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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 206 213 it is the complementary color RGB 197 49 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 206 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 58 206 213: RGB 63 206 208, RGB 80 224 227, RGB 97 242 246, RGB 114 255 255 and RGB 131 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 206 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 58 206 213: RGB 58 206 213, RGB 41 188 194, RGB 24 170 175, RGB 7 152 156 and RGB 0 134 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 3 / 0 / 16

HEX #3ACED5

RGB 58 206 213

HSL 182.71, 0.65%, 0.53%

LAB 75.97, -35.26, -14.6

 

Complementary color

CMYK 0 / 75 / 79 / 23

HEX #C5312A

RGB 197 49 42

HSL 2.71, 0.65%, 0.47%

LAB 44.57, 57.33, 39.97

 

CMYK 70 / 1 / 0 / 18

HEX #3FCED0

RGB 63 206 208

HSL 180.83, 0.61%, 0.53%

LAB 75.92, -36.09, -11.98

 

CMYK 65 / 1 / 0 / 11

HEX #50E0E3

RGB 80 224 227

HSL 181.22, 0.72%, 0.6%

LAB 82.14, -36.74, -12.79

 

CMYK 61 / 2 / 0 / 4

HEX #61F2F6

RGB 97 242 246

HSL 181.61, 0.89%, 0.67%

LAB 88.3, -37.23, -13.54

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 73 / 3 / 0 / 16

HEX #3ACED5

RGB 58 206 213

HSL 182.71, 0.65%, 0.53%

LAB 75.97, -35.26, -14.6

 

CMYK 79 / 3 / 0 / 24

HEX #29BCC2

RGB 41 188 194

HSL 182.35, 0.65%, 0.46%

LAB 69.71, -34.23, -13.72

 

CMYK 86 / 3 / 0 / 31

HEX #18AAAF

RGB 24 170 175

HSL 181.99, 0.76%, 0.39%

LAB 63.37, -32.88, -12.73

 

CMYK 96 / 3 / 0 / 39

HEX #07989C

RGB 7 152 156

HSL 181.61, 0.91%, 0.32%

LAB 56.98, -31.12, -11.63

 

CMYK 100 / 2 / 0 / 46

HEX #008689

RGB 0 134 137

HSL 181.31, 1%, 0.27%

LAB 50.52, -28.84, -10.37

 

CMYK 73 / 3 / 0 / 16

HEX #3ACED5

RGB 58 206 213

HSL 182.71, 0.65%, 0.53%

LAB 75.97, -35.26, -14.6

 

CMYK 73 / 15 / 0 / 16

HEX #39B5D5

RGB 57 181 213

HSL 192.31, 0.65%, 0.53%

LAB 68.55, -23.17, -25.87

 

CMYK 73 / 27 / 0 / 16

HEX #399BD5

RGB 57 155 213

HSL 202.31, 0.65%, 0.53%

LAB 60.88, -9.26, -37.75

 

CMYK 73 / 39 / 0 / 16

HEX #3981D5

RGB 57 129 213

HSL 212.31, 0.65%, 0.53%

LAB 53.36, 5.93, -49.63

 

CMYK 73 / 52 / 0 / 16

HEX #3967D5

RGB 57 103 213

HSL 222.31, 0.65%, 0.53%

LAB 46.14, 22.16, -61.21

 

CMYK 73 / 3 / 0 / 16

HEX #3ACED5

RGB 58 206 213

HSL 182.71, 0.65%, 0.53%

LAB 75.97, -35.26, -14.6

 

CMYK 78 / 0 / 0 / 96

HEX #020909

RGB 2 9 9

HSL 180, 0.64%, 0.02%

LAB 2.06, -1.83, -0.65

 

CMYK 73 / 3 / 0 / 76

HEX #103A3C

RGB 16 58 60

HSL 182.73, 0.58%, 0.15%

LAB 21.81, -13.43, -5.51

 

CMYK 73 / 4 / 0 / 56

HEX #1E6B6F

RGB 30 107 111

HSL 182.96, 0.57%, 0.28%

LAB 41.12, -21.19, -8.97

 

CMYK 73 / 3 / 0 / 36

HEX #2C9DA2

RGB 44 157 162

HSL 182.54, 0.57%, 0.4%

LAB 59.21, -28.71, -11.64

 

CMYK 73 / 3 / 0 / 16

HEX #3ACED5

RGB 58 206 213

HSL 182.71, 0.65%, 0.53%

LAB 75.97, -35.26, -14.6

 

CMYK 56 / 73 / 0 / 16

HEX #5D39D5

RGB 93 57 213

HSL 253.85, 0.65%, 0.53%

LAB 37.95, 54.54, -74.48

 

CMYK 0 / 27 / 73 / 16

HEX #D59B39

RGB 213 155 57

HSL 37.69, 0.65%, 0.53%

LAB 67.94, 12.59, 57.34

 

CMYK 73 / 3 / 0 / 16

HEX #3ACED5

RGB 58 206 213

HSL 182.71, 0.65%, 0.53%

LAB 75.97, -35.26, -14.6

 

CMYK 0 / 73 / 3 / 16

HEX #D539CF

RGB 213 57 207

HSL 302.31, 0.65%, 0.53%

LAB 53.58, 75.32, -44.99

 

CMYK 3 / 0 / 73 / 16

HEX #CFD539

RGB 207 213 57

HSL 62.31, 0.65%, 0.53%

LAB 82.46, -20.05, 71.21

 

CMYK 73 / 3 / 0 / 16

HEX #3ACED5

RGB 58 206 213

HSL 182.71, 0.65%, 0.53%

LAB 75.97, -35.26, -14.6

 

CMYK 56 / 73 / 0 / 16

HEX #5D39D5

RGB 93 57 213

HSL 253.85, 0.65%, 0.53%

LAB 37.95, 54.54, -74.48

 

CMYK 0 / 71 / 73 / 16

HEX #D53E39

RGB 213 62 57

HSL 1.92, 0.65%, 0.53%

LAB 49.36, 58.34, 37.66

 

CMYK 17 / 0 / 73 / 16

HEX #B0D539

RGB 176 213 57

HSL 74.23, 0.65%, 0.53%

LAB 80.24, -32.69, 68.33

 

CMYK 73 / 3 / 0 / 16

HEX #3ACED5

RGB 58 206 213

HSL 182.71, 0.65%, 0.53%

LAB 75.97, -35.26, -14.6

 

CMYK 34 / 73 / 0 / 16

HEX #8C39D5

RGB 140 57 213

HSL 271.92, 0.65%, 0.53%

LAB 43.22, 62.03, -65.64

 

CMYK 0 / 71 / 73 / 16

HEX #D53E39

RGB 213 62 57

HSL 1.92, 0.65%, 0.53%

LAB 49.36, 58.34, 37.66

 

CMYK 39 / 0 / 73 / 16

HEX #81D539

RGB 129 213 57

HSL 92.31, 0.65%, 0.53%

LAB 77.61, -50, 64.86

 

Description

Color code: RGB 58 206 213 | qconv.com Color code: RGB 58 206 213 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 206 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 206 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 3 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 3% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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