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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 1 17 it is the complementary color RGB 250 254 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 1 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 5 1 17: RGB 10 1 12, RGB 27 19 31, RGB 44 37 50, RGB 61 55 69 and RGB 78 73 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 1 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 5 1 17: RGB 5 1 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 94 / 0 / 93

HEX #050111

RGB 5 1 17

HSL 255, 0.89%, 0.04%

LAB 0.85, 3.48, -6.24

 

Complementary color

CMYK 2 / 0 / 6 / 0

HEX #FAFEEE

RGB 250 254 238

HSL 75, 0.89%, 0.96%

LAB 98.98, -4.06, 7.18

 

CMYK 17 / 92 / 0 / 95

HEX #0A010C

RGB 10 1 12

HSL 289.09, 0.85%, 0.03%

LAB 1.02, 3.9, -3.38

 

CMYK 13 / 39 / 0 / 88

HEX #1B131F

RGB 27 19 31

HSL 280, 0.24%, 0.1%

LAB 7.21, 7, -6.86

 

CMYK 12 / 26 / 0 / 80

HEX #2C2532

RGB 44 37 50

HSL 272.31, 0.15%, 0.17%

LAB 15.95, 6.41, -7.28

 

CMYK 12 / 20 / 0 / 73

HEX #3D3745

RGB 61 55 69

HSL 265.71, 0.11%, 0.24%

LAB 24.17, 5.89, -7.69

 

CMYK 11 / 17 / 0 / 65

HEX #4E4958

RGB 78 73 88

HSL 260, 0.09%, 0.32%

LAB 32.01, 5.46, -8.11

 

CMYK 71 / 94 / 0 / 93

HEX #050111

RGB 5 1 17

HSL 255, 0.89%, 0.04%

LAB 0.85, 3.48, -6.24

 

CMYK 71 / 94 / 0 / 93

HEX #050111

RGB 5 1 17

HSL 255, 0.89%, 0.04%

LAB 0.85, 3.48, -6.24

 

CMYK 58 / 95 / 0 / 93

HEX #080113

RGB 8 1 19

HSL 263.33, 0.9%, 0.04%

LAB 1.09, 4.68, -7.1

 

CMYK 42 / 95 / 0 / 93

HEX #0B0113

RGB 11 1 19

HSL 273.33, 0.9%, 0.04%

LAB 1.26, 5.47, -6.82

 

CMYK 26 / 95 / 0 / 93

HEX #0E0113

RGB 14 1 19

HSL 283.33, 0.9%, 0.04%

LAB 1.46, 6.37, -6.5

 

CMYK 11 / 95 / 0 / 93

HEX #110113

RGB 17 1 19

HSL 293.33, 0.9%, 0.04%

LAB 1.7, 7.41, -6.13

 

CMYK 71 / 94 / 0 / 93

HEX #050111

RGB 5 1 17

HSL 255, 0.89%, 0.04%

LAB 0.85, 3.48, -6.24

 

CMYK 71 / 94 / 0 / 73

HEX #140444

RGB 20 4 68

HSL 255, 0.89%, 0.14%

LAB 5.9, 27.45, -36.28

 

CMYK 71 / 94 / 0 / 53

HEX #230777

RGB 35 7 119

HSL 255, 0.89%, 0.25%

LAB 14.63, 43.31, -56.12

 

CMYK 71 / 94 / 0 / 33

HEX #320AAA

RGB 50 10 170

HSL 255, 0.89%, 0.35%

LAB 22.99, 57.1, -73.96

 

CMYK 71 / 94 / 0 / 13

HEX #410DDD

RGB 65 13 221

HSL 255, 0.89%, 0.46%

LAB 30.95, 70.05, -90.73

 

CMYK 71 / 94 / 0 / 93

HEX #050111

RGB 5 1 17

HSL 255, 0.89%, 0.04%

LAB 0.85, 3.48, -6.24

 

CMYK 0 / 95 / 42 / 93

HEX #13010B

RGB 19 1 11

HSL 326.67, 0.9%, 0.04%

LAB 1.66, 6.74, -1.91

 

CMYK 84 / 0 / 95 / 93

HEX #031301

RGB 3 19 1

HSL 113.33, 0.9%, 0.04%

LAB 4.4, -7.67, 6.04

 

CMYK 71 / 94 / 0 / 93

HEX #050111

RGB 5 1 17

HSL 255, 0.89%, 0.04%

LAB 0.85, 3.48, -6.24

 

CMYK 0 / 74 / 95 / 93

HEX #130501

RGB 19 5 1

HSL 13.33, 0.9%, 0.04%

LAB 2.25, 3.75, 3.03

 

CMYK 95 / 0 / 74 / 93

HEX #011305

RGB 1 19 5

HSL 133.33, 0.9%, 0.04%

LAB 4.36, -7.64, 4.34

 

CMYK 71 / 94 / 0 / 93

HEX #050111

RGB 5 1 17

HSL 255, 0.89%, 0.04%

LAB 0.85, 3.48, -6.24

 

CMYK 0 / 95 / 42 / 93

HEX #13010B

RGB 19 1 11

HSL 326.67, 0.9%, 0.04%

LAB 1.66, 6.74, -1.91

 

CMYK 26 / 0 / 95 / 93

HEX #0E1301

RGB 14 19 1

HSL 76.67, 0.9%, 0.04%

LAB 5.07, -4.67, 7.1

 

CMYK 95 / 0 / 53 / 93

HEX #011309

RGB 1 19 9

HSL 146.67, 0.9%, 0.04%

LAB 4.44, -7.08, 2.83

 

CMYK 71 / 94 / 0 / 93

HEX #050111

RGB 5 1 17

HSL 255, 0.89%, 0.04%

LAB 0.85, 3.48, -6.24

 

CMYK 0 / 95 / 74 / 93

HEX #130105

RGB 19 1 5

HSL 346.67, 0.9%, 0.04%

LAB 1.55, 5.91, 0.37

 

CMYK 26 / 0 / 95 / 93

HEX #0E1301

RGB 14 19 1

HSL 76.67, 0.9%, 0.04%

LAB 5.07, -4.67, 7.1

 

CMYK 95 / 0 / 26 / 93

HEX #01130E

RGB 1 19 14

HSL 163.33, 0.9%, 0.04%

LAB 4.55, -6.32, 0.76

 

Description

Color code: RGB 5 1 17 | qconv.com Color code: RGB 5 1 17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 1 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 1 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 94 magenta, none yellow and 93 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 94% 0% 93% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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