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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 5 124 249 it is the complementary color RGB 250 131 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 5 124 249. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 5 124 249 shade: RGB 10 124 244, RGB 27 142 255, RGB 44 160 255, RGB 61 178 255 and RGB 78 196 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 5 124 249. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 5 124 249 shade: RGB 5 124 249, RGB 0 106 230, RGB 0 88 211, RGB 0 70 192 and RGB 0 52 173

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 5 124 249 shade: RGB 5 124 249, RGB 5 58 249, RGB 17 5 249, RGB 83 5 249 and RGB 149 5 249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 5 124 249 shade: RGB 5 124 249, RGB 5 58 249 and RGB 5 5 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 5 124 249 shade matches the following richer shades: RGB 5 124 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 5 124 249 shade: RGB 5 124 249, RGB 25 124 229, RGB 46 125 208, RGB 66 126 188 and RGB 87 126 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 5 124 249 shade: RGB 5 249 241, RGB 5 192 249, RGB 5 127 249, RGB 5 62 249 and RGB 13 5 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 5 124 249 shade: RGB 3 84 169, RGB 4 104 209, RGB 5 124 249, RGB 45 145 250 and RGB 85 166 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 5 124 249 shade: RGB 5 124 249, RGB 176 5 249 and RGB 225 249 5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 5 124 249 shade: RGB 5 124 249, RGB 249 5 127 and RGB 127 249 5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 5 124 249 shade: RGB 5 124 249, RGB 176 5 249, RGB 249 127 5 and RGB 78 249 5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 5 124 249 shade: RGB 5 124 249, RGB 249 5 249, RGB 249 127 5 and RGB 5 249 5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 50 / 0 / 2

HEX #057CF9

RGB 5 124 249

HSL 210.74, 0.96%, 0.5%

LAB 53.26, 19.1, -69.97

 

Complementary color

CMYK 0 / 48 / 98 / 2

HEX #FA8306

RGB 250 131 6

HSL 30.74, 0.96%, 0.5%

LAB 66.95, 39.43, 72.75

 

CMYK 96 / 49 / 0 / 4

HEX #0A7CF4

RGB 10 124 244

HSL 210.77, 0.92%, 0.5%

LAB 52.96, 17.29, -67.68

 

CMYK 89 / 44 / 0 / 0

HEX #1B8EFF

RGB 27 142 255

HSL 209.74, 1%, 0.55%

LAB 58.79, 11.02, -64.35

 

CMYK 83 / 37 / 0 / 0

HEX #2CA0FF

RGB 44 160 255

HSL 207.01, 1%, 0.59%

LAB 64.08, 1.44, -55.88

 

CMYK 76 / 30 / 0 / 0

HEX #3DB2FF

RGB 61 178 255

HSL 203.81, 1%, 0.62%

LAB 69.51, -7.15, -47.27

 

CMYK 69 / 23 / 0 / 0

HEX #4EC4FF

RGB 78 196 255

HSL 200, 1%, 0.65%

LAB 75.03, -14.77, -38.61

 

CMYK 98 / 50 / 0 / 2

HEX #057CF9

RGB 5 124 249

HSL 210.74, 0.96%, 0.5%

LAB 53.26, 19.1, -69.97

 

CMYK 100 / 54 / 0 / 10

HEX #006AE6

RGB 0 106 230

HSL 212.35, 1%, 0.45%

LAB 47, 23.02, -69.51

 

CMYK 100 / 58 / 0 / 17

HEX #0058D3

RGB 0 88 211

HSL 214.98, 1%, 0.41%

LAB 40.71, 27.25, -68.96

 

CMYK 100 / 64 / 0 / 25

HEX #0046C0

RGB 0 70 192

HSL 218.13, 1%, 0.38%

LAB 34.37, 31.66, -68.31

 

CMYK 100 / 70 / 0 / 32

HEX #0034AD

RGB 0 52 173

HSL 221.97, 1%, 0.34%

LAB 28.04, 36.11, -67.46

 

CMYK 98 / 50 / 0 / 2

HEX #057CF9

RGB 5 124 249

HSL 210.74, 0.96%, 0.5%

LAB 53.26, 19.1, -69.97

 

CMYK 98 / 77 / 0 / 2

HEX #053AF9

RGB 5 58 249

HSL 226.97, 0.96%, 0.5%

LAB 37.66, 59.39, -95.56

 

CMYK 93 / 98 / 0 / 2

HEX #1105F9

RGB 17 5 249

HSL 242.95, 0.96%, 0.5%

LAB 31.96, 77.1, -105.06

 

CMYK 67 / 98 / 0 / 2

HEX #5305F9

RGB 83 5 249

HSL 259.18, 0.96%, 0.5%

LAB 35.57, 78.63, -98.94

 

CMYK 40 / 98 / 0 / 2

HEX #9505F9

RGB 149 5 249

HSL 275.41, 0.96%, 0.5%

LAB 43.27, 83.25, -85.96

 

CMYK 98 / 50 / 0 / 2

HEX #057CF9

RGB 5 124 249

HSL 210.74, 0.96%, 0.5%

LAB 53.26, 19.1, -69.97

 

CMYK 98 / 77 / 0 / 2

HEX #053AF9

RGB 5 58 249

HSL 226.97, 0.96%, 0.5%

LAB 37.66, 59.39, -95.56

 

CMYK 98 / 98 / 0 / 2

HEX #0505F9

RGB 5 5 249

HSL 240, 0.96%, 0.5%

LAB 31.76, 77.03, -105.39

 

CMYK 98 / 50 / 0 / 2

HEX #057CF9

RGB 5 124 249

HSL 210.74, 0.96%, 0.5%

LAB 53.26, 19.1, -69.97

 

CMYK 98 / 50 / 0 / 2

HEX #057CF9

RGB 5 124 249

HSL 210.74, 0.96%, 0.5%

LAB 53.26, 19.1, -69.97

 

CMYK 89 / 46 / 0 / 10

HEX #197CE5

RGB 25 124 229

HSL 210.88, 0.8%, 0.5%

LAB 52.15, 12.08, -60.6

 

CMYK 78 / 40 / 0 / 18

HEX #2E7DD0

RGB 46 125 208

HSL 210.74, 0.64%, 0.5%

LAB 51.61, 5.19, -49.6

 

CMYK 65 / 33 / 0 / 26

HEX #427EBC

RGB 66 126 188

HSL 210.49, 0.48%, 0.5%

LAB 51.51, 0.26, -38.31

 

CMYK 48 / 25 / 0 / 35

HEX #577EA7

RGB 87 126 167

HSL 210.75, 0.31%, 0.5%

LAB 51.54, -2.05, -26.07

 

CMYK 98 / 0 / 3 / 2

HEX #05F9F1

RGB 5 249 241

HSL 178.03, 0.96%, 0.5%

LAB 88.99, -49.4, -10.03

 

CMYK 98 / 23 / 0 / 2

HEX #05C0F9

RGB 5 192 249

HSL 194.02, 0.96%, 0.5%

LAB 72.61, -20.13, -39.22

 

CMYK 98 / 49 / 0 / 2

HEX #057FF9

RGB 5 127 249

HSL 210, 0.96%, 0.5%

LAB 54.08, 17.22, -68.64

 

CMYK 98 / 75 / 0 / 2

HEX #053EF9

RGB 5 62 249

HSL 225.98, 0.96%, 0.5%

LAB 38.41, 57.25, -94.32

 

CMYK 95 / 98 / 0 / 2

HEX #0D05F9

RGB 13 5 249

HSL 241.97, 0.96%, 0.5%

LAB 31.88, 77.07, -105.19

 

CMYK 98 / 50 / 0 / 34

HEX #0354A9

RGB 3 84 169

HSL 210.72, 0.97%, 0.34%

LAB 36.41, 12.99, -51.39

 

CMYK 98 / 50 / 0 / 18

HEX #0468D1

RGB 4 104 209

HSL 210.73, 0.96%, 0.42%

LAB 44.98, 16.11, -60.85

 

CMYK 98 / 50 / 0 / 2

HEX #057CF9

RGB 5 124 249

HSL 210.74, 0.96%, 0.5%

LAB 53.26, 19.1, -69.97

 

CMYK 82 / 42 / 0 / 2

HEX #2D91FA

RGB 45 145 250

HSL 210.73, 0.95%, 0.58%

LAB 59.63, 8.54, -60.24

 

CMYK 66 / 34 / 0 / 2

HEX #55A6FB

RGB 85 166 251

HSL 210.72, 0.95%, 0.66%

LAB 66.65, 1.44, -49.56

 

CMYK 98 / 50 / 0 / 2

HEX #057CF9

RGB 5 124 249

HSL 210.74, 0.96%, 0.5%

LAB 53.26, 19.1, -69.97

 

CMYK 29 / 98 / 0 / 2

HEX #B005F9

RGB 176 5 249

HSL 282.05, 0.96%, 0.5%

LAB 47.21, 86.13, -79.34

 

CMYK 10 / 0 / 98 / 2

HEX #E1F905

RGB 225 249 5

HSL 65.9, 0.96%, 0.5%

LAB 93.35, -30.93, 90.33

 

CMYK 98 / 50 / 0 / 2

HEX #057CF9

RGB 5 124 249

HSL 210.74, 0.96%, 0.5%

LAB 53.26, 19.1, -69.97

 

CMYK 0 / 98 / 49 / 2

HEX #F9057F

RGB 249 5 127

HSL 330, 0.96%, 0.5%

LAB 53.79, 82.86, 2.94

 

CMYK 49 / 0 / 98 / 2

HEX #7FF905

RGB 127 249 5

HSL 90, 0.96%, 0.5%

LAB 88.1, -65.9, 84.01

 

CMYK 98 / 50 / 0 / 2

HEX #057CF9

RGB 5 124 249

HSL 210.74, 0.96%, 0.5%

LAB 53.26, 19.1, -69.97

 

CMYK 29 / 98 / 0 / 2

HEX #B005F9

RGB 176 5 249

HSL 282.05, 0.96%, 0.5%

LAB 47.21, 86.13, -79.34

 

CMYK 0 / 49 / 98 / 2

HEX #F97F05

RGB 249 127 5

HSL 30, 0.96%, 0.5%

LAB 66, 41.03, 72.23

 

CMYK 69 / 0 / 98 / 2

HEX #4EF905

RGB 78 249 5

HSL 102.05, 0.96%, 0.5%

LAB 86.69, -77.41, 82.29

 

CMYK 98 / 50 / 0 / 2

HEX #057CF9

RGB 5 124 249

HSL 210.74, 0.96%, 0.5%

LAB 53.26, 19.1, -69.97

 

CMYK 0 / 98 / 0 / 2

HEX #F905F9

RGB 249 5 249

HSL 300, 0.96%, 0.5%

LAB 59.06, 96.2, -59.59

 

CMYK 0 / 49 / 98 / 2

HEX #F97F05

RGB 249 127 5

HSL 30, 0.96%, 0.5%

LAB 66, 41.03, 72.23

 

CMYK 98 / 0 / 98 / 2

HEX #05F905

RGB 5 249 5

HSL 120, 0.96%, 0.5%

LAB 85.9, -84.42, 81.32

 

Description

Color code: RGB 5 124 249 | qconv.com Color code: RGB 5 124 249 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 124 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 124 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 50 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 50% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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