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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 60 127 165 it is the complementary color RGB 195 128 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 60 127 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 60 127 165 shade: RGB 65 127 160, RGB 82 145 179, RGB 99 163 198, RGB 116 181 217 and RGB 133 199 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 60 127 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 60 127 165 shade: RGB 60 127 165, RGB 43 109 146, RGB 26 91 127, RGB 9 73 108 and RGB 0 55 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 60 127 165 shade: RGB 59 127 165, RGB 59 98 165, RGB 59 70 165, RGB 77 59 165 and RGB 106 59 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 60 127 165 shade: RGB 59 127 165, RGB 59 98 165, RGB 59 70 165 and RGB 59 59 165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 60 127 165 shade matches the following richer shades: RGB 59 127 165, RGB 41 132 183, RGB 23 137 201 and RGB 5 142 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 60 127 165 shade: RGB 59 127 165, RGB 78 122 147, RGB 96 117 129, RGB 114 112 110 and RGB 132 107 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 60 127 165 shade: RGB 59 165 146, RGB 59 156 165, RGB 59 128 165, RGB 59 100 165 and RGB 59 72 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 60 127 165 shade: RGB 38 80 104, RGB 49 103 135, RGB 59 127 165, RGB 75 149 190 and RGB 106 167 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 60 127 165 shade: RGB 60 127 165, RGB 117 59 165 and RGB 165 160 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 60 127 165 shade: RGB 60 127 165, RGB 165 59 128 and RGB 128 165 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 60 127 165 shade: RGB 60 127 165, RGB 117 59 165, RGB 165 96 59 and RGB 107 165 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 60 127 165 shade: RGB 60 127 165, RGB 149 59 165, RGB 165 96 59 and RGB 75 165 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 23 / 0 / 35

HEX #3C7FA5

RGB 60 127 165

HSL 201.71, 0.47%, 0.44%

LAB 50.52, -9.24, -26.59

 

Complementary color

CMYK 0 / 34 / 54 / 24

HEX #C3805A

RGB 195 128 90

HSL 21.71, 0.47%, 0.56%

LAB 59.69, 21.85, 31.15

 

CMYK 59 / 21 / 0 / 37

HEX #417FA0

RGB 65 127 160

HSL 200.84, 0.42%, 0.44%

LAB 50.5, -9.9, -23.7

 

CMYK 54 / 19 / 0 / 30

HEX #5291B3

RGB 82 145 179

HSL 201.03, 0.39%, 0.51%

LAB 57.37, -10.44, -24

 

CMYK 50 / 18 / 0 / 22

HEX #63A3C6

RGB 99 163 198

HSL 201.21, 0.46%, 0.58%

LAB 64.1, -10.85, -24.29

 

CMYK 47 / 17 / 0 / 15

HEX #74B5D9

RGB 116 181 217

HSL 201.39, 0.57%, 0.65%

LAB 70.71, -11.16, -24.57

 

CMYK 44 / 16 / 0 / 7

HEX #85C7EC

RGB 133 199 236

HSL 201.55, 0.73%, 0.72%

LAB 77.21, -11.41, -24.86

 

CMYK 64 / 23 / 0 / 35

HEX #3C7FA5

RGB 60 127 165

HSL 201.71, 0.47%, 0.44%

LAB 50.52, -9.24, -26.59

 

CMYK 71 / 25 / 0 / 43

HEX #2B6D92

RGB 43 109 146

HSL 201.55, 0.54%, 0.37%

LAB 43.55, -8.27, -26.3

 

CMYK 80 / 28 / 0 / 50

HEX #1A5B7F

RGB 26 91 127

HSL 201.39, 0.66%, 0.3%

LAB 36.43, -6.89, -25.96

 

CMYK 92 / 32 / 0 / 58

HEX #09496C

RGB 9 73 108

HSL 201.21, 0.85%, 0.23%

LAB 29.17, -4.88, -25.53

 

CMYK 100 / 38 / 0 / 65

HEX #003759

RGB 0 55 89

HSL 202.92, 1%, 0.17%

LAB 21.78, -1.89, -24.96

 

CMYK 64 / 23 / 0 / 35

HEX #3B7FA5

RGB 59 127 165

HSL 201.51, 0.47%, 0.44%

LAB 50.48, -9.43, -26.65

 

CMYK 64 / 41 / 0 / 35

HEX #3B62A5

RGB 59 98 165

HSL 217.92, 0.47%, 0.44%

LAB 41.82, 8.16, -40.26

 

CMYK 64 / 58 / 0 / 35

HEX #3B46A5

RGB 59 70 165

HSL 233.77, 0.47%, 0.44%

LAB 34.04, 26.38, -52.76

 

CMYK 53 / 64 / 0 / 35

HEX #4D3BA5

RGB 77 59 165

HSL 250.19, 0.47%, 0.44%

LAB 32.75, 36.57, -54.79

 

CMYK 36 / 64 / 0 / 35

HEX #6A3BA5

RGB 106 59 165

HSL 266.6, 0.47%, 0.44%

LAB 35.81, 42.62, -49.69

 

CMYK 64 / 23 / 0 / 35

HEX #3B7FA5

RGB 59 127 165

HSL 201.51, 0.47%, 0.44%

LAB 50.48, -9.43, -26.65

 

CMYK 64 / 41 / 0 / 35

HEX #3B62A5

RGB 59 98 165

HSL 217.92, 0.47%, 0.44%

LAB 41.82, 8.16, -40.26

 

CMYK 64 / 58 / 0 / 35

HEX #3B46A5

RGB 59 70 165

HSL 233.77, 0.47%, 0.44%

LAB 34.04, 26.38, -52.76

 

CMYK 64 / 64 / 0 / 35

HEX #3B3BA5

RGB 59 59 165

HSL 240, 0.47%, 0.44%

LAB 31.29, 33.46, -57.24

 

CMYK 64 / 23 / 0 / 35

HEX #3B7FA5

RGB 59 127 165

HSL 201.51, 0.47%, 0.44%

LAB 50.48, -9.43, -26.65

 

CMYK 78 / 28 / 0 / 28

HEX #2984B7

RGB 41 132 183

HSL 201.55, 0.63%, 0.44%

LAB 52.28, -8.71, -34.28

 

CMYK 89 / 32 / 0 / 21

HEX #1789C9

RGB 23 137 201

HSL 201.57, 0.79%, 0.44%

LAB 54.33, -6.56, -41.34

 

CMYK 98 / 35 / 0 / 14

HEX #058EDB

RGB 5 142 219

HSL 201.59, 0.96%, 0.44%

LAB 56.58, -3.43, -47.94

 

CMYK 64 / 23 / 0 / 35

HEX #3B7FA5

RGB 59 127 165

HSL 201.51, 0.47%, 0.44%

LAB 50.48, -9.43, -26.65

 

CMYK 47 / 17 / 0 / 42

HEX #4E7A93

RGB 78 122 147

HSL 201.74, 0.31%, 0.44%

LAB 49.06, -8.05, -18.25

 

CMYK 26 / 9 / 0 / 49

HEX #607581

RGB 96 117 129

HSL 201.82, 0.15%, 0.44%

LAB 48, -4.78, -9.13

 

CMYK 0 / 2 / 4 / 55

HEX #72706E

RGB 114 112 110

HSL 30, 0.02%, 0.44%

LAB 47.35, 0.37, 1.38

 

CMYK 0 / 19 / 30 / 48

HEX #846B5C

RGB 132 107 92

HSL 22.5, 0.18%, 0.44%

LAB 47.23, 7.54, 12.15

 

CMYK 64 / 0 / 12 / 35

HEX #3BA592

RGB 59 165 146

HSL 169.25, 0.47%, 0.44%

LAB 61.58, -34.81, 0.94

 

CMYK 64 / 5 / 0 / 35

HEX #3B9CA5

RGB 59 156 165

HSL 185.09, 0.47%, 0.44%

LAB 59.36, -25.07, -13.08

 

CMYK 64 / 22 / 0 / 35

HEX #3B80A5

RGB 59 128 165

HSL 200.94, 0.47%, 0.44%

LAB 50.79, -10, -26.18

 

CMYK 64 / 39 / 0 / 35

HEX #3B64A5

RGB 59 100 165

HSL 216.79, 0.47%, 0.44%

LAB 42.4, 6.89, -39.33

 

CMYK 64 / 56 / 0 / 35

HEX #3B48A5

RGB 59 72 165

HSL 232.64, 0.47%, 0.44%

LAB 34.56, 25.08, -51.91

 

CMYK 63 / 23 / 0 / 59

HEX #265068

RGB 38 80 104

HSL 201.82, 0.46%, 0.28%

LAB 32.14, -6.6, -18.3

 

CMYK 64 / 24 / 0 / 47

HEX #316787

RGB 49 103 135

HSL 202.33, 0.47%, 0.36%

LAB 41.38, -7.49, -23.06

 

CMYK 64 / 23 / 0 / 35

HEX #3B7FA5

RGB 59 127 165

HSL 201.51, 0.47%, 0.44%

LAB 50.48, -9.43, -26.65

 

CMYK 61 / 22 / 0 / 25

HEX #4B95BE

RGB 75 149 190

HSL 201.39, 0.47%, 0.52%

LAB 58.7, -10.68, -28.19

 

CMYK 47 / 17 / 0 / 21

HEX #6AA7C9

RGB 106 167 201

HSL 201.47, 0.47%, 0.6%

LAB 65.69, -10.51, -23.5

 

CMYK 64 / 23 / 0 / 35

HEX #3C7FA5

RGB 60 127 165

HSL 201.71, 0.47%, 0.44%

LAB 50.52, -9.24, -26.59

 

CMYK 29 / 64 / 0 / 35

HEX #753BA5

RGB 117 59 165

HSL 272.83, 0.47%, 0.44%

LAB 37.16, 45.14, -47.44

 

CMYK 0 / 3 / 64 / 35

HEX #A5A03B

RGB 165 160 59

HSL 57.17, 0.47%, 0.44%

LAB 64.53, -10.98, 51.49

 

CMYK 64 / 23 / 0 / 35

HEX #3C7FA5

RGB 60 127 165

HSL 201.71, 0.47%, 0.44%

LAB 50.52, -9.24, -26.59

 

CMYK 0 / 64 / 22 / 35

HEX #A53B80

RGB 165 59 128

HSL 320.94, 0.47%, 0.44%

LAB 42.29, 50.93, -16.45

 

CMYK 22 / 0 / 64 / 35

HEX #80A53B

RGB 128 165 59

HSL 80.94, 0.47%, 0.44%

LAB 63.19, -29.1, 49.22

 

CMYK 64 / 23 / 0 / 35

HEX #3C7FA5

RGB 60 127 165

HSL 201.71, 0.47%, 0.44%

LAB 50.52, -9.24, -26.59

 

CMYK 29 / 64 / 0 / 35

HEX #753BA5

RGB 117 59 165

HSL 272.83, 0.47%, 0.44%

LAB 37.16, 45.14, -47.44

 

CMYK 0 / 42 / 64 / 35

HEX #A5603B

RGB 165 96 59

HSL 20.94, 0.47%, 0.44%

LAB 47.86, 24.56, 32.83

 

CMYK 35 / 0 / 64 / 35

HEX #6BA53B

RGB 107 165 59

HSL 92.83, 0.47%, 0.44%

LAB 61.96, -37.11, 47.53

 

CMYK 64 / 23 / 0 / 35

HEX #3C7FA5

RGB 60 127 165

HSL 201.71, 0.47%, 0.44%

LAB 50.52, -9.24, -26.59

 

CMYK 10 / 64 / 0 / 35

HEX #953BA5

RGB 149 59 165

HSL 290.94, 0.47%, 0.44%

LAB 41.59, 52.85, -40.11

 

CMYK 0 / 42 / 64 / 35

HEX #A5603B

RGB 165 96 59

HSL 20.94, 0.47%, 0.44%

LAB 47.86, 24.56, 32.83

 

CMYK 55 / 0 / 64 / 35

HEX #4BA53B

RGB 75 165 59

HSL 110.94, 0.47%, 0.44%

LAB 60.54, -47.38, 45.56

 

Description

Color code: RGB 60 127 165 | qconv.com Color code: RGB 60 127 165 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 127 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 127 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 23 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 23% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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