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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 197 93 it is the complementary color RGB 196 58 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 197 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 197 93 shade: RGB 64 197 88, RGB 81 215 107, RGB 98 233 126, RGB 115 251 145 and RGB 132 255 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 197 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 197 93 shade: RGB 59 197 93, RGB 42 179 74, RGB 25 161 55, RGB 8 143 36 and RGB 0 125 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 197 93 shade: RGB 59 196 93, RGB 62 196 59, RGB 99 196 59, RGB 136 196 59 and RGB 173 196 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 197 93 shade: RGB 59 196 93, RGB 59 196 130, RGB 59 196 167, RGB 59 189 196 and RGB 59 152 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 197 93 shade matches the following richer shades: RGB 59 196 93, RGB 38 217 82 and RGB 17 238 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 197 93 shade: RGB 59 196 93, RGB 79 176 103, RGB 100 155 114, RGB 121 134 124 and RGB 141 114 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 197 93 shade: RGB 100 196 59, RGB 63 196 59, RGB 59 196 91, RGB 59 196 128 and RGB 59 196 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 197 93 shade: RGB 40 133 63, RGB 49 165 78, RGB 59 196 93, RGB 90 206 119 and RGB 122 215 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 197 93 shade: RGB 59 197 93, RGB 59 137 196 and RGB 196 59 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 197 93 shade: RGB 59 197 93, RGB 91 59 196 and RGB 196 91 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 197 93 shade: RGB 59 197 93, RGB 59 137 196, RGB 196 59 164 and RGB 196 118 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 197 93 shade: RGB 59 197 93, RGB 59 95 196, RGB 196 59 164 and RGB 196 160 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 53 / 23

HEX #3BC55D

RGB 59 197 93

HSL 134.78, 0.54%, 0.5%

LAB 70.63, -58.5, 41.37

 

Complementary color

CMYK 0 / 70 / 17 / 23

HEX #C43AA2

RGB 196 58 162

HSL 314.78, 0.54%, 0.5%

LAB 48.72, 64.45, -26.59

 

CMYK 68 / 0 / 55 / 23

HEX #40C558

RGB 64 197 88

HSL 130.83, 0.53%, 0.51%

LAB 70.68, -58.3, 43.85

 

CMYK 62 / 0 / 50 / 16

HEX #51D76B

RGB 81 215 107

HSL 131.64, 0.63%, 0.58%

LAB 76.93, -58.81, 42.45

 

CMYK 58 / 0 / 46 / 9

HEX #62E97E

RGB 98 233 126

HSL 132.44, 0.75%, 0.65%

LAB 83.12, -59.07, 41.07

 

CMYK 54 / 0 / 42 / 2

HEX #73FB91

RGB 115 251 145

HSL 133.24, 0.94%, 0.72%

LAB 89.24, -59.16, 39.73

 

CMYK 48 / 0 / 36 / 0

HEX #84FFA4

RGB 132 255 164

HSL 135.61, 1%, 0.76%

LAB 91.28, -53.55, 33.12

 

CMYK 70 / 0 / 53 / 23

HEX #3BC55D

RGB 59 197 93

HSL 134.78, 0.54%, 0.5%

LAB 70.63, -58.5, 41.37

 

CMYK 77 / 0 / 59 / 30

HEX #2AB34A

RGB 42 179 74

HSL 134.01, 0.62%, 0.43%

LAB 64.34, -57.54, 42.83

 

CMYK 84 / 0 / 66 / 37

HEX #19A137

RGB 25 161 55

HSL 133.24, 0.73%, 0.36%

LAB 58.01, -55.99, 44.19

 

CMYK 94 / 0 / 75 / 44

HEX #088F24

RGB 8 143 36

HSL 132.44, 0.89%, 0.3%

LAB 51.64, -53.62, 45.21

 

CMYK 100 / 0 / 86 / 51

HEX #007D11

RGB 0 125 17

HSL 128.16, 1%, 0.25%

LAB 45.23, -50.09, 45.32

 

CMYK 70 / 0 / 53 / 23

HEX #3BC45D

RGB 59 196 93

HSL 134.89, 0.54%, 0.5%

LAB 70.32, -58.15, 40.98

 

CMYK 68 / 0 / 70 / 23

HEX #3EC43B

RGB 62 196 59

HSL 118.69, 0.54%, 0.5%

LAB 70.05, -61.53, 55.7

 

CMYK 49 / 0 / 70 / 23

HEX #63C43B

RGB 99 196 59

HSL 102.48, 0.54%, 0.5%

LAB 71.18, -52.55, 57.22

 

CMYK 31 / 0 / 70 / 23

HEX #88C43B

RGB 136 196 59

HSL 86.28, 0.54%, 0.5%

LAB 72.91, -40.24, 59.55

 

CMYK 12 / 0 / 70 / 23

HEX #ADC43B

RGB 173 196 59

HSL 70.07, 0.54%, 0.5%

LAB 75.25, -25.75, 62.67

 

CMYK 70 / 0 / 53 / 23

HEX #3BC45D

RGB 59 196 93

HSL 134.89, 0.54%, 0.5%

LAB 70.32, -58.15, 40.98

 

CMYK 70 / 0 / 34 / 23

HEX #3BC482

RGB 59 196 130

HSL 151.09, 0.54%, 0.5%

LAB 70.89, -51.72, 22.8

 

CMYK 70 / 0 / 15 / 23

HEX #3BC4A7

RGB 59 196 167

HSL 167.3, 0.54%, 0.5%

LAB 71.69, -43.24, 4.01

 

CMYK 70 / 4 / 0 / 23

HEX #3BBDC4

RGB 59 189 196

HSL 183.07, 0.54%, 0.5%

LAB 70.39, -32.08, -13.75

 

CMYK 70 / 22 / 0 / 23

HEX #3B98C4

RGB 59 152 196

HSL 199.27, 0.54%, 0.5%

LAB 59.32, -13.08, -30.67

 

CMYK 70 / 0 / 53 / 23

HEX #3BC45D

RGB 59 196 93

HSL 134.89, 0.54%, 0.5%

LAB 70.32, -58.15, 40.98

 

CMYK 82 / 0 / 62 / 15

HEX #26D952

RGB 38 217 82

HSL 134.75, 0.7%, 0.5%

LAB 76.46, -69.32, 53.16

 

CMYK 93 / 0 / 70 / 7

HEX #11EE48

RGB 17 238 72

HSL 134.93, 0.87%, 0.5%

LAB 82.77, -78, 63.97

 

CMYK 70 / 0 / 53 / 23

HEX #3BC45D

RGB 59 196 93

HSL 134.89, 0.54%, 0.5%

LAB 70.32, -58.15, 40.98

 

CMYK 55 / 0 / 41 / 31

HEX #4FB067

RGB 79 176 103

HSL 134.85, 0.38%, 0.5%

LAB 64.72, -44.7, 28.96

 

CMYK 35 / 0 / 26 / 39

HEX #649B72

RGB 100 155 114

HSL 135.27, 0.22%, 0.5%

LAB 59.31, -27.16, 15.88

 

CMYK 10 / 0 / 7 / 47

HEX #79867C

RGB 121 134 124

HSL 133.85, 0.05%, 0.5%

LAB 54.63, -6.79, 3.76

 

CMYK 0 / 19 / 5 / 45

HEX #8D7286

RGB 141 114 134

HSL 315.56, 0.11%, 0.5%

LAB 51.17, 14.19, -6.94

 

CMYK 49 / 0 / 70 / 23

HEX #64C43B

RGB 100 196 59

HSL 102.04, 0.54%, 0.5%

LAB 71.22, -52.26, 57.28

 

CMYK 68 / 0 / 70 / 23

HEX #3FC43B

RGB 63 196 59

HSL 118.25, 0.54%, 0.5%

LAB 70.07, -61.34, 55.73

 

CMYK 70 / 0 / 54 / 23

HEX #3BC45B

RGB 59 196 91

HSL 134.01, 0.54%, 0.5%

LAB 70.29, -58.43, 41.92

 

CMYK 70 / 0 / 35 / 23

HEX #3BC480

RGB 59 196 128

HSL 150.22, 0.54%, 0.5%

LAB 70.85, -52.12, 23.81

 

CMYK 70 / 0 / 16 / 23

HEX #3BC4A4

RGB 59 196 164

HSL 165.99, 0.54%, 0.5%

LAB 71.62, -44, 5.53

 

CMYK 70 / 0 / 53 / 48

HEX #28853F

RGB 40 133 63

HSL 134.84, 0.54%, 0.34%

LAB 48.99, -42.83, 29.84

 

CMYK 70 / 0 / 53 / 35

HEX #31A54E

RGB 49 165 78

HSL 135, 0.54%, 0.42%

LAB 59.99, -50.91, 35.7

 

CMYK 70 / 0 / 53 / 23

HEX #3BC45D

RGB 59 196 93

HSL 134.89, 0.54%, 0.5%

LAB 70.32, -58.15, 40.98

 

CMYK 56 / 0 / 42 / 19

HEX #5ACE77

RGB 90 206 119

HSL 135, 0.54%, 0.58%

LAB 74.6, -51.55, 33.6

 

CMYK 43 / 0 / 33 / 16

HEX #7AD791

RGB 122 215 145

HSL 134.84, 0.54%, 0.66%

LAB 78.92, -42.61, 26.14

 

CMYK 70 / 0 / 53 / 23

HEX #3BC55D

RGB 59 197 93

HSL 134.78, 0.54%, 0.5%

LAB 70.63, -58.5, 41.37

 

CMYK 70 / 30 / 0 / 23

HEX #3B89C4

RGB 59 137 196

HSL 205.84, 0.54%, 0.5%

LAB 54.87, -4.6, -37.6

 

CMYK 0 / 70 / 58 / 23

HEX #C43B52

RGB 196 59 82

HSL 349.93, 0.54%, 0.5%

LAB 46.28, 55.53, 18.33

 

CMYK 70 / 0 / 53 / 23

HEX #3BC55D

RGB 59 197 93

HSL 134.78, 0.54%, 0.5%

LAB 70.63, -58.5, 41.37

 

CMYK 54 / 70 / 0 / 23

HEX #5B3BC4

RGB 91 59 196

HSL 254.01, 0.54%, 0.5%

LAB 36.63, 48.33, -66.78

 

CMYK 0 / 54 / 70 / 23

HEX #C45B3B

RGB 196 91 59

HSL 14.01, 0.54%, 0.5%

LAB 51.31, 39.77, 38

 

CMYK 70 / 0 / 53 / 23

HEX #3BC55D

RGB 59 197 93

HSL 134.78, 0.54%, 0.5%

LAB 70.63, -58.5, 41.37

 

CMYK 70 / 30 / 0 / 23

HEX #3B89C4

RGB 59 137 196

HSL 205.84, 0.54%, 0.5%

LAB 54.87, -4.6, -37.6

 

CMYK 0 / 70 / 16 / 23

HEX #C43BA4

RGB 196 59 164

HSL 314.01, 0.54%, 0.5%

LAB 48.94, 64.38, -27.44

 

CMYK 0 / 40 / 70 / 23

HEX #C4763B

RGB 196 118 59

HSL 25.84, 0.54%, 0.5%

LAB 57.08, 25.54, 44.45

 

CMYK 70 / 0 / 53 / 23

HEX #3BC55D

RGB 59 197 93

HSL 134.78, 0.54%, 0.5%

LAB 70.63, -58.5, 41.37

 

CMYK 70 / 52 / 0 / 23

HEX #3B5FC4

RGB 59 95 196

HSL 224.23, 0.54%, 0.5%

LAB 42.91, 21.33, -56.65

 

CMYK 0 / 70 / 16 / 23

HEX #C43BA4

RGB 196 59 164

HSL 314.01, 0.54%, 0.5%

LAB 48.94, 64.38, -27.44

 

CMYK 0 / 18 / 70 / 23

HEX #C4A03B

RGB 196 160 59

HSL 44.23, 0.54%, 0.5%

LAB 67.42, 2.61, 55.4

 

Description

Color code: RGB 59 197 93 | qconv.com Color code: RGB 59 197 93 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 197 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 197 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 53 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 53% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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