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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 56 141 it is the complementary color RGB 250 199 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 56 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 5 56 141: RGB 10 56 136, RGB 27 74 155, RGB 44 92 174, RGB 61 110 193 and RGB 78 128 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 56 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 5 56 141: RGB 5 56 141, RGB 0 38 122, RGB 0 20 103, RGB 0 2 84 and RGB 0 0 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 60 / 0 / 45

HEX #05388D

RGB 5 56 141

HSL 217.5, 0.93%, 0.29%

LAB 26.11, 20.68, -51.14

 

Complementary color

CMYK 0 / 20 / 54 / 2

HEX #FAC772

RGB 250 199 114

HSL 37.5, 0.93%, 0.71%

LAB 83.12, 8.45, 49

 

CMYK 93 / 59 / 0 / 47

HEX #0A3888

RGB 10 56 136

HSL 218.1, 0.86%, 0.29%

LAB 25.77, 18.84, -48.58

 

CMYK 83 / 52 / 0 / 39

HEX #1B4A9B

RGB 27 74 155

HSL 217.97, 0.7%, 0.36%

LAB 32.91, 15.51, -48.63

 

CMYK 75 / 47 / 0 / 32

HEX #2C5CAE

RGB 44 92 174

HSL 217.85, 0.6%, 0.43%

LAB 39.99, 12.97, -48.54

 

CMYK 68 / 43 / 0 / 24

HEX #3D6EC1

RGB 61 110 193

HSL 217.73, 0.52%, 0.5%

LAB 46.97, 11, -48.4

 

CMYK 63 / 40 / 0 / 17

HEX #4E80D4

RGB 78 128 212

HSL 217.61, 0.61%, 0.57%

LAB 53.83, 9.44, -48.27

 

CMYK 96 / 60 / 0 / 45

HEX #05388D

RGB 5 56 141

HSL 217.5, 0.93%, 0.29%

LAB 26.11, 20.68, -51.14

 

CMYK 100 / 69 / 0 / 52

HEX #00267A

RGB 0 38 122

HSL 221.31, 1%, 0.24%

LAB 19.19, 25.18, -50.56

 

CMYK 100 / 81 / 0 / 60

HEX #001467

RGB 0 20 103

HSL 228.35, 1%, 0.2%

LAB 12.48, 29.78, -49.32

 

CMYK 100 / 98 / 0 / 67

HEX #000254

RGB 0 2 84

HSL 238.57, 1%, 0.16%

LAB 6.17, 33.15, -47.02

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 96 / 60 / 0 / 45

HEX #05388D

RGB 5 56 141

HSL 217.5, 0.93%, 0.29%

LAB 26.11, 20.68, -51.14

 

CMYK 96 / 76 / 0 / 44

HEX #05228E

RGB 5 34 142

HSL 227.3, 0.93%, 0.29%

LAB 20.55, 36.03, -60.9

 

CMYK 96 / 92 / 0 / 44

HEX #050C8E

RGB 5 12 142

HSL 236.93, 0.93%, 0.29%

LAB 16.74, 47.18, -67.25

 

CMYK 85 / 96 / 0 / 44

HEX #15058E

RGB 21 5 142

HSL 247.01, 0.93%, 0.29%

LAB 16.61, 49.83, -67.45

 

CMYK 69 / 96 / 0 / 44

HEX #2C058E

RGB 44 5 142

HSL 257.08, 0.93%, 0.29%

LAB 18.35, 50.75, -64.5

 

CMYK 96 / 60 / 0 / 45

HEX #05388D

RGB 5 56 141

HSL 217.5, 0.93%, 0.29%

LAB 26.11, 20.68, -51.14

 

CMYK 96 / 60 / 0 / 25

HEX #074CC0

RGB 7 76 192

HSL 217.62, 0.93%, 0.39%

LAB 36.02, 27.89, -65.6

 

CMYK 96 / 60 / 0 / 5

HEX #0961F3

RGB 9 97 243

HSL 217.44, 0.93%, 0.49%

LAB 45.74, 34.04, -78.87

 

CMYK 97 / 62 / 0 / 85

HEX #010F27

RGB 1 15 39

HSL 217.89, 0.95%, 0.08%

LAB 4.47, 3.26, -17.36

 

CMYK 97 / 60 / 0 / 65

HEX #03245A

RGB 3 36 90

HSL 217.24, 0.94%, 0.18%

LAB 15.59, 12.82, -35.56

 

CMYK 96 / 60 / 0 / 45

HEX #05388D

RGB 5 56 141

HSL 217.5, 0.93%, 0.29%

LAB 26.11, 20.68, -51.14

 

CMYK 18 / 96 / 0 / 44

HEX #75058E

RGB 117 5 142

HSL 289.05, 0.93%, 0.29%

LAB 29.01, 58.69, -46.58

 

CMYK 21 / 0 / 96 / 44

HEX #708E05

RGB 112 142 5

HSL 73.14, 0.93%, 0.29%

LAB 54.87, -27.2, 57.51

 

CMYK 96 / 60 / 0 / 45

HEX #05388D

RGB 5 56 141

HSL 217.5, 0.93%, 0.29%

LAB 26.11, 20.68, -51.14

 

CMYK 0 / 96 / 60 / 44

HEX #8E0539

RGB 142 5 57

HSL 337.23, 0.93%, 0.29%

LAB 29.8, 53.06, 10.18

 

CMYK 60 / 0 / 96 / 44

HEX #398E05

RGB 57 142 5

HSL 97.23, 0.93%, 0.29%

LAB 52.09, -47.01, 54.13

 

CMYK 96 / 60 / 0 / 45

HEX #05388D

RGB 5 56 141

HSL 217.5, 0.93%, 0.29%

LAB 26.11, 20.68, -51.14

 

CMYK 18 / 96 / 0 / 44

HEX #75058E

RGB 117 5 142

HSL 289.05, 0.93%, 0.29%

LAB 29.01, 58.69, -46.58

 

CMYK 0 / 37 / 96 / 44

HEX #8E5905

RGB 142 89 5

HSL 36.79, 0.93%, 0.29%

LAB 42.62, 16.04, 49.59

 

CMYK 79 / 0 / 96 / 44

HEX #1E8E05

RGB 30 142 5

HSL 109.05, 0.93%, 0.29%

LAB 51.42, -52.72, 53.3

 

CMYK 96 / 60 / 0 / 45

HEX #05388D

RGB 5 56 141

HSL 217.5, 0.93%, 0.29%

LAB 26.11, 20.68, -51.14

 

CMYK 0 / 96 / 11 / 44

HEX #8E057E

RGB 142 5 126

HSL 307.01, 0.93%, 0.29%

LAB 32.63, 60.46, -30.55

 

CMYK 0 / 37 / 96 / 44

HEX #8E5905

RGB 142 89 5

HSL 36.79, 0.93%, 0.29%

LAB 42.62, 16.04, 49.59

 

CMYK 96 / 0 / 85 / 44

HEX #058E15

RGB 5 142 21

HSL 127.01, 0.93%, 0.29%

LAB 51.19, -54.59, 49.69

 

Description

Color code: RGB 5 56 141 | qconv.com Color code: RGB 5 56 141 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 56 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 56 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 60 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 60% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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