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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 199 179 it is the complementary color RGB 250 56 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 199 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 199 179 shade: RGB 10 199 174, RGB 27 217 193, RGB 44 235 212, RGB 61 253 231 and RGB 78 255 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 199 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 199 179 shade: RGB 5 199 179, RGB 0 181 160, RGB 0 163 141, RGB 0 145 122 and RGB 0 127 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 199 179 shade: RGB 5 198 178, RGB 5 198 126, RGB 5 198 74, RGB 5 198 22 and RGB 40 198 5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 199 179 shade: RGB 5 198 178, RGB 5 166 198, RGB 5 114 198, RGB 5 62 198 and RGB 5 9 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 199 179 shade matches the following richer shades: RGB 5 198 178

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 199 179 shade: RGB 5 198 178, RGB 21 182 165, RGB 38 165 152, RGB 54 149 139 and RGB 71 132 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 199 179 shade: RGB 5 198 72, RGB 5 198 124, RGB 5 198 176, RGB 5 169 198 and RGB 5 118 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 199 179 shade: RGB 3 118 106, RGB 4 158 142, RGB 5 198 178, RGB 6 239 215 and RGB 37 249 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 199 179 shade: RGB 5 199 179, RGB 21 5 198 and RGB 198 98 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 199 179 shade: RGB 5 199 179, RGB 176 5 198 and RGB 198 176 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 199 179 shade: RGB 5 199 179, RGB 21 5 198, RGB 198 5 27 and RGB 182 198 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 199 179 shade: RGB 5 199 179, RGB 79 5 198, RGB 198 5 27 and RGB 124 198 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 10 / 22

HEX #05C7B3

RGB 5 199 179

HSL 173.81, 0.95%, 0.4%

LAB 72.32, -45.54, -1.68

 

Complementary color

CMYK 0 / 78 / 70 / 2

HEX #FA384C

RGB 250 56 76

HSL 353.81, 0.95%, 0.6%

LAB 55.76, 71.96, 36.01

 

CMYK 95 / 0 / 13 / 22

HEX #0AC7AE

RGB 10 199 174

HSL 172.06, 0.9%, 0.41%

LAB 72.21, -46.76, 0.88

 

CMYK 88 / 0 / 11 / 15

HEX #1BD9C1

RGB 27 217 193

HSL 172.42, 0.78%, 0.48%

LAB 78.29, -48.42, -0.46

 

CMYK 81 / 0 / 10 / 8

HEX #2CEBD4

RGB 44 235 212

HSL 172.77, 0.83%, 0.55%

LAB 84.33, -49.73, -1.68

 

CMYK 76 / 0 / 9 / 1

HEX #3DFDE7

RGB 61 253 231

HSL 173.13, 0.98%, 0.62%

LAB 90.33, -50.75, -2.8

 

CMYK 69 / 0 / 2 / 0

HEX #4EFFFA

RGB 78 255 250

HSL 178.31, 1%, 0.65%

LAB 91.7, -44.68, -10.59

 

CMYK 97 / 0 / 10 / 22

HEX #05C7B3

RGB 5 199 179

HSL 173.81, 0.95%, 0.4%

LAB 72.32, -45.54, -1.68

 

CMYK 100 / 0 / 12 / 29

HEX #00B5A0

RGB 0 181 160

HSL 173.04, 1%, 0.35%

LAB 66.2, -43.33, -0.21

 

CMYK 100 / 0 / 13 / 36

HEX #00A38D

RGB 0 163 141

HSL 171.9, 1%, 0.32%

LAB 59.99, -40.94, 1.34

 

CMYK 100 / 0 / 16 / 43

HEX #00917A

RGB 0 145 122

HSL 170.48, 1%, 0.28%

LAB 53.66, -38.49, 2.97

 

CMYK 100 / 0 / 19 / 50

HEX #007F67

RGB 0 127 103

HSL 168.66, 1%, 0.25%

LAB 47.18, -35.99, 4.68

 

CMYK 97 / 0 / 10 / 22

HEX #05C6B2

RGB 5 198 178

HSL 173.78, 0.95%, 0.4%

LAB 71.98, -45.39, -1.62

 

CMYK 97 / 0 / 36 / 22

HEX #05C67E

RGB 5 198 126

HSL 157.62, 0.95%, 0.4%

LAB 70.82, -58.1, 24.72

 

CMYK 97 / 0 / 63 / 22

HEX #05C64A

RGB 5 198 74

HSL 141.45, 0.95%, 0.4%

LAB 70.12, -66.57, 49.38

 

CMYK 97 / 0 / 89 / 22

HEX #05C616

RGB 5 198 22

HSL 125.28, 0.95%, 0.4%

LAB 69.81, -70.49, 65.97

 

CMYK 80 / 0 / 97 / 22

HEX #28C605

RGB 40 198 5

HSL 109.12, 0.95%, 0.4%

LAB 70.07, -68.26, 68.6

 

CMYK 97 / 0 / 10 / 22

HEX #05C6B2

RGB 5 198 178

HSL 173.78, 0.95%, 0.4%

LAB 71.98, -45.39, -1.62

 

CMYK 97 / 16 / 0 / 22

HEX #05A6C6

RGB 5 166 198

HSL 189.95, 0.95%, 0.4%

LAB 62.83, -24.22, -26.42

 

CMYK 97 / 42 / 0 / 22

HEX #0572C6

RGB 5 114 198

HSL 206.11, 0.95%, 0.4%

LAB 47.16, 5.38, -51.04

 

CMYK 97 / 69 / 0 / 22

HEX #053EC6

RGB 5 62 198

HSL 222.28, 0.95%, 0.4%

LAB 33.04, 39.31, -74.01

 

CMYK 97 / 95 / 0 / 22

HEX #0509C6

RGB 5 9 198

HSL 238.76, 0.95%, 0.4%

LAB 24.65, 63.55, -87.93

 

CMYK 97 / 0 / 10 / 22

HEX #05C6B2

RGB 5 198 178

HSL 173.78, 0.95%, 0.4%

LAB 71.98, -45.39, -1.62

 

CMYK 97 / 0 / 10 / 22

HEX #05C6B2

RGB 5 198 178

HSL 173.78, 0.95%, 0.4%

LAB 71.98, -45.39, -1.62

 

CMYK 88 / 0 / 9 / 29

HEX #15B6A5

RGB 21 182 165

HSL 173.66, 0.79%, 0.4%

LAB 66.77, -41.5, -2.13

 

CMYK 77 / 0 / 8 / 35

HEX #26A598

RGB 38 165 152

HSL 173.86, 0.63%, 0.4%

LAB 61.3, -36.17, -2.9

 

CMYK 64 / 0 / 7 / 42

HEX #36958B

RGB 54 149 139

HSL 173.68, 0.47%, 0.4%

LAB 56.23, -30.02, -2.94

 

CMYK 46 / 0 / 5 / 48

HEX #47847E

RGB 71 132 126

HSL 174.1, 0.3%, 0.4%

LAB 51.09, -21.32, -2.92

 

CMYK 97 / 0 / 64 / 22

HEX #05C648

RGB 5 198 72

HSL 140.83, 0.95%, 0.4%

LAB 70.1, -66.81, 50.23

 

CMYK 97 / 0 / 37 / 22

HEX #05C67C

RGB 5 198 124

HSL 156.99, 0.95%, 0.4%

LAB 70.79, -58.51, 25.72

 

CMYK 97 / 0 / 11 / 22

HEX #05C6B0

RGB 5 198 176

HSL 173.16, 0.95%, 0.4%

LAB 71.93, -45.95, -0.61

 

CMYK 97 / 15 / 0 / 22

HEX #05A9C6

RGB 5 169 198

HSL 189.02, 0.95%, 0.4%

LAB 63.74, -25.75, -25.02

 

CMYK 97 / 40 / 0 / 22

HEX #0576C6

RGB 5 118 198

HSL 204.87, 0.95%, 0.4%

LAB 48.34, 2.89, -49.15

 

CMYK 97 / 0 / 10 / 54

HEX #03766A

RGB 3 118 106

HSL 173.74, 0.95%, 0.24%

LAB 44.26, -30.84, -1.34

 

CMYK 97 / 0 / 10 / 38

HEX #049E8E

RGB 4 158 142

HSL 173.77, 0.95%, 0.32%

LAB 58.45, -38.29, -1.48

 

CMYK 97 / 0 / 10 / 22

HEX #05C6B2

RGB 5 198 178

HSL 173.78, 0.95%, 0.4%

LAB 71.98, -45.39, -1.62

 

CMYK 97 / 0 / 10 / 6

HEX #06EFD7

RGB 6 239 215

HSL 173.82, 0.95%, 0.48%

LAB 85.34, -52.36, -1.81

 

CMYK 85 / 0 / 9 / 2

HEX #25F9E3

RGB 37 249 227

HSL 173.77, 0.95%, 0.56%

LAB 88.78, -52.06, -3.03

 

CMYK 97 / 0 / 10 / 22

HEX #05C7B3

RGB 5 199 179

HSL 173.81, 0.95%, 0.4%

LAB 72.32, -45.54, -1.68

 

CMYK 89 / 97 / 0 / 22

HEX #1505C6

RGB 21 5 198

HSL 244.97, 0.95%, 0.4%

LAB 24.78, 64.56, -87.71

 

CMYK 0 / 51 / 97 / 22

HEX #C66205

RGB 198 98 5

HSL 28.91, 0.95%, 0.4%

LAB 52.68, 35.41, 60.16

 

CMYK 97 / 0 / 10 / 22

HEX #05C7B3

RGB 5 199 179

HSL 173.81, 0.95%, 0.4%

LAB 72.32, -45.54, -1.68

 

CMYK 11 / 97 / 0 / 22

HEX #B005C6

RGB 176 5 198

HSL 293.16, 0.95%, 0.4%

LAB 43.38, 77.33, -56.44

 

CMYK 0 / 11 / 97 / 22

HEX #C6B005

RGB 198 176 5

HSL 53.16, 0.95%, 0.4%

LAB 71.6, -6.55, 73.24

 

CMYK 97 / 0 / 10 / 22

HEX #05C7B3

RGB 5 199 179

HSL 173.81, 0.95%, 0.4%

LAB 72.32, -45.54, -1.68

 

CMYK 89 / 97 / 0 / 22

HEX #1505C6

RGB 21 5 198

HSL 244.97, 0.95%, 0.4%

LAB 24.78, 64.56, -87.71

 

CMYK 0 / 97 / 86 / 22

HEX #C6051B

RGB 198 5 27

HSL 353.16, 0.95%, 0.4%

LAB 41.52, 66.06, 45.12

 

CMYK 8 / 0 / 97 / 22

HEX #B6C605

RGB 182 198 5

HSL 64.97, 0.95%, 0.4%

LAB 76.28, -24.59, 76.12

 

CMYK 97 / 0 / 10 / 22

HEX #05C7B3

RGB 5 199 179

HSL 173.81, 0.95%, 0.4%

LAB 72.32, -45.54, -1.68

 

CMYK 60 / 97 / 0 / 22

HEX #4F05C6

RGB 79 5 198

HSL 263.01, 0.95%, 0.4%

LAB 29.03, 66.62, -80.53

 

CMYK 0 / 97 / 86 / 22

HEX #C6051B

RGB 198 5 27

HSL 353.16, 0.95%, 0.4%

LAB 41.52, 66.06, 45.12

 

CMYK 37 / 0 / 97 / 22

HEX #7CC605

RGB 124 198 5

HSL 83.01, 0.95%, 0.4%

LAB 72.68, -47.46, 71.79

 

Description

Color code: RGB 5 199 179 | qconv.com Color code: RGB 5 199 179 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 199 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 199 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 10 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 10% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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