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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 162 179 it is the complementary color RGB 250 93 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 162 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 162 179 shade: RGB 10 162 174, RGB 27 180 193, RGB 44 198 212, RGB 61 216 231 and RGB 78 234 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 162 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 162 179 shade: RGB 5 162 179, RGB 0 144 160, RGB 0 126 141, RGB 0 108 122 and RGB 0 90 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 162 179 shade: RGB 5 162 179, RGB 5 115 179, RGB 5 68 179, RGB 5 21 179 and RGB 35 5 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 162 179 shade: RGB 5 162 179, RGB 5 115 179, RGB 5 68 179, RGB 5 21 179 and RGB 5 5 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 162 179 shade matches the following richer shades: RGB 5 162 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 162 179 shade: RGB 5 162 179, RGB 19 150 164, RGB 34 138 149, RGB 49 126 134 and RGB 64 114 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 162 179 shade: RGB 5 179 101, RGB 5 179 147, RGB 5 164 179, RGB 5 118 179 and RGB 5 71 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 162 179 shade: RGB 3 89 99, RGB 4 126 139, RGB 5 162 179, RGB 6 198 219 and RGB 17 226 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 162 179 shade: RGB 5 162 179, RGB 54 5 179 and RGB 179 124 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 162 179 shade: RGB 5 162 179, RGB 179 5 164 and RGB 164 179 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 162 179 shade: RGB 5 162 179, RGB 54 5 179, RGB 179 19 5 and RGB 130 179 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 162 179 shade: RGB 5 162 179, RGB 106 5 179, RGB 179 19 5 and RGB 77 179 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 9 / 0 / 30

HEX #05A2B3

RGB 5 162 179

HSL 185.86, 0.95%, 0.36%

LAB 60.89, -28.6, -18.74

 

Complementary color

CMYK 0 / 63 / 70 / 2

HEX #FA5D4C

RGB 250 93 76

HSL 5.86, 0.95%, 0.64%

LAB 60.49, 58.95, 41.59

 

CMYK 94 / 7 / 0 / 32

HEX #0AA2AE

RGB 10 162 174

HSL 184.39, 0.89%, 0.36%

LAB 60.75, -30.05, -16.15

 

CMYK 86 / 7 / 0 / 24

HEX #1BB4C1

RGB 27 180 193

HSL 184.7, 0.75%, 0.43%

LAB 67.07, -31.84, -17.16

 

CMYK 79 / 7 / 0 / 17

HEX #2CC6D4

RGB 44 198 212

HSL 185, 0.66%, 0.5%

LAB 73.34, -33.23, -18.06

 

CMYK 74 / 6 / 0 / 9

HEX #3DD8E7

RGB 61 216 231

HSL 185.29, 0.78%, 0.57%

LAB 79.54, -34.32, -18.87

 

CMYK 69 / 6 / 0 / 2

HEX #4EEAFA

RGB 78 234 250

HSL 185.58, 0.95%, 0.64%

LAB 85.69, -35.17, -19.61

 

CMYK 97 / 9 / 0 / 30

HEX #05A2B3

RGB 5 162 179

HSL 185.86, 0.95%, 0.36%

LAB 60.89, -28.6, -18.74

 

CMYK 100 / 10 / 0 / 37

HEX #0090A0

RGB 0 144 160

HSL 186, 1%, 0.31%

LAB 54.54, -26.14, -17.62

 

CMYK 100 / 11 / 0 / 45

HEX #007E8D

RGB 0 126 141

HSL 186.38, 1%, 0.28%

LAB 48.06, -23.45, -16.43

 

CMYK 100 / 11 / 0 / 52

HEX #006C7A

RGB 0 108 122

HSL 186.89, 1%, 0.24%

LAB 41.42, -20.67, -15.22

RGB 0 108 122

CMYK 100 / 13 / 0 / 60

HEX #005A67

RGB 0 90 103

HSL 187.57, 1%, 0.2%

LAB 34.58, -17.8, -14

RGB 0 90 103

CMYK 97 / 9 / 0 / 30

HEX #05A2B3

RGB 5 162 179

HSL 185.86, 0.95%, 0.36%

LAB 60.89, -28.6, -18.74

 

CMYK 97 / 36 / 0 / 30

HEX #0573B3

RGB 5 115 179

HSL 202.07, 0.95%, 0.36%

LAB 46.38, -2.75, -41.31

 

CMYK 97 / 62 / 0 / 30

HEX #0544B3

RGB 5 68 179

HSL 218.28, 0.95%, 0.36%

LAB 32.75, 28, -63.3

 

CMYK 97 / 88 / 0 / 30

HEX #0515B3

RGB 5 21 179

HSL 234.48, 0.95%, 0.36%

LAB 23.08, 54.87, -79.29

 

CMYK 80 / 97 / 0 / 30

HEX #2305B3

RGB 35 5 179

HSL 250.34, 0.95%, 0.36%

LAB 22.73, 60, -79.85

 

CMYK 97 / 9 / 0 / 30

HEX #05A2B3

RGB 5 162 179

HSL 185.86, 0.95%, 0.36%

LAB 60.89, -28.6, -18.74

 

CMYK 97 / 36 / 0 / 30

HEX #0573B3

RGB 5 115 179

HSL 202.07, 0.95%, 0.36%

LAB 46.38, -2.75, -41.31

 

CMYK 97 / 62 / 0 / 30

HEX #0544B3

RGB 5 68 179

HSL 218.28, 0.95%, 0.36%

LAB 32.75, 28, -63.3

 

CMYK 97 / 88 / 0 / 30

HEX #0515B3

RGB 5 21 179

HSL 234.48, 0.95%, 0.36%

LAB 23.08, 54.87, -79.29

 

CMYK 97 / 97 / 0 / 30

HEX #0505B3

RGB 5 5 179

HSL 240, 0.95%, 0.36%

LAB 21.56, 59.5, -81.82

 

CMYK 97 / 9 / 0 / 30

HEX #05A2B3

RGB 5 162 179

HSL 185.86, 0.95%, 0.36%

LAB 60.89, -28.6, -18.74

 

CMYK 97 / 9 / 0 / 30

HEX #05A2B3

RGB 5 162 179

HSL 185.86, 0.95%, 0.36%

LAB 60.89, -28.6, -18.74

 

CMYK 88 / 9 / 0 / 36

HEX #1396A4

RGB 19 150 164

HSL 185.79, 0.79%, 0.36%

LAB 56.71, -26.96, -16.59

 

CMYK 77 / 7 / 0 / 42

HEX #228A95

RGB 34 138 149

HSL 185.74, 0.63%, 0.36%

LAB 52.61, -24.48, -14.17

 

CMYK 63 / 6 / 0 / 47

HEX #317E86

RGB 49 126 134

HSL 185.65, 0.46%, 0.36%

LAB 48.63, -20.76, -11.37

 

CMYK 47 / 5 / 0 / 53

HEX #407278

RGB 64 114 120

HSL 186.43, 0.3%, 0.36%

LAB 44.91, -15.11, -8.58

 

CMYK 97 / 0 / 44 / 30

HEX #05B365

RGB 5 179 101

HSL 153.1, 0.95%, 0.36%

LAB 64.33, -56.33, 29.26

 

CMYK 97 / 0 / 18 / 30

HEX #05B393

RGB 5 179 147

HSL 168.97, 0.95%, 0.36%

LAB 65.26, -45.86, 5.62

 

CMYK 97 / 8 / 0 / 30

HEX #05A4B3

RGB 5 164 179

HSL 185.17, 0.95%, 0.36%

LAB 61.51, -29.58, -17.8

 

CMYK 97 / 34 / 0 / 30

HEX #0576B3

RGB 5 118 179

HSL 201.03, 0.95%, 0.36%

LAB 47.29, -4.56, -39.86

 

CMYK 97 / 60 / 0 / 30

HEX #0547B3

RGB 5 71 179

HSL 217.24, 0.95%, 0.36%

LAB 33.55, 25.98, -61.99

 

CMYK 97 / 10 / 0 / 61

HEX #035963

RGB 3 89 99

HSL 186.25, 0.94%, 0.2%

LAB 34.12, -18.48, -12.2

 

CMYK 97 / 9 / 0 / 45

HEX #047E8B

RGB 4 126 139

HSL 185.78, 0.94%, 0.28%

LAB 48.02, -23.94, -15.31

 

CMYK 97 / 9 / 0 / 30

HEX #05A2B3

RGB 5 162 179

HSL 185.86, 0.95%, 0.36%

LAB 60.89, -28.6, -18.74

 

CMYK 97 / 10 / 0 / 14

HEX #06C6DB

RGB 6 198 219

HSL 185.92, 0.95%, 0.44%

LAB 73.25, -33.07, -22.02

 

CMYK 93 / 9 / 0 / 2

HEX #11E2F9

RGB 17 226 249

HSL 185.95, 0.95%, 0.52%

LAB 82.57, -36.53, -23.89

 

CMYK 97 / 9 / 0 / 30

HEX #05A2B3

RGB 5 162 179

HSL 185.86, 0.95%, 0.36%

LAB 60.89, -28.6, -18.74

 

CMYK 70 / 97 / 0 / 30

HEX #3605B3

RGB 54 5 179

HSL 256.9, 0.95%, 0.36%

LAB 24.15, 60.68, -77.43

 

CMYK 0 / 31 / 97 / 30

HEX #B37C05

RGB 179 124 5

HSL 41.03, 0.95%, 0.36%

LAB 56.1, 13.08, 61.22

 

CMYK 97 / 9 / 0 / 30

HEX #05A2B3

RGB 5 162 179

HSL 185.86, 0.95%, 0.36%

LAB 60.89, -28.6, -18.74

 

CMYK 0 / 97 / 8 / 30

HEX #B305A4

RGB 179 5 164

HSL 305.17, 0.95%, 0.36%

LAB 41.8, 72.68, -38.86

 

CMYK 8 / 0 / 97 / 30

HEX #A4B305

RGB 164 179 5

HSL 65.17, 0.95%, 0.36%

LAB 69.57, -22.99, 70.45

 

CMYK 97 / 9 / 0 / 30

HEX #05A2B3

RGB 5 162 179

HSL 185.86, 0.95%, 0.36%

LAB 60.89, -28.6, -18.74

 

CMYK 70 / 97 / 0 / 30

HEX #3605B3

RGB 54 5 179

HSL 256.9, 0.95%, 0.36%

LAB 24.15, 60.68, -77.43

 

CMYK 0 / 89 / 97 / 30

HEX #B31305

RGB 179 19 5

HSL 4.83, 0.95%, 0.36%

LAB 37.95, 59.04, 49.89

 

CMYK 27 / 0 / 97 / 30

HEX #82B305

RGB 130 179 5

HSL 76.9, 0.95%, 0.36%

LAB 67.27, -37.08, 67.69

 

CMYK 97 / 9 / 0 / 30

HEX #05A2B3

RGB 5 162 179

HSL 185.86, 0.95%, 0.36%

LAB 60.89, -28.6, -18.74

 

CMYK 41 / 97 / 0 / 30

HEX #6A05B3

RGB 106 5 179

HSL 274.83, 0.95%, 0.36%

LAB 30.47, 64.62, -66.78

 

CMYK 0 / 89 / 97 / 30

HEX #B31305

RGB 179 19 5

HSL 4.83, 0.95%, 0.36%

LAB 37.95, 59.04, 49.89

 

CMYK 57 / 0 / 97 / 30

HEX #4DB305

RGB 77 179 5

HSL 95.17, 0.95%, 0.36%

LAB 64.83, -54.97, 64.71

 

Description

Color code: RGB 5 162 179 | qconv.com Color code: RGB 5 162 179 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 162 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 162 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 9 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 9% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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