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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 36.8 33 it is the complementary color RGB 196 218.2 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 36.8 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 36.8 33 shade: RGB 64 36.8 28, RGB 81 54.8 47, RGB 98 72.8 66, RGB 115 90.8 85 and RGB 132 108.8 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 36.8 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 36.8 33 shade: RGB 59 36.8 33, RGB 42 18.8 14, RGB 25 0.8 0 and RGB 8 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 36.8 33 shade: RGB 59 37 33 and RGB 59 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 36.8 33 shade: RGB 59 37 33, RGB 59 44 33, RGB 59 51 33, RGB 59 58 33 and RGB 53 59 33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 36.8 33 shade matches the following richer shades: RGB 59 37 33, RGB 66 32 26, RGB 74 26 18, RGB 81 21 11 and RGB 88 16 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 36.8 33 shade: RGB 59 37 33, RGB 51 42 40, RGB 44 47 48, RGB 36 53 55 and RGB 29 58 63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 36.8 33 shade: RGB 59 33 43, RGB 59 33 36, RGB 59 36 33, RGB 59 43 33 and RGB 59 50 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 36.8 33 shade: RGB 6 4 3, RGB 32 20 18, RGB 59 37 33, RGB 85 53 48 and RGB 112 70 63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 36.8 33 shade: RGB 59 36.8 33, RGB 50 59 33 and RGB 33 40 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 36.8 33 shade: RGB 59 36.8 33, RGB 33 59 36 and RGB 36 33 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 36.8 33 shade: RGB 59 36.8 33, RGB 50 59 33, RGB 33 55 59 and RGB 42 33 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 36.8 33 shade: RGB 59 36.8 33, RGB 42 59 33, RGB 33 55 59 and RGB 49 33 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 44 / 77

HEX #3B2421

RGB 59 36.8 33

HSL 8.77, 0.28%, 0.18%

LAB 17.23, 9.97, 6.83

 

Complementary color

CMYK 12 / 2 / 0 / 13

HEX #C4DADE

RGB 196 218.2 222

HSL 188.77, 0.28%, 0.82%

LAB 85.63, -6.61, -4.39

 

CMYK 0 / 43 / 56 / 75

HEX #40241C

RGB 64 36.8 28

HSL 14.67, 0.39%, 0.18%

LAB 17.85, 11.75, 11.27

 

CMYK 0 / 32 / 42 / 68

HEX #51362F

RGB 81 54.8 47

HSL 13.76, 0.27%, 0.25%

LAB 25.77, 10.55, 9.57

 

CMYK 0 / 26 / 33 / 62

HEX #624842

RGB 98 72.8 66

HSL 12.75, 0.2%, 0.32%

LAB 33.41, 9.64, 8.23

 

CMYK 0 / 21 / 26 / 55

HEX #735A55

RGB 115 90.8 85

HSL 11.6, 0.15%, 0.39%

LAB 40.81, 8.93, 7.1

 

CMYK 0 / 18 / 21 / 48

HEX #846C68

RGB 132 108.8 104

HSL 10.29, 0.12%, 0.46%

LAB 48.01, 8.35, 6.11

 

CMYK 0 / 38 / 44 / 77

HEX #3B2421

RGB 59 36.8 33

HSL 8.77, 0.28%, 0.18%

LAB 17.23, 9.97, 6.83

 

CMYK 0 / 55 / 67 / 84

HEX #2A120E

RGB 42 18.8 14

HSL 10.29, 0.5%, 0.11%

LAB 8.85, 11.34, 7.55

 

CMYK 0 / 97 / 100 / 90

HEX #190000

RGB 25 0.8 0

HSL 1.92, 1%, 0.05%

LAB 2.02, 8.06, 3.18

 

CMYK 0 / 100 / 100 / 97

HEX #080000

RGB 8 0 0

HSL 0, 1%, 0.02%

LAB 0.47, 2.09, 0.74

 

CMYK 0 / 37 / 44 / 77

HEX #3B2521

RGB 59 37 33

HSL 9.23, 0.28%, 0.18%

LAB 17.29, 9.83, 6.91

 

CMYK 0 / 44 / 44 / 77

HEX #3B2121

RGB 59 33 33

HSL 0, 0.28%, 0.18%

LAB 16.14, 12.54, 5.32

 

CMYK 0 / 37 / 44 / 77

HEX #3B2521

RGB 59 37 33

HSL 9.23, 0.28%, 0.18%

LAB 17.29, 9.83, 6.91

 

CMYK 0 / 25 / 44 / 77

HEX #3B2C21

RGB 59 44 33

HSL 25.38, 0.28%, 0.18%

LAB 19.4, 5.08, 9.79

 

CMYK 0 / 14 / 44 / 77

HEX #3B3321

RGB 59 51 33

HSL 41.54, 0.28%, 0.18%

LAB 21.61, 0.39, 12.74

 

CMYK 0 / 2 / 44 / 77

HEX #3B3A21

RGB 59 58 33

HSL 57.69, 0.28%, 0.18%

LAB 23.89, -4.15, 15.7

 

CMYK 10 / 0 / 44 / 77

HEX #353B21

RGB 53 59 33

HSL 73.85, 0.28%, 0.18%

LAB 23.65, -7.7, 15.29

 

CMYK 0 / 37 / 44 / 77

HEX #3B2521

RGB 59 37 33

HSL 9.23, 0.28%, 0.18%

LAB 17.29, 9.83, 6.91

 

CMYK 0 / 52 / 61 / 74

HEX #42201A

RGB 66 32 26

HSL 9, 0.43%, 0.18%

LAB 16.82, 15.64, 11.37

 

CMYK 0 / 65 / 76 / 71

HEX #4A1A12

RGB 74 26 18

HSL 8.57, 0.61%, 0.18%

LAB 16.69, 22.25, 16.9

 

CMYK 0 / 74 / 86 / 68

HEX #51150B

RGB 81 21 11

HSL 8.57, 0.76%, 0.18%

LAB 17.04, 27.39, 21.27

 

CMYK 0 / 82 / 97 / 65

HEX #581003

RGB 88 16 3

HSL 9.18, 0.93%, 0.18%

LAB 17.7, 31.88, 25.7

 

CMYK 0 / 37 / 44 / 77

HEX #3B2521

RGB 59 37 33

HSL 9.23, 0.28%, 0.18%

LAB 17.29, 9.83, 6.91

 

CMYK 0 / 18 / 22 / 80

HEX #332A28

RGB 51 42 40

HSL 10.91, 0.12%, 0.18%

LAB 17.98, 3.74, 2.84

 

CMYK 8 / 2 / 0 / 81

HEX #2C2F30

RGB 44 47 48

HSL 195, 0.04%, 0.18%

LAB 19.15, -1.07, -1.1

 

CMYK 35 / 4 / 0 / 78

HEX #243537

RGB 36 53 55

HSL 186.32, 0.21%, 0.18%

LAB 20.82, -6.31, -3.5

 

CMYK 54 / 8 / 0 / 75

HEX #1D3A3F

RGB 29 58 63

HSL 188.82, 0.37%, 0.18%

LAB 22.47, -9.26, -6.49

 

CMYK 0 / 44 / 27 / 77

HEX #3B212B

RGB 59 33 43

HSL 336.92, 0.28%, 0.18%

LAB 16.46, 14.19, -1.34

 

CMYK 0 / 44 / 39 / 77

HEX #3B2124

RGB 59 33 36

HSL 353.08, 0.28%, 0.18%

LAB 16.23, 12.99, 3.31

 

CMYK 0 / 39 / 44 / 77

HEX #3B2421

RGB 59 36 33

HSL 6.92, 0.28%, 0.18%

LAB 17, 10.51, 6.51

 

CMYK 0 / 27 / 44 / 77

HEX #3B2B21

RGB 59 43 33

HSL 23.08, 0.28%, 0.18%

LAB 19.09, 5.75, 9.38

 

CMYK 0 / 15 / 44 / 77

HEX #3B3221

RGB 59 50 33

HSL 39.23, 0.28%, 0.18%

LAB 21.29, 1.05, 12.32

 

CMYK 0 / 33 / 50 / 98

HEX #060403

RGB 6 4 3

HSL 20, 0.33%, 0.02%

LAB 1.19, 0.38, 0.56

 

CMYK 0 / 38 / 44 / 87

HEX #201412

RGB 32 20 18

HSL 8.57, 0.28%, 0.1%

LAB 7.69, 5.79, 3.44

 

CMYK 0 / 37 / 44 / 77

HEX #3B2521

RGB 59 37 33

HSL 9.23, 0.28%, 0.18%

LAB 17.29, 9.83, 6.91

 

CMYK 0 / 38 / 44 / 67

HEX #553530

RGB 85 53 48

HSL 8.11, 0.28%, 0.26%

LAB 25.84, 13.69, 9.09

 

CMYK 0 / 38 / 44 / 56

HEX #70463F

RGB 112 70 63

HSL 8.57, 0.28%, 0.34%

LAB 34.36, 17.13, 11.72

 

CMYK 0 / 38 / 44 / 77

HEX #3B2421

RGB 59 36.8 33

HSL 8.77, 0.28%, 0.18%

LAB 17.23, 9.97, 6.83

 

CMYK 15 / 0 / 44 / 77

HEX #323B21

RGB 50 59 33

HSL 80.77, 0.28%, 0.18%

LAB 23.39, -9.12, 14.9

 

CMYK 44 / 32 / 0 / 77

HEX #21283B

RGB 33 40 59

HSL 223.85, 0.28%, 0.18%

LAB 16.29, 2.79, -13.17

 

CMYK 0 / 38 / 44 / 77

HEX #3B2421

RGB 59 36.8 33

HSL 8.77, 0.28%, 0.18%

LAB 17.23, 9.97, 6.83

 

CMYK 44 / 0 / 39 / 77

HEX #213B24

RGB 33 59 36

HSL 126.92, 0.28%, 0.18%

LAB 22.23, -15.88, 11.21

 

CMYK 39 / 44 / 0 / 77

HEX #24213B

RGB 36 33 59

HSL 246.92, 0.28%, 0.18%

LAB 14.28, 8.91, -16.28

 

CMYK 0 / 38 / 44 / 77

HEX #3B2421

RGB 59 36.8 33

HSL 8.77, 0.28%, 0.18%

LAB 17.23, 9.97, 6.83

 

CMYK 15 / 0 / 44 / 77

HEX #323B21

RGB 50 59 33

HSL 80.77, 0.28%, 0.18%

LAB 23.39, -9.12, 14.9

 

CMYK 44 / 7 / 0 / 77

HEX #21373B

RGB 33 55 59

HSL 189.23, 0.28%, 0.18%

LAB 21.47, -7.42, -5.26

 

CMYK 29 / 44 / 0 / 77

HEX #2A213B

RGB 42 33 59

HSL 260.77, 0.28%, 0.18%

LAB 14.93, 11.05, -15.22

 

CMYK 0 / 38 / 44 / 77

HEX #3B2421

RGB 59 36.8 33

HSL 8.77, 0.28%, 0.18%

LAB 17.23, 9.97, 6.83

 

CMYK 29 / 0 / 44 / 77

HEX #2A3B21

RGB 42 59 33

HSL 99.23, 0.28%, 0.18%

LAB 22.76, -12.76, 13.95

 

CMYK 44 / 7 / 0 / 77

HEX #21373B

RGB 33 55 59

HSL 189.23, 0.28%, 0.18%

LAB 21.47, -7.42, -5.26

 

CMYK 17 / 44 / 0 / 77

HEX #31213B

RGB 49 33 59

HSL 276.92, 0.28%, 0.18%

LAB 15.78, 13.67, -13.83

 

Description

Color code: RGB 59 36.8 33 | qconv.com Color code: RGB 59 36.8 33 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 36.8 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 36.8 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 44 yellow and 77 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 44% 77% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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