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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 81 113 it is the complementary color RGB 250 174 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 81 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 81 113 shade: RGB 10 81 108, RGB 27 99 127, RGB 44 117 146, RGB 61 135 165 and RGB 78 153 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 81 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 81 113 shade: RGB 5 81 113, RGB 0 63 94, RGB 0 45 75, RGB 0 27 56 and RGB 0 9 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 81 113 shade: RGB 4 80 112, RGB 4 51 112, RGB 4 22 112, RGB 16 4 112 and RGB 45 4 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 81 113 shade: RGB 4 80 112, RGB 4 51 112, RGB 4 22 112 and RGB 4 4 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 81 113 shade matches the following richer shades: RGB 4 80 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 81 113 shade: RGB 4 80 112, RGB 14 76 103, RGB 23 72 93, RGB 33 69 84 and RGB 42 65 74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 81 113 shade: RGB 4 112 85, RGB 4 110 112, RGB 4 82 112, RGB 4 53 112 and RGB 4 24 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 81 113 shade: RGB 1 23 33, RGB 3 52 72, RGB 4 80 112, RGB 6 108 152 and RGB 7 137 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 81 113 shade: RGB 5 81 113, RGB 56 4 112 and RGB 112 100 4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 81 113 shade: RGB 5 81 113, RGB 112 4 82 and RGB 82 112 4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 81 113 shade: RGB 5 81 113, RGB 56 4 112, RGB 112 35 4 and RGB 60 112 4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 81 113 shade: RGB 5 81 113, RGB 89 4 112, RGB 112 35 4 and RGB 28 112 4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 28 / 0 / 56

HEX #055171

RGB 5 81 113

HSL 197.78, 0.92%, 0.23%

LAB 32.05, -8.2, -24.16

 

Complementary color

CMYK 0 / 30 / 43 / 2

HEX #FAAE8E

RGB 250 174 142

HSL 17.78, 0.92%, 0.77%

LAB 77.61, 24.1, 27.59

 

CMYK 91 / 25 / 0 / 58

HEX #0A516C

RGB 10 81 108

HSL 196.53, 0.83%, 0.23%

LAB 31.88, -9.82, -21.29

 

CMYK 79 / 22 / 0 / 50

HEX #1B637F

RGB 27 99 127

HSL 196.8, 0.65%, 0.3%

LAB 39.05, -11.57, -21.87

 

CMYK 70 / 20 / 0 / 43

HEX #2C7592

RGB 44 117 146

HSL 197.06, 0.54%, 0.37%

LAB 46.09, -12.75, -22.35

 

CMYK 63 / 18 / 0 / 35

HEX #3D87A5

RGB 61 135 165

HSL 197.31, 0.46%, 0.44%

LAB 52.99, -13.57, -22.77

 

CMYK 58 / 17 / 0 / 28

HEX #4E99B8

RGB 78 153 184

HSL 197.55, 0.43%, 0.51%

LAB 59.76, -14.16, -23.16

 

CMYK 96 / 28 / 0 / 56

HEX #055171

RGB 5 81 113

HSL 197.78, 0.92%, 0.23%

LAB 32.05, -8.2, -24.16

 

CMYK 100 / 33 / 0 / 63

HEX #003F5E

RGB 0 63 94

HSL 199.79, 1%, 0.18%

LAB 24.84, -5.09, -23.39

 

CMYK 100 / 40 / 0 / 71

HEX #002D4B

RGB 0 45 75

HSL 204, 1%, 0.15%

LAB 17.39, -1.24, -22.55

 

CMYK 100 / 52 / 0 / 78

HEX #001B38

RGB 0 27 56

HSL 211.07, 1%, 0.11%

LAB 9.56, 3.14, -21.8

 

CMYK 100 / 76 / 0 / 85

HEX #000925

RGB 0 9 37

HSL 225.41, 1%, 0.07%

LAB 2.97, 4.87, -18.15

 

CMYK 96 / 29 / 0 / 56

HEX #045070

RGB 4 80 112

HSL 197.78, 0.93%, 0.23%

LAB 31.65, -8.07, -24.16

 

CMYK 96 / 54 / 0 / 56

HEX #043370

RGB 4 51 112

HSL 213.89, 0.93%, 0.23%

LAB 22.17, 11.65, -39.28

 

CMYK 96 / 80 / 0 / 56

HEX #041670

RGB 4 22 112

HSL 230, 0.93%, 0.23%

LAB 14.23, 32.19, -52.31

 

CMYK 86 / 96 / 0 / 56

HEX #100470

RGB 16 4 112

HSL 246.67, 0.93%, 0.23%

LAB 11.74, 41.59, -56.44

 

CMYK 60 / 96 / 0 / 56

HEX #2D0470

RGB 45 4 112

HSL 262.78, 0.93%, 0.23%

LAB 14.48, 43.25, -51.8

 

CMYK 96 / 29 / 0 / 56

HEX #045070

RGB 4 80 112

HSL 197.78, 0.93%, 0.23%

LAB 31.65, -8.07, -24.16

 

CMYK 96 / 54 / 0 / 56

HEX #043370

RGB 4 51 112

HSL 213.89, 0.93%, 0.23%

LAB 22.17, 11.65, -39.28

 

CMYK 96 / 80 / 0 / 56

HEX #041670

RGB 4 22 112

HSL 230, 0.93%, 0.23%

LAB 14.23, 32.19, -52.31

 

CMYK 96 / 96 / 0 / 56

HEX #040470

RGB 4 4 112

HSL 240, 0.93%, 0.23%

LAB 11.15, 41.3, -57.43

 

CMYK 96 / 29 / 0 / 56

HEX #045070

RGB 4 80 112

HSL 197.78, 0.93%, 0.23%

LAB 31.65, -8.07, -24.16

 

CMYK 96 / 29 / 0 / 56

HEX #045070

RGB 4 80 112

HSL 197.78, 0.93%, 0.23%

LAB 31.65, -8.07, -24.16

 

CMYK 86 / 26 / 0 / 60

HEX #0E4C67

RGB 14 76 103

HSL 198.2, 0.76%, 0.23%

LAB 30.01, -8.36, -21.04

 

CMYK 75 / 23 / 0 / 64

HEX #17485D

RGB 23 72 93

HSL 198, 0.6%, 0.23%

LAB 28.4, -8.55, -17.14

 

CMYK 61 / 18 / 0 / 67

HEX #214554

RGB 33 69 84

HSL 197.65, 0.44%, 0.23%

LAB 27.35, -7.94, -12.91

 

CMYK 43 / 12 / 0 / 71

HEX #2A414A

RGB 42 65 74

HSL 196.88, 0.28%, 0.23%

LAB 26.06, -6.21, -8.3

 

CMYK 96 / 0 / 24 / 56

HEX #047055

RGB 4 112 85

HSL 165, 0.93%, 0.23%

LAB 41.64, -34.15, 7.47

 

CMYK 96 / 2 / 0 / 56

HEX #046E70

RGB 4 110 112

HSL 181.11, 0.93%, 0.23%

LAB 41.76, -24.94, -8.65

 

CMYK 96 / 27 / 0 / 56

HEX #045270

RGB 4 82 112

HSL 196.67, 0.93%, 0.23%

LAB 32.33, -9.3, -23.11

 

CMYK 96 / 53 / 0 / 56

HEX #043570

RGB 4 53 112

HSL 212.78, 0.93%, 0.23%

LAB 22.8, 10.2, -38.26

 

CMYK 96 / 79 / 0 / 56

HEX #041870

RGB 4 24 112

HSL 228.89, 0.93%, 0.23%

LAB 14.67, 30.92, -51.57

 

CMYK 97 / 30 / 0 / 87

HEX #011721

RGB 1 23 33

HSL 198.75, 0.94%, 0.07%

LAB 6.59, -4.08, -9.51

 

CMYK 96 / 28 / 0 / 72

HEX #033448

RGB 3 52 72

HSL 197.39, 0.92%, 0.15%

LAB 19.82, -6.97, -16.7

 

CMYK 96 / 29 / 0 / 56

HEX #045070

RGB 4 80 112

HSL 197.78, 0.93%, 0.23%

LAB 31.65, -8.07, -24.16

 

CMYK 96 / 29 / 0 / 40

HEX #066C98

RGB 6 108 152

HSL 198.08, 0.92%, 0.31%

LAB 42.81, -9.05, -31.07

 

CMYK 96 / 28 / 0 / 25

HEX #0789BF

RGB 7 137 191

HSL 197.61, 0.93%, 0.39%

LAB 53.71, -11.02, -36.66

 

CMYK 96 / 28 / 0 / 56

HEX #055171

RGB 5 81 113

HSL 197.78, 0.92%, 0.23%

LAB 32.05, -8.2, -24.16

 

CMYK 50 / 96 / 0 / 56

HEX #380470

RGB 56 4 112

HSL 268.89, 0.93%, 0.23%

LAB 15.99, 44.31, -49.25

 

CMYK 0 / 11 / 96 / 56

HEX #706404

RGB 112 100 4

HSL 53.33, 0.93%, 0.23%

LAB 42.1, -4.88, 47.88

 

CMYK 96 / 28 / 0 / 56

HEX #055171

RGB 5 81 113

HSL 197.78, 0.92%, 0.23%

LAB 32.05, -8.2, -24.16

 

CMYK 0 / 96 / 27 / 56

HEX #700452

RGB 112 4 82

HSL 316.67, 0.93%, 0.23%

LAB 24.13, 48.39, -15.77

 

CMYK 27 / 0 / 96 / 56

HEX #527004

RGB 82 112 4

HSL 76.67, 0.93%, 0.23%

LAB 43.35, -25.44, 47.77

 

CMYK 96 / 28 / 0 / 56

HEX #055171

RGB 5 81 113

HSL 197.78, 0.92%, 0.23%

LAB 32.05, -8.2, -24.16

 

CMYK 50 / 96 / 0 / 56

HEX #380470

RGB 56 4 112

HSL 268.89, 0.93%, 0.23%

LAB 15.99, 44.31, -49.25

 

CMYK 0 / 69 / 96 / 56

HEX #702304

RGB 112 35 4

HSL 17.22, 0.93%, 0.23%

LAB 25.73, 32.71, 35.37

 

CMYK 46 / 0 / 96 / 56

HEX #3C7004

RGB 60 112 4

HSL 88.89, 0.93%, 0.23%

LAB 42.09, -34.23, 46.23

 

CMYK 96 / 28 / 0 / 56

HEX #055171

RGB 5 81 113

HSL 197.78, 0.92%, 0.23%

LAB 32.05, -8.2, -24.16

 

CMYK 21 / 96 / 0 / 56

HEX #590470

RGB 89 4 112

HSL 287.22, 0.93%, 0.23%

LAB 21.51, 48.79, -40

 

CMYK 0 / 69 / 96 / 56

HEX #702304

RGB 112 35 4

HSL 17.22, 0.93%, 0.23%

LAB 25.73, 32.71, 35.37

 

CMYK 75 / 0 / 96 / 56

HEX #1C7004

RGB 28 112 4

HSL 106.67, 0.93%, 0.23%

LAB 40.97, -43.25, 44.85

 

Description

Color code: RGB 5 81 113 | qconv.com Color code: RGB 5 81 113 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 81 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 81 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 28 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 28% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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