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Color name
RGB 58.1 108.8 97

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58.1 108.8 97 it is the complementary color RGB 196.9 146.2 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58.1 108.8 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58.1 108.8 97 shade: RGB 63.1 108.8 92, RGB 80.1 126.8 111, RGB 97.1 144.8 130, RGB 114.1 162.8 149 and RGB 131.1 180.8 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58.1 108.8 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58.1 108.8 97 shade: RGB 58.1 108.8 97, RGB 41.1 90.8 78, RGB 24.1 72.8 59, RGB 7.1 54.8 40 and RGB 0 36.8 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58.1 108.8 97 shade: RGB 58 109 97, RGB 58 109 84, RGB 58 109 70, RGB 61 109 58 and RGB 74 109 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58.1 108.8 97 shade: RGB 58 109 97, RGB 58 107 109, RGB 58 93 109, RGB 58 80 109 and RGB 58 66 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58.1 108.8 97 shade matches the following richer shades: RGB 58 109 97, RGB 45 123 104, RGB 31 136 112, RGB 18 150 119 and RGB 4 163 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58.1 108.8 97 shade: RGB 58 109 97, RGB 72 95 90, RGB 86 82 83, RGB 99 68 75 and RGB 113 54 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58.1 108.8 97 shade: RGB 58 109 70, RGB 58 109 84, RGB 58 109 97, RGB 58 107 109 and RGB 58 94 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58.1 108.8 97 shade: RGB 30 55 49, RGB 44 82 73, RGB 58 109 97, RGB 73 136 121 and RGB 87 163 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58.1 108.8 97 shade: RGB 58.1 108.8 97, RGB 58 60 109 and RGB 109 77 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58.1 108.8 97 shade: RGB 58.1 108.8 97, RGB 97 58 109 and RGB 109 97 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58.1 108.8 97 shade: RGB 58.1 108.8 97, RGB 58 60 109, RGB 109 58 70 and RGB 109 107 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58.1 108.8 97 shade: RGB 58.1 108.8 97, RGB 72 58 109, RGB 109 58 70 and RGB 95 109 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 11 / 57

HEX #3A6C61

RGB 58.1 108.8 97

HSL 166.04, 0.3%, 0.33%

LAB 42.25, -20.2, 1.29

 

Complementary color

CMYK 0 / 26 / 20 / 23

HEX #C4929E

RGB 196.9 146.2 158

HSL 346.04, 0.3%, 0.67%

LAB 65.71, 20.89, 1.29

 

CMYK 42 / 0 / 15 / 57

HEX #3F6C5C

RGB 63.1 108.8 92

HSL 157.94, 0.27%, 0.34%

LAB 42.35, -19.99, 4.49

 

CMYK 37 / 0 / 12 / 50

HEX #507E6F

RGB 80.1 126.8 111

HSL 159.7, 0.23%, 0.41%

LAB 49.48, -19.76, 3.56

 

CMYK 33 / 0 / 10 / 43

HEX #619082

RGB 97.1 144.8 130

HSL 161.38, 0.2%, 0.47%

LAB 56.43, -19.53, 2.72

 

CMYK 30 / 0 / 8 / 36

HEX #72A295

RGB 114.1 162.8 149

HSL 163, 0.21%, 0.54%

LAB 63.24, -19.33, 1.95

 

CMYK 27 / 0 / 7 / 29

HEX #83B4A8

RGB 131.1 180.8 168

HSL 164.55, 0.25%, 0.61%

LAB 69.91, -19.16, 1.22

 

CMYK 47 / 0 / 11 / 57

HEX #3A6C61

RGB 58.1 108.8 97

HSL 166.04, 0.3%, 0.33%

LAB 42.25, -20.2, 1.29

 

CMYK 55 / 0 / 14 / 64

HEX #295A4E

RGB 41.1 90.8 78

HSL 164.55, 0.38%, 0.26%

LAB 34.95, -20.32, 2.28

 

CMYK 67 / 0 / 19 / 71

HEX #18483B

RGB 24.1 72.8 59

HSL 163, 0.5%, 0.19%

LAB 27.44, -20.28, 3.44

 

CMYK 87 / 0 / 27 / 79

HEX #073628

RGB 7.1 54.8 40

HSL 161.38, 0.77%, 0.12%

LAB 19.69, -19.86, 4.89

 

CMYK 100 / 0 / 43 / 86

HEX #002415

RGB 0 36.8 21

HSL 154.24, 1%, 0.07%

LAB 11.72, -18.13, 6.89

 

CMYK 47 / 0 / 11 / 57

HEX #3A6D61

RGB 58 109 97

HSL 165.88, 0.31%, 0.33%

LAB 42.31, -20.34, 1.38

 

CMYK 47 / 0 / 23 / 57

HEX #3A6D54

RGB 58 109 84

HSL 150.59, 0.31%, 0.33%

LAB 41.96, -23.53, 8.72

 

CMYK 47 / 0 / 36 / 57

HEX #3A6D46

RGB 58 109 70

HSL 134.12, 0.31%, 0.33%

LAB 41.66, -26.52, 16.61

 

CMYK 44 / 0 / 47 / 57

HEX #3D6D3A

RGB 61 109 58

HSL 116.47, 0.31%, 0.33%

LAB 41.59, -27.67, 23.46

 

CMYK 32 / 0 / 47 / 57

HEX #4A6D3A

RGB 74 109 58

HSL 101.18, 0.31%, 0.33%

LAB 42.31, -22.95, 24.52

 

CMYK 47 / 0 / 11 / 57

HEX #3A6D61

RGB 58 109 97

HSL 165.88, 0.31%, 0.33%

LAB 42.31, -20.34, 1.38

 

CMYK 47 / 2 / 0 / 57

HEX #3A6B6D

RGB 58 107 109

HSL 182.35, 0.31%, 0.33%

LAB 42.03, -15.96, -6.3

 

CMYK 47 / 15 / 0 / 57

HEX #3A5D6D

RGB 58 93 109

HSL 198.82, 0.31%, 0.33%

LAB 37.54, -7.89, -13.06

 

CMYK 47 / 27 / 0 / 57

HEX #3A506D

RGB 58 80 109

HSL 214.12, 0.31%, 0.33%

LAB 33.44, 0.16, -19.36

 

CMYK 47 / 39 / 0 / 57

HEX #3A426D

RGB 58 66 109

HSL 230.59, 0.31%, 0.33%

LAB 29.16, 9.33, -26.04

 

CMYK 47 / 0 / 11 / 57

HEX #3A6D61

RGB 58 109 97

HSL 165.88, 0.31%, 0.33%

LAB 42.31, -20.34, 1.38

 

CMYK 63 / 0 / 15 / 52

HEX #2D7B68

RGB 45 123 104

HSL 165.38, 0.46%, 0.33%

LAB 46.61, -28.71, 3.36

 

CMYK 77 / 0 / 18 / 47

HEX #1F8870

RGB 31 136 112

HSL 166.29, 0.63%, 0.33%

LAB 50.77, -34.93, 4.62

 

CMYK 88 / 0 / 21 / 41

HEX #129677

RGB 18 150 119

HSL 165.91, 0.79%, 0.33%

LAB 55.35, -40.48, 7.14

 

CMYK 98 / 0 / 23 / 36

HEX #04A37E

RGB 4 163 126

HSL 166.04, 0.95%, 0.33%

LAB 59.64, -44.81, 9.27

 

CMYK 47 / 0 / 11 / 57

HEX #3A6D61

RGB 58 109 97

HSL 165.88, 0.31%, 0.33%

LAB 42.31, -20.34, 1.38

 

CMYK 24 / 0 / 5 / 63

HEX #485F5A

RGB 72 95 90

HSL 166.96, 0.14%, 0.33%

LAB 38.38, -9.82, 0.02

 

CMYK 0 / 5 / 3 / 66

HEX #565253

RGB 86 82 83

HSL 345, 0.02%, 0.33%

LAB 35.28, 1.84, -0.01

 

CMYK 0 / 31 / 24 / 61

HEX #63444B

RGB 99 68 75

HSL 346.45, 0.19%, 0.33%

LAB 32.47, 14.53, 1.16

 

CMYK 0 / 52 / 40 / 56

HEX #713644

RGB 113 54 68

HSL 345.76, 0.35%, 0.33%

LAB 30.8, 27.63, 3.53

 

CMYK 47 / 0 / 36 / 57

HEX #3A6D46

RGB 58 109 70

HSL 134.12, 0.31%, 0.33%

LAB 41.66, -26.52, 16.61

 

CMYK 47 / 0 / 23 / 57

HEX #3A6D54

RGB 58 109 84

HSL 150.59, 0.31%, 0.33%

LAB 41.96, -23.53, 8.72

 

CMYK 47 / 0 / 11 / 57

HEX #3A6D61

RGB 58 109 97

HSL 165.88, 0.31%, 0.33%

LAB 42.31, -20.34, 1.38

 

CMYK 47 / 2 / 0 / 57

HEX #3A6B6D

RGB 58 107 109

HSL 182.35, 0.31%, 0.33%

LAB 42.03, -15.96, -6.3

 

CMYK 47 / 14 / 0 / 57

HEX #3A5E6D

RGB 58 94 109

HSL 197.65, 0.31%, 0.33%

LAB 37.86, -8.48, -12.57

 

CMYK 45 / 0 / 11 / 78

HEX #1E3731

RGB 30 55 49

HSL 165.6, 0.29%, 0.17%

LAB 20.94, -11.42, 0.72

 

CMYK 46 / 0 / 11 / 68

HEX #2C5249

RGB 44 82 73

HSL 165.79, 0.3%, 0.25%

LAB 31.92, -16.04, 1.05

 

CMYK 47 / 0 / 11 / 57

HEX #3A6D61

RGB 58 109 97

HSL 165.88, 0.31%, 0.33%

LAB 42.31, -20.34, 1.38

 

CMYK 46 / 0 / 11 / 47

HEX #498879

RGB 73 136 121

HSL 165.71, 0.3%, 0.41%

LAB 52.29, -24.14, 1.76

 

CMYK 47 / 0 / 11 / 36

HEX #57A391

RGB 87 163 145

HSL 165.79, 0.3%, 0.49%

LAB 61.88, -28.06, 2.06

 

CMYK 47 / 0 / 11 / 57

HEX #3A6C61

RGB 58.1 108.8 97

HSL 166.04, 0.3%, 0.33%

LAB 42.25, -20.2, 1.29

 

CMYK 47 / 45 / 0 / 57

HEX #3A3C6D

RGB 58 60 109

HSL 237.65, 0.31%, 0.33%

LAB 27.4, 13.37, -28.83

 

CMYK 0 / 29 / 47 / 57

HEX #6D4D3A

RGB 109 77 58

HSL 22.35, 0.31%, 0.33%

LAB 35.72, 10.91, 16.61

 

CMYK 47 / 0 / 11 / 57

HEX #3A6C61

RGB 58.1 108.8 97

HSL 166.04, 0.3%, 0.33%

LAB 42.25, -20.2, 1.29

 

CMYK 11 / 47 / 0 / 57

HEX #613A6D

RGB 97 58 109

HSL 285.88, 0.31%, 0.33%

LAB 31.05, 26.81, -22.8

 

CMYK 0 / 11 / 47 / 57

HEX #6D613A

RGB 109 97 58

HSL 45.88, 0.31%, 0.33%

LAB 41.38, -1.16, 23.94

 

CMYK 47 / 0 / 11 / 57

HEX #3A6C61

RGB 58.1 108.8 97

HSL 166.04, 0.3%, 0.33%

LAB 42.25, -20.2, 1.29

 

CMYK 47 / 45 / 0 / 57

HEX #3A3C6D

RGB 58 60 109

HSL 237.65, 0.31%, 0.33%

LAB 27.4, 13.37, -28.83

 

CMYK 0 / 47 / 36 / 57

HEX #6D3A46

RGB 109 58 70

HSL 345.88, 0.31%, 0.33%

LAB 31.16, 23.99, 2.66

 

CMYK 0 / 2 / 47 / 57

HEX #6D6B3A

RGB 109 107 58

HSL 57.65, 0.31%, 0.33%

LAB 44.34, -6.97, 27.63

 

CMYK 47 / 0 / 11 / 57

HEX #3A6C61

RGB 58.1 108.8 97

HSL 166.04, 0.3%, 0.33%

LAB 42.25, -20.2, 1.29

 

CMYK 34 / 47 / 0 / 57

HEX #483A6D

RGB 72 58 109

HSL 256.47, 0.31%, 0.33%

LAB 28.14, 18.8, -27.58

 

CMYK 0 / 47 / 36 / 57

HEX #6D3A46

RGB 109 58 70

HSL 345.88, 0.31%, 0.33%

LAB 31.16, 23.99, 2.66

 

CMYK 13 / 0 / 47 / 57

HEX #5F6D3A

RGB 95 109 58

HSL 76.47, 0.31%, 0.33%

LAB 43.76, -14.3, 26.66

 

Description

Color code: RGB 58.1 108.8 97 | qconv.com Color code: RGB 58.1 108.8 97 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58.1 red, 108.8 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58.1 108.8 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 11 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 11% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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