11.97, -20.11

 

CMYK 0 / 59 / 42 / 42

HEX #943C56

RGB 148 60 86

HSL 342.27, 0.42%, 0.41%

LAB 38.2, 39.61, 3.34

 

CMYK 59 / 0 / 52 / 42

HEX #3C9346

RGB 60 147 70

HSL 126.9, 0.42%, 0.41%

LAB 54.31, -42.82, 32.88

 

CMYK 53 / 59 / 0 / 42

HEX #453C94

RGB 69 60 148

HSL 246.14, 0.42%, 0.41%

LAB 30.96, 28.93, -47.42

 

CMYK 0 / 53 / 59 / 42

HEX #94453C

RGB 148 69 60

HSL 6.14, 0.42%, 0.41%

LAB 39.37, 32.45, 21.2

 

CMYK 59 / 0 / 52 / 42

HEX #3C9346

RGB 60 147 70

HSL 126.9, 0.42%, 0.41%

LAB 54.31, -42.82, 32.88

 

CMYK 59 / 18 / 0 / 42

HEX #3C7A94

RGB 60 122 148

HSL 197.73, 0.42%, 0.41%

LAB 48.28, -11.97, -20.11

 

CMYK 0 / 59 / 6 / 42

HEX #943C8B

RGB 148 60 139

HSL 306.14, 0.42%, 0.41%

LAB 40.23, 47.33, -26.57

 

CMYK 0 / 42 / 59 / 42

HEX #94563C

RGB 148 86 60

HSL 17.73, 0.42%, 0.41%

LAB 43.18, 23.03, 26.03

 

CMYK 59 / 0 / 52 / 42

HEX #3C9346

RGB 60 147 70

HSL 126.9, 0.42%, 0.41%

LAB 54.31, -42.82, 32.88

 

CMYK 59 / 36 / 0 / 42

HEX #3C5F94

RGB 60 95 148

HSL 216.14, 0.42%, 0.41%

LAB 40.05, 4.26, -32.92

 

CMYK 0 / 59 / 6 / 42

HEX #943C8B

RGB 148 60 139

HSL 306.14, 0.42%, 0.41%

LAB 40.23, 47.33, -26.57

 

CMYK 0 / 24 / 59 / 42

HEX #94713C

RGB 148 113 60

HSL 36.14, 0.42%, 0.41%

LAB 50.02, 7.46, 34.34

 

Description

Color code: RGB 60 147 70 | qconv.com Color code: RGB 60 147 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 147 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 147 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 52 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 52% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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