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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 53 99 it is the complementary color RGB 196 202 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 53 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 53 99 shade: RGB 64 53 94, RGB 81 71 113, RGB 98 89 132, RGB 115 107 151 and RGB 132 125 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 53 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 53 99 shade: RGB 59 53 99, RGB 42 35 80, RGB 25 17 61, RGB 8 0 42 and RGB 0 0 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 53 99 shade: RGB 60 54 99, RGB 72 54 99, RGB 84 54 99, RGB 97 54 99 and RGB 99 54 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 53 99 shade: RGB 60 54 99 and RGB 54 54 99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 53 99 shade matches the following richer shades: RGB 60 54 99, RGB 50 41 112, RGB 41 29 124, RGB 32 16 137 and RGB 23 4 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 53 99 shade: RGB 60 54 99, RGB 69 66 87, RGB 78 78 75, RGB 87 91 62 and RGB 96 103 50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 53 99 shade: RGB 54 73 99, RGB 54 60 99, RGB 59 54 99, RGB 71 54 99 and RGB 83 54 99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 53 99 shade: RGB 27 25 46, RGB 43 39 73, RGB 60 54 99, RGB 76 68 126 and RGB 92 82 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 53 99 shade: RGB 59 53 99, RGB 99 54 85 and RGB 67 99 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 53 99 shade: RGB 59 53 99, RGB 99 59 54 and RGB 54 99 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 53 99 shade: RGB 59 53 99, RGB 99 54 85, RGB 94 99 54 and RGB 54 99 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 53 99 shade: RGB 59 53 99, RGB 99 54 71, RGB 94 99 54 and RGB 54 99 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 46 / 0 / 61

HEX #3B3563

RGB 59 53 99

HSL 247.83, 0.3%, 0.3%

LAB 24.88, 15.16, -26.38

 

Complementary color

CMYK 3 / 0 / 23 / 21

HEX #C4CA9C

RGB 196 202 156

HSL 67.83, 0.3%, 0.7%

LAB 79.83, -9.73, 22.33

 

CMYK 32 / 44 / 0 / 63

HEX #40355E

RGB 64 53 94

HSL 256.1, 0.28%, 0.29%

LAB 25.09, 15.2, -22.76

 

CMYK 28 / 37 / 0 / 56

HEX #514771

RGB 81 71 113

HSL 254.29, 0.23%, 0.36%

LAB 32.81, 14.34, -22.71

 

CMYK 26 / 33 / 0 / 48

HEX #625984

RGB 98 89 132

HSL 252.56, 0.19%, 0.43%

LAB 40.26, 13.62, -22.73

 

CMYK 24 / 29 / 0 / 41

HEX #736B97

RGB 115 107 151

HSL 250.91, 0.17%, 0.51%

LAB 47.49, 13.02, -22.81

 

CMYK 22 / 26 / 0 / 33

HEX #847DAA

RGB 132 125 170

HSL 249.33, 0.21%, 0.58%

LAB 54.53, 12.49, -22.94

 

CMYK 40 / 46 / 0 / 61

HEX #3B3563

RGB 59 53 99

HSL 247.83, 0.3%, 0.3%

LAB 24.88, 15.16, -26.38

 

CMYK 48 / 56 / 0 / 69

HEX #2A2350

RGB 42 35 80

HSL 249.33, 0.39%, 0.23%

LAB 16.86, 16.44, -26.65

 

CMYK 59 / 72 / 0 / 76

HEX #19113D

RGB 25 17 61

HSL 250.91, 0.56%, 0.15%

LAB 8.52, 18.14, -26.98

 

CMYK 81 / 100 / 0 / 84

HEX #08002A

RGB 8 0 42

HSL 251.43, 1%, 0.08%

LAB 1.98, 12.7, -23.52

 

CMYK 100 / 100 / 0 / 91

HEX #000017

RGB 0 0 23

HSL 240, 1%, 0.05%

LAB 0.56, 3.93, -10.69

 

CMYK 39 / 45 / 0 / 61

HEX #3C3663

RGB 60 54 99

HSL 248, 0.29%, 0.3%

LAB 25.26, 14.78, -25.77

 

CMYK 27 / 45 / 0 / 61

HEX #483663

RGB 72 54 99

HSL 264, 0.29%, 0.3%

LAB 26.5, 18.57, -23.74

 

CMYK 15 / 45 / 0 / 61

HEX #543663

RGB 84 54 99

HSL 280, 0.29%, 0.3%

LAB 27.91, 22.56, -21.42

 

CMYK 2 / 45 / 0 / 61

HEX #613663

RGB 97 54 99

HSL 297.33, 0.29%, 0.3%

LAB 29.61, 26.99, -18.63

 

CMYK 0 / 45 / 9 / 61

HEX #63365A

RGB 99 54 90

HSL 312, 0.29%, 0.3%

LAB 29.49, 25.86, -12.99

 

CMYK 39 / 45 / 0 / 61

HEX #3C3663

RGB 60 54 99

HSL 248, 0.29%, 0.3%

LAB 25.26, 14.78, -25.77

 

CMYK 45 / 45 / 0 / 61

HEX #363663

RGB 54 54 99

HSL 240, 0.29%, 0.3%

LAB 24.71, 13.01, -26.67

 

CMYK 39 / 45 / 0 / 61

HEX #3C3663

RGB 60 54 99

HSL 248, 0.29%, 0.3%

LAB 25.26, 14.78, -25.77

 

CMYK 55 / 63 / 0 / 56

HEX #322970

RGB 50 41 112

HSL 247.61, 0.46%, 0.3%

LAB 21.7, 25.24, -39.93

 

CMYK 67 / 77 / 0 / 51

HEX #291D7C

RGB 41 29 124

HSL 247.58, 0.62%, 0.3%

LAB 19.25, 35.32, -51.67

 

CMYK 77 / 88 / 0 / 46

HEX #201089

RGB 32 16 137

HSL 247.93, 0.79%, 0.3%

LAB 17.85, 45.09, -62.24

 

CMYK 85 / 97 / 0 / 42

HEX #170495

RGB 23 4 149

HSL 247.86, 0.95%, 0.3%

LAB 17.64, 52.09, -70.08

 

CMYK 39 / 45 / 0 / 61

HEX #3C3663

RGB 60 54 99

HSL 248, 0.29%, 0.3%

LAB 25.26, 14.78, -25.77

 

CMYK 21 / 24 / 0 / 66

HEX #454257

RGB 69 66 87

HSL 248.57, 0.14%, 0.3%

LAB 29.03, 6.34, -12.06

 

CMYK 0 / 0 / 4 / 69

HEX #4E4E4B

RGB 78 78 75

HSL 60, 0.02%, 0.3%

LAB 33.08, -0.64, 1.77

 

CMYK 4 / 0 / 32 / 64

HEX #575B3E

RGB 87 91 62

HSL 68.28, 0.19%, 0.3%

LAB 37.58, -7.01, 16.24

 

CMYK 7 / 0 / 51 / 60

HEX #606732

RGB 96 103 50

HSL 67.92, 0.35%, 0.3%

LAB 41.87, -11.46, 28.77

 

CMYK 45 / 26 / 0 / 61

HEX #364963

RGB 54 73 99

HSL 214.67, 0.29%, 0.3%

LAB 30.52, 0.28, -17.57

 

CMYK 45 / 39 / 0 / 61

HEX #363C63

RGB 54 60 99

HSL 232, 0.29%, 0.3%

LAB 26.5, 8.91, -23.85

 

CMYK 40 / 45 / 0 / 61

HEX #3B3663

RGB 59 54 99

HSL 246.67, 0.29%, 0.3%

LAB 25.16, 14.48, -25.93

 

CMYK 28 / 45 / 0 / 61

HEX #473663

RGB 71 54 99

HSL 262.67, 0.29%, 0.3%

LAB 26.39, 18.25, -23.92

 

CMYK 16 / 45 / 0 / 61

HEX #533663

RGB 83 54 99

HSL 278.67, 0.29%, 0.3%

LAB 27.79, 22.22, -21.62

 

CMYK 41 / 46 / 0 / 82

HEX #1B192E

RGB 27 25 46

HSL 245.71, 0.3%, 0.14%

LAB 10, 7.3, -13.74

 

CMYK 41 / 47 / 0 / 71

HEX #2B2749

RGB 43 39 73

HSL 247.06, 0.3%, 0.22%

LAB 17.67, 11.54, -20.59

 

CMYK 39 / 45 / 0 / 61

HEX #3C3663

RGB 60 54 99

HSL 248, 0.29%, 0.3%

LAB 25.26, 14.78, -25.77

 

CMYK 40 / 46 / 0 / 51

HEX #4C447E

RGB 76 68 126

HSL 248.28, 0.3%, 0.38%

LAB 32.21, 18.52, -31.81

 

CMYK 40 / 46 / 0 / 40

HEX #5C5299

RGB 92 82 153

HSL 248.45, 0.3%, 0.46%

LAB 38.92, 22.1, -37.58

 

CMYK 40 / 46 / 0 / 61

HEX #3B3563

RGB 59 53 99

HSL 247.83, 0.3%, 0.3%

LAB 24.88, 15.16, -26.38

 

CMYK 0 / 45 / 14 / 61

HEX #633655

RGB 99 54 85

HSL 318.67, 0.29%, 0.3%

LAB 29.28, 24.91, -10.06

 

CMYK 32 / 0 / 45 / 61

HEX #436336

RGB 67 99 54

HSL 102.67, 0.29%, 0.3%

LAB 38.52, -21.1, 21.9

 

CMYK 40 / 46 / 0 / 61

HEX #3B3563

RGB 59 53 99

HSL 247.83, 0.3%, 0.3%

LAB 24.88, 15.16, -26.38

 

CMYK 0 / 40 / 45 / 61

HEX #633B36

RGB 99 59 54

HSL 6.67, 0.29%, 0.3%

LAB 29.53, 17.01, 10.56

 

CMYK 45 / 0 / 40 / 61

HEX #36633B

RGB 54 99 59

HSL 126.67, 0.29%, 0.3%

LAB 37.88, -24.97, 18.02

 

CMYK 40 / 46 / 0 / 61

HEX #3B3563

RGB 59 53 99

HSL 247.83, 0.3%, 0.3%

LAB 24.88, 15.16, -26.38

 

CMYK 0 / 45 / 14 / 61

HEX #633655

RGB 99 54 85

HSL 318.67, 0.29%, 0.3%

LAB 29.28, 24.91, -10.06

 

CMYK 5 / 0 / 45 / 61

HEX #5E6336

RGB 94 99 54

HSL 66.67, 0.29%, 0.3%

LAB 40.52, -9.63, 24.85

 

CMYK 45 / 0 / 31 / 61

HEX #366344

RGB 54 99 68

HSL 138.67, 0.29%, 0.3%

LAB 38.07, -23.2, 12.9

 

CMYK 40 / 46 / 0 / 61

HEX #3B3563

RGB 59 53 99

HSL 247.83, 0.3%, 0.3%

LAB 24.88, 15.16, -26.38

 

CMYK 0 / 45 / 28 / 61

HEX #633647

RGB 99 54 71

HSL 337.33, 0.29%, 0.3%

LAB 28.76, 22.49, -1.66

 

CMYK 5 / 0 / 45 / 61

HEX #5E6336

RGB 94 99 54

HSL 66.67, 0.29%, 0.3%

LAB 40.52, -9.63, 24.85

 

CMYK 45 / 0 / 17 / 61

HEX #366352

RGB 54 99 82

HSL 157.33, 0.29%, 0.3%

LAB 38.41, -19.99, 4.85

 

Description

Color code: RGB 59 53 99 | qconv.com Color code: RGB 59 53 99 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 53 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 53 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 46 magenta, none yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 46% 0% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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