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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 98 178 it is the complementary color RGB 250 157 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 98 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 98 178 shade: RGB 10 98 173, RGB 27 116 192, RGB 44 134 211, RGB 61 152 230 and RGB 78 170 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 98 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 98 178 shade: RGB 5 98 178, RGB 0 80 159, RGB 0 62 140, RGB 0 44 121 and RGB 0 26 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 98 178 shade: RGB 4 98 179, RGB 4 51 179, RGB 4 4 179, RGB 51 4 179 and RGB 98 4 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 98 178 shade: RGB 4 98 179, RGB 4 51 179 and RGB 4 4 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 98 178 shade matches the following richer shades: RGB 4 98 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 98 178 shade: RGB 4 98 179, RGB 19 97 164, RGB 34 96 149, RGB 49 94 134 and RGB 64 93 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 98 178 shade: RGB 4 179 164, RGB 4 147 179, RGB 4 100 179, RGB 4 54 179 and RGB 4 7 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 98 178 shade: RGB 2 54 98, RGB 3 76 138, RGB 4 98 179, RGB 5 120 219 and RGB 17 141 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 98 178 shade: RGB 5 98 178, RGB 117 4 179 and RGB 170 179 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 98 178 shade: RGB 5 98 178, RGB 179 4 100 and RGB 100 179 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 98 178 shade: RGB 5 98 178, RGB 117 4 179, RGB 179 83 4 and RGB 65 179 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 98 178 shade: RGB 5 98 178, RGB 170 4 179, RGB 179 83 4 and RGB 13 179 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 45 / 0 / 30

HEX #0562B2

RGB 5 98 178

HSL 207.75, 0.95%, 0.36%

LAB 41.19, 7.54, -49.01

 

Complementary color

CMYK 0 / 37 / 69 / 2

HEX #FA9D4D

RGB 250 157 77

HSL 27.75, 0.95%, 0.64%

LAB 72.87, 28, 54.96

 

CMYK 94 / 43 / 0 / 32

HEX #0A62AD

RGB 10 98 173

HSL 207.61, 0.89%, 0.36%

LAB 40.92, 5.72, -46.49

 

CMYK 86 / 40 / 0 / 25

HEX #1B74C0

RGB 27 116 192

HSL 207.64, 0.75%, 0.43%

LAB 47.66, 2.89, -46.77

 

CMYK 79 / 36 / 0 / 17

HEX #2C86D3

RGB 44 134 211

HSL 207.66, 0.65%, 0.5%

LAB 54.33, 0.65, -46.97

 

CMYK 73 / 34 / 0 / 10

HEX #3D98E6

RGB 61 152 230

HSL 207.69, 0.77%, 0.57%

LAB 60.92, -1.13, -47.12

 

CMYK 69 / 32 / 0 / 2

HEX #4EAAF9

RGB 78 170 249

HSL 207.72, 0.93%, 0.64%

LAB 67.43, -2.56, -47.25

 

CMYK 97 / 45 / 0 / 30

HEX #0562B2

RGB 5 98 178

HSL 207.75, 0.95%, 0.36%

LAB 41.19, 7.54, -49.01

 

CMYK 100 / 50 / 0 / 38

HEX #00509F

RGB 0 80 159

HSL 209.81, 1%, 0.31%

LAB 34.48, 11.38, -48.53

 

CMYK 100 / 56 / 0 / 45

HEX #003E8C

RGB 0 62 140

HSL 213.43, 1%, 0.27%

LAB 27.68, 15.74, -47.97

 

CMYK 100 / 64 / 0 / 53

HEX #002C79

RGB 0 44 121

HSL 218.18, 1%, 0.24%

LAB 20.76, 20.44, -47.35

 

CMYK 100 / 75 / 0 / 60

HEX #001A66

RGB 0 26 102

HSL 224.71, 1%, 0.2%

LAB 13.82, 25.31, -46.45

 

CMYK 98 / 45 / 0 / 30

HEX #0462B3

RGB 4 98 179

HSL 207.77, 0.96%, 0.36%

LAB 41.24, 7.91, -49.51

 

CMYK 98 / 72 / 0 / 30

HEX #0433B3

RGB 4 51 179

HSL 223.89, 0.96%, 0.36%

LAB 28.51, 39.14, -70.28

 

CMYK 98 / 98 / 0 / 30

HEX #0404B3

RGB 4 4 179

HSL 240, 0.96%, 0.36%

LAB 21.46, 59.74, -82

 

CMYK 72 / 98 / 0 / 30

HEX #3304B3

RGB 51 4 179

HSL 256.11, 0.96%, 0.36%

LAB 23.82, 60.77, -77.99

 

CMYK 45 / 98 / 0 / 30

HEX #6204B3

RGB 98 4 179

HSL 272.23, 0.96%, 0.36%

LAB 29.26, 63.97, -68.82

 

CMYK 98 / 45 / 0 / 30

HEX #0462B3

RGB 4 98 179

HSL 207.77, 0.96%, 0.36%

LAB 41.24, 7.91, -49.51

 

CMYK 98 / 72 / 0 / 30

HEX #0433B3

RGB 4 51 179

HSL 223.89, 0.96%, 0.36%

LAB 28.51, 39.14, -70.28

 

CMYK 98 / 98 / 0 / 30

HEX #0404B3

RGB 4 4 179

HSL 240, 0.96%, 0.36%

LAB 21.46, 59.74, -82

 

CMYK 98 / 45 / 0 / 30

HEX #0462B3

RGB 4 98 179

HSL 207.77, 0.96%, 0.36%

LAB 41.24, 7.91, -49.51

 

CMYK 98 / 45 / 0 / 30

HEX #0462B3

RGB 4 98 179

HSL 207.77, 0.96%, 0.36%

LAB 41.24, 7.91, -49.51

 

CMYK 88 / 41 / 0 / 36

HEX #1361A4

RGB 19 97 164

HSL 207.72, 0.79%, 0.36%

LAB 40.19, 3.24, -42.33

 

CMYK 77 / 36 / 0 / 42

HEX #226095

RGB 34 96 149

HSL 207.65, 0.63%, 0.36%

LAB 39.37, -0.54, -34.66

 

CMYK 63 / 30 / 0 / 47

HEX #315E86

RGB 49 94 134

HSL 208.24, 0.46%, 0.36%

LAB 38.52, -2.35, -26.91

 

CMYK 46 / 22 / 0 / 53

HEX #405D77

RGB 64 93 119

HSL 208.36, 0.3%, 0.36%

LAB 38.29, -3.12, -18.04

 

CMYK 98 / 0 / 8 / 30

HEX #04B3A4

RGB 4 179 164

HSL 174.86, 0.96%, 0.36%

LAB 65.71, -41.19, -3.15

 

CMYK 98 / 18 / 0 / 30

HEX #0493B3

RGB 4 147 179

HSL 190.97, 0.96%, 0.36%

LAB 56.24, -20.97, -25.88

 

CMYK 98 / 44 / 0 / 30

HEX #0464B3

RGB 4 100 179

HSL 207.09, 0.96%, 0.36%

LAB 41.84, 6.62, -48.56

 

CMYK 98 / 70 / 0 / 30

HEX #0436B3

RGB 4 54 179

HSL 222.86, 0.96%, 0.36%

LAB 29.21, 37.23, -69.12

 

CMYK 98 / 96 / 0 / 30

HEX #0407B3

RGB 4 7 179

HSL 238.97, 0.96%, 0.36%

LAB 21.7, 59, -81.59

 

CMYK 98 / 45 / 0 / 62

HEX #023662

RGB 2 54 98

HSL 207.5, 0.96%, 0.2%

LAB 22.06, 3.05, -30.4

 

CMYK 98 / 45 / 0 / 46

HEX #034C8A

RGB 3 76 138

HSL 207.56, 0.96%, 0.28%

LAB 31.86, 5.36, -39.98

 

CMYK 98 / 45 / 0 / 30

HEX #0462B3

RGB 4 98 179

HSL 207.77, 0.96%, 0.36%

LAB 41.24, 7.91, -49.51

 

CMYK 98 / 45 / 0 / 14

HEX #0578DB

RGB 5 120 219

HSL 207.76, 0.96%, 0.44%

LAB 50.19, 9.92, -58.14

 

CMYK 93 / 43 / 0 / 3

HEX #118DF8

RGB 17 141 248

HSL 207.79, 0.94%, 0.52%

LAB 57.99, 8.55, -61.79

 

CMYK 97 / 45 / 0 / 30

HEX #0562B2

RGB 5 98 178

HSL 207.75, 0.95%, 0.36%

LAB 41.19, 7.54, -49.01

 

CMYK 35 / 98 / 0 / 30

HEX #7504B3

RGB 117 4 179

HSL 278.74, 0.96%, 0.36%

LAB 32.09, 66, -64.06

 

CMYK 5 / 0 / 98 / 30

HEX #AAB304

RGB 170 179 4

HSL 63.09, 0.96%, 0.36%

LAB 70.03, -20.4, 71.12

 

CMYK 97 / 45 / 0 / 30

HEX #0562B2

RGB 5 98 178

HSL 207.75, 0.95%, 0.36%

LAB 41.19, 7.54, -49.01

 

CMYK 0 / 98 / 44 / 30

HEX #B30464

RGB 179 4 100

HSL 327.09, 0.96%, 0.36%

LAB 38.88, 65.39, -3.85

 

CMYK 44 / 0 / 98 / 30

HEX #64B304

RGB 100 179 4

HSL 87.09, 0.96%, 0.36%

LAB 65.72, -48.06, 65.92

 

CMYK 97 / 45 / 0 / 30

HEX #0562B2

RGB 5 98 178

HSL 207.75, 0.95%, 0.36%

LAB 41.19, 7.54, -49.01

 

CMYK 35 / 98 / 0 / 30

HEX #7504B3

RGB 117 4 179

HSL 278.74, 0.96%, 0.36%

LAB 32.09, 66, -64.06

 

CMYK 0 / 54 / 98 / 30

HEX #B35304

RGB 179 83 4

HSL 27.09, 0.96%, 0.36%

LAB 46.68, 35.43, 55.16

 

CMYK 64 / 0 / 98 / 30

HEX #41B304

RGB 65 179 4

HSL 99.09, 0.96%, 0.36%

LAB 64.46, -57.98, 64.39

 

CMYK 97 / 45 / 0 / 30

HEX #0562B2

RGB 5 98 178

HSL 207.75, 0.95%, 0.36%

LAB 41.19, 7.54, -49.01

 

CMYK 5 / 98 / 0 / 30

HEX #AA04B3

RGB 170 4 179

HSL 296.91, 0.96%, 0.36%

LAB 41.04, 73.47, -49.12

 

CMYK 0 / 54 / 98 / 30

HEX #B35304

RGB 179 83 4

HSL 27.09, 0.96%, 0.36%

LAB 46.68, 35.43, 55.16

 

CMYK 93 / 0 / 98 / 30

HEX #0DB304

RGB 13 179 4

HSL 116.91, 0.96%, 0.36%

LAB 63.62, -65.35, 63.36

 

Description

Color code: RGB 5 98 178 | qconv.com Color code: RGB 5 98 178 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 98 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 98 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 45 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 45% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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