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Color name
RGB 58.1 198.8 158

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58.1 198.8 158 it is the complementary color RGB 196.9 56.2 97. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58.1 198.8 158. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58.1 198.8 158 shade: RGB 63.1 198.8 153, RGB 80.1 216.8 172, RGB 97.1 234.8 191, RGB 114.1 252.8 210 and RGB 131.1 255 229

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58.1 198.8 158. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58.1 198.8 158 shade: RGB 58.1 198.8 158, RGB 41.1 180.8 139, RGB 24.1 162.8 120, RGB 7.1 144.8 101 and RGB 0 126.8 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58.1 198.8 158 shade: RGB 56 199 157, RGB 56 199 119, RGB 56 199 80, RGB 70 199 56 and RGB 109 199 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58.1 198.8 158 shade: RGB 56 199 157, RGB 56 199 196, RGB 56 163 199, RGB 56 125 199 and RGB 56 86 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58.1 198.8 158 shade matches the following richer shades: RGB 56 199 157, RGB 35 220 166 and RGB 15 240 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58.1 198.8 158 shade: RGB 56 199 157, RGB 77 178 149, RGB 97 158 140, RGB 118 137 131 and RGB 139 116 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58.1 198.8 158 shade: RGB 56 199 80, RGB 56 199 118, RGB 56 199 156, RGB 56 199 194 and RGB 56 166 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58.1 198.8 158 shade: RGB 38 135 107, RGB 47 167 132, RGB 56 199 157, RGB 88 208 173 and RGB 120 217 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58.1 198.8 158 shade: RGB 58.1 198.8 158, RGB 56 70 199 and RGB 199 99 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58.1 198.8 158 shade: RGB 58.1 198.8 158, RGB 156 56 199 and RGB 199 156 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58.1 198.8 158 shade: RGB 58.1 198.8 158, RGB 56 70 199, RGB 199 56 99 and RGB 199 185 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58.1 198.8 158 shade: RGB 58.1 198.8 158, RGB 85 56 199, RGB 199 56 99 and RGB 170 199 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 21 / 22

HEX #3AC69E

RGB 58.1 198.8 158

HSL 162.6, 0.56%, 0.5%

LAB 72.31, -46.78, 9.78

 

Complementary color

CMYK 0 / 71 / 51 / 23

HEX #C43861

RGB 196.9 56.2 97

HSL 342.6, 0.56%, 0.5%

LAB 46.4, 58, 9.33

 

CMYK 68 / 0 / 23 / 22

HEX #3FC699

RGB 63.1 198.8 153

HSL 159.75, 0.55%, 0.51%

LAB 72.31, -47.21, 12.48

 

CMYK 63 / 0 / 21 / 15

HEX #50D8AC

RGB 80.1 216.8 172

HSL 160.34, 0.64%, 0.58%

LAB 78.58, -47.53, 11.26

 

CMYK 59 / 0 / 19 / 8

HEX #61EABF

RGB 97.1 234.8 191

HSL 160.92, 0.77%, 0.65%

LAB 84.8, -47.7, 10.15

 

CMYK 55 / 0 / 17 / 1

HEX #72FCD2

RGB 114.1 252.8 210

HSL 161.49, 0.97%, 0.72%

LAB 90.94, -47.76, 9.13

 

CMYK 49 / 0 / 10 / 0

HEX #83FFE5

RGB 131.1 255 229

HSL 167.41, 1%, 0.76%

LAB 92.58, -40.82, 1.74

 

CMYK 71 / 0 / 21 / 22

HEX #3AC69E

RGB 58.1 198.8 158

HSL 162.6, 0.56%, 0.5%

LAB 72.31, -46.78, 9.78

 

CMYK 77 / 0 / 23 / 29

HEX #29B48B

RGB 41.1 180.8 139

HSL 162.05, 0.63%, 0.44%

LAB 65.98, -46.1, 11.1

 

CMYK 85 / 0 / 26 / 36

HEX #18A278

RGB 24.1 162.8 120

HSL 161.49, 0.74%, 0.37%

LAB 59.59, -45.06, 12.58

 

CMYK 95 / 0 / 30 / 43

HEX #079065

RGB 7.1 144.8 101

HSL 160.92, 0.91%, 0.3%

LAB 53.14, -43.53, 14.25

 

CMYK 100 / 0 / 35 / 50

HEX #007E52

RGB 0 126.8 82

HSL 158.8, 1%, 0.25%

LAB 46.63, -41.32, 16.14

 

CMYK 72 / 0 / 21 / 22

HEX #38C79D

RGB 56 199 157

HSL 162.38, 0.56%, 0.5%

LAB 72.31, -47.4, 10.31

 

CMYK 72 / 0 / 40 / 22

HEX #38C777

RGB 56 199 119

HSL 146.43, 0.56%, 0.5%

LAB 71.57, -55.46, 29.47

 

CMYK 72 / 0 / 60 / 22

HEX #38C750

RGB 56 199 80

HSL 130.07, 0.56%, 0.5%

LAB 71.05, -61.41, 47.94

 

CMYK 65 / 0 / 72 / 22

HEX #46C738

RGB 70 199 56

HSL 114.13, 0.56%, 0.5%

LAB 71.17, -61.19, 58.04

 

CMYK 45 / 0 / 72 / 22

HEX #6DC738

RGB 109 199 56

HSL 97.76, 0.56%, 0.5%

LAB 72.48, -50.92, 59.8

 

CMYK 72 / 0 / 21 / 22

HEX #38C79D

RGB 56 199 157

HSL 162.38, 0.56%, 0.5%

LAB 72.31, -47.4, 10.31

 

CMYK 72 / 0 / 2 / 22

HEX #38C7C4

RGB 56 199 196

HSL 178.74, 0.56%, 0.5%

LAB 73.33, -37.15, -9.35

 

CMYK 72 / 18 / 0 / 22

HEX #38A3C7

RGB 56 163 199

HSL 195.1, 0.56%, 0.5%

LAB 62.64, -18.45, -27.21

 

CMYK 72 / 37 / 0 / 22

HEX #387DC7

RGB 56 125 199

HSL 211.05, 0.56%, 0.5%

LAB 51.42, 3.15, -44.77

 

CMYK 72 / 57 / 0 / 22

HEX #3856C7

RGB 56 86 199

HSL 227.41, 0.56%, 0.5%

LAB 40.61, 27.81, -62.14

 

CMYK 72 / 0 / 21 / 22

HEX #38C79D

RGB 56 199 157

HSL 162.38, 0.56%, 0.5%

LAB 72.31, -47.4, 10.31

 

CMYK 84 / 0 / 25 / 14

HEX #23DCA6

RGB 35 220 166

HSL 162.49, 0.73%, 0.5%

LAB 78.63, -55.89, 14.4

 

CMYK 94 / 0 / 27 / 6

HEX #0FF0AF

RGB 15 240 175

HSL 162.67, 0.88%, 0.5%

LAB 84.75, -62.42, 18.24

 

CMYK 72 / 0 / 21 / 22

HEX #38C79D

RGB 56 199 157

HSL 162.38, 0.56%, 0.5%

LAB 72.31, -47.4, 10.31

 

CMYK 57 / 0 / 16 / 30

HEX #4DB295

RGB 77 178 149

HSL 162.77, 0.4%, 0.5%

LAB 66.2, -36.53, 6.02

 

CMYK 39 / 0 / 11 / 38

HEX #619E8C

RGB 97 158 140

HSL 162.3, 0.24%, 0.5%

LAB 60.68, -24.05, 3.19

 

CMYK 14 / 0 / 4 / 46

HEX #768983

RGB 118 137 131

HSL 161.05, 0.07%, 0.5%

LAB 55.46, -8.11, 0.9

 

CMYK 0 / 17 / 12 / 45

HEX #8B747B

RGB 139 116 123

HSL 341.74, 0.09%, 0.5%

LAB 51.16, 10.2, -0.5

 

CMYK 72 / 0 / 60 / 22

HEX #38C750

RGB 56 199 80

HSL 130.07, 0.56%, 0.5%

LAB 71.05, -61.41, 47.94

 

CMYK 72 / 0 / 41 / 22

HEX #38C776

RGB 56 199 118

HSL 146.01, 0.56%, 0.5%

LAB 71.55, -55.64, 29.96

 

CMYK 72 / 0 / 22 / 22

HEX #38C79C

RGB 56 199 156

HSL 161.96, 0.56%, 0.5%

LAB 72.29, -47.64, 10.81

 

CMYK 72 / 0 / 3 / 22

HEX #38C7C2

RGB 56 199 194

HSL 177.9, 0.56%, 0.5%

LAB 73.27, -37.72, -8.36

 

CMYK 72 / 17 / 0 / 22

HEX #38A6C7

RGB 56 166 199

HSL 193.85, 0.56%, 0.5%

LAB 63.54, -20.04, -25.83

 

CMYK 72 / 0 / 21 / 47

HEX #26876B

RGB 38 135 107

HSL 162.68, 0.56%, 0.34%

LAB 50.45, -34.79, 7.09

 

CMYK 72 / 0 / 21 / 35

HEX #2FA784

RGB 47 167 132

HSL 162.5, 0.56%, 0.42%

LAB 61.57, -41.22, 8.73

 

CMYK 72 / 0 / 21 / 22

HEX #38C79D

RGB 56 199 157

HSL 162.38, 0.56%, 0.5%

LAB 72.31, -47.4, 10.31

 

CMYK 58 / 0 / 17 / 18

HEX #58D0AD

RGB 88 208 173

HSL 162.5, 0.56%, 0.58%

LAB 76.19, -42.02, 7.35

 

CMYK 45 / 0 / 13 / 15

HEX #78D9BD

RGB 120 217 189

HSL 162.68, 0.56%, 0.66%

LAB 80.34, -35.21, 4.92

 

CMYK 71 / 0 / 21 / 22

HEX #3AC69E

RGB 58.1 198.8 158

HSL 162.6, 0.56%, 0.5%

LAB 72.31, -46.78, 9.78

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 0 / 50 / 72 / 22

HEX #C76338

RGB 199 99 56

HSL 18.04, 0.56%, 0.5%

LAB 53.33, 36.71, 41.98

 

CMYK 71 / 0 / 21 / 22

HEX #3AC69E

RGB 58.1 198.8 158

HSL 162.6, 0.56%, 0.5%

LAB 72.31, -46.78, 9.78

 

CMYK 22 / 72 / 0 / 22

HEX #9C38C7

RGB 156 56 199

HSL 281.96, 0.56%, 0.5%

LAB 44.26, 62.45, -55.77

 

CMYK 0 / 22 / 72 / 22

HEX #C79C38

RGB 199 156 56

HSL 41.96, 0.56%, 0.5%

LAB 66.68, 5.92, 56

 

CMYK 71 / 0 / 21 / 22

HEX #3AC69E

RGB 58.1 198.8 158

HSL 162.6, 0.56%, 0.5%

LAB 72.31, -46.78, 9.78

 

CMYK 72 / 65 / 0 / 22

HEX #3846C7

RGB 56 70 199

HSL 234.13, 0.56%, 0.5%

LAB 36.64, 37.98, -68.61

 

CMYK 0 / 72 / 50 / 22

HEX #C73863

RGB 199 56 99

HSL 341.96, 0.56%, 0.5%

LAB 46.81, 58.86, 8.72

 

CMYK 0 / 7 / 72 / 22

HEX #C7B938

RGB 199 185 56

HSL 54.13, 0.56%, 0.5%

LAB 74.27, -9.42, 63.51

 

CMYK 71 / 0 / 21 / 22

HEX #3AC69E

RGB 58.1 198.8 158

HSL 162.6, 0.56%, 0.5%

LAB 72.31, -46.78, 9.78

 

CMYK 57 / 72 / 0 / 22

HEX #5538C7

RGB 85 56 199

HSL 252.17, 0.56%, 0.5%

LAB 35.76, 49.89, -69.98

 

CMYK 0 / 72 / 50 / 22

HEX #C73863

RGB 199 56 99

HSL 341.96, 0.56%, 0.5%

LAB 46.81, 58.86, 8.72

 

CMYK 15 / 0 / 72 / 22

HEX #AAC738

RGB 170 199 56

HSL 72.17, 0.56%, 0.5%

LAB 75.87, -28.58, 64.29

 

Description

Color code: RGB 58.1 198.8 158 | qconv.com Color code: RGB 58.1 198.8 158 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58.1 red, 198.8 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58.1 198.8 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 21 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 21% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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