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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 214 213 it is the complementary color RGB 250 41 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 214 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 214 213 shade: RGB 10 214 208, RGB 27 232 227, RGB 44 250 246, RGB 61 255 255 and RGB 78 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 214 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 214 213 shade: RGB 5 214 213, RGB 0 196 194, RGB 0 178 175, RGB 0 160 156 and RGB 0 142 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 214 213 shade: RGB 5 213 212, RGB 5 213 156, RGB 5 213 100, RGB 5 213 44 and RGB 22 213 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 214 213 shade: RGB 5 213 212, RGB 5 158 213, RGB 5 102 213, RGB 5 46 213 and RGB 5 5 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 214 213 shade matches the following richer shades: RGB 5 213 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 214 213 shade: RGB 5 213 212, RGB 23 196 195, RGB 40 178 177, RGB 58 160 160 and RGB 76 142 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 214 213 shade: RGB 5 213 99, RGB 5 213 154, RGB 5 213 210, RGB 5 161 213 and RGB 5 106 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 214 213 shade: RGB 3 133 132, RGB 4 173 172, RGB 5 213 212, RGB 11 248 247 and RGB 52 249 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 214 213 shade: RGB 5 214 213, RGB 43 5 213 and RGB 213 127 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 214 213 shade: RGB 5 214 213, RGB 210 5 213 and RGB 213 210 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 214 213 shade: RGB 5 214 213, RGB 43 5 213, RGB 213 5 8 and RGB 175 213 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 214 213 shade: RGB 5 214 213, RGB 106 5 213, RGB 213 5 8 and RGB 113 213 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 0 / 16

HEX #05D6D5

RGB 5 214 213

HSL 179.71, 0.95%, 0.43%

LAB 77.83, -42.29, -11.86

 

Complementary color

CMYK 0 / 84 / 83 / 2

HEX #FA292A

RGB 250 41 42

HSL 359.71, 0.95%, 0.57%

LAB 54.11, 74.47, 52.72

 

CMYK 95 / 0 / 3 / 16

HEX #0AD6D0

RGB 10 214 208

HSL 178.24, 0.91%, 0.44%

LAB 77.7, -43.63, -9.37

 

CMYK 88 / 0 / 2 / 9

HEX #1BE8E3

RGB 27 232 227

HSL 178.54, 0.82%, 0.51%

LAB 83.7, -45.39, -10.55

 

CMYK 82 / 0 / 2 / 2

HEX #2CFAF6

RGB 44 250 246

HSL 178.83, 0.95%, 0.58%

LAB 89.65, -46.84, -11.62

 

CMYK 76 / 0 / 0 / 0

HEX #3DFFFF

RGB 61 255 255

HSL 180, 1%, 0.62%

LAB 91.56, -45.14, -13.42

 

CMYK 69 / 0 / 0 / 0

HEX #4EFFFF

RGB 78 255 255

HSL 180, 1%, 0.65%

LAB 91.85, -43.33, -12.97

 

CMYK 98 / 0 / 0 / 16

HEX #05D6D5

RGB 5 214 213

HSL 179.71, 0.95%, 0.43%

LAB 77.83, -42.29, -11.86

 

CMYK 100 / 0 / 1 / 23

HEX #00C4C2

RGB 0 196 194

HSL 179.39, 1%, 0.38%

LAB 71.81, -40.04, -10.6

 

CMYK 100 / 0 / 2 / 30

HEX #00B2AF

RGB 0 178 175

HSL 178.99, 1%, 0.35%

LAB 65.7, -37.63, -9.27

 

CMYK 100 / 0 / 2 / 37

HEX #00A09C

RGB 0 160 156

HSL 178.5, 1%, 0.31%

LAB 59.47, -35.17, -7.9

 

CMYK 100 / 0 / 4 / 44

HEX #008E89

RGB 0 142 137

HSL 177.89, 1%, 0.28%

LAB 53.12, -32.67, -6.49

 

CMYK 98 / 0 / 0 / 16

HEX #05D5D4

RGB 5 213 212

HSL 179.71, 0.95%, 0.43%

LAB 77.5, -42.14, -11.82

 

CMYK 98 / 0 / 27 / 16

HEX #05D59C

RGB 5 213 156

HSL 163.56, 0.95%, 0.43%

LAB 76.08, -57.01, 16.08

 

CMYK 98 / 0 / 53 / 16

HEX #05D564

RGB 5 213 100

HSL 147.4, 0.95%, 0.43%

LAB 75.16, -67.72, 43.4

 

CMYK 98 / 0 / 79 / 16

HEX #05D52C

RGB 5 213 44

HSL 131.25, 0.95%, 0.43%

LAB 74.7, -73.56, 65.17

 

CMYK 90 / 0 / 98 / 16

HEX #16D505

RGB 22 213 5

HSL 115.1, 0.95%, 0.43%

LAB 74.68, -74.16, 72.26

 

CMYK 98 / 0 / 0 / 16

HEX #05D5D4

RGB 5 213 212

HSL 179.71, 0.95%, 0.43%

LAB 77.5, -42.14, -11.82

 

CMYK 98 / 26 / 0 / 16

HEX #059ED5

RGB 5 158 213

HSL 195.87, 0.95%, 0.43%

LAB 61.04, -14.72, -37.56

 

CMYK 98 / 52 / 0 / 16

HEX #0566D5

RGB 5 102 213

HSL 212.02, 0.95%, 0.43%

LAB 44.72, 19.03, -63.58

 

CMYK 98 / 78 / 0 / 16

HEX #052ED5

RGB 5 46 213

HSL 228.17, 0.95%, 0.43%

LAB 31.32, 53.96, -85.57

 

CMYK 98 / 98 / 0 / 16

HEX #0505D5

RGB 5 5 213

HSL 240, 0.95%, 0.43%

LAB 26.58, 68.19, -93.48

 

CMYK 98 / 0 / 0 / 16

HEX #05D5D4

RGB 5 213 212

HSL 179.71, 0.95%, 0.43%

LAB 77.5, -42.14, -11.82

 

CMYK 98 / 0 / 0 / 16

HEX #05D5D4

RGB 5 213 212

HSL 179.71, 0.95%, 0.43%

LAB 77.5, -42.14, -11.82

 

CMYK 88 / 0 / 1 / 23

HEX #17C4C3

RGB 23 196 195

HSL 179.65, 0.79%, 0.43%

LAB 71.96, -38.93, -10.9

 

CMYK 78 / 0 / 1 / 30

HEX #28B2B1

RGB 40 178 177

HSL 179.57, 0.63%, 0.43%

LAB 66.11, -34.72, -9.73

 

CMYK 64 / 0 / 0 / 37

HEX #3AA0A0

RGB 58 160 160

HSL 180, 0.47%, 0.43%

LAB 60.41, -28.71, -8.68

 

CMYK 46 / 0 / 0 / 44

HEX #4C8E8E

RGB 76 142 142

HSL 180, 0.3%, 0.43%

LAB 54.9, -20.97, -6.54

 

CMYK 98 / 0 / 54 / 16

HEX #05D563

RGB 5 213 99

HSL 147.12, 0.95%, 0.43%

LAB 75.15, -67.87, 43.86

 

CMYK 98 / 0 / 28 / 16

HEX #05D59A

RGB 5 213 154

HSL 162.98, 0.95%, 0.43%

LAB 76.04, -57.47, 17.08

 

CMYK 98 / 0 / 1 / 16

HEX #05D5D2

RGB 5 213 210

HSL 179.13, 0.95%, 0.43%

LAB 77.44, -42.73, -10.84

 

CMYK 98 / 24 / 0 / 16

HEX #05A1D5

RGB 5 161 213

HSL 195, 0.95%, 0.43%

LAB 61.93, -16.35, -36.16

 

CMYK 98 / 50 / 0 / 16

HEX #056AD5

RGB 5 106 213

HSL 210.87, 0.95%, 0.43%

LAB 45.83, 16.45, -61.77

 

CMYK 98 / 0 / 1 / 48

HEX #038584

RGB 3 133 132

HSL 179.54, 0.96%, 0.27%

LAB 50.05, -29.82, -8.15

 

CMYK 98 / 0 / 1 / 32

HEX #04ADAC

RGB 4 173 172

HSL 179.64, 0.95%, 0.35%

LAB 64.07, -36.11, -10.03

 

CMYK 98 / 0 / 0 / 16

HEX #05D5D4

RGB 5 213 212

HSL 179.71, 0.95%, 0.43%

LAB 77.5, -42.14, -11.82

 

CMYK 96 / 0 / 0 / 3

HEX #0BF8F7

RGB 11 248 247

HSL 179.75, 0.94%, 0.51%

LAB 88.89, -47.14, -13.31

 

CMYK 79 / 0 / 0 / 2

HEX #34F9F8

RGB 52 249 248

HSL 179.7, 0.94%, 0.59%

LAB 89.51, -45.25, -12.86

 

CMYK 98 / 0 / 0 / 16

HEX #05D6D5

RGB 5 214 213

HSL 179.71, 0.95%, 0.43%

LAB 77.83, -42.29, -11.86

 

CMYK 80 / 98 / 0 / 16

HEX #2B05D5

RGB 43 5 213

HSL 250.96, 0.95%, 0.43%

LAB 27.92, 68.72, -91.21

 

CMYK 0 / 40 / 98 / 16

HEX #D57F05

RGB 213 127 5

HSL 35.19, 0.95%, 0.43%

LAB 61.08, 26.35, 66.64

 

CMYK 98 / 0 / 0 / 16

HEX #05D6D5

RGB 5 214 213

HSL 179.71, 0.95%, 0.43%

LAB 77.83, -42.29, -11.86

 

CMYK 1 / 98 / 0 / 16

HEX #D205D5

RGB 210 5 213

HSL 299.13, 0.95%, 0.43%

LAB 50.23, 84.92, -53.78

 

CMYK 0 / 1 / 98 / 16

HEX #D5D205

RGB 213 210 5

HSL 59.13, 0.95%, 0.43%

LAB 81.97, -17.29, 81.44

 

CMYK 98 / 0 / 0 / 16

HEX #05D6D5

RGB 5 214 213

HSL 179.71, 0.95%, 0.43%

LAB 77.83, -42.29, -11.86

 

CMYK 80 / 98 / 0 / 16

HEX #2B05D5

RGB 43 5 213

HSL 250.96, 0.95%, 0.43%

LAB 27.92, 68.72, -91.21

 

CMYK 0 / 98 / 96 / 16

HEX #D50508

RGB 213 5 8

HSL 359.13, 0.95%, 0.43%

LAB 44.62, 69.56, 56.22

 

CMYK 18 / 0 / 98 / 16

HEX #AFD505

RGB 175 213 5

HSL 70.96, 0.95%, 0.43%

LAB 80.02, -34.55, 78.74

 

CMYK 98 / 0 / 0 / 16

HEX #05D6D5

RGB 5 214 213

HSL 179.71, 0.95%, 0.43%

LAB 77.83, -42.29, -11.86

 

CMYK 50 / 98 / 0 / 16

HEX #6A05D5

RGB 106 5 213

HSL 269.13, 0.95%, 0.43%

LAB 33.93, 71.94, -81.04

 

CMYK 0 / 98 / 96 / 16

HEX #D50508

RGB 213 5 8

HSL 359.13, 0.95%, 0.43%

LAB 44.62, 69.56, 56.22

 

CMYK 47 / 0 / 98 / 16

HEX #71D505

RGB 113 213 5

HSL 88.85, 0.95%, 0.43%

LAB 76.75, -56.96, 74.78

 

Description

Color code: RGB 5 214 213 | qconv.com Color code: RGB 5 214 213 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 214 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 214 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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