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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 99 197 it is the complementary color RGB 196 156 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 99 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 99 197 shade: RGB 64 99 192, RGB 81 117 211, RGB 98 135 230, RGB 115 153 249 and RGB 132 171 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 99 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 99 197 shade: RGB 59 99 197, RGB 42 81 178, RGB 25 63 159, RGB 8 45 140 and RGB 0 27 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 99 197 shade: RGB 59 99 196, RGB 59 61 196, RGB 93 59 196, RGB 130 59 196 and RGB 167 59 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 99 197 shade: RGB 59 99 196, RGB 59 61 196 and RGB 59 59 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 99 197 shade matches the following richer shades: RGB 59 99 196, RGB 38 90 217 and RGB 17 81 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 99 197 shade: RGB 59 99 196, RGB 79 107 176, RGB 100 116 155, RGB 121 125 134 and RGB 141 133 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 99 197 shade: RGB 59 173 196, RGB 59 137 196, RGB 59 100 196, RGB 59 63 196 and RGB 91 59 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 99 197 shade: RGB 40 67 133, RGB 49 83 165, RGB 59 99 196, RGB 90 124 206 and RGB 122 149 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 99 197 shade: RGB 59 99 197, RGB 183 59 196 and RGB 155 196 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 99 197 shade: RGB 59 99 197, RGB 196 59 100 and RGB 100 196 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 99 197 shade: RGB 59 99 197, RGB 183 59 196, RGB 196 155 59 and RGB 72 196 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 99 197 shade: RGB 59 99 197, RGB 196 59 169, RGB 196 155 59 and RGB 59 196 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 50 / 0 / 23

HEX #3B63C5

RGB 59 99 197

HSL 222.61, 0.54%, 0.5%

LAB 44.07, 19.13, -55.37

 

Complementary color

CMYK 0 / 20 / 70 / 23

HEX #C49C3A

RGB 196 156 58

HSL 42.61, 0.54%, 0.5%

LAB 66.38, 4.71, 54.75

 

CMYK 67 / 48 / 0 / 25

HEX #4063C0

RGB 64 99 192

HSL 223.59, 0.5%, 0.5%

LAB 43.97, 18.09, -52.62

 

CMYK 62 / 45 / 0 / 17

HEX #5175D3

RGB 81 117 211

HSL 223.38, 0.6%, 0.57%

LAB 50.89, 16.39, -52.37

 

CMYK 57 / 41 / 0 / 10

HEX #6287E6

RGB 98 135 230

HSL 223.18, 0.73%, 0.64%

LAB 57.69, 14.99, -52.16

 

CMYK 54 / 39 / 0 / 2

HEX #7399F9

RGB 115 153 249

HSL 222.99, 0.92%, 0.71%

LAB 64.38, 13.83, -51.97

 

CMYK 48 / 33 / 0 / 0

HEX #84ABFF

RGB 132 171 255

HSL 220.98, 1%, 0.76%

LAB 70.35, 9.02, -45.75

 

CMYK 70 / 50 / 0 / 23

HEX #3B63C5

RGB 59 99 197

HSL 222.61, 0.54%, 0.5%

LAB 44.07, 19.13, -55.37

 

CMYK 76 / 54 / 0 / 30

HEX #2A51B2

RGB 42 81 178

HSL 222.79, 0.62%, 0.43%

LAB 37.1, 21.49, -55.57

 

CMYK 84 / 60 / 0 / 38

HEX #193F9F

RGB 25 63 159

HSL 222.99, 0.73%, 0.36%

LAB 30.07, 24.45, -55.67

 

CMYK 94 / 68 / 0 / 45

HEX #082D8C

RGB 8 45 140

HSL 223.18, 0.89%, 0.29%

LAB 23.07, 28.11, -55.5

 

CMYK 100 / 78 / 0 / 53

HEX #001B79

RGB 0 27 121

HSL 226.61, 1%, 0.24%

LAB 16.33, 32.27, -54.64

 

CMYK 70 / 49 / 0 / 23

HEX #3B63C4

RGB 59 99 196

HSL 222.48, 0.54%, 0.5%

LAB 44, 18.76, -54.9

 

CMYK 70 / 69 / 0 / 23

HEX #3B3DC4

RGB 59 61 196

HSL 239.12, 0.54%, 0.5%

LAB 34.5, 42.78, -70.36

 

CMYK 53 / 70 / 0 / 23

HEX #5D3BC4

RGB 93 59 196

HSL 254.89, 0.54%, 0.5%

LAB 36.82, 48.65, -66.46

 

CMYK 34 / 70 / 0 / 23

HEX #823BC4

RGB 130 59 196

HSL 271.09, 0.54%, 0.5%

LAB 40.99, 55.33, -59.48

 

CMYK 15 / 70 / 0 / 23

HEX #A73BC4

RGB 167 59 196

HSL 287.3, 0.54%, 0.5%

LAB 46.08, 62.96, -51.01

 

CMYK 70 / 49 / 0 / 23

HEX #3B63C4

RGB 59 99 196

HSL 222.48, 0.54%, 0.5%

LAB 44, 18.76, -54.9

 

CMYK 70 / 69 / 0 / 23

HEX #3B3DC4

RGB 59 61 196

HSL 239.12, 0.54%, 0.5%

LAB 34.5, 42.78, -70.36

 

CMYK 70 / 70 / 0 / 23

HEX #3B3BC4

RGB 59 59 196

HSL 240, 0.54%, 0.5%

LAB 34.07, 43.95, -71.07

 

CMYK 70 / 49 / 0 / 23

HEX #3B63C4

RGB 59 99 196

HSL 222.48, 0.54%, 0.5%

LAB 44, 18.76, -54.9

 

CMYK 82 / 59 / 0 / 15

HEX #265AD9

RGB 38 90 217

HSL 222.57, 0.7%, 0.5%

LAB 42.36, 30.05, -69.67

 

CMYK 93 / 66 / 0 / 7

HEX #1151EE

RGB 17 81 238

HSL 222.62, 0.87%, 0.5%

LAB 41.5, 42.49, -83.02

 

CMYK 70 / 49 / 0 / 23

HEX #3B63C4

RGB 59 99 196

HSL 222.48, 0.54%, 0.5%

LAB 44, 18.76, -54.9

 

CMYK 55 / 39 / 0 / 31

HEX #4F6BB0

RGB 79 107 176

HSL 222.68, 0.38%, 0.5%

LAB 46.06, 10.4, -39.93

 

CMYK 35 / 25 / 0 / 39

HEX #64749B

RGB 100 116 155

HSL 222.55, 0.22%, 0.5%

LAB 48.97, 3.97, -22.98

 

CMYK 10 / 7 / 0 / 47

HEX #797D86

RGB 121 125 134

HSL 221.54, 0.05%, 0.5%

LAB 52.35, 0.41, -5.4

 

CMYK 0 / 6 / 19 / 45

HEX #8D8572

RGB 141 133 114

HSL 42.22, 0.11%, 0.5%

LAB 55.74, -0.33, 11.33

 

CMYK 70 / 12 / 0 / 23

HEX #3BADC4

RGB 59 173 196

HSL 190.07, 0.54%, 0.5%

LAB 65.59, -24.19, -21.01

 

CMYK 70 / 30 / 0 / 23

HEX #3B89C4

RGB 59 137 196

HSL 205.84, 0.54%, 0.5%

LAB 54.87, -4.6, -37.6

 

CMYK 70 / 49 / 0 / 23

HEX #3B64C4

RGB 59 100 196

HSL 222.04, 0.54%, 0.5%

LAB 44.28, 18.12, -54.46

 

CMYK 70 / 68 / 0 / 23

HEX #3B3FC4

RGB 59 63 196

HSL 238.25, 0.54%, 0.5%

LAB 34.94, 41.58, -69.64

 

CMYK 54 / 70 / 0 / 23

HEX #5B3BC4

RGB 91 59 196

HSL 254.01, 0.54%, 0.5%

LAB 36.63, 48.33, -66.78

 

CMYK 70 / 50 / 0 / 48

HEX #284385

RGB 40 67 133

HSL 222.58, 0.54%, 0.34%

LAB 29.81, 13.28, -40.14

 

CMYK 70 / 50 / 0 / 35

HEX #3153A5

RGB 49 83 165

HSL 222.41, 0.54%, 0.42%

LAB 37.03, 16.18, -47.94

 

CMYK 70 / 49 / 0 / 23

HEX #3B63C4

RGB 59 99 196

HSL 222.48, 0.54%, 0.5%

LAB 44, 18.76, -54.9

 

CMYK 56 / 40 / 0 / 19

HEX #5A7CCE

RGB 90 124 206

HSL 222.41, 0.54%, 0.58%

LAB 53, 12.19, -46.15

 

CMYK 43 / 31 / 0 / 16

HEX #7A95D7

RGB 122 149 215

HSL 222.58, 0.54%, 0.66%

LAB 62.12, 7.61, -36.73

 

CMYK 70 / 50 / 0 / 23

HEX #3B63C5

RGB 59 99 197

HSL 222.61, 0.54%, 0.5%

LAB 44.07, 19.13, -55.37

 

CMYK 7 / 70 / 0 / 23

HEX #B73BC4

RGB 183 59 196

HSL 294.31, 0.54%, 0.5%

LAB 48.49, 66.42, -47.03

 

CMYK 21 / 0 / 70 / 23

HEX #9BC43B

RGB 155 196 59

HSL 77.96, 0.54%, 0.5%

LAB 74.04, -33, 61.06

 

CMYK 70 / 50 / 0 / 23

HEX #3B63C5

RGB 59 99 197

HSL 222.61, 0.54%, 0.5%

LAB 44.07, 19.13, -55.37

 

CMYK 0 / 70 / 49 / 23

HEX #C43B64

RGB 196 59 100

HSL 342.04, 0.54%, 0.5%

LAB 46.69, 56.96, 7.87

 

CMYK 49 / 0 / 70 / 23

HEX #64C43B

RGB 100 196 59

HSL 102.04, 0.54%, 0.5%

LAB 71.22, -52.26, 57.28

 

CMYK 70 / 50 / 0 / 23

HEX #3B63C5

RGB 59 99 197

HSL 222.61, 0.54%, 0.5%

LAB 44.07, 19.13, -55.37

 

CMYK 7 / 70 / 0 / 23

HEX #B73BC4

RGB 183 59 196

HSL 294.31, 0.54%, 0.5%

LAB 48.49, 66.42, -47.03

 

CMYK 0 / 21 / 70 / 23

HEX #C49B3B

RGB 196 155 59

HSL 42.04, 0.54%, 0.5%

LAB 66.13, 5.31, 54.07

 

CMYK 63 / 0 / 70 / 23

HEX #48C43B

RGB 72 196 59

HSL 114.31, 0.54%, 0.5%

LAB 70.3, -59.48, 56.03

 

CMYK 70 / 50 / 0 / 23

HEX #3B63C5

RGB 59 99 197

HSL 222.61, 0.54%, 0.5%

LAB 44.07, 19.13, -55.37

 

CMYK 0 / 70 / 14 / 23

HEX #C43BA9

RGB 196 59 169

HSL 311.82, 0.54%, 0.5%

LAB 49.16, 65.1, -30.04

 

CMYK 0 / 21 / 70 / 23

HEX #C49B3B

RGB 196 155 59

HSL 42.04, 0.54%, 0.5%

LAB 66.13, 5.31, 54.07

 

CMYK 70 / 0 / 56 / 23

HEX #3BC456

RGB 59 196 86

HSL 131.82, 0.54%, 0.5%

LAB 70.23, -59.11, 44.23

 

Description

Color code: RGB 59 99 197 | qconv.com Color code: RGB 59 99 197 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 99 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 99 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 50 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 50% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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