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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 73 90 it is the complementary color RGB 196 182 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 73 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 59 73 90: RGB 64 73 85, RGB 81 91 104, RGB 98 109 123, RGB 115 127 142 and RGB 132 145 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 73 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 59 73 90: RGB 59 73 90, RGB 42 55 71, RGB 25 37 52, RGB 8 19 33 and RGB 0 1 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 19 / 0 / 65

HEX #3B495A

RGB 59 73 90

HSL 212.9, 0.21%, 0.29%

LAB 30.48, -0.91, -11.86

 

Complementary color

CMYK 0 / 7 / 16 / 23

HEX #C4B6A5

RGB 196 182 165

HSL 32.9, 0.21%, 0.71%

LAB 74.77, 2.13, 10.44

 

CMYK 25 / 14 / 0 / 67

HEX #404955

RGB 64 73 85

HSL 214.29, 0.14%, 0.29%

LAB 30.67, -0.56, -8.33

 

CMYK 22 / 13 / 0 / 59

HEX #515B68

RGB 81 91 104

HSL 213.91, 0.12%, 0.36%

LAB 38.25, -0.73, -8.74

 

CMYK 20 / 11 / 0 / 52

HEX #626D7B

RGB 98 109 123

HSL 213.6, 0.11%, 0.43%

LAB 45.58, -0.89, -9.16

 

CMYK 19 / 11 / 0 / 44

HEX #737F8E

RGB 115 127 142

HSL 213.33, 0.11%, 0.5%

LAB 52.7, -1.03, -9.59

 

CMYK 18 / 10 / 0 / 37

HEX #8491A1

RGB 132 145 161

HSL 213.1, 0.13%, 0.57%

LAB 59.64, -1.17, -10.02

 

CMYK 34 / 19 / 0 / 65

HEX #3B495A

RGB 59 73 90

HSL 212.9, 0.21%, 0.29%

LAB 30.48, -0.91, -11.86

 

CMYK 41 / 23 / 0 / 72

HEX #2A3747

RGB 42 55 71

HSL 213.1, 0.26%, 0.22%

LAB 22.58, -0.62, -11.6

 

CMYK 52 / 29 / 0 / 80

HEX #192534

RGB 25 37 52

HSL 213.33, 0.35%, 0.15%

LAB 14.27, -0.19, -11.41

 

CMYK 76 / 42 / 0 / 87

HEX #081321

RGB 8 19 33

HSL 213.6, 0.61%, 0.08%

LAB 5.67, 0.47, -10.89

 

CMYK 100 / 93 / 0 / 95

HEX #00010E

RGB 0 1 14

HSL 235.71, 1%, 0.03%

LAB 0.48, 1.61, -5.19

 

CMYK 34 / 19 / 0 / 65

HEX #3B495A

RGB 59 73 90

HSL 212.9, 0.21%, 0.29%

LAB 30.48, -0.91, -11.86

 

CMYK 35 / 25 / 0 / 65

HEX #3A4359

RGB 58 67 89

HSL 222.58, 0.21%, 0.29%

LAB 28.47, 2.35, -14.29

 

CMYK 35 / 30 / 0 / 65

HEX #3A3E59

RGB 58 62 89

HSL 232.26, 0.21%, 0.29%

LAB 26.92, 5.66, -16.68

 

CMYK 34 / 35 / 0 / 65

HEX #3B3A59

RGB 59 58 89

HSL 241.94, 0.21%, 0.29%

LAB 25.79, 8.68, -18.43

 

CMYK 28 / 35 / 0 / 65

HEX #403A59

RGB 64 58 89

HSL 251.61, 0.21%, 0.29%

LAB 26.27, 10.4, -17.66

 

CMYK 34 / 19 / 0 / 65

HEX #3B495A

RGB 59 73 90

HSL 212.9, 0.21%, 0.29%

LAB 30.48, -0.91, -11.86

 

CMYK 35 / 19 / 0 / 45

HEX #5C728D

RGB 92 114 141

HSL 213.06, 0.21%, 0.46%

LAB 47.28, -1.13, -17.37

 

CMYK 34 / 19 / 0 / 25

HEX #7E9CC0

RGB 126 156 192

HSL 212.73, 0.34%, 0.62%

LAB 63.36, -1.6, -21.94

 

CMYK 35 / 19 / 0 / 5

HEX #9FC5F3

RGB 159 197 243

HSL 212.86, 0.78%, 0.79%

LAB 78.33, -1.78, -26.79

 

CMYK 33 / 18 / 0 / 85

HEX #1A2027

RGB 26 32 39

HSL 212.31, 0.2%, 0.13%

LAB 11.95, -0.64, -5.62

 

CMYK 34 / 19 / 0 / 65

HEX #3B495A

RGB 59 73 90

HSL 212.9, 0.21%, 0.29%

LAB 30.48, -0.91, -11.86

 

CMYK 9 / 35 / 0 / 65

HEX #513A59

RGB 81 58 89

HSL 284.52, 0.21%, 0.29%

LAB 28.11, 16.53, -14.67

 

CMYK 4 / 0 / 35 / 65

HEX #55593A

RGB 85 89 58

HSL 67.74, 0.21%, 0.29%

LAB 36.71, -7.32, 17.45

 

CMYK 34 / 19 / 0 / 65

HEX #3B495A

RGB 59 73 90

HSL 212.9, 0.21%, 0.29%

LAB 30.48, -0.91, -11.86

 

CMYK 0 / 35 / 19 / 65

HEX #593A48

RGB 89 58 72

HSL 332.9, 0.21%, 0.29%

LAB 28.43, 16.1, -2.97

 

CMYK 19 / 0 / 35 / 65

HEX #48593A

RGB 72 89 58

HSL 92.9, 0.21%, 0.29%

LAB 35.65, -12.96, 15.86

 

CMYK 34 / 19 / 0 / 65

HEX #3B495A

RGB 59 73 90

HSL 212.9, 0.21%, 0.29%

LAB 30.48, -0.91, -11.86

 

CMYK 9 / 35 / 0 / 65

HEX #513A59

RGB 81 58 89

HSL 284.52, 0.21%, 0.29%

LAB 28.11, 16.53, -14.67

 

CMYK 0 / 17 / 35 / 65

HEX #594A3A

RGB 89 74 58

HSL 30.97, 0.21%, 0.29%

LAB 32.54, 3.63, 11.92

 

CMYK 26 / 0 / 35 / 65

HEX #42593A

RGB 66 89 58

HSL 104.52, 0.21%, 0.29%

LAB 35.22, -15.44, 15.2

 

CMYK 34 / 19 / 0 / 65

HEX #3B495A

RGB 59 73 90

HSL 212.9, 0.21%, 0.29%

LAB 30.48, -0.91, -11.86

 

CMYK 0 / 35 / 1 / 65

HEX #593A58

RGB 89 58 88

HSL 301.94, 0.21%, 0.29%

LAB 29.04, 19.3, -12.49

 

CMYK 0 / 17 / 35 / 65

HEX #594A3A

RGB 89 74 58

HSL 30.97, 0.21%, 0.29%

LAB 32.54, 3.63, 11.92

 

CMYK 35 / 0 / 34 / 65

HEX #3A593B

RGB 58 89 59

HSL 121.94, 0.21%, 0.29%

LAB 34.72, -18.37, 13.84

 

Description

Color code: RGB 59 73 90 | qconv.com Color code: RGB 59 73 90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 73 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 73 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 19 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 19% 0% 65% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

49% - Social Media Marketi...
Link: http://inquirly.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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