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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 131 254 it is the complementary color RGB 250 124 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 131 254. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 131 254 shade: RGB 10 131 249, RGB 27 149 255, RGB 44 167 255, RGB 61 185 255 and RGB 78 203 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 131 254. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 131 254 shade: RGB 5 131 254, RGB 0 113 235, RGB 0 95 216, RGB 0 77 197 and RGB 0 59 178

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 131 254 shade: RGB 6 131 253, RGB 6 64 253, RGB 14 6 253, RGB 81 6 253 and RGB 148 6 253

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 131 254 shade: RGB 6 131 253, RGB 6 64 253 and RGB 6 6 253

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 131 254 shade matches the following richer shades: RGB 6 131 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 131 254 shade: RGB 6 131 253, RGB 26 131 233, RGB 46 131 213, RGB 67 130 193 and RGB 87 130 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 131 254 shade: RGB 6 253 241, RGB 6 200 253, RGB 6 134 253, RGB 6 68 253 and RGB 10 6 253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 131 254 shade: RGB 0 89 176, RGB 1 110 217, RGB 6 131 253, RGB 47 151 253 and RGB 88 172 254

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 131 254 shade: RGB 5 131 254, RGB 175 6 253 and RGB 233 253 6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 131 254 shade: RGB 5 131 254, RGB 253 6 134 and RGB 134 253 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 131 254 shade: RGB 5 131 254, RGB 175 6 253, RGB 253 125 6 and RGB 84 253 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 131 254 shade: RGB 5 131 254, RGB 249 6 253, RGB 253 125 6 and RGB 10 253 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 48 / 0 / 0

HEX #0583FE

RGB 5 131 254

HSL 209.64, 0.99%, 0.51%

LAB 55.5, 16.66, -69.1

 

Complementary color

CMYK 0 / 50 / 100 / 2

HEX #FA7C01

RGB 250 124 1

HSL 29.64, 0.99%, 0.49%

LAB 65.55, 42.87, 72.61

 

CMYK 96 / 47 / 0 / 2

HEX #0A83F9

RGB 10 131 249

HSL 209.62, 0.95%, 0.51%

LAB 55.21, 14.85, -66.81

 

CMYK 89 / 42 / 0 / 0

HEX #1B95FF

RGB 27 149 255

HSL 207.89, 1%, 0.55%

LAB 60.74, 6.81, -61.23

 

CMYK 83 / 35 / 0 / 0

HEX #2CA7FF

RGB 44 167 255

HSL 205.02, 1%, 0.59%

LAB 66.05, -2.59, -52.74

 

CMYK 76 / 27 / 0 / 0

HEX #3DB9FF

RGB 61 185 255

HSL 201.65, 1%, 0.62%

LAB 71.49, -10.99, -44.15

 

CMYK 69 / 20 / 0 / 0

HEX #4ECBFF

RGB 78 203 255

HSL 197.63, 1%, 0.65%

LAB 77.01, -18.43, -35.53

 

CMYK 98 / 48 / 0 / 0

HEX #0583FE

RGB 5 131 254

HSL 209.64, 0.99%, 0.51%

LAB 55.5, 16.66, -69.1

 

CMYK 100 / 52 / 0 / 8

HEX #0071EB

RGB 0 113 235

HSL 211.15, 1%, 0.46%

LAB 49.26, 20.49, -68.65

 

CMYK 100 / 56 / 0 / 15

HEX #005FD8

RGB 0 95 216

HSL 213.61, 1%, 0.42%

LAB 42.98, 24.64, -68.12

 

CMYK 100 / 61 / 0 / 23

HEX #004DC5

RGB 0 77 197

HSL 216.55, 1%, 0.39%

LAB 36.63, 28.98, -67.53

 

CMYK 100 / 67 / 0 / 30

HEX #003BB2

RGB 0 59 178

HSL 220.11, 1%, 0.35%

LAB 30.26, 33.45, -66.79

 

CMYK 98 / 48 / 0 / 1

HEX #0683FD

RGB 6 131 253

HSL 209.64, 0.98%, 0.51%

LAB 55.44, 16.3, -68.65

 

CMYK 98 / 75 / 0 / 1

HEX #0640FD

RGB 6 64 253

HSL 225.91, 0.98%, 0.51%

LAB 39.24, 57.5, -95.19

 

CMYK 94 / 98 / 0 / 1

HEX #0E06FD

RGB 14 6 253

HSL 241.94, 0.98%, 0.51%

LAB 32.51, 77.89, -106.38

 

CMYK 68 / 98 / 0 / 1

HEX #5106FD

RGB 81 6 253

HSL 258.22, 0.98%, 0.51%

LAB 35.93, 79.34, -100.6

 

CMYK 42 / 98 / 0 / 1

HEX #9406FD

RGB 148 6 253

HSL 274.49, 0.98%, 0.51%

LAB 43.53, 83.85, -87.76

 

CMYK 98 / 48 / 0 / 1

HEX #0683FD

RGB 6 131 253

HSL 209.64, 0.98%, 0.51%

LAB 55.44, 16.3, -68.65

 

CMYK 98 / 75 / 0 / 1

HEX #0640FD

RGB 6 64 253

HSL 225.91, 0.98%, 0.51%

LAB 39.24, 57.5, -95.19

 

CMYK 98 / 98 / 0 / 1

HEX #0606FD

RGB 6 6 253

HSL 240, 0.98%, 0.51%

LAB 32.39, 77.85, -106.59

 

CMYK 98 / 48 / 0 / 1

HEX #0683FD

RGB 6 131 253

HSL 209.64, 0.98%, 0.51%

LAB 55.44, 16.3, -68.65

 

CMYK 98 / 48 / 0 / 1

HEX #0683FD

RGB 6 131 253

HSL 209.64, 0.98%, 0.51%

LAB 55.44, 16.3, -68.65

 

CMYK 89 / 44 / 0 / 9

HEX #1A83E9

RGB 26 131 233

HSL 209.57, 0.82%, 0.51%

LAB 54.38, 9.34, -59.26

 

CMYK 78 / 38 / 0 / 16

HEX #2E83D5

RGB 46 131 213

HSL 209.46, 0.67%, 0.51%

LAB 53.62, 3.4, -49.23

 

CMYK 65 / 33 / 0 / 24

HEX #4382C1

RGB 67 130 193

HSL 210, 0.5%, 0.51%

LAB 52.96, -0.22, -38.88

 

CMYK 49 / 24 / 0 / 33

HEX #5782AC

RGB 87 130 172

HSL 209.65, 0.34%, 0.51%

LAB 52.92, -2.87, -26.83

 

CMYK 98 / 0 / 5 / 1

HEX #06FDF1

RGB 6 253 241

HSL 177.09, 0.98%, 0.51%

LAB 90.16, -51.06, -8.3

 

CMYK 98 / 21 / 0 / 1

HEX #06C8FD

RGB 6 200 253

HSL 192.87, 0.98%, 0.51%

LAB 75.1, -22.86, -37.5

 

CMYK 98 / 47 / 0 / 1

HEX #0686FD

RGB 6 134 253

HSL 208.91, 0.98%, 0.51%

LAB 56.27, 14.44, -67.32

 

CMYK 98 / 73 / 0 / 1

HEX #0644FD

RGB 6 68 253

HSL 224.94, 0.98%, 0.51%

LAB 40.02, 55.28, -93.88

 

CMYK 96 / 98 / 0 / 1

HEX #0A06FD

RGB 10 6 253

HSL 240.97, 0.98%, 0.51%

LAB 32.45, 77.87, -106.49

 

CMYK 100 / 49 / 0 / 31

HEX #0059B0

RGB 0 89 176

HSL 209.66, 1%, 0.35%

LAB 38.34, 12.42, -52.43

 

CMYK 100 / 49 / 0 / 15

HEX #016ED9

RGB 1 110 217

HSL 209.72, 0.99%, 0.43%

LAB 47.19, 15.34, -61.84

 

CMYK 98 / 48 / 0 / 1

HEX #0683FD

RGB 6 131 253

HSL 209.64, 0.98%, 0.51%

LAB 55.44, 16.3, -68.65

 

CMYK 81 / 40 / 0 / 1

HEX #2F97FD

RGB 47 151 253

HSL 209.71, 0.98%, 0.59%

LAB 61.51, 6.23, -58.88

 

CMYK 65 / 32 / 0 / 0

HEX #58ACFE

RGB 88 172 254

HSL 209.64, 0.99%, 0.67%

LAB 68.56, -0.5, -48.17

 

CMYK 98 / 48 / 0 / 0

HEX #0583FE

RGB 5 131 254

HSL 209.64, 0.99%, 0.51%

LAB 55.5, 16.66, -69.1

 

CMYK 31 / 98 / 0 / 1

HEX #AF06FD

RGB 175 6 253

HSL 281.05, 0.98%, 0.51%

LAB 47.41, 86.66, -81.25

 

CMYK 8 / 0 / 98 / 1

HEX #E9FD06

RGB 233 253 6

HSL 64.86, 0.98%, 0.51%

LAB 94.99, -29.54, 91.74

 

CMYK 98 / 48 / 0 / 0

HEX #0583FE

RGB 5 131 254

HSL 209.64, 0.99%, 0.51%

LAB 55.5, 16.66, -69.1

 

CMYK 0 / 98 / 47 / 1

HEX #FD0686

RGB 253 6 134

HSL 328.91, 0.98%, 0.51%

LAB 54.8, 84.18, 0.29

 

CMYK 47 / 0 / 98 / 1

HEX #86FD06

RGB 134 253 6

HSL 88.91, 0.98%, 0.51%

LAB 89.55, -65.28, 85.19

 

CMYK 98 / 48 / 0 / 0

HEX #0583FE

RGB 5 131 254

HSL 209.64, 0.99%, 0.51%

LAB 55.5, 16.66, -69.1

 

CMYK 31 / 98 / 0 / 1

HEX #AF06FD

RGB 175 6 253

HSL 281.05, 0.98%, 0.51%

LAB 47.41, 86.66, -81.25

 

CMYK 0 / 51 / 98 / 1

HEX #FD7D06

RGB 253 125 6

HSL 28.91, 0.98%, 0.51%

LAB 66.18, 43.58, 72.48

 

CMYK 67 / 0 / 98 / 1

HEX #54FD06

RGB 84 253 6

HSL 101.05, 0.98%, 0.51%

LAB 88.04, -77.49, 83.35

 

CMYK 98 / 48 / 0 / 0

HEX #0583FE

RGB 5 131 254

HSL 209.64, 0.99%, 0.51%

LAB 55.5, 16.66, -69.1

 

CMYK 2 / 98 / 0 / 1

HEX #F906FD

RGB 249 6 253

HSL 299.03, 0.98%, 0.51%

LAB 59.31, 96.7, -61.41

 

CMYK 0 / 51 / 98 / 1

HEX #FD7D06

RGB 253 125 6

HSL 28.91, 0.98%, 0.51%

LAB 66.18, 43.58, 72.48

 

CMYK 96 / 0 / 98 / 1

HEX #0AFD06

RGB 10 253 6

HSL 119.03, 0.98%, 0.51%

LAB 87.16, -85.3, 82.27

 

Description

Color code: RGB 5 131 254 | qconv.com Color code: RGB 5 131 254 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 131 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 131 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 48 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 48% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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